Literature in English, Anglophone outside British Isles and North America Commons^™

Merging Worlds—Tarot As Ekphrasis For Creative And Reflective Writing, Jacob Budenz

Online Midwinter Seminar (OMS)

Although ekphrasis is most commonly posited as a poetic tool—poetry responding to visual art—the practice of ekphrasis at its heart is a merging of worlds in which an artist of any medium interprets a work in a different medium. Likewise, a Tarot reader interprets imagery and symbolism through the medium of speech, applying old archetypes and images to unique, new problems or questions. In this workshop, I will present on the medium of ekphrasis as a poetic form using W.H. Auden’s poetic interpretation of Bruegel’s Landscape with the Fall of Icarus, itself an iconic work of mythopoeic ekphrasis. Then, I …

Speak Through The Drag—The Hidden (Trans-)/Woman In James Tiptree, Jr.’S ‘The Girl Who Was Plugged In’, Ziyang Zhang

Online Midwinter Seminar (OMS)

In 1973, James Tiptree, Jr. (Alice Sheldon) published a sci-fi novella The Girl Who Was Plugged In and won the Hugo Award for Best Novella in 1974. Its male narrator is a time-traveller from a near-future America, where he works for a capitalist company GTX—Global Transmissions Corporation. The heroine "P. Burke [...] willingly allows her grotesque body to be confined in a hi-tech cabinet while her mind remotely operates the beautiful but soulless cloned body of Delphi" (Hollinger 133).

In my research, I apply a framework of trans-feminism in reading The Girl Who Was Plugged In to challenge the binary …

Panel: The Fair And The Perilous: Online Experiences Of A Queer-Focused Tolkien Podcast, Alicia Fox-Lenz, Leah Hagan, Tim Lenz, Grace Moone

Online Midwinter Seminar (OMS)

The team behind Queer Lodgings: A Tolkien Podcast share the social media realities of producing content centered around LGBTQIA+ readings of Tolkien’s Legendarium. Discussion will include uplifting and diverse community events, backlash against the very idea of queer readings of Tolkien, targeted harassment campaigns involving large conservative media news outlets, and attempted erasure of well-documented historical instances of homophobia in Tolkien spaces. We aim to illuminate some of the darker corners of online fandom, and demonstrate the importance of accepting, tolerant spaces in which queer and diverse fans and scholars can share their personal interpretations of Tolkien’s worlds, characters, and …

Ancient Queer Bodies: The Gender Swapping Prophet, Basil Perkins

Online Midwinter Seminar (OMS)

Through an intersectional approach which positions sexuality and gender in direct

relation to cultural imperialism (O’Sullivan, 2021; Lugones, 2020), I aim to discuss the origins of Tiresias. (S)he is ubiquitous in ancient mythology: showing up in classicized texts such as Sophocles’ Oedipus Rex and Homer’s Odyssey. Interestingly too, Tiresias has been received since antiquity in texts such as Poulenc’s Les Mamelles de Tirésias, Woolf’s Orlando, and MacLaughlin’s Wake, Siren. Each receptive work transforms Tiresias through fantastical contexts and different temporalities. I aim to queer Western notions of temporality, in reading the contemporary along with the ancient. The bulk of my …

"A Legacy Forced, Not Given": "Otherness" And Rape In The Morte Darthur And Tracy Deonn's Legendborn, Lindsay Church

Online Midwinter Seminar (OMS)

Arthurian narratives have traditionally worked to establish the collective memory of a shared past that has resulted in them regularly aligning with hegemonic ideologies. The continual retelling and adaptation of the Arthurian narrative can thus be recognized as consistently relying on and upholding a narrow understanding of who is accepted within the borders of Camelot and who is made Othered, and often monstrous, by those borders. However, there has been an increase in scholarship that has begun to read and write Arthurian literature from the ‘Other side’ in a way that asks readers to consider who the Arthurian mythos have …

Reading, Rending, And Queering The Web Of Story With The Lens Of “Con-Creation” And Process Theology, Cameron Bourquein, Nick Polk

Online Midwinter Seminar (OMS)

Recent scholarship has addressed the connected problems of Tolkien as “Author/Author(ity)” and the exclusivist readings of Tolkien’s work that follow this construction (Chunodkar, Emanuel, Reid). This “constructed Tolkien” seems to parallel common readings of his Legendarium’s own Creator God, Eru—understood as the monolithic “Author” of Ea. Yet “subcreation” within Tolkien’s narrative and extra-narrative works is routinely exhibited not as monolithic but rather as literally (and figuratively) multivocal, and hence inherently queer.

