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Literature

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Articles 1771 - 1800 of 3772

Full-Text Articles in English Language and Literature

The Waterwalkers, Chad Davidson Jan 2012

The Waterwalkers, Chad Davidson

Birmingham Poetry Review

pp. 44-45


August Once Again, Alexis Levitin, Gastāo Cruz Jan 2012

August Once Again, Alexis Levitin, Gastāo Cruz

Birmingham Poetry Review

p. 81


The Bamboo Talking Bamboo-Talk, Tim Liardet Jan 2012

The Bamboo Talking Bamboo-Talk, Tim Liardet

Birmingham Poetry Review

p. 82


Untitled, Sudie Norstrand Jan 2012

Untitled, Sudie Norstrand

Birmingham Poetry Review

p. 109


The Vomit Sonnet, Rebecca Parson Jan 2012

The Vomit Sonnet, Rebecca Parson

Birmingham Poetry Review

p. 111


The First Person, J D. Schraffenberger Jan 2012

The First Person, J D. Schraffenberger

Birmingham Poetry Review

p. 121


Bledsoe, John Freeman Jan 2012

Bledsoe, John Freeman

Birmingham Poetry Review

pp. 135-140


Prompt, Rebecca Foust Jan 2012

Prompt, Rebecca Foust

Birmingham Poetry Review

p. 48


The Vacant Lot At The End Of The Street, Debora Greger Jan 2012

The Vacant Lot At The End Of The Street, Debora Greger

Birmingham Poetry Review

pp. 60-64


@#$%+!!! (A Williamsonnet), Daniel Groves Jan 2012

@#$%+!!! (A Williamsonnet), Daniel Groves

Birmingham Poetry Review

p. 68


Chancery Hand, Maryann Corbett Jan 2012

Chancery Hand, Maryann Corbett

Birmingham Poetry Review

p. 37


Wounded Women, Varied Voice, Kathryn Johnston Jan 2012

Wounded Women, Varied Voice, Kathryn Johnston

Undergraduate Review

Daphne du Maurier and Sylvia Plath both use voice as a tool in their respective pieces, “La Sainte-Vierge” and “Lesbos.” Through the implementation of varied voices, these women convey female interiors. Du Maurier’s use of a third-person narrative voice in her short story “La Sainte-Vierge” allows her to comment on the lives of the main characters through the eyes of an outsider. Du Maurier’s outsider reveals a naïve and delusional housewife, unhealthy in her denial within a failing relationship. Contrasting with du Maurier’s Marie is Plath’s first-person voice of a scorned, dissatisfied housewife in her poem, “Lesbos.” Plath’s use of …


The Tornado Siren, Clayton Adam Clark Jan 2012

The Tornado Siren, Clayton Adam Clark

Birmingham Poetry Review

p. 34


Last Laugh, Daniel Groves Jan 2012

Last Laugh, Daniel Groves

Birmingham Poetry Review

p. 67


Maelstrom, Chad Davidson Jan 2012

Maelstrom, Chad Davidson

Birmingham Poetry Review

pp. 39-41


King's Highway, Robert Wayne Hill Jan 2012

King's Highway, Robert Wayne Hill

Birmingham Poetry Review

p. 71


Straphangers, Anne Ward Jamieson Jan 2012

Straphangers, Anne Ward Jamieson

Birmingham Poetry Review

p. 74


A Cabbage Farmer, Cal Freeman Jan 2012

A Cabbage Farmer, Cal Freeman

Birmingham Poetry Review

p. 50


Felines, Daniel Groves Jan 2012

Felines, Daniel Groves

Birmingham Poetry Review

pp. 65-66


Aftermath, Austin Macrae Jan 2012

Aftermath, Austin Macrae

Birmingham Poetry Review

p. 90


Slash And Burn, Andrew Kozma Jan 2012

Slash And Burn, Andrew Kozma

Birmingham Poetry Review

p. 77


Geese Imagine Living In Manhattan, Greg Mcbride Jan 2012

Geese Imagine Living In Manhattan, Greg Mcbride

Birmingham Poetry Review

p. 99


Mountain Redemption, Nick Mcrae Jan 2012

Mountain Redemption, Nick Mcrae

Birmingham Poetry Review

pp. 103-104


Parties, Michael Milburn Jan 2012

Parties, Michael Milburn

Birmingham Poetry Review

p. 106


Reverie: Nightfishing, Michelle Peñaloza Jan 2012

Reverie: Nightfishing, Michelle Peñaloza

Birmingham Poetry Review

p. 114


Mémé, Tim Liardet Jan 2012

Mémé, Tim Liardet

Birmingham Poetry Review

p. 88


For The Robinson Brothers Of Chattooga County, Georgia, Now Deceased, Nick Mcrae Jan 2012

For The Robinson Brothers Of Chattooga County, Georgia, Now Deceased, Nick Mcrae

Birmingham Poetry Review

p. 102


Gia Marotta, Nikki Zielinski Jan 2012

Gia Marotta, Nikki Zielinski

Birmingham Poetry Review

p. 131


Rest, John Poch Jan 2012

Rest, John Poch

Birmingham Poetry Review

p. 118


Bedroom, Wes Ward Jan 2012

Bedroom, Wes Ward

Birmingham Poetry Review

p. 125