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Full-Text Articles in English Language and Literature

Perceived Preceptor: Narrator's Role In Jane Austen's Northanger Abbey, Jason Godfrey Dec 2017

Perceived Preceptor: Narrator's Role In Jane Austen's Northanger Abbey, Jason Godfrey

Faculty Publications

In this article, I posit that Austen uses her self-aware, colloquial narrator to satirize Catherine’s grandiose fantasies and quiz (or mock) the reader who would prefer a story where fantasies are indulged and also to instruct the reader about the importance of discernment both in-text and in larger social discourse.


Religious Dissent And The Aikin-Barbauld Circle 1740-1860: Book Review, Nigel Aston Jan 2015

Religious Dissent And The Aikin-Barbauld Circle 1740-1860: Book Review, Nigel Aston

Religion in the Age of Enlightenment

There has been a remarkable rise of interest during the last decade in Anna Letitia Barbauld's (nee Aikin) significance in the formation of Romantic literature, and Religious Dissent and the Aikin-Barbauld Circle 1740-1860 places her appropriately within the thriving nexus of her intellectually creative Dissenting family. This volume of nine essays has its origins in a conference at Dr. Williams's library, currently the engine room of many initiatives into British dissenting history. The Aikins were a talented, hardworking, group of men and women down several generations, sparking off each other, inspired by their non -trinitarian Christian faith, and making complex …


William Maginn And The Denial Of Authorship: The Text Of The Colby Lecture At The Annual Meeting Of The Research Society For Victorian Periodicals, University Of Delaware, 2014, David E. Latane Jan 2014

William Maginn And The Denial Of Authorship: The Text Of The Colby Lecture At The Annual Meeting Of The Research Society For Victorian Periodicals, University Of Delaware, 2014, David E. Latane

English Publications

This the text of a plenary lecture given in 2014 after being named co-winner of the Robert and Vineta Colby Scholarly Book Prize from the Research Society for Victorian Periodicals. It traces the transformation of a theoretically inclined book project centered on William Maginn to the first full-length biography of Maginn.


Gothic Masculinity: Effeminacy And The Supernatural In English And German Romanticism. (Book Review), Steven Bruhm Dec 2003

Gothic Masculinity: Effeminacy And The Supernatural In English And German Romanticism. (Book Review), Steven Bruhm

Steven Bruhm

No abstract provided.


The Contemporary Gothic: Why We Need It, Steven Bruhm Dec 2001

The Contemporary Gothic: Why We Need It, Steven Bruhm

Steven Bruhm

My title suggests a rather straightforward enterprise: I want to account for the enormous popularity of the Gothic - both novels and films - since the Second World War. However, the title proposes more questions than it answers. First, what exactly counts as “the contemporary Gothic”? Since its inception in 1764, with Horace Walpole's The Castle of Otranto, the Gothic has always played with chronology, looking back to moments in an imaginary history, pining for a social stability that never existed, mourning a chivalry that belonged more to the fairy tale than to reality. And contemporary Gothic does not break …


David Punter, Gothic Pathologies: The Text, The Body And The Law, Steven Bruhm Jan 2000

David Punter, Gothic Pathologies: The Text, The Body And The Law, Steven Bruhm

Steven Bruhm

No abstract provided.


Cannon Schmitt. Alien Nation: Nineteenth-Century Gothic Fictions And English Nationality, Steven Bruhm Dec 1998

Cannon Schmitt. Alien Nation: Nineteenth-Century Gothic Fictions And English Nationality, Steven Bruhm

Steven Bruhm

No abstract provided.


Wordsworthian Errancies: The Poetics Of Cultural Dismemberment. David Collings, Steven Bruhm Oct 1995

Wordsworthian Errancies: The Poetics Of Cultural Dismemberment. David Collings, Steven Bruhm

Steven Bruhm

No abstract provided.


Gothic Bodies: The Politics Of Pain In Romantic Fiction, Steven Bruhm Dec 1993

Gothic Bodies: The Politics Of Pain In Romantic Fiction, Steven Bruhm

Steven Bruhm

An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.