Literature in English, Anglophone outside British Isles and North America Commons^™

The Wh-Eye Of The Storm: How Zora Neale Hurston, Virginia Woolf, And Arif Anwar Fictionalize Extreme Weather In Their Works, Elena Vedovello

Pomona Senior Theses

In this thesis, I used Robin Wall Kimmerer’s and James D. Rice’s ideas of “ecological imagination” to analyze three twentieth and twenty-first century works that feature historical extreme weather events. American Harlem Renaissance writer Zora Neale Hurston introduces her fictional characters to the historical force of the 1928 Okeechobee Hurricane in her 1937 novel Their Eyes Were Watching God; British Modernist writer Virginia Woolf writes about the 1609 Great Frost in Orlando; and Bangladeshi author Arif Anwar sets his novel The Storm during and around the infamous Bhola Cyclone of 1970.

Although these authors and their novels stem …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Serious Play On The Fringes Of Empire: Zoë Wicomb, Thomas Pringle, And The Transnational Author, Simon Lewis

Studies in Scottish Literature

Discusses the novel Still Life (2020) by the Scottish/South African writer Zoë Wicomb, which portrays a contemporary novelist researching the life and significance of the Scottish/South African poet Thomas Pringle (1789-1834) through an imaginative collaboration with an early 20th century bellelettristic biographer (referencing Virginia Woolf's imaginative biography Orlando) and with the intervention of two African figures Pringle believed himself to have liberated, the West Indian ex-slave Mary Prince (c. 1788-1833) and Hinza, the Tswana boy memorialized in one of Pringle's best-known South African poems, suggesting that Wicomb's novel (and her oeuvre) present an important transnational version of authorial identity …

“The Worlding Game”: Queer Ecological Perspectives In Modern Fiction, Sarah D'Stair

Doctoral Dissertations

Cultural and literary theorists have been increasingly advocating for a posthuman ethic that challenges oppressive binaries of all kinds. In turn, the field of queer ecology, which investigates discourses of sex and nature for implicit heterosexism and androcentrism, has come to the fore. This dissertation, rooted firmly in this newer branch of ecocriticism, focuses on various inter-species environments imagined by early twentieth-century queer women writers. Each of their works, in different ways, challenges the naturalization of social hierarchies based on gender, sexuality, race, class, and species being reinforced in the burgeoning fields of sexology, psychology, and evolutionary biology. Their novels …

"Devoted To Influenza": An Analysis Of English And Nigerian Archival And Literary Depictions Of The 1918-1919 Influenza Pandemic, Kendra Klein

All NMU Master's Theses

This project examines how the 1918-1919 influenza pandemic is discussed in memoirs, letters, and fiction. I focus on both British and Nigerian sources to compare how different areas of the world portray the cultural significance of this disease. In the first chapter, I analyze two unpublished archival texts: the letters of Dorothy Sutton (1918), a nurse during World War I and the memoir of Private H.J. Youngman (1969). Both sources, housed in the collections of the Imperial War Museum in London, describe the symptoms and scope of the influenza pandemic. The chapter also looks at Virginia Woolf’s novel, Mrs. Dalloway …

Resonant Texts: Sound, Noise, And Technology In Modern Literature, Leah Hutchison Toth

Theses and Dissertations--English

“Resonant Texts” draws from literary criticism, history, biography, media theory, and the history of technology to examine representations of sound and acts of listening in modern experimental fiction and drama. I argue that sound recording technology, invented in the late 19th century, equipped 20th century authors including James Joyce, Virginia Woolf, Ralph Ellison, and Samuel Beckett with new resources for depicting human consciousness and experience. The works in my study feature what I call “close listening,” a technique initially made possible by the phonograph, which forced listeners to focus exclusively on what they heard without the presence of an accompanying …

A Single Day: Isolation And Connection In Virginia Woolf’S Mrs. Dalloway And Christopher Isherwood’S A Single Man, Hannah Williams

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Virginia Woolf's Publishing Archive, John K. Young

John K. Young

Woolf the publisher remains that “drab figure in the gray overalls” for many Woolf scholars, despite an abundance of archival material documenting Woolf’s role as publisher. The most familiar Woolf archives are of course the manuscripts and drafts, many now in print, that have inescapably changed the way we read Woolf’s published texts.

Language In The Silent Space: Virginia Woolf's To The Lighthouse, Elizabeth Hirt

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Virginia Woolf's Publishing Archive, John K. Young

English Faculty Research

Woolf the publisher remains that “drab figure in the gray overalls” for many Woolf scholars, despite an abundance of archival material documenting Woolf’s role as publisher. The most familiar Woolf archives are of course the manuscripts and drafts, many now in print, that have inescapably changed the way we read Woolf’s published texts.