English Language and Literature Commons^™

Exploring Specters Of Feminism In The Work Of Joyce Carol Oates, Nicolas P. Boileau, Tanya L. Tromble

Bearing Witness: Joyce Carol Oates Studies

This collection originates from the international conference “Specters of Feminism in the Work of Joyce Carol Oates,” held at Aix-Marseille Université in March 2024 as part of the broader project “Women and the F-Word: Thinking about Women’s Resistance to Feminism.” The introduction situates Oates’s vast and varied oeuvre within evolving feminist discourses, highlighting her ambivalent personal stance toward feminism and the critical consensus that her work engages deeply with feminist themes, especially sexual violence, trauma, and the complexities of gendered power. The essays gathered here explore how Oates’s stylistic experimentation, intertextuality, and representations of female agency and victimhood simultaneously reflect, …

Feminist Stories: Then And Now, Brooke Kelly

FUSION

This short essay explores the connections between themes in Charlotte Perkins Gilman's 1892 short story "The Yellow Wallpaper" and the 2024 film, Immaculate, specifically focusing on each story's affect on feminism.

The essay was originally written in response to a discussion post where students were asked to pick one American literary text and one piece of contemporary media that addressed the same issues/character types/ plot/ideas, etc. of today.

The Sword And The Serpent, Gina Dittmeier

Children's Book Writing and Illustrating (MFA) Theses

This project provides insight into the monstrous bridegroom trope in fairytale and its influence in modern fantasy literature. The monstrous bridegroom trope has several different variations, but all of these variations result in a young and innocent woman marrying a monster. Through my critical essay, I look at this trope through a modern feminist lens, exploring the different variations of the trope in fairy tales, modern fairy tale adaptations, and fantasy literature. The essay brings in modern ideas of toxic masculinity and toxic femininity and applies them to the fairy tale inspiration of fantasy literature. The monstrous bridegroom trope and …

"His Injustice Stirred In Me Ambitious Wishes": Women's Education In Charlotte Brontë’S Villette, Kathleen Sickinger

Theses, Dissertations and Culminating Projects

This thesis will explore Charlotte Brontë’s novel Villette and how it functions as an insight into the complicated ways in which Brontë’s Victorian world felt towards women’s education. The text focuses on the life of Lucy Snowe, a character often considered to be one of Charlotte Brontë’s most autobiographical, and her experiences in an all-girls’ school in the Brussels-inspired town of Villette. Education plays a large role in the events of Lucy’s life, which the novel explores, along with detailing the experiences of the characters of Ginevra Fanshawe and professor M. Paul Emmanuel. Despite their different conceptions of and relations …

“Some Vague Utopia”: Searching For Urania, Moira L. Neve

Theses and Dissertations

Despite the global pendulum swing of gender trouble marked by the United States’ President’s declaration that there are only two sexes, activists have been rejecting assimilation (ie. defining equality as gay marriage or queer people in the military) within queer studies long before 2025. In the first half of the 20th century, a journal by the name of Urania (1916-1940), privately published and circulated to their home base in the United Kingdom and beyond, five editors (Esther Roper, Eva Gore-Booth, Jessey Wade, Dorothy Cornish, and Irene Clyde/Thomas Baty), challenged the gender binary and the resulting assumptions of heterosexual marriage. This …

Tactical Staging: Evolving Methods Of Feminist Activism In Susan Glaspell’S Work, Allison Mcpeak

English: Student Scholarship & Creative Works

In the marketplace of ideas, the Theatre Arts employ narrative stories and eye-catching visual art pieces draw listeners and viewers in a way that is unmatched by other methods. Art not only reflects the society from which it was created, it also acts as a projection of the creator’s ideal world. Theatre, being both a sonic and visual medium also has the unique advantage of speaking directly to a captive audience that are physically in the same room as the characters onstage, making those connections significantly more personal. A caveat, however, is that modern theatre tends to reflect the values …

