Children's and Young Adult Literature Commons^™

The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui

Online Midwinter Seminar (OMS)

The paper will examine the nature of the damned in Jeffrey Konvitz’s 1970s pulp horror novel The Sentinel by using a framework utilized by C.S. Lewis in The Great Divorce, wherein damnation involves a species of spiritual blindness that masquerades as righteousness and shields the damned (for a time) from an awareness of their ultimate condition. Specifically, the paper will provide a character analysis of the co-protagonist Michael, arguably one of Konvitz’s more complex literary creations, and the role he plays in briefly elevating a generic genre-contrived plot into the realm of true spiritual horror. While making such a …

Welcome And Announcements, Mythsoc Stewards

Online Midwinter Seminar (OMS)

Welcome and Announcements

Join us for a screening of the Welcome and Announcements video, and have a cup of coffee before we get started!

Novela Negra Y Rol: Adaptación Del Género Hacia Nuevas Narrativas, Daniel Romero Benguigui

Journal of Roleplaying Studies and STEAM

En sus orígenes, la novela negra llegó a presentarse como una experiencia lúdica, donde se invitó a los participantes a resolver el caso antes de finalizar la velada. De igual manera, los juegos de rol también proponen un desafío para los jugadores, también mediante un conjunto de reglas que aseguran el juego limpio.

Además, estos han demostrado su vinculación a lo literario al adaptar diferentes géneros a los sistemas empleados para el juego, ya fuera la fantasía épica (Dungeons and Dragons, Anima: Beyond Fantasy), el terror cósmico (Llamada de Cthulhu, Rastro de Cthulhu) o …

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

Terry Pratchett’S Witches Novels And The Consensus Fantasy Universe: A Feminist Perspective, Clair J. Hutchings-Budd Ms

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Abstract

Between 1987 and 2015, Terry Pratchett published eleven novels and one short story within his Discworld universe that came to be known as his “Witches” sub-series. In these texts he engaged with the narrative imperatives, preoccupations, and tropes which together make up the consensus fantasy universe, and those deeper mythologies and legendarium with which the author necessarily has an intertextual relationship. This paper focuses upon one aspect of that consensus universe, which is the difference between male and female magical practitioners—witches and wizards—in the fantasy canon, and how Pratchett sought to challenge and subvert the stereotypes of the genre …

The One Ring Of King Solomon, Giovanni Carmine Costabile

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Tolkien source criticism has long been looking for the source of the One Ring in the wrong places. Neither the historical ispiration from World War II and the Atomic Bomb nor the proposed literary influences such as the Ring of the Nibelungs, Wagner's Ring, or the several examples of invisibility rings found in world literature may suffice to explain the complexity of Tolkien's unique creation. Nonetheless, the same cannot be said so easily with regards to another possible source once we survey the richness of the related legends: it is the fabled signet ring of King Solomon.

Tolkien, Enchantment, And Loss: Steps On The Developmental Journey By John Rosegrant, Timothy K. Lenz

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley

Senior Honors Theses

In Peter Pan, Sir James Barrie welcomes readers into Neverland, the realm of eternal youth. Barrie’s lesser-known play, Dear Brutus, ushers audiences into a supernatural garden free of responsibility, reality, and permanence. Referring to Cassius’ words in Shakespeare’s Julius Caesar, the 1917 tragedy explores the consequences of romantic escapism and the seductive power of second chances. Through the lens of Freud’s and Lacan’s psychological criticism, and Barrie’s connection to his might-have-been daughter, Margaret, Dear Brutus unveils the plight of eight mysterious strangers by illustrating that all adults are lost children. Dear Brutus feels in many ways like …

Tellers Of Dark Fairy Tales: Common Themes In The Works Of C.S. Lewis And Terence Fisher, Gabriel C. Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article explores connections between C.S. Lewis and filmmaker Terence Fisher, notably how their works explore themes like the charm of evil, white magic’s dubious nature, and myth hinting at divine truths. By viewing these themes, Fisher and Lewis’s common views on fairy tales, and how feedback informed their work, scholars discover nuance in the perceived “Inklings versus secular British culture” dichotomy.

