English Language and Literature Commons^™

Teaching Anne Finch In "Partisanship In Restoration And Eighteenth-Century Britain", Jennifer Wilson

ABO: Interactive Journal for Women in the Arts, 1640-1830

The works of Anne Finch, a writer doubly exiled as a female poet and Jacobite, stand out as eminently teachable examples of a compelling political outsider view that provokes us to consider how we can better attend to perspectives of principled opposition. Her poems in response to what has been called the "first modern revolution," together with her odes upon the deaths of King James II and Queen Mary Beatrice, showcase the subversive power of indirect articulation, expressing values through emotions and affects in veiled forms such as allegory and alternate history.

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford

Masters Theses

Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …

Rhetorical New Materialism, Queers, And Cringe, Katherine Anne Schell

Theses and Dissertations

Cringe, the negative reflexive reaction we experience when we witness something embarrassing or awkward, has a bad reputation in the queer community. In online and physical queer spaces, there is a pervading belief that “cringe culture” must be antithetical to queerness, that no queer community could possibly achieve liberation until it has eradicated the threat of cringe. This thesis revises that cringe vs. queer positioning by reimagining cringe as its own rhythm of queerness and examining the productive aspects of cringe through engagement with thinkers like Karen Barad and Eve Kosofsky Sedgwick. The thesis, formatted as a response to a …

What’S Long About Long John Silver: Anormative Masculinities And Histories In Robert Louis Stevenson’S Treasure Island, David V. Riser

Graduate Theses, Dissertations, and Problem Reports

Historical queer and transgender experiences have been obscured by the dominant narrative of history. However, these experiences surface in works of fiction. This thesis analyzes affective responses to constructions of queer masculinity in Robert Louis Stevenson’s Treasure Island. Affects of disgust and desire in Treasure Island, and in the popular history of Treasure Island, reveal a proto-queer transgender experience found in 19th-century maritime fiction. These affects demonstrate a fear that there is no reproductive futurity in queer masculinity while producing narratives of queer masculinity. This production makes historical queer and transgender experiences legible, and allows contemporary queer readers to navigate …

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …

Trauma Before The Name : Impersonal Violence In Nineteenth-Century American Literature, Carolin Alice Hofmann

Legacy Theses & Dissertations (2009 - 2024)

The dissertation studies the pre-history of trauma in US American fiction, examining how experiences of large-scale adversity are represented before the concept of psychological trauma emerges in the late nineteenth century. Distinctly modern forms of violence—diffuse, systemic, lacking direction and intent—bring forth less individual and personal experiences of grief and suffering than those imagined by twentieth-century trauma theory. Studying forms of feeling and of genre that make trauma legible historicizes the way a Western idea of modern subjectivity, as white, self-possessed, agential, and split, has shaped out understanding of how a person processes crisis. The dissertation visits three spaces that …

Imagination In Practice: Writing Studies And The Application Of Hospitality., Edward Alan English

Electronic Theses and Dissertations

The question of how to ethically teach, learn, and engage in an evolving world remains one of the most longstanding investigations in writing studies scholarship. Examining some of the most foundational frameworks for writing pedagogy reveals that their underlying motivations share common concerns for how to learn from and empower students. This dissertation builds from this trend and foregrounds the observations, stories, and experiences of consultants and writers at the University of Louisville’s Writing Center through a qualitative study that is informed by case study methodology and collaborative action research. I draw on primary data collected from one focus group …

“Everything Will Be As It Is Now, Just A Little Different”: Affectively Imagining Alternative Worlds In Ben Lerner’S 10:04, Grace Riley

Theses and Dissertations

One of the most crucial concerns of cultural criticism today is the question of how to grapple with what Mark Fisher refers to as the “malaise” of the present; the pervasive belief that capitalism is the only viable option, that there is no alternative ‘other.’ However, there remains a vibrant scholarship committed to resisting such pessimism that theorizes the possibility of alternative, utopian futures that lie athwart the apocalyptic present. This thesis explores the question of how one begins to imagine such alternative futures from within a capitalist order that constantly works to pre-emptively subsume any possibilities of resistance. Art …

Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams

Animal Studies Journal

While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …

Kate O’Brien: Queer Hauntings In The Feminist Archive, Naoise Murphy

Journal of Feminist Scholarship

The archive of Irish writer Kate O’Brien is a notable example of how queerness haunts the mainstream of feminist literary spaces. The 2019 Museum of Literature Ireland (MoLI) exhibition Kate O’Brien: Arrow to the Heart, which set out to restore this censored novelist’s place in the archive of twentieth-century Irish writing, provides a case study of these dynamics. Queer and feminist perspectives on the archive, with a focus on affect, hauntings and Sara Ahmed’s “queer use,” illuminate the conflicting epistemologies regulating the O’Brien archive. Reading this exhibition as an Irish queer, affective experience collides with entrenched structures of power …

Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert

Doctoral Dissertations

This dissertation explores the affective impacts of historical trauma around slavery and segregation in the US South, arguing for the importance of understanding US Southern history through the ways in which it has lived and continues to live in and on the bodies of Southerners marked by race and gender and class and within emotional life in the South. The texts in this study—Gayl Jones’ Corregidora (1975), Dorothy Allison’s Trash (1988), Ellen Gilchrist’s Net of Jewels (1992), and Natasha Trethewey’s Native Guard (2006)—engage the affective impacts of intergenerational and insidious trauma through portrayals of Southern women struggling to give voice …

Noir Affect [Table Of Contents], Christopher Breu, Elizabeth A. Hatmaker

Literature

Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period (the mid-twentieth century) or national tradition (the U.S.). Instead the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts (from the U.S. to Mexico, France and Japan) manifests in a range of different media (films, novels, video games, and manga). The forms of affect associated with noir are resolutely negative: these are narratives centered …

What's Past Is Prologue: Transforming Trauma, Rewriting Identity In Gloria Anzaldua's "Borderlands/La Frontera" And "Light In The Dark/Luz En Lo Oscuro", Richard Edward Riley

FIU Electronic Theses and Dissertations

Gloria Anzaldua’s Borderlands/La Frontera and Light in the Dark/Luz en lo Oscuro are widely acknowldged as groundbreaking texts across Latinx literary canons, invoking selfhood, spirituality, activism, and politics as a queer woman of color writer.

Her language around self-dispersion is still undertheorized in what it owes to traumatic experiences discoverable in the self, body, world, and culture Anzaldua hails from. The extent of colonizing and kyriarchal damage in her work has been recognized; but the exact character of how these breakages and corresponding imperatives to regenerate oneself resemble a traumatic shock remains to be written about.

This thesis sketches frameworks …

The Picturesque And Its Decay: The Travel Writing And Journals Of Dorothy Wordsworth, Mary Wollstonecraft, And Mary Shelley, Gabrielle Kappes

Dissertations, Theses, and Capstone Projects

This project puts forth the argument that when the late eighteenth century’s taste for nature and picturesque tourism had peaked, writers following in the picturesque tradition grappled with the limitations and confines of these aesthetic categories. In the chapters that follow, I present three authors, Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley, who are all dissatisfied with the conventions of the picturesque. Dorothy Wordsworth’s Alfoxden Journal (1798) demonstrates the nuances of the picturesque instability where distinctions between nature and the cultural production of nature have become muddied. I then examine three tour narratives in order to draw attention to how …

Salem Belles, Succubi, And The Scarlet Letter: Transatlantic Witchcraft And Gothic Erotic Affect, Sylvia Cutler

Theses and Dissertations

In order to reconcile the absence of sexually deviant witch figures (succubae, demonic women, etc.) within the formation of American national literature in the nineteenth century with the fantastic elements found in European variations on the gothic, my thesis aims to demonstrate transatlantic variants of erotic signifiers attached to witch figures in nineteenth-century gothic fiction and mediums across national traditions. I will begin by tracing the transatlantic and historical impact of Heinrich Kramer and Jacob Sprenger’s Malleus Maleficarum—an early modern handbook of sorts used widely in witchcraft inquisitions—on Early American witch trials, specifically where its influence deviates from a sexualized …

The Chaotic Domestic: Tracing Affect In Representations Of Nation, Class, And Gender In Eighteenth-Century Laboring-Class Women’S Writing, Kelly J. Hunnings

English Language and Literature ETDs

My dissertation traces a term I call the “chaotic domestic” in the writing of a collection of eighteenth-century women laboring-class writers: Mary Barber, Mary Collier, Mary Leapor, Ann Yearsley, and Janet Little. The chaotic domestic in the hands of these writers is multi-layered and affect-driven, focusing as they do on issues regarding nation, class, and gender. As both a poetic trope and the seeming natural and dynamic state of the domestic sphere, the image of the domestic that this set of writers represents and defines is turbulent, unruly, and one that deals with the tangled web of local and global, …

