Literature in English, Anglophone outside British Isles and North America Commons^™

Rewrite The Past And Remember The Future: How Expatriates Built An Independent Ireland, Morgan Grabowski

English Honors Papers

This paper seeks to answer the question “How did Ireland create a unique identity after gaining independence from England?” In order to answer that question, I analyzed five different Irish authors who wrote in a timeframe spanning the first half of the twentieth century. These authors are W.B. Yeats, Lady Gregory, Elizabeth Bowen, James Joyce, and Samuel Beckett. These authors, at one point or another, wrote texts which are considered Irish, while living abroad. Because of this, this paper focuses on their status as expatriates, and how that influenced their contributions to the Irish Literary Revival, which is the literary …

Poetry In A Troubling Time: Analyzing Several Poems Inspired By The Troubles In Northern Ireland, Michael Mccarthy

Claremont-UC Undergraduate Research Conference on the European Union

Most of the news about Northern Ireland for the past year has been about what effect Brexit will have on the North’s relationship with the Republic of Ireland. The discussion of eliminating the “soft-border,” and replacing it with a “hard- border,” which would see the reinstitution of checkpoints along the 500-kilometer border, continues to dominate international headlines. The EU has been attempting to allay concerns, and in March, President of the European Council Donald Tusk, traveled to Dublin and reaffirmed the EU’s commitment to avoiding a hard border and maintaining the peace process in the region (Stone, 2018). At the …

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

About Telling: Ghosts And Hauntings In Contemporary Drama And Poetry, Leif Erik Schenstead-Harris

Electronic Thesis and Dissertation Repository

It is difficult to think of something as formally resistant to definition as a ghost. What is more ambiguous than something described as “haunting”? Few currents in literature have been as prominent – and as comparatively unremarked – as the current critical and literary dependence on the language of spectrality. While ghost stories in prose have gained substantial attention, in drama and poetry ghosts and hauntings have found less critical purchase.

In response, this dissertation takes up a selection of drama and poetry from Ireland, South Africa, and the Caribbean to illustrate the theoretical and critical potential of ghosts and …