Awdry V. British Rail: The Politicization Of Thomas The Tank Engine, Matthew J. Bea

The Forum: Journal of History

No abstract provided.

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

Women And Supposition: The Chronicles Of Narnia And Biblical Womanhood, Carolyn Dailey

Honors Projects

Supplemented by C.S. Lewis' works in theology, predominately Mere Christianity, and 'Priestesses in the Church?" as well as sources from other theologians, and historians, this paper explores the relationship between Christian tradition and Biblical womanhood that is expressed in C.S. Lewis's The Chronicles of Narnia. This paper finds that C.S. Lewis drew more from the core tenets of love and equality that exist at the heart of Christianity rather than from traditional Christian beliefs, including some he held himself. In doing this, he crafted an imaginative fiction that affirms Biblical womanhood.

Tolkien, Cline, And The Quest For A Silmaril, Tom Ue, James Munday

Online Midwinter Seminar (OMS)

J. R. R. Tolkien has had a significant influence on American writer Ernest Cline. In Ready Player One (2011), the character Ogden Morrow invites Wade and his friends to his mansion, which is modelled after Rivendell from Peter Jackson’s The Lord of the Rings films (2001- 03). Cline goes further in his sequel Ready Player Two (2021) by staging a part of Wade’s virtual quest on Arda I, the First Age of Middle Earth. In this paper, we focus on this episode and, in so doing, argue for Cline’s insights into how we approach fantasy. First, we attend to the …

Who’S His Daddy? Approaches To Merlin’S Father In Children’S And Ya Media, Michael Torregosa

Online Midwinter Seminar (OMS)

In the 1130s, Geoffrey of Monmouth originated the character of Merlin, setting him upon the world stage as a wonder-working youth fathered (in the tradition of Greek and Latin authors of the past) by a daemon. However, later writers of the Middle Ages, beginning with Robert de Boron, reconceived Merlin within a more Christianized world, altering his heritage and transforming his sire into a demon from Hell. This shift from benign daemon to malevolent demon has impacted the representation of the wizard of Camelot for centuries. Contemporary fiction for the page as well as for the screen has adopted and …

"Shivering Trees": Horror Monstrosity In Selected Stories From Tolkien’S The Silmarillion, Elise Mckenna

Online Midwinter Seminar (OMS)

In The Silmarillion, Tolkien used conventions of horror within the setting of Arda. To begin with, the entire world, which is monstrous, is in upheaval with mountains being raised and valley being delved, lanterns of light created, and huge beings walking the land. Then, these landscapes are torn down, the lights are smashed and go out, and new creatures of horror prowl the world. The differences between the portrayals of monstrosity on a grand scale border the grotesque and the sublime. Monstrous beings, Valar and Maiar, command the elements of earth, air, fire, water. They have pre-ordained roles that …

The Story, The Narrator And The Reader: Mediated Horror In C.S. Lewis’S Narniad, William Thompson

Online Midwinter Seminar (OMS)

In her introduction to Reading in the Dark: Horror in Children’s Literature and Culture, Jessica R. McCort defines horror for children and young adults as a hybrid genre, one having its roots in both the gothic and the nineteenth-century fairy tale. She explains that the exploration of dark forces in children’s books is often not limited to those tropes traditionally associated with the horror genre for adults: “Think of the books that are considered children’s classics. The best of them contain dark forces of one kind or another, as well as internal battles between the light and the dark: …

Environmental Horror And Restoration: Tolkien And Today, Jessica Dickinson Goodman, Caitlin Rottler

Online Midwinter Seminar (OMS)

J.R.R. Tolkien never forgot the felling of a willow tree that had overlooked the mill-pool in Sarehole, nor how his former climbing companion had been left to rot in the grass. His horror at that small environmental violence bleeds through his works, from poems like “From the many-willow’d margin of the immemorial Thames” (1913) to the Party Tree in The Hobbit (1937) to a letter to The Daily Telegraph in 1972 when he decried the modern “torture and murder of trees.” This presentation will draw on the excellent foundations laid by Dinah Hazell, as well as the father-son pair of …

