English Language and Literature Commons^™

Music, Shakespeare, And Redefined Catharsis, Megan Jae Hatt

Student Works

The definition of catharsis has changed since the time of Aristotle. A person does not only experience catharsis out of pity or fear from theatric tragedies; they also experience it through laughter, love, and simply immersing themselves into the emotions presented by different forms of media. This essay reviews the catharsis one can experience through contemporary music and Shakespeare as they become submersed in the emotions and spectacle of each respective media. In this essay, I compare and contrast contemporary music and Shakespeare text and performance in order to relate them to this new definition of catharsis by including different …

“More Free Than He Is Jealous”: Female Agency And Solidarity In The Winter’S Tale, Stacey K. Mooney

The Review: A Journal of Undergraduate Student Research

No abstract provided.

Children As The Power Of Shakespeare, Samantha Rowley

Student Works

An dive into how children are used in Shakespeare’s plays and sonnets. While there has been some extensive research on numerous of Shakespeare’s minor characters, some of his other characters, the minors, have been focused on less. Because they fly under the radar, Shakespeare uses these “minor” characters in order to subtly manipulate his audience, using them as a source of pathos in much the same way adults use children to manipulate audiences while silencing the actual opinions of the children they claim to represent. However, though he may often use children for this effect due to their fragility, Shakespeare …

The Divinity That Shapes Our Ends: Theological Conundrums And Religious Scepticism In Hamlet, Kyler Merrill

Student Works

This paper proposes that Shakespeare deliberately incorporated speculative theology into Hamlet to stimulate religious scepticism. It explores the troubling implications of the ghost’s behaviour, cinematic adaptations of the murder testimony, and the characters’ moral failings in the purportedly Catholic cosmos of Elsinore.

Speaking For The Grotesques: The Historical Articulation Of The Disabled Body In The Archive, Violet Marie Strawderman

English Theses & Dissertations

This project examines the ways in which the disabled body is constructed and produced in larger society, via the creation of and interaction with (and through) the archive. The archive, for the purposes of this project, is defined by scholars such as Jacques Derrida and Carolyn Steedman. It is a place where information is stored and documented, but through this process, history and power are also created and maintained. In order to properly examine the ways the archive helps shape the understanding of the disabled body and experience, I use three case studies: Richard III, Caliban and Joseph Merrick. Each …

“Indeed, It Is A Strange-Disposed Time:” Julius Caesar, A Game At Chess, And The Politics Of Staging, Gabriel A. Rieger

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Cognition And Performance Of Resonant Temporalities In Richard Iii, Joe Keener

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

A Discussion Of Dramatic Form Through 20th And 21st Century Illustrated Prose Adaptations For Children Of Shakespeare's A Midsummer Night's Dream, Rosann Gage

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Unruly Womb In Early Modern English Drama: Plotting Women's Biology On The Stage, Ursula Potter

Late Tudor and Stuart Drama

This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She illuminates how playwrights both satirized and perpetuated the notion of the womb’s insatiable appetite.

Blind Spots Of Knowledge In Shakespeare And His World, Subha Mukherji

Studies in Medieval and Early Modern Culture

A "blind spot" suggests an obstructed view, or partisan perception, or a localized lack of understanding. Just as the brain "reads" the "blind spot" of the visual field by a curious process of readjustment, Shakespearean drama disorients us with moments of unmastered and unmasterable knowledge, recasting the way we see, know and think about knowing. Focusing on such moments of apparent obscurity, this volume puts methods and motives of knowing under the spotlight, and responds both to inscribed acts of blind-sighting, and to the text or action blind-sighting the reader or spectator. While tracing the hermeneutic yield of such occlusion …

Idiot Science For A Blue Humanities: Shakespeare's The Comedy Of Errors And Deleuze's Mad Cogito, Steven Swarbrick

Publications and Research

Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting the thought of ‘our’ world under erasure. This is not a matter of turning thought around, such that, by turning to the sea, we turn thought away from calculation and instrumental reason and rediscover our true nature. Rather, the image of …

Why Analyze A Sonnet? Avoiding Presumption Through Close Reading, Devon Madon

Faculty Publications & Research

In the first session of my Introduction to Shakespeare course, I always teach one of Shakespeare's best-known sonnets: Sonnet 130, "My mistress' eyes are nothing like the sun:' I open with this sonnet because students frequently think that they know what the poem is about. W hen I ask the class, someone will usually give me the most common misreading of the sonnet: the speaker tells his mistress that she does not look like other women, but he loves her all the same. Rather than dismissing this reading, I ask many questions. How did you reach this conclusion? What do …

"Sweet Beginning But Unsavoury End": The Change In Popularity Of Shakespeare's Poetry, Maureen R. Cowhey

