English Language and Literature Commons^™

Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma

Electronic Theses and Dissertations

As long as disparities persist in the way women are treated as compared to their male counterparts, the issue of gender will continue to call forth literary productions. For this reason, female writers are on a mission to dismantle the stereotypes that keep women confined to societal roles. Grounded in a feminist framework, this study focuses on the gender disparity theme in Chimamanda Adichie’s Purple Hibiscus and Tsitsi Dangarembga’s Nervous Conditions. The aim is to examine how these writers represent the trauma of women living in an African patriarchal system. The traumatic experiences of the female characters in both texts …

Austen's Realist Feminine Icon, Sean Mcconnell

Student Works

No abstract provided.

Mrs. Dalloway (1925) Vs. The Hours (2002): How Does The Patriarchy Infringe On The Autonomy Of Marginalized Characters?, Mary E. Belton

2023 Symposium

Fans of Virginia Woolf know that her literature, such as A Room of One’s Own and Mrs. Dalloway, cover feminist themes. In adaptations of Virginia Woolf’s work, the same feminist themes are present. For example, Michael Cunningham’s The Hours, based on three women whose lives are connected through Virginia Woolf’s novel Mrs. Dalloway, carries similar feminist themes. In the 2002 adaptation of The Hours, directed by Stephen Daldry, the relationships between men and women in the film illustrate how the patriarchy operates socially.

To those who don’t know Virginia Woolf’s work well or are unaware of how …

Gender And Colonialism: An Intergenerational Conversation In African Literature, Khadizatul Kubra

Department of English: Dissertations, Theses, and Student Research

It is thought that African literature tends to be dominated by the masculine-oriented politics that also characterizes African public political life. In some cases, this is true, but there is a feminist movement in Africa, and many African women writers are using global feminist principles and global anti-colonial principles to write a different kind of literature. As a consequence, recent novels such as Yvonne Vera’s Nehanda (1993), set in Zimbabwe, and Petina Gappah’s Out of Darkness, Shining Light (2019), revise past, often male, African writers’ approaches to depicting the genders, even as they also criticize, implicitly or explicitly, still-widespread colonialist …

The Manifestation Of Intra Gender Oppression In Margaret Atwood’S The Handmaid’S Tale As Results From Intentional Patriarchal Power Structures, Aliyah Browning

The Compass

Margaret Atwood’s The Handmaid’s Tale has long been studied for its cautionary warnings about sexist ideologies that exist between men and women; seldom has it been analyzed for instances of intra gender oppression. Intra gender oppression, which this thesis seeks to define and highlight through the novel’s context, offers artificial forms of power to those in oppressed classes, enough to attract women themselves to participate in the indoctrination and policing of their own sex. This essay will highlight the ways in which Atwood’s dystopia parallels sexist beliefs held by societies past and present.

A Stylistic Analysis Of Adrienne Rich's "Planetarium" And "Power", Malek Zuraikat, Ekab Al-Shawashreh, Shrooq Awamleh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Adrienne Rich utilizes free verse to surprise her readers by covering the intertwined relationship between politics and society, which results in encapsulating everyday practices in most of her poems. She tries to articulate the depressed voice of women, thus making this group noticeable by people. The study discusses Rich's poems "Planetarium" and "Power", focusing on pronouns, spacing, enjambment, and diction. It explains how the change in pronouns, for instnace, serves the theme of uniting women's experience of oppression and resistance and how the enjambment and the choice of diction are used to add emphasis on women's suffering and their consequent …

Accepting Or Opposing The Status Quo: A Look At The Women Characters In Mariama Bâ’S So Long A Letter (1981) And Chimamanda Adichie’S Purple Hibiscus (2003), Omolola Giwa

Electronic Theses and Dissertations

What exactly is the status quo of women in Africa? Women’s selfhood has been systematically subordinated or outright denied by law, customary practices, and cultural stereotypes. Scholars like Judith Bennet suggest that religious practices and colonial rule subjugate African women. Patriarchal ideologies guide the society’s discrimination against women and this has influenced the status of women, especially married women and the way they respond in times of affliction.