Nature And Horror In Tolkien’S Legendarium, Julia Bowers

Online Midwinter Seminar (OMS)

Tolkien incorporates horror in his legendarium through the twisting of the natural world in order to signal upcoming dangers to his characters. This creates a dichotomy between the idyllic natural world that represents good in his works and the twisted natural world that has been tampered with by evil. Most of the focus on Tolkien’s portrayal of nature looks at the conflict between nature and technology; the natural world of Middle-earth is portrayed as more complex than merely all nature being good. His natural settings take on an eerie tone to convey a sense of horror to the reader as …

Charles Williams' P'O- L'U - The Cthulhu Connection, Eric Rauscher

Online Midwinter Seminar (OMS)

This presentation delineates the connections between horrific elements in the work of H.P. Lovecraft and the situation of P’o-L’u from Charles Williams.

Delight In Horror’: Charles Williams And Russell Kirk On Hell And The Supernatural, Camilo Peralta

Online Midwinter Seminar (OMS)

Charles Williams has always been one of the more overlooked members of the Inklings, and the continued neglect of his poetry and “supernatural thrillers” suggests that he is not likely to experience a dramatic increase in popularity anytime soon. Similarly, Russell Kirk is an American historian who will always be better known for writing The Conservative Mind in 1953 than for any of the dozens of short stories and novels he wrote, many of which deal with ghostly or supernatural themes. In fact, Kirk acknowledged Williams to be an important influence on his fiction; this influence is perhaps most evident …

White Shadows, Black Riders And Restless Wights: Undead Horror Monsters In The Fantasy Worlds Of J.R.R. Tolkien And George R.R. Martin, Franz Klug

Online Midwinter Seminar (OMS)

The proposed essay aims at comparing J.R.R. Tolkien’s Nazgûl and barrow-wights with the white walkers (also known as “the Others”) and wights from George R.R. Martin’s A Song of Ice and Fire. To begin with, the folkloric/mythological templates for these sub-created monsters would be scrutinized. The introductory ascription of source material would be followed by an analysis of these creatures as horror monsters and gothic elements within the fantasy worlds of Tolkien and Martin. This analysis would also be linked to addressing the question of how the gothic/horror genre influenced the fantasy worlds of both authors, and as in …

Adoring The Head Of Alcasan: Posthuman Horror And Anticipatory Corpse In Lewis’S That Hideous Strength, Mark Brians

Online Midwinter Seminar (OMS)

At the pinnacle of Lewis’ That Hideous Strength (2003) is the reanimation of the decapitated head of Francois Alcasan. The sheer biological persistence that is afforded to it by the biosynthetic technics of medicinal artifice, allows the head to be possessed by “macrobes”— maleficent spiritual beings imprisoned within the circle of the moon. The goal of this reanimation project is purportedly “the conquest of death […] to bring out of that cocoon of organic life […] the man who will not die, the artificial man, free from Nature. Nature is the ladder we have climbed up by, now we kick …

The Overlooked Vampire: Might Macdonald’S Lilith Be Repopularized?, A. J. Prufrock

Online Midwinter Seminar (OMS)

Lilith (1895) is George MacDonald’s premier work of symbolic fiction. W.H. Auden asserts that Lilith is “equal, if not superior, to the best of Poe." A cursory reading of the novel reveals much in Narnia can be traced directly to passages. Why has MacDonald’s Lilith received so little commentary and why is it picked up and then put down by even avid readers of fantasy? Universalist theology and chauvinism have been blamed, but literary style is unarguably the main stumbling block. C.S. Lewis, who says of MacDonald, “I fancy I have never written a book in which I did not …

Tolkien As A Folk Horror Author, Monica Sanz

Online Midwinter Seminar (OMS)