In this paper Cameron will propose that the Legendarium can be read through the lens of “con-creation” (the total choice-making activity of all rational beings) both internally as events …

No Place: The Queer Utopia Of Liminality, Harry Gallagher

Online Midwinter Seminar (OMS)

My proposal is a paper on the inherent queerness of the liminal in Jeff Vandermeer’s works, through examples such as the transitional narrative present in the transformation of the Biologist in Annihilation. Especially pertinent is the inherent fighting of Yonic/Phallic imagery happening between her interpretation of a concrete structure as a tower as opposed to a tunnel, which is important to understanding how the Biologist’s trans-masculinity manifests symbolically in the narrative as antithesis to the other cis women on the expedition. Vandermeer’s liminal space in Dead Astronauts also connects to the characters of Moss, a non-binary life form who exists …

Towards An Ethos Of Discussing In-Corporeal Gender In Fantasy Literature: Part I – A ‘Feminine’ Eldil And A ‘Masculine’ Vala, Luke Shelton

Online Midwinter Seminar (OMS)

Over the course of the COVID-19 pandemic, many people engaged with others on social media in ways that they had not before. During this time, I was excited to see many new interpretive communities begin and to listen to the kinds of conversations these groups would have about Tolkien. One such conversation that stuck out to me was the way in which I saw some fans interpret Tolkien’s description of the physical characteristics of the Valar. I also happened to be reading through C.S. Lewis’ space trilogy when I saw many of these conversations. I felt that there were several …

I'D Rather Be A River Than A Man: The Trans Jewish Golem/ Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Dean Leetal, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

I'd Rather Be a River than a Man: The Trans Jewish Golem Dean Leetal

This critical commentary revisits the Jewish story of the Golem and reads it as a transgender text. Some say that the Golem inspired Mary Shelley's Frankenstein, a story famously interpreted by Susan Stryker as an allegory for her own trans experience: living on the edge of society, her humanity debated, defined by a morally questionable medical establishment. But there are important differences between Frankenstein and the Golem. The Golem is brought to life through language, particularly the Hebrew word ‘emet,’ and is an animated clay tasked …

A Queer Reading Of Octavia Butler’S Kindred, Marietta Kosma

Online Midwinter Seminar (OMS)

Throughout Octavia Butler’s Kindred the author raises numerous tensions around the notions of accessibility, disability, equality, and inclusion, exposing the crisis of black futures. My analysis focuses on the way that queerness informs the protagonist Dana’s experiences in the context of slavery, her positioning in the contemporary discourse of neo-liberalism, and her positioning in the prospective future. Very few scholars perceive Dana’s subjectivity as an actual state of being that carries value both materially as well as metaphorically. The materiality of queerness has not constituted part of the larger discourse of the American slave system. By examining how Butler renders …

Sauron, Seduction, And The Queering Mechanism Of The Ring, Mercury Natis

Online Midwinter Seminar (OMS)

It has often been argued that Sauron is barely present in the Lord of the Rings, existing as a villainous presence on the margins of the narrative. This paper will argue that Sauron is actually present throughout the entire narrative, as manifested in the Ring, and through the Ring’s presence as a queering device. The Ring acts out Sauron’s seduction mechanism, a defining character trait as portrayed in the Silmarillion. It is this seduction mechanism that allows the Ring to act as a queering agent throughout the narrative. Ring-lust is inherently queer as it projects a male-presented character’s seductive powers, …

Asexualities, Aromantics, And Autists In Epic Fantasy By Tolkien And Goddard, Robin Anne Reid, Rory Queripel

Online Midwinter Seminar (OMS)

The Mariner (and his wife): Rethinking Aldarion’s (A)sexuality Rory Queripel

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work (Fitzsimmons, 2015), cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting (Rosenthal, 2004). However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple.

This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that …

Closeted Gays Take Hide, A Lamia Has Been Untied: Bbc Merlin And Queer Experiences Beyond Queer Joy, Anna Caterino

Online Midwinter Seminar (OMS)

A decade after its finale, online fandoms have started labeling Merlin (2008-2012) as “date your bully 101” (theroundbartable), a story written by people “giving each other blowjobs while they talk about how much they deserve servants” (vhagarswattle). In light of the most recent models of queer representation, such takes are to be expected. Even so, Merlin is not a mere case of “hoyay” (Kohnen 201-2012) nor does it engage in queerbaiting or use the “Bury Your Gays” trope. The text is tied to the socio-political landscape of the late 2000s which serves as foundation for the show’s tragedy and, although …

Our Flag (And Spaceship) Means Queer: Monstering The Majority Culture, Sara Brown, Kristine Larsen

Online Midwinter Seminar (OMS)