Authors like Chimamanda Adichie and Mariama Ba in their fictional novels The Purple Hibiscus and So Long a Letter focus on capturing the struggles and conditions of women in the Western African …

Nasty Woman: An Analysis Of Women's Rage In Popular Culture, Sarah Kee

Honors Theses

The goal of this senior project was to analyze the underlying cause for why certain female characters in popular culture were villainized for their behavior and generally deemed to be “nasty woman.” After reading numerous books and viewing films that contained “nasty woman”, there was a common denominator that linked their behavior and influenced their decision to enact their often-bloody retribution: the patriarchy. These women were a victim of some aspect of the patriarchy, commonly sexual assault, and could not receive the support they needed, so they decided to take matters into their own hands. The “nasty women” analyzed in …

Patriarchal Colonization Of The Female Body In Machinal And Clit Notes, Saide Harb-Ranero

The Graduate Review

Machinal written by Sophie Treadwell in 1928 and Clit Notes written by Holly Hughes in 1996 are two plays half a century apart yet bring forth the female body upstage and center. I see Machinal bringing attention to the societal machine that takes control of the focal character, Helen, from the first act. Clit Notes shows how a woman’s body could be removed from its first society, her parental home, simply for existing in a body that refuses to fit in a patriarchal box that is designed according to its perception of what that body should be doing. Regarding the …

Heathen Husband: The Corrupting Patriarchal Hierarchy In Shakespeare’S Othello And Its Absence In Cinthio’S Gli Hecatommithi, Heavyn Renee Lester

Graduate Research Theses & Dissertations

This thesis places William Shakespeare’s Othello within cultural context to examine the moral corruption that Desdemona and Othello undergo once they fulfill marital roles within a patriarchal hierarchy that reflects the hierarchy religious conduct literature calls on Christians to maintain within marriage. At the same time, this thesis contrasts Shakespeare’s Othello with the Italian story of Disdemona and a Moorish captain within Decade Three of Cinthio’s Gli Hecatommithi. Hecatommithi does not ascribe a corrupting power to patriarchal hierarchy or explore Othello’s downfall in relation to his Christian faith. This thesis determines that the alterations Shakespeare makes to Othello’s source material …

The Tragedy Of Gregory And Sampson: Teaching Romeo And Juliet’S Opening Scene, Heather G.S. Johnson

Feminist Pedagogy

Romeo and Juliet is as much about hate as it is about love. The tragedy focuses on a kind of toxic masculinity that thrives on aggression and anger and that turns communities into battlefields, men into adversaries, and women into prizes or prey. This short critical commentary zooms in on the conversation between Gregory and Sampson at the beginning of Act I.

La Fille Publique: Depictions Of Sex Work In Fin-De-Siècle Literature, Nicole Araujo

All Student Scholarship

This thesis conducts a feminist analysis of depictions of sex work in fin-de-siècle, or turn of the19th-century, French literature. It draws connections between literature from this time period and the social and political forces that sought to eradicate female sexual autonomy. In the introduction, the political and social setting of fin-de-siècle France is explored, when sex work was widely prevalent and for many women offered a route to sexual and financial autonomy that was otherwise unattainable, much to the anxiety and irritation of the patriarchal forces in place.The first chapter analyzes Emile Zola’s Nana as a classic representation of the …

“An Oak In A Flower-Pot”: The Brontë Sisters’ Depictions Of Female Agency During The Victorian Era, Jessica Dunn

Honors Theses

This thesis discusses the most popular novels written by the Brontë sisters – Charlotte’s Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of Wildfell Hall – in the context of the overbearing patriarchal culture of the Victorian era, specifically through the characterization of feminine agency displayed in each novel. By engaging with the novels as a trinity, this thesis uniquely reveals the more nuanced aspects of the novels through the sisters’ respective depictions of female agency following the lives of their respective protagonists – Jane Eyre, Catherine Earnshaw, and Helen Graham. Additionally, this thesis seeks to engage in conversation …

Þorn: A Novel Excerpt Exploring Giantesses, Their Relation To Women's Bodily Expectations, And Patriarchal Control In The Literature Of Early Modern Britain And Contemporary America., Brady P Alexander