Scripps Senior Theses

William Shakespeare is arguably the most famous and influential author in modern history. His plays make up a literary canon that has been translated into every language, is constantly being reproduced on the stage and on film and has persisted in popularity for centuries. Yet, Shakespeare’s first and most popular text is not a play, but the narrative poem, Venus and Adonis. The text that launched Shakespeare into popularity and gave rise to this cultural icon was a poem, rather than a play. But despite its initial success, Venus and Adonis is not a central feature of the modern …

Alchemical Feminism : The Power And Authority Of Women In Shakespeare's Pericles, Kathryn Corah

Legacy Theses & Dissertations (2009 - 2024)

William Shakespeare and George Wilkin’s romance play, Pericles, Prince of Tyre, is an example of a Renaissance narrative that includes alchemical subtext. There have been many academic articles and dissertations written on this subject; I seek to build upon these previous arguments to expand upon their premises to argue that this alchemical diction and iconography of alchemical emblems allows for Marina and Thaisa to promote the power latent in feminine-coded virtue as it resists against patriarchal violence and reforms a masculinist patriarchal system. The lens I utilized to analyze the text in my exploration of this topic, which I named …

"The Double Sorwe Of Troilus": Experimentation Of The Chivalric And Tragic Genres In Chaucer And Shakespeare, Rena Patel

Scripps Senior Theses

The tumulus tale of Troilus and his lover Cressida has left readers intrigued in renditions written by both Geoffrey Chaucer and William Shakespeare due to their subversive nature of the authors’ chosen generic forms. Chaucer’s Troilus and Criseyde challenges the expectations and limitations of the narrative of the chivalric romance. Shakespeare took the story and turned Troilus and Cressida into one of his famous “problem plays” by challenging his audience’s expectations of the tragic genre. I endeavor to draw attention to the ways in which both Chaucer and Shakespeare use the conventions of the chivalric romance and tragedy to play …

Monstrosity As A Problem Of Moral Proximity In Shakespeare’S Othello, Kyle Ward

Student Works

Abstract

In Othello, Shakespeare explores the idea of monstrosity through his titular character. This paper argues that Othello exemplifies the idea that monstrosity is not an inherent evil, but rather that it is a problem of Moral Proximity. The Problem of Moral Proximity, as it is explained in the paper, is the idea that good and evil are the moderation of or corruption of neutral traits. This paper not only argues that monstrosity is one of these neutral qualities, but also explores how Iago corrupts this monstrosity to bring about Othello's downfall.

The Voices Of Life And Death In Shakespeare’S Narrative Poems, Jonathan Locke Hart

CLCWeb: Comparative Literature and Culture

The article “The Voices of Life and Death in Shakespeare’s Narrative Poems” uses Shakespeare’s dedications and Venus and Adonis and The Rape of Lucrece to discuss art and life, death and life, life-writing and death-writing. The relation between life and art, often framed in terms of mimesis, is fraught with difficulties, so that the connection between ethics and aesthetics is intricate. After briefly discussing the theoretical debate on mimesis, this article examines closely Shakespeare’s narrative poems, to discuss life and death as well as, to some extent, health, illness. The poems explore the themes of time, love, lust and death …

A Poetics Of Temperance: Gender, Genre, And Meaning-Making In Early Modern England, Cristina Maria Rosell

LSU Doctoral Dissertations

For several hundred years, the scholarly discussion of temperance was dominated by the legacy of classical models. This dissertation, titled A Poetics of Temperance: Gender, Genre, and Meaning-Making in Early Modern England, develops said discussion in a new way by forging a language about ethics and aesthetics into a poetics of temperance. The term poiesis derives from Greek and signifies “to make, create, produce” (OED). Accordingly, Aristotle uses the Greek poietes, “from which our word ‘poet’ derives,” to denote a “maker” (Murray xxxii). In brief, this project understands the role of women in emergent genres as …

‘Presume Not That I Am The Thing I Was’: Altering Perceptions Of The Disabled Via The Staging Of Disability In Early Modern England, William Nyfeler

All NMU Master's Theses

Attitudes toward people with physical or mental disabilities have varied throughout history. Each society collectively defines what is considered normal and abnormal, and those values change over time. Many cultural factors impact how much these views change, including the dominant social philosophies and religions of an era. In Early Modern England, the rise of large public theaters and an increasingly permissive society contributed to the development of plays becoming a powerful tool for swaying public opinion.

Using this new pulpit, Shakespeare and his contemporaries staged plays that often depicted disability and deformity in negative ways, including the implications that a …

Shakespeare And The English Sonnet: A History, Heather Davidson, Elizabeth Peel, Mary Leishman, Keil Nicholas

ENGL 3315 – Early Modern British Literary History

No abstract provided.

Beauty, Vanity, And Perception In The Sonnets Of Shakespeare, Jessica Krebs, Westin Smith, Alesha Hurst, Christopher Nicholson

ENGL 3315 – Early Modern British Literary History

No abstract provided.

