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Articles 331 - 360 of 361
Full-Text Articles in English Language and Literature
Where Do Elves Go To? Tolkien And A Fantasy Tradition, Norman Talbot
Where Do Elves Go To? Tolkien And A Fantasy Tradition, Norman Talbot
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
The departure of the Elves from Middle-earth haunted Tolkien’s imagination, but it has also fascinated many other writers before and since. After Kipling and Tolkien, the twin pivots in recent literary ideas about Elves, the destiny of the Elves is being treated in more and more diverse ways. But Hy Braseal is so hard to imagine, given the Americas in this century: how can the people of the starlight still “go west”? Most go “in” instead, into humanity or into places (and computer programs) with that special Elf-friendly charge.
A Buddhist's Shakespeare: Affirming Self-Deconstructions (Book Review), Sidney Gottlieb
A Buddhist's Shakespeare: Affirming Self-Deconstructions (Book Review), Sidney Gottlieb
Communication, Media & The Arts Faculty Publications
Book review by Sidney Gottlieb.
Howe, James. A Buddhist's Shakespeare: Affirming Self-Deconstructions. London and Toronto: Fairleigh Dickinson Press, 1994.
ISBN 9780838635223
"I Do Know Your Tongue": The Shakespeare Editions Of William Rolfe And H. H. Furness As American Cultural Signifiers, Stephen Petersen
"I Do Know Your Tongue": The Shakespeare Editions Of William Rolfe And H. H. Furness As American Cultural Signifiers, Stephen Petersen
The Kentucky Review
No abstract provided.
"That Reason Wonder May Diminish": As You Like It, Androgyny, And The Theater Wars, Grace C. Tiffany
"That Reason Wonder May Diminish": As You Like It, Androgyny, And The Theater Wars, Grace C. Tiffany
English Faculty Publications
No abstract provided.
A Philosophical Investigation Of Sexual Jealousy And Jealousy In Shakespeare's Othello, Cymbeline, And The Winter's Tale, Greg P. Miner
A Philosophical Investigation Of Sexual Jealousy And Jealousy In Shakespeare's Othello, Cymbeline, And The Winter's Tale, Greg P. Miner
Undergraduate Honors Capstone Projects
Many poets, social scientists, and philosophers have tried to understand, explain, and define jealousy. The methods employed in their pursuits are as varied as the different conclusions they have given. Three of the difficulties involved in the pursuit of jealousy are: the complex nature of jealousy, the significant role jealousy plays in interpersonal relationships, and the labyrinth encountered when trying to distinguish between jealousy and envy. The most common questions asked about jealousy are: What is jealousy? and, How can jealousy be helped? This paper will focus on the question: What is jealousy? Specifically, the following questions will be answered. …
The Punctator's World: A Discursion (Part Four), Gwen G. Robinson
The Punctator's World: A Discursion (Part Four), Gwen G. Robinson
The Courier
This, the fourth in a series of essays on the history of punctuation, deals with Renaissance and Jacobean England, a period of intense experiment both in language and in the bookmaking arts. Printing, now fully in action, governed the public perception of what looked best on the page and how text should be pointed and spelled. Special attention is given to authors such as William Shakespeare and Ben Jonson.
"Dark Lady And Fair Man": The Love Triangle In Shakespeare's Sonnets And Ulysses, Michelle Burnham
"Dark Lady And Fair Man": The Love Triangle In Shakespeare's Sonnets And Ulysses, Michelle Burnham
English
The article discusses the novel "Ulysses" by the Irish author James Joyce, and argues that he used sonnets by the dramatist and poet William Shakespeare suggesting love triangles between the poet, a dark lady, and a young man as a model for the love triangle between the characters Leopold Bloom, Molly Bloom, and Blazes Boylan. Joyce's interest in adultery as a literary theme is also touched on.
Macbeth And The Meaning Of Tragedy, Joseph A. Bryant Jr.
Macbeth And The Meaning Of Tragedy, Joseph A. Bryant Jr.
The Kentucky Review
No abstract provided.
