English Language and Literature | Open Access Articles

Eng 3001-600, Roxane Gay

Summer 2013

No abstract provided.

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Eng 2009g-051: Race, Age, And Gender In "Coming Of Age" Narratives, Tim Engles

Summer 2013

No abstract provided.

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Satori 2013, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

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Sexual Iconoclasm In Early Modern Drama, Lynnette Macomber

Honors Theses and Capstones

My thesis examines the relationship between sexuality and the destruction of images – iconoclasm – in the context of post-Reformation English theatre by analyzing three plays: Shakespeare’s Titus Andronicus, Middleton and Rowley’s The Changeling, and Aphra Behn’s The Rover. I argue that the idea of sexual iconoclasm is not only present in these plays but also contributes to the discussion of the religious and sociopolitical contexts (and perhaps commentary) of these plays and early modern theatre in general. So what exactly is sexual iconoclasm? In short, it describes the destruction of sexual images, and by sexual images I …

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Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This paper explores the relationship between sexuality and the undead from Victorian England to present day vampire narratives. Specifically, I examine the shift in the vampire narrative from the frightening Dracula to the extremely sexualized nature of vampires in the early twenty-first century. My results are concerned with the nature and exchange of fluids between vampire bodies and their victims (or lovers) and the power associated with that exchange. My conclusion implies that re-masculating the vampire is a return to a patriarchal dominant discourse promulgates the heteronormative status quo, unlike their early predecessors, which tend to undermine heteronormative sexuality.

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Satanic Indifference And Ultimate Reality, Brian J. Reis

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Satan has captured the imagination of writers in the English language for centuries. This figure and the notion of evil have gone through many changes in English literature of the 19th and 20th centuries. Something changed Satan during this time, and made him into an arbiter of truth rather than a figure of rebellion. In The Mysterious Stranger, Mark Twain used him as the grand narrator of the universe who explains the truth of all existence, that life is an illusion. The American horror author H.P. Lovecraft carried this one step further, using Rudolf Otto's mysterium horrendum to divest Satan …

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Brian Friel’S Modern Irish Drama: Writing The Past, Present, & Future, Brian F. Mccabe

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Postcolonial and historicized readings of Irish literatures describe the evils of colonialism, and the ways it has distorted nationhood and nation-building to serve the ends of greedy empires. But, what happens to a nation or nations in the vacuum after a major colonial power abandons the colony or is driven out? [excerpt]

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Being [T]Here, Dustin B. Smith

English Faculty Publications

When you awoke from the dream, in your early thirties, you knew, as you’ve never known anything else in all your seventy-plus years, that what you’d found was real. The dream began with you sitting in a church, head bowed in prayer. Your eyes opened slowly, and you noticed that you were wearing brilliantly colored, beaded moccasins. You stood abruptly, pushed open the mahogany gate that separated the pew from the center aisle of the church, and began to run. The dream then proposed a seemingly endless and entirely quotidian set of difficulties in The City, and led eventually to …

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