Although the television series Our Flag Means Death presents on the surface as a romantic comedy, it is enhanced by mythic elements that infuse the narrative with a clear sense of the fantastic. Here, the pirates exist in a Secondary World that openly draws upon the Primary (both in terms of historiography and legend); hence 18th-century piracy and British colonialism can interact seamlessly with human-to-animal-transformations (paying homage to the Greek myth of Ceyx and Alcyone) without seeming either disconcerting or anomalous – all co-exist comfortably in Faerie. OFMD both inverts and deconstructs mythopoeia; the Primary World myths of the Gentleman …

Gazing Queerly: The Art And Text Around Saruman’S Non-Normativity, Christopher Vaccaro

Online Midwinter Seminar (OMS)

The queer is often defined by its relation to normativity. Michael Warner’s The Trouble with Normal situates queerness in opposition to normalcy, even gay normalcy. Karma Lochrie’s Heterosyncrasies: Female Sexuality When Normal Wasn’t deconstructs a monolithic hetero-normativity. Within the fantasy genre, protagonists frequently reside in a queer relation to normative communities. J. R. R. Tolkien quite often depicts his major characters within his mythopoeic framework as in some way outside of the normal; they’re often odd, fringe outsiders in relation to the larger community to which they are a part. The texts of his legendarium present this queerness fairly clearly—so …

Tolkien’S Queer Landscape: Three Papers On Middle-Earth’S Heterotopias, Will Sherwood, Marita Arvaniti, Mariana Rios Maldonado

Online Midwinter Seminar (OMS)

The following papers will explore Tolkien’s queer landscapes of Middle-earth: from Arda’s highest peaks and hidden underbellies, to her liminal, fae places, using the lens of Michel Foucault’s heterotopias.

Marita Arvaniti will introduce the panel and discuss Tolkien’s Faerian Drama and its relationship to the much-maligned Tom Bombadil episode, focusing on the queer figure of Tom Bombadil himself and his heterotopic domain.

Mariana Rios Maldonado will analyse the Barrow-downs, Dead Marshes, and Paths of the Dead as symbolic sites of death created during harrowing moments in the history of Middle-earth. These are no-places: spaces of Otherness containing the evil and …

Welcome And Announcements, The Mythopoeic Society

Online Midwinter Seminar (OMS)

Join us for a screening of the Welcome and Announcements video in the 'Track 1' room, and have a cup of coffee before we get started!

Feminist Phenomenology And First-Person Narrative: Understanding Gender And Social Conflict In Anna Burns’ Milkman, Sushree Routray, Rashmi Gaur Professor

Comparative Woman

In her magnum opus Milkman (2018), Anna Burns employs a subversive and artfully crafted first-person narrative, deftly exposing the arduous and tumultuous struggles encountered by individuals who dare to defy the confines of traditional gender roles. Through a relentless and unflinching narrative, the novel fearlessly confronts the harrowing manifestations of psychological torment, the insidious spectre of relentless stalking, and the manipulative machinations of gaslighting, all the while fervently interrogating the notion of a fixed and immutable gender identity. In a relentless odyssey toward self-realization, the protagonist's journey unfurls against a backdrop of traumatic events and the unyielding pressures imposed by …

Auden: Body/Mind, Basil Lloyd-Moffett

CMC Senior Theses

On one hand Auden appears the most cerebral of poets. It is said that when he arrived at school, aged eight, he professed himself excited to study the different psychological types, and the cryptic verse that was to emerge over a decade later bears the scars of his reading, psychological or otherwise, as clearly as the relentlessly analytical Dichtung und Wahrheit and other late works.Absorbing and repurposing philosophical, psychological, religious, and scientific works was an essential part of his artistic strategy, and led to credible accusations of plagiarism on a number of occasions.And just as his collaborators and friends mocked …

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Editor's Preface, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Self-Consciousness And Alienation In Pirandello's One, No One, And One Hundred Thousand, Francesco Satta

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Swashbuckling Politicians, Silas Fier

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Wilfred Owen And Shell Shock: The Initial Sympathetic Understanding Of Ptsd, Rachel Eubanks

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Submission Guidelines, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 26, 2024, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Colonial Body-Logic In George Orwell's Burnese Days: A Contrapuntal Critique, Riley Mays

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Reimagining The Refugee Figure: Survival Migration And Its After-Affects, Gabriella Pishotti

Graduate Theses, Dissertations, and Problem Reports (ETD)

As the refugee crisis continues to worsen, so too will the field of refugee literature continue to expand into new directions to account for shifts in the refugee figure and developing concerns of survival migrant writers. Drawing from the foundational work of scholars such as Sianne Ngai and Sara Ahmed, I use affect theory as an intervention into these contemporary refugee texts to posit a rethinking of how we analyze refugee stories as narratives of crisis. I employ an affective approach to demonstrate how the emergency of forced migration can be narratively depicted in an embodied way that fosters connection …