Reflection: The Twenty-Line Trap? Shakespeare Enacted By Young Women, Shannon Reed

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Professional actors assemble a toolkit of monologues with an obligatory “Shakespearean monologue” of around 20 lines. But female actors are at a disadvantage, with less than 150 women in a repertoire of over 1,100 characters in Shakespeare’s 37 or more plays. Young female actors (18-22 years old) are even more at a loss, if the powerful and complex older female roles are removed, leaving only a few dozen appropriate speeches. What effect does this limited canon have on such actors? Here, I reflect upon my own participant observer experience as a young woman actor, who received the bulk of my …

Fantasy, Colonialism, And The Middle Landscape, Brian Attebery

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Weaving together Anglo-American folklore, the Indian captivity narrative genre, and science fiction and fantasy with Midwest settings, Attebery explores the lasting influence of the pastoral chronotope of the “middle landscape” and its entanglement with colonialism and empire. Scholar Guest of Honor Address, Mythcon 53.

Medieval To Modern: Morgan Le Fay As Folk Icon Of Women In Power In Modern King Arthur Stories, Colleen Victoria Etman

Theses and Dissertations

This dissertation interrogates the ways that society views women with/in power through Arthurian adaptation. The body of work that makes up the Arthurian story is a sort of folk legend, a myth being told and retold by various authors in their own way. By using folk studies to analyze both medieval and modern texts, we can dissect what is important enough to remain over time. This signifies cultural values; things that have remained over time are reflective of the values of the writers producing these works, as well as the audiences consuming them. By interrogating these stories, we can make …

“The Limit Does Not Exist”: Utopian And Feminist Pedagogies In 21st-Century Broadway Musicals, Stephen Reaugh

Arts & Sciences Graduate Student Theses and Dissertations

This dissertation analyzes four Broadway musicals that are adaptations of popular films and novels: Legally Blonde, Fun Home, Waitress, and Mean Girls. These texts are performed in the 21st century and each stages either sexual assault or the fear of a sexual assault that is narrowly avoided. More narrowly, this dissertation focuses on the 2007-2018 time period in which these musicals were performed, thus leading up to and through Alyssa Milano's pivotal #metoo message on Twitter. The dissertation reads the review and marketing milieux in which these musicals existed, as well as each text in performance, to theorize how spectators …

On Emily Dickinson, Katelyn Confer

2024 Symposium

The following paper will explore the relationship between Emily Dickinson’s poetry, the circumstances of her life, and the historical context in which she lived to glean an understanding of how her mental health influenced her work. Selected poems by Dickinson will be reviewed and analyzed, along with a brief overview of nineteenth century attitudes towards female mental health with a particular emphasis on the medical diagnosis of female hysteria.

“No Friend Like A Sister”: Christina Rossetti’S Fantastic Departure From Pre-Raphaelite Poetics And Art In “Goblin Market”, Anna M. Lee

The Criterion

Christina Rossetti’s poetics and artistic vision in her seminal poem, “Goblin Market,” have yielded a range of critical theories, from positions on sisterhood to the ambiguous position of capitalist markets. While considering the socioeconomic and cultural context behind the poem’s development and resonance among contemporary feminist movements, readers also ought to consider the actual “goblin brotherhood” — the Pre-Raphaelite Brotherhood (PRB) — behind Rossetti’s authorial ventures. This paper argues that Rossetti’s fantastical methods draw influence from and participate in the PRB’s poetics and artistic traditions, while subverting the same conventions within a feminist paradigm. Rossetti not only envisions a homosocial …

Cognitive Borderlands: Understanding Marginalized Identity In The Work Of Ada Limón, Ashley Hope Pérez, And Carmen Maria Machado, Monica Barbay