Truth Tired With Iteration’: Myth And Fiction In Shakespeare’S Troilus And Cressida, Mihoko Suzuki
Truth Tired With Iteration’: Myth And Fiction In Shakespeare’S Troilus And Cressida, Mihoko Suzuki
English Articles and Papers
An abstract for this item is not available.
The Fool As A Provisional Role In Shakespeare: Three Examples, Santha Cassell
The Fool As A Provisional Role In Shakespeare: Three Examples, Santha Cassell
Honors Papers
In his essay "Jacobean Shakespeare," Maynard Mack explains the system of "mirroring" that produces Shakespeare's depth and unity. A "mirror" is an element that creates a dialogue with other elements, and weaves the thematic fabric of the play. This process takes place between motifs, parallel scenes, and characters who echo each other or "speak each other's minds." Very often, the mirroring character or catalyst is the licensed fool. with dramatic permission to say anything, and a reputation and tradition of madness, the fool both reveals the truth and obscures it with his inverted, debased, or metaphoric language. Just as an …
The Duke Of Dark Corners: Toward An Interpretation Of Measure For Measure's Duke Vincento, Jan Funk
The Duke Of Dark Corners: Toward An Interpretation Of Measure For Measure's Duke Vincento, Jan Funk
Masters Theses & Specialist Projects
The multiple and widely varying interpretations of Duke Vincentio in Shakespeare's Measure for Measure can be reconciled and made into a consistent interpretation by the application of a framework consisting of both literary and Elizabethan conventions as well as a view of comedy that accepts the comic function of movement toward identity as comedy's goal. Duke Vincentio is the comic drive in the play. His behavioral motives are based on his sincere concern for his constituency and his courageous use of his power during a time when reform is vital. The morally equivocal means he sometimes employs are justified by …
"The Power Of Speech/ To Stir Men's Blood": The Language Of Tragedy In Shakespeare's Julius Caesar, Gayle Greene
"The Power Of Speech/ To Stir Men's Blood": The Language Of Tragedy In Shakespeare's Julius Caesar, Gayle Greene
Scripps Faculty Publications and Research
In the Rome of julius Caesar, language is power and characters rise or fall on the basis of their ability to wield words. Their awareness of the importance of language is indicated by terms they associate with it.
"Fair Terms & A Villain's Mind:" Shylock In Perspective, Montreva Calhoun
"Fair Terms & A Villain's Mind:" Shylock In Perspective, Montreva Calhoun
Masters Theses & Specialist Projects
While The Merchant of Venice has long been one of Shakespeare's most popular plays, it has also been one of the most controversial with Shylock being the hub of the conflict. Critics have long been arguing whether this great character is a tragic hero or a larger-than-life villain. Those opting for the first often believe the playwright guilty of anti-semitism, and those following the latter consider Shylock the embodiment of evil. Very few critics have viewed this character as three dimensional, possessing human dignity as well as a capacity for evil.
The first chapter reveals the many sources for both …
Antony & Cleopatra: A Study In Polarities, Mary Yarbrough
Antony & Cleopatra: A Study In Polarities, Mary Yarbrough
Masters Theses & Specialist Projects
In reading or seeing Antony and Cleopatra, several clear dualities emerge. The first is the polarity between Egypt and Rome as different settings for the action. Rome is cold, mechanical, rational, and businesslike, whereas Egypt is lush, erotic, exotic, and langourous. Antony is torn between the two worlds, and this split of loyalty and interest helps to make the second duality of the play, that of the personalities and attitudes of the main characters. Antony and Cleopatra are both seen in double perspective--as lustful, self-gratifying sinners and as lovers in a truly transcendent sense of love. Both perspectives are …
A Jungian Interpretation Of The Tempest, Tana Smith
A Jungian Interpretation Of The Tempest, Tana Smith
University of the Pacific Theses and Dissertations