Immortality In Verse: An Analysis Of Sonnet 81, Savannah Lund, Brooke Tingey, Clay Reed, Tambi Clark, Sadie Leonhardt

ENGL 3315 – Early Modern British Literary History

No abstract provided.

Shakespeare And Chaucer: Dream Visions And Dramatic Designs, Michael Plunkett

Dissertations, Theses, and Capstone Projects

This dissertation explores echoes of Chaucer's dream visions in two of Shakespeare's late plays, Cymbeline and The Tempest, and in the induction to The Taming of the Shrew. Shakespeare turns to Chaucer's dream visions, particularly The Book of the Duchess and The House of Fame, not to use them as narrative sources, but to appropriate conventional elements of artistic self-exploration and self-definition in them. Chaucer's dreamers, who are also writers, read classic stories in bed, dream dreams that react to those stories, and then wake up and write new poems that report on what they have read …

Dear Son Of Memory: Milton's Engagement With Shakespeare, Bradley Fox

Dissertations, Theses, and Capstone Projects

Dear Son of Memory establishes new lines of inquiry into Milton’s engagement with Shakespeare, exploring explicit verbal allusions to Shakespeare’s plays in Milton’s works, as well as echoes of characters, scenes, and themes. It argues that Milton viewed Shakespeare sympathetically, rather than as a rival and it therefore revises the legacy of Harold Bloom’s “anxiety of influence” model, which still dominates scholarship in Milton studies today. More specifically, this project offers evidence from Milton’s early poems to show that Milton regarded Shakespeare as a fellow vatic poet and a friendly influence who helped him to dramatize the two central tenets …

Songs Of Salvation: Shakespeare’S Defense Of Performing Artists Through Secular Ballads In Three Plays, Latisha Dawn Fletcher

English Theses - Archive

In many of Shakespeare’s comedies and romances, the “broadside,” or street ballad is the prominent musical form that the characters reference. The broadside transcended class boundaries and, unlike traditional songs, usually consisted of lyrics written by a known writer that were sung to a folk tune. The subject matter of these songs was seldom virtuous, and the inclusion of the somewhat unsavory street songs carries connotations beyond audience identification in Shakespeare’s work when viewed through a theological lens. The government-sanctioned Protestant religion was becoming more staunchly conservative in London, and what theater-goers would often have observed outside the Globe were …

Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin Diiorio

Honors College Theses

This research is a close look at the methods of grief as depicted by the children who lose their fathers in William Shakespeare's classic Hamlet.. The goal is to track each child's reaction to the sudden bereavement in a variety of physical and emotional manifestations. This has been done by first examining current literature on the text, followed by a review of historical context of the period in which the play was written, and finally analyzing each character's behavior. In doing so, this research seeks to highlight the importance of the presence of fathers within Hamlet and provide insight as …

Something Rotten: Space, Place, And The Nation In Hamlet And As You Like It, Mikaela Lafave

English MA Theses

Ecocriticism has been defined as literature that concretely concerns the environment, which can be obviously applied to those of Shakespeare’s that directly depict natural disaster. This creates a prototype of a Shakespearean Ecocritical canon. My thesis addresses the limitation of this initial definition, and applies ecocritical theory to other works by Shakespeare. Ecocriticism is no longer confined to only the natural as critics expand the field through examinations of built environments and urban interaction with the natural. This widening of the field encourages the addition of further Ecocritical Shakespeare. How can audiences see the unnatural as natural, and conversely the …

Restoring What Has Been Lost: The Mythic Journey Of Shakespearean And Tolkien Heroes After The Fall In Eden, Taylor Loforti

Masters Theses

In order for man to understand where he is going, he must first remember where he began. The intertwining link between the beginning, the in-between journey, and the end of a story, or narrative, has been present since the ancient years of literary criticism. The ancient Greek philosopher Aristotle explains that a unified and effective narrative should have a beginning, middle, and end, and the even more ancient realm of mythology tends to follow this format not only in its written structure, but also in its thematic and archetypal construction. These three main segments of a mythic narrative are later …

Anna Larpent And Shakespeare, Fiona Ritchie

ABO: Interactive Journal for Women in the Arts, 1640–1830

Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …

Famed Communities: Trojan Origins, Nationalism, And The Question Of Europe In Early Modern England, Joseph Bowling

Dissertations, Theses, and Capstone Projects

Throughout medieval Europe, royal families traced their genealogies back to the ancient Trojans. Beginning in the Carolingian court, this practice persisted into the early modern period, when narratives of ancient Troy—from accounts of the war to rewritings of Virgil—saturated literary production. Constituting the translatio imperii tradition, in which civilization “translates” from east to west, these legends of Trojan descent allowed European monarchs to legitimize their authority, or imperium, as derived from the Roman Empire, which Virgil famously celebrated as descending from Trojan Aeneas. This tradition formed what I call feudal cosmopolitanism: an affiliation among nobility premised on shared descent …