English Theses

Gloria Anzaldúa’s groundbreaking theoretical and creative collection of essays entitled Borderlands / La Frontera: The New Mestiza provides foundational ideas and principles to consider the physical, mental, and emotional struggles of those living along the U.S.-Mexican border. This thesis furthers this discussion by contemplating what happens psychologically to those residing in physical and cognitive borderlands, including but not limited to the U.S.-Mexican border. Specifically, I develop a framework to conceptualize borderlands of the mind, focusing on people-groups who experience multiple kinds of marginalization. I argue that these layers of marginalization negatively impact one’s sense of self, fostering a cognitive divide …

Feminism And Female Identity In Adaptations Of Pride And Prejudice Throughout The 20th And 21st Centuries, Emily Suh, Emily Suh

Honors Theses

To many of her fans in the world, Austen is undeniably a feminist author, especially for her time in the nineteenth century. In a time where women were dependent upon male family members for their livelihoods, most of Austen’s heroines exhibit a sort of independence and strong will with a mind of their own, including in Pride and Prejudice. Elizabeth is the model for what an independent woman is, a woman who is not so concerned with the monetary value of matrimony and only falls in love because she wants to. Furthermore, female audiences tend to like Elizabeth more than …

Little Cricket On The Hearth: The Quiet Feminism Of _Little Women_, Caroline Anderson Klein

Honors Theses

Since the advent of the cult of domesticity, the stakes for female characters in domestic literature have been notoriously high. There was no room for flaws, rebellious decisions, and certainly no room for mistakes—whether of the woman’s own accord, or simply as collateral damage of a male character’s immorality. In this shallowly Calvinist domain, women were never more than one broken guardrail away from social ruin or death. In writing Little Women, Louisa May Alcott breaks these molds through unflinching kindness to her female characters from childhood to adulthood, even unto death. Alcott achieves this quietly feminist feat by …

Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma

Electronic Theses and Dissertations

As long as disparities persist in the way women are treated as compared to their male counterparts, the issue of gender will continue to call forth literary productions. For this reason, female writers are on a mission to dismantle the stereotypes that keep women confined to societal roles. Grounded in a feminist framework, this study focuses on the gender disparity theme in Chimamanda Adichie’s Purple Hibiscus and Tsitsi Dangarembga’s Nervous Conditions. The aim is to examine how these writers represent the trauma of women living in an African patriarchal system. The traumatic experiences of the female characters in both texts …

Obscured To Outspoken: Buchi Emecheta, Chimamanda Ngozi Adichie, And Akwaeke Emezi As Case Studies In Nigerian Feminism, Ava Chuppe

Honors College Theses

Though about two decades separate their ascents to global renown, Buchi Emecheta and Chimamanda Ngozi Adichie represent two figureheads of the women’s literary tradition in Nigeria. While Adichie has embraced the “feminist” label to describe her work, Emecheta has proven more reluctant, divulging issues with the Western variety of the movement—namely, its deconstruction of the family. Nevertheless, Emecheta and Adichie engage with issues such as maternity, familial turmoil, and political unrest in the contexts of colonial and postcolonial Nigeria, respectively. In doing so, both writers demonstrate the unique manifestations of patriarchy brought about by colonial rule. In Emecheta’s novel The …

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

Darling: An Adaptation Of "The Yellow Wallpaper", Dawniqueca A.L. Steele

FUSION

Based on Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the following story depicts the vacation of a young woman and her fiancé to an isolated mountain cabin. Similar to the original text, the woman gains a fixation on a specifically colored item, this being the white snow outside. The intentions of this story were to depict how misogyny and female insanity have both evolved and remained stagnant throughout time. Even though the original text featured traditional concepts of misogyny while the following focuses on modern forms, the two show the same maddening fear of a woman in the presence of inequality. …

Plath Fostered It, Women Are Nurturing It: Cycles Of Existential And Confessional Women's Writing In The Mid-20th Century And Beyond, Sophie Elisabeth Conrad