The following psychological interpretation of Shakespeare's The Tempest is unique to articles on the same subject which have appeared in literary journals because it applies a purely Jungian reading to the characters in the play. Here each character is shown to represent one of the archetypes which Jung described in his book Archetypes ~ the Collective Unconscious. In giving the play a psychological interpretation, the action must be seen to occur inside Prospera's own unconscious mind. He is experiencing a psychic transformation or what Jung called the individuation process, where a person becomes "a separate, indivisible unity or whole" and …
Richard Iii & Elizabethan Kingship, Frances Perdue
Richard Iii & Elizabethan Kingship, Frances Perdue
Masters Theses & Specialist Projects
In this study Richard III's character, motivations, and his path to the throne were examined as they affect the well-being of the country. Analyzed were the political, social, and moral philosophies of Elizabethan England and how they conflicted with Richard's Machiavellian tactics in achieving and holding the position of king. The necessity of purging Richard III from the throne was shown to be consistent with the Elizabethan concept of God's will for the good of the country. "Macbeth" and "Hamlet" revealed the idea that the health of the nation depends on the moral health of the king. In "Coriolanus," another …
Gertrude & Volumnia: Their Influences On Their Sons At The Climaxes Of The Plays, Laddawan Bunchoo
Gertrude & Volumnia: Their Influences On Their Sons At The Climaxes Of The Plays, Laddawan Bunchoo
Masters Theses & Specialist Projects
The examination of the climaxes of the two plays Hamlet, and Coriolanus, illustrates that the two mothers, Gertrude and Volumnia, have destructive influences on their sons. The closet scene in Hamlet reflects that Gertrude's second marriage and her choice of Claudius shatter Hamlet's Idealization of her in the role of the faithful wife and the virtuous mother. Hamlet's inaction and destruction are caused in part by his mother's influence.
Volumnia's influence both shapes and destroys her son. She rears him as the embodiment of her chivalric ideal of nobility. The climactic scene in this play reveals that Coriolanus' …
Nature As A Reintegrating Force In Shakespeare's Cymbeline, Sydney M. Harrison
Nature As A Reintegrating Force In Shakespeare's Cymbeline, Sydney M. Harrison
Dissertations and Theses @ UNI
Shakespeare's Cymbeline reveals throughout, in its characters, plot and imagery, the reintegrating and regenerating influences of Nature. The entire play is dominated by Nature--birds, trees, flowers, mountains, streams and other natural elements. The characters are either naturally good or naturally bad; and while the good characters survive and repent of their erring, the bad characters die, as a result of their own evil, absolutely unregenerate. Nature in the play is thus seen as an active force which works both on and through the characters, who at times seem quite passive. In order to illustrate the manifestations of Nature, the poet …
The English Second Person Pronoun: Its History And Its Significance In Shakespeare’S Richard Ii, Mary Janet De Jong Conley
The English Second Person Pronoun: Its History And Its Significance In Shakespeare’S Richard Ii, Mary Janet De Jong Conley
Dissertations and Theses @ UNI
The English language has undergone many changes since its evolution from the Teutonic dialects. It has become simplified in many ways; one area of simplification is in the second person pronoun. Originally nine different forms of the Old English pronoun of address appeared, while today only three {you, your, yours) remain. Although ambiguity can and does result from only one form in the nominative and objective case (i.e., whether you is singular or plural in reference), the English-speaking people have reduced the pronoun to the same nominative and objective form as a means of linguistic economy. The problem of ambiguity …
A Comparative Analysis Of The Characters Of Two Dramatic King Lears : Shakespeare And Bottomley, Doyne Joseph Mraz
A Comparative Analysis Of The Characters Of Two Dramatic King Lears : Shakespeare And Bottomley, Doyne Joseph Mraz
University of the Pacific Theses and Dissertations
It has been the purpose of this study to make a comparative analysis of the most significant characters in two selections of dramatic literature: Gordon Bottomley’s King Lear’s Wife and William Shakespeare’s King Lear. The significant characters are Goneril and Regan, the “evil influence” in both plays; the two Lears, the “neutral influence” in both plays; and Hygd and Cordelia in King Lear’s Wife and King Lear, respectively. Hygd and Cordelia are the “honorable influence” in the stories.