College of Arts & Sciences Senior Honors Theses

This thesis will analyze examples of women of size in the literature of the British Isles throughout history, focusing predominantly upon the Early Modern Period, and will create a fiction piece in response to such attitudes. I argue that one of the most clear ways to dissect contemporary cultural attitudes about powerful women and women who occupy more space than men is to examine giantesses and other examples of women of size within this period of literature. From this, a novel excerpt will be written from the perspective of a time-traveling woman of size who engages with these texts and …

In A Victorian Fog: Constructing Identities In Female Gothic Novels., Hayley Salo

Electronic Theses and Dissertations

Drawing on feminist criticism and postcolonial theory, this study analyzes conversations about female identity within and around Victorian female gothic novels and how they contribute to the genre’s appeal to modern readers. In particular, it is a case study of how the discourse develops through Mary Shelley’s Frankenstein (1818), Emily Brontë’s Wuthering Heights (1847), and Charlotte Brontë’s Jane Eyre (1847). Each novel presents the challenges women face when their sense of self is based on the expectations of others, and Wuthering Heights and Jane Eyre further explore the potential for women to create their own, unique identity while still remaining …

Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling

Honors Thesis

This thesis discusses Hélène Cixous’ ideas on feminine literature, as expressed in her article, “The Laugh of Medusa,” and attempts to apply the goals that she sets out for what feminine literature must look like in order to develop the literary cannon to the novel. In an attempt to pull away from traditional patriarchal images and expectations of feminine lifestyles, I join Cixous’ call for the marginalized to inscribe their voices into the cannon for themselves, and argue that representation of such images in literature is necessary to the development of our biased perceptions to more authentically represent typically marginalized …

From A Non-Consensual Incestuous Relationship To A Promotion To Priestess: The Way That A Father Controls Their Daughter Determines The Status Level That A Woman Can Hold In Apollonius Of Tyre, Sarah Haggerty

Arts & Sciences Undergraduate Showcase

Is a woman only considered a woman when she is owned by a man? How does the relationship between father and daughter shape the way a woman is seen or treated in medieval society? This project examines the Old English version of Apollonius of Tyre, a rare example of secular 11th century prose, as translated by Benjamin Thorpe. Apollonius of Tyre deals with three different familial relationships and the various ways that the fathers as both leaders of the house, and royal officials treat their daughters as property that they own. From one daughter having basic freedoms such as being …

Violet Is One Letter Off From Violent, Audrey E. Spina

Master’s Theses and Projects

The poems in this creative collection, Violet is one letter off from violent, aim to add to the critical conversation in contemporary poetry about violence, women’s anger, patriarchal oppression, and physical and sexual assault, specifically drawing on analyses from the poetry of Rachel McKibbens, Tarfia Faizullah, Emily Skaja, Erika L. Sánchez, Tracy K. Smith, Safiya Sinclair, and Paisley Rekdal. My myriad speakers, who take both first and third person points of narrative view, reclaim and reproduce their own stories in ways that are complex, vulnerable, and angry as a result of living under and through traumatic experiences in domestic and …

“Fetch M’Dear”: Healers, Midwives, Witches, And Conjuring Women In Select Ya And Toni Morrison Novels, Diane Mallett-Birkitt

Electronic Theses and Dissertations

Accusations and persecution of witchcraft have been embedded in global culture for centuries. For as long as these persecutions have occurred, women have found themselves accused most frequently. Older women with herbal knowledge were often called on to assist with childbirth or termination of pregnancies and this “secret knowledge” often led them to be suspected of supernatural abilities, often of a satanic nature. Intrigued by these wise women who appeared to have mysterious powers and a penchant for arousing the ire of men in the legal, medical, and religious communities, I began to notice their frequent appearance in novels. Does …

A Dialectic Of Victorian Ideals In Shaw’S Mrs. Warren’S Profession And Candida, Catherine Meijer

Senior Honors Theses

During the Victorian Era, English society experienced societal changes as they adjusted to an industrialized economy, considered the role of women in the home, and tried to reconcile faith with new scientific discoveries that led to conflicting ideals. George Bernard Shaw, who began writing towards the end of the Victorian period satirized ideals that Victorian society held dear, like the glorification of female virtue and the domestic sphere. Shaw, with his iconic wit and iconoclastic themes, subverts Victorian ideals of femininity in his dramatic works. In Mrs. Warren’s Profession and Candida, characters and ideals react against each other in a …

Antigone The Bride Of Death, Bailey Gomes

Conspectus Borealis

No abstract provided.

Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue

Masters Theses

This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …

“They Do Us The Honour Of Treating Us Like Gods, And We Respond By Treating Them Like Things”: The Problem With Fathers In William Shakespeare’S Titus Andronicus And J.M. Coetzee’S Disgrace, Colleen Walsh

Theses and Dissertations

Titus Andronicus’s obsession with honor eclipses his daughter's agency whereas David Lurie’s acceptance of his daughter's choices ultimately creates conditions of possibility. Coetzee represents Lurie as ultimately shedding patriarchal preoccupation with “dignity” and “honor.”

Masculinity And The Patriarchal Treatment Of Women In Shakespeare, Bailey Gomes

Conspectus Borealis

No abstract provided.

The Psychological Effects Of Patriarchy And Courtship: Eighteenth Century Women’S Mentalities In Pamela And Clarissa, Peter J. Laporta

English Theses

I plan to analyze the effects of a patriarchal courtship system on female mentalities during the English eighteenth-century. Samuel Richardson's first two novels, Pamela; or, Virtue Rewarded (1740) and Clarissa, or, the History of a Young Lady (1747-48), will be used toward this end based on their epistolary format. The usage of these letters and journals will be pivotal to the evidence based on the characters creating a written nexus of their minds and bodies through their writing. I plan to lay out the ways in which the reader can emotionally feel and understand both Pamela and Clarissa's breakdown …

Daenerys Targaryen: Mad Or Madly Ended? A Feminist Analysis Of Her Downfall, Barbara Yauss

Undergraduate Theses and Capstone Projects

The release of the final episodes of Game of Thrones was met with uproar, particularly in response to David Benioff and Weiss’s ending for the beloved Daenerys Targaryen, played by Emilia Clarke. Her descent into madness has sparked controversy over whether she deserved this fate, with the unexplained slaughter of Kings Landing being yet another example of the showrunners rushing through the eighth and final season. Popular belief agrees either way that Dany’s downfall is attributed to the madness that runs through Targaryen bloodlines. I argue, however, that it is patriarchal impositions that lead to her demise. Jon Snow, as …

The Grizzled Wolf And The Mauled Lamb: An Interpretation Of Animal Language In Melville’S Translation Of Ovid's "Tereus, Procne, And Philomela", Dylan Rossin

Capstone Showcase

An analysis of animal language in Ovids's "Tereus, Procne, and Philomela" shows that the women have power in this story despite what an initial reading might show.

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

Madwomen And Resistance: Gender And Self-Harm In Romantic And Victorian Literature, Emily V. Rasch

Honors Theses

Literature of the late eighteenth and early nineteenth centuries was concerned with madness. However, relatively little research has been done to indicate how supposed “madwomen” escaped patriarchal control. This thesis will analyze madwomen from the late eighteenth to mid-nineteenth centuries and will argue that suicide appears in literature as the sole way that “mad” characters can resist patriarchal control. I examine the impact of self-harm and suicide in Mary Wollstonecraft’s Maria or the Wrongs of Woman; John Keats’s “Isabella and the Pot of Basil”; and Charlotte Bronte’s Jane Eyre. I connect self-harm to the desire to escape patriarchal …

“The Healing Balm Of Sympathy Denied”: Moral Sense Philosophy, Patriarchy, And Monstrosity In Mary Shelley’S Frankenstein, Estefania Velez

Theses and Dissertations

Though Mary Shelley’s Frankenstein produces an ideology of sympathy consistent with the literary and philosophical aims of Romanticism, this essay examines Shelley’s critique of patriarchy which posits that though sympathetic companionship in Frankenstein remains an ethical necessity, it is unattainable within a social order marred by misogynist structures of power.