Senior Theses

During the mid-20th century, a wide-ranging yet topically focused genre of women’s writing began to emerge in earnest, currently categorized as existential and confessional. Works like Simone de Beauvoir’s The Second Sex (1949) and Betty Friedan’s The Feminine Mystique (1963) offer explanations of why an ineffable feeling of malaise permeated the lives of 20th-century women and led them to adopt these methods of writing and thinking. However, existential feelings akin to that of the 20th-century female malaise have returned to stake their claim on the minds of 21st-century women, evidenced in popular contemporary works such as Otessa Moshfegh’s My Year …

"We Are Bad Feminists!": Understanding Genre And Rhetoric In (Post)Feminist Dramedy Television, Cailin Rolph

All HCAS Student Capstones, Theses, and Dissertations

Centered on Lena Dunham’s Girls (2012) and Phoebe Waller-Bridge’s Fleabag (2016) this thesis examines the use of genre conventions in dramedy to facilitate feminist critiques of postfeminist ideals. In conducting a case study of feminist rhetoric present in the shows Girls and Fleabag, this thesis addresses a gap in genre studies concerning the social and political potency of the dramedy genre. The thesis utilizes rhetorical critique, through generic methods, to identify the specific techniques used by Dunham and Waller-Bridge. Through its analyses, this thesis argues that dramedy can uniquely operate as a work of social action and critique, using …

Madwomen In Attics, Madwomen In Tombs Feminist Counterparts In Jane Eyre And Dracula, Bethany Howard

Theses

Charlotte Brontë’s early Victorian novel Jane Eyre (1847) enjoys a steady history of feminist interpretations. Sandra Gilbert and Susan Gubar’s The Madwoman in the Attic (1979) is perhaps the best-known. Andrew Weiler sees Jane Eyre as a feminist Christian bildungsroman, and Micael Clarke finds the “feminist ethic” in the Grimms’ “Cinderella” tale in Jane Eyre (708).

However, Bram Stoker’s late Victorian novel Dracula (1897) has generated more varied responses, ranging from ambivalence, as noted by Carol Senf, to highly feminist, to highly anti-feminist. Feminist readings include that of Stephanie Demetrakopoulos, who remarks, “Stoker’s attempt at feminism in this novel is …

Will The Real J.G. Ballard Please Stand Up?, Scott Richard Stalcup

Graduate Research Theses & Dissertations

This dissertation examines the longer works of British colonial author James Graham Ballard. Specifically, it attempts to answer the long-deflected question posed over the decades to Ballard regarding the treatment of female characters in his fiction. Though espousing liberal feminist ideals at times, Ballard’s repeated use of the lamia/damsel archetype, often in the same female character, strongly suggests he believed otherwise. Using predominantly radical-cultural feminist criticism as a critical lens, specifically the works of Ballard’s long-time nemesis Andrea Dworkin, this study focuses predominantly on the thematic tetralogies of Ballard’s fiction: the ecological disasters of the 1960s, the “techno-barbarism” of the …

A Legacy Of Labor: Maternity Narratives In 1960s And 1970s North American Life Writing, Katelynn Ann Vogelpohl

Graduate Theses, Dissertations, and Problem Reports (ETD)

Abstract

A Legacy of Labor: Maternity Narratives in 1960s and 1970s North American Life Writing

Katelynn Ann Vogelpohl

The phenomenon of maternity has been repeatedly described as an event that shakes the very foundations of social and physical identity. As the flesh of the pregnant person literally divides to produce new life, one subject becomes enclosed within another, dramatically affecting the pregnant person’s sense of self and causing a confluence of intense, and often conflicting, feelings. In North America, there are two dominant, and seemingly opposing, discourses on pregnancy and childbirth: the institutional medical discourse and the natural childbirth discourse. …

Reading The Books Of Margery Kempe And Alice Pyett: Attachment And Feminist Restoration In Michelle Paver's "Wakenhyrst", Laura Varnam