It has been the further purpose of this thesis to delete from both plays all subplots which do not directly pertain to …
"Antony And Cleopatra" And "All For Love": A Comparison, Josephine Stewart
"Antony And Cleopatra" And "All For Love": A Comparison, Josephine Stewart
Electronic Theses & Dissertations
The study of Antony and Cleopatra and All for Love was made for the purpose of comparing an Elizabethan drama with a neo-classic play of the Restoration period. Reference was made to the history of the chief characters, and sources of the common plot were examined. Analysis of plot structure of each work furthered the comparison. The central characters as pictured by Dryden and Shakespeare have been contrasted. Comparison of a well-constructed play of the seventeenth century and a masterpiece of the Elizabethan era confirms in the mind of the writer the universal appeal and preeminence of Shakespeare.
The Popularity And Influence Of Shakespeare's English And Roman Historical Plays In America From The Beginnings To 1950, Ruth Warren
University of the Pacific Theses and Dissertations
Poetry and romance in Shakespeare's non-historical plays have come into their own again with revivals of The Tempest directed by Margaret Webster and with the production of As You Like It, which features Katherine Hepburn. Unfortunately, the time limit of this paper has been set for the end of 1950, so it is only possible to mentin in passing Laurence Oliver's and Vivian Leigh's exciting and unique idea of presenting Shaw's Caesar and Cleopatra and Shakespeare's Antony and Cleopatra on alternate nights. In spite of early curtains, which make it necessary for the theatre-goer to eat his dinner in a …
The Function Of Imagery In Antony And Cleopatra, James Sebree Loveall
The Function Of Imagery In Antony And Cleopatra, James Sebree Loveall
University of the Pacific Theses and Dissertations
The modern scholar attempting any detailed analysis of imagery in the poetry of Shakespeare may well proceed with caution. The lack of a clear and definite statement of terms, the unwillingness to come first to grips with the problem of definition before proceeding with that of analysis may produce pitfalls for the unwary; and although modern studies - especially those of Miss Caroline Spurgeon and her followers - have cast much light upon Shakespeare’s use of imagery, they do not altogether escape the charge of carelessness.
Much work remains to be donel and the need for a reconsideration of the …
Rosalind And The Mystification Of Male-Female In Elizabethan Literature, Richard Firestone
Rosalind And The Mystification Of Male-Female In Elizabethan Literature, Richard Firestone
Richard Firestone Manuscripts on Elizabethan and Classical Literature
No abstract provided.
An Analysis Of Six Plays Of Shakespeare, Richard Firestone
An Analysis Of Six Plays Of Shakespeare, Richard Firestone
Richard Firestone Manuscripts on Elizabethan and Classical Literature
Annotated manuscript of an analysis of six plays by William Shakespeare: (1) As You Like It; (2) The Winter's Tale; (3) Love's Labors Lost; (4) Measure for Measure; (5) Twelfth Night; and (6) Cymbeline.
A Study Of The Inherent And Environmental Causes Of The Tragedy In Macbeth, Othello, And King Lear, Edna F. Powell
A Study Of The Inherent And Environmental Causes Of The Tragedy In Macbeth, Othello, And King Lear, Edna F. Powell
Electronic Theses & Dissertations
So much has been written by scholars for the past three hundred years regarding Shakespeare that is seems almost presumptuous for one to write more on such a subject. Nevertheless, Shakespeare possesses a universal appeal and so occupies the central channel of human life and thought that he is inexhaustible. Students throughout the world have been challenged to endeavor to interpret him. Realizing the necessity for limitation and the utter impossibility of making a large contribution to the wealth of material which already exists, an attempt has merely been made to study the steps in the downfall of the heroes …
Shakespeare's Treatment Of The Common People, Lois Vera Lawellin
Shakespeare's Treatment Of The Common People, Lois Vera Lawellin
Electronic Theses & Dissertations
As the title of the thesis indicates, this study proposes to set forth Shakespeare's treatment of the common people who appear in his dramas. It is an attempt to show what dramatic use he makes of these people and what his attitude is toward them. for this purpose twenty plays including comedies histories, and tragedies have been studied. [Taken from Introduction]
French And German Translations Of Shakespeare, May Brayton
French And German Translations Of Shakespeare, May Brayton
Manuscript Thesis Collection
Abstract unavailable.
Phantastes Chapter 14: Winter's Tale, William Shakespeare
Phantastes Chapter 14: Winter's Tale, William Shakespeare
German Romantic and Other Influences
William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
German Romantic and Other Influences
John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.