Folk Horror, although being identified as a cinematographic genre quite recently, sinks its roots in an undeniable tradition of English writers who used English rural landscapes, ancient beliefs and culturally differentiated communities as humus for their prose and poetry. From the literary tradition of the 8th Century on, creatures and beliefs belonging to dark times have left their mark on our literature, traditions and folklore. Tolkien, as a philologist, was well aware of the hints and bits of these almost unknown legends and creatures left in our language, in the form of loose words, etymologies and fragmentary texts. In this …

More Than Midnight Feasts?: A Gastrocritical Reading Of Enid Blyton’S Malory Towers, St. Clare’S And The Naughtiest Girl In The School Series, Rebecca Broomfield

Dissertations

Food is fundamental to life. It is also fundamental to culture; through our production, manipulation and consumption of foodstuffs, the way in which we eat has amassed a range of rituals and rules. This suggests that food can be used to indicate more than mere biological need. Food and foodways are a common occurrence throughout literature, not least children’s literature. This thesis applies gastrocriticism as a paradigm to investigate the use of food and foodways in Enid Blyton’s Malory Towers, St. Clare’s and The Naughtiest Girl school series. Gastrocriticism is an emerging form of literary criticism that considers the complex …

The Tragedy Of Caspian: C. S. Lewis And His Trauma, Chandler Hanton

College of Graduate Studies: Theses & Dissertations

This thesis reconsiders C.S.Lewis’ The Chronicles of Narnia as a type of scriptotherapy that enabled Lewis to process and come to terms with a life full of serious and significant traumatic events. Trauma theory offers a vehicle for us to consider the alignments and connections between Lewis himself and his fictional creation, Caspian. In the specifics of both characterization and incident, Lewis mirrors the events and relationships that instilled and healed the trauma in his own life. In situating Caspian as his alter-ego, Lewis allowed his writing to function as a gender-specific therapeutic process for addressing the effects of his …

"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow

Graduate Theses/Dissertations

Arthurian literature has long been regarded as the domain of “dead white men,” dominated by Thomas Malory and Lord Alfred Tennyson. However, since medieval times, women have also been producing Arthurian literature that not only treats the women characters of the story more equitably, but makes social commentary on how the marginalized of their societies are treated. More recently, women and LGBTQ+ authors (basically, authors who are not cisgender white men) have answered the call for more diverse Young Adult literature with an Arthuriana that has a place for all, both creating a more diverse and equitable Camelot and giving …

From Byronic To Gothic Blood Sucker: Subversion Toward A Non-Gendered Identity, Hannah Hoover

Electronic Theses and Dissertations

Analyzing Emily Bronte’s Wuthering Heights and linking trends of the Byronic hero that have merged into a variety of genres reveal that the hero is a mode of subversive gender expression, which has evolved within the Gothic through feminine desire. Delving into Bram Stoker’s Dracula will provide unique insight into the audience’s desires/expressions of gender. Finding the transition point from the monster vampire of Dracula to Stephanie Meyer’s desirous, sparkling boy-next-door in Twilight will track the trajectory of gender and sexual norms through time. From the foundational adaptation of the Byronic hero in Wuthering Heights to the repressed vampiric desire …

Six Impossible Things Before Breakfast: Girlhood In The Creation, Content, And Consumption Of Victorian Children’S Literature, Betsy Barthelemy

English Honors Projects

The Golden Age of (British) Children’s Literature was famous not only for the proliferation of fiction it hosted, but also for how much of that work featured young heroine protagonists. Starting with the publication of Alice’s Adventures in Wonderland (1865) and examining two other fantasy works compared with three realistic children's novels from this half-century period, this project elucidates the differences between these genres and examines how authors used the characteristics of each to empower their heroines. It argues that these fictitious heroines influenced real-world readers to create progressive futures by providing examples of rebellious girl characters finding happy endings.

Contemporaries & Other Inklings Collection Finding Aid, Taylor University

Finding Aids

The Contemporaries & Other Inklings Collection features a variety of rare books, pamphlets, and articles written by and about members of the Inklings and those who were their friends or inspirations. Please refer to the separate finding aids for these authors: C. S. Lewis, Charles Williams, Dorothy L. Sayers, George MacDonald, and Owen Barfield.
Last Updated: August 29, 2022