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article examines reading, attachment, and the restoration of female voices in Michelle Paver's Wakenhyrst, a 2019 novel inspired by the fifteenth-century mystic and author, Margery Kempe. The article foregrounds and analyses the author’s own response to the novel and to Paver's comments about Kempe from the perspective of Rita Felski's work on art and attachment (2020) and in the context of Carolyn Dinshaw's reading of Hope Emily Allen's championing of Margery Kempe (2012). Underpinned by a framework that draws on medievalism studies (particularly Katherine Brown's concept of 'restoration'), the article explores the ways in which Paver's two readers …

The Impact Of Emma: Destroying Stereotypes Through Nuanced Characters In Text And Film, Julia Mccool

English MA Theses

This paper explores Jane Austen’s Emma as a response to stereotypes in 18th century novels and moral tales, and Autumn De Wildes’s Emma. from a feminist lens. Examining both of these works reveals that Emma was originally, and still is over 200 years later, transforming stereotypes in literature and film adaptations. The novel seems to be responding to a common stereotypical female villain found in many 18th century novels. In viewing Emma as a subversion of this stereotype, it is clear that Austen was responding to the sexist notions behind the character type, and writing a heroine more in line …

Feminine Interiority And Social Protest In The Poetry Of Mary Leapor, Joanna C. Yates

ABO: Interactive Journal for Women in the Arts, 1640–1830

Mary Leapor (1722-46) is one of the many under-studied women poets of the eighteenth-century. She is often described as a laboring-class poet which, while historically accurate, implies her immediate marginalization as an writer by her class and gender. Her focus of enquiry explores a new female authorial interiority, embracing her own volition, personality, and aesthetic sensibility through the act of writing itself. This nascent individualism, arising from the examination of feeling, lies at the heart of her work and heralds the social protest that will erupt later in the century. This paper hopes to offer a broader perspective on Leapor’s …

The Children’S Final Girl: Exploring Feminism, Horror, And Adolescence In Coraline, The Last Cuentista, And A Series Of Unfortunate Events, Hannah Rose Lussier

English Theses - Archive

The uses of femininity throughout the horror genre have been widely studied in order to identify the role of the woman within these works. This thesis works to apply Carol Clover’s trope of the Final Girl to contemporary children’s horror texts in order to unveil the underlying schematics that shape adolescent characters. Using Neill Gaiman’s Coraline, Donna Barba Higuera’s The Last Cuentista, and Daniel Handler’s A Series of Unfortunate Events: The Bad Beginning, this thesis aims to position contemporary children’s protagonists as the Final Girl, which in turn attempts to explain the uses and misuses of common horror motifs such …

'Poor Unfortunate Souls': Acculturation And Reception Of Womanhood In Fairy Tales, Dalton C. Whitby

Fall Showcase for Research and Creative Inquiry

This essay examines traditional fairy tales, symbolized by Perrault’s “Blue Beard,” and contemporary ones, illustrated by Disney’s animated film Brave (2012), with the implementation of ideas from theorists Marcia Lieberman and Hans Robert Jauss, to demonstrate that dated conceptions of womanhood prevail in these stories and continue to be received and acculturate children today. Although it is reasonable to assume social changes brought on by feminism would echo in twenty-first-century fairy tales, an investigation of Disney's animated fairy tale films, the modern storyteller aimed at acculturating children, reveals that these stories subversively persist in presenting traditional ideas of womanhood, depicting …

Transhuman Bodies: A Survey Of Three Avenues Of Societal Critique From Literature With Cyborg, Android, And Clone Subjects, Wesley Sanders

Student Theses and Dissertations

This thesis seeks to explore three different avenues of societal critique using works in Science Fiction which have as their subjects cyborgs, androids, or clones. In the thesis, I begin by addressing the unique way SF literature comments on gender politics through the use of objectified cyborgs and androids, typically with male creators and would be male masters. Following this, I explore the concept of a semiotic liminality surrounding cyborgs and androids and illustrate how that liminality complicates conceptions of what constitutes a living creature. Finally, the thesis shifts to the commodification of the cyborg where I attempt to illustrate …