Bad Environmentalism: Irony And Irreverence In The Ecological Age By Nicole Seymour, Delia Byrnes

The Goose

Review of Nicole Seymour’s Bad Environmentalism: Irony and Irreverence in the Ecological Age

Existentialmd.Com: Building Towards An Embodied Internet Aesthetic, Natasha Ochshorn

Dissertations, Theses, and Capstone Projects

ExistentialMD.com is a website that aims to treat the body as an emotional and social subject in an online space that is purposefully bodied and fleshy. The website contrasts original creative nonfiction essays with a formal structure that alludes to the medical website WebMD. Mimicking WebMD’s symptom checker, which asks users to locate their discomfort with increasing specificity before suggesting conditions they might be suffering from, ExistentialMD uses a similar structure to yield results that are more exploratory than diagnostic, and which envision the body as a site of experience and emotionality. Form and content combine to create an …

Nineteenth-Century Pets And The Politics Of Touch, Valerie L. Stevens

Theses and Dissertations--English

Nineteenth-Century Pets and the Politics of Touch examines texts of the era in which both humans and animals find empowerment at the point of physical encounter. I challenge contemporary perceptions of human-pet relationships as sweetly affectionate by focusing on touch. I uncover an earlier interest in the close reciprocal relationships between human and nonhuman animals, arguing that these nineteenth-century thinkers presented what I call a “politics of touch,” in which intimate and often jarring physical encounters allow for mutuality and autonomy. I first turn to Charlotte Brontë’s Shirley (1849) and protective violence, a condoned ferocity that frequently unites and guards …

The Environmental Imaginations Of Moby-Dick: Technology And Vulnerability In Human/More-Than-Human Relationships, Jensen A. Lillquist

Graduate Student Theses, Dissertations, & Professional Papers

In the twenty-first century, the relationship between the human and the more-than-human is a problem of massive proportions, as we live in an age of climate change, mass-extinction, over-population, and resource depletion. Evaluating how we have arrived where we are and re-thinking the issues at play as we move forward is crucial for future adaptation of human/more-than-human relationships; this is the primary goal of my analysis of the environmental imaginations of Moby-Dick.

I argue that the four primary environmental imaginations—the providential, the utilitarian, the Romantic, and the ecological—that have influenced United States culture since European settlement are represented by Herman …

Materialism’S Affective Appeal, Elizabeth Mazzolini

The Goose

Citing the pronounced lack of academic engagement with Middlesex since its publication and riffing on the novel’s recounting of the demise of the auto industry in Detroit, Mazzolini examines how cycles of obsolescence and currency work within academic discourse and ultimately advocates for the novel’s potential for examining the material and affective nature of relevance itself.

Remembrances Reconsidered: Site-Specific Affective Retellings, Melanie W. Lozier

Theses and Dissertations

This thesis is an examination of the ways in which strong affective feelings, trauma, and memories are written about by women through diverse narrative forms. Through storytelling, writers engage with the relationship between deep feelings, significant places, and language, such as the frequent employment of words containing the prefix "re."

Who Died: Redefining The Elegy Through Affect And Trauma, Brittney La Noire

Dissertations, Masters Theses, Capstones, and Culminating Projects

This project introduces the claim that death literature, specifically elegies and epitaphs, do not rely on set structure or content, but rather are poetic effects of trauma and affect. Both have been defined and redefined by critical scholars, but there is still a division about their use. The beginning of the project will pull together Paul De Man, Cathy Caruth, Theresa Brennan, and Diana Fuss to apply the theoretical principle of trauma and affect transhistorically through Theocritus, John Milton, and Percy Shelley. The final portion will be an original creative collection of elegies combined with epitaphs as ending couplets about …

Affective Ecologies: Empathy, Emotion, And Environmental Narrative By Alexa Weik Von Mossner, David Tagnani

The Goose

Review of Alexa Weik von Mossner's Affective Ecologies: Empathy, Emotion, and Environmental Narrative.

Knowing Others, Or Not: Performing, Caring, Foreboding, And Acknowledging In Nineteenth-Century British Fiction, Meechal Hoffman

Dissertations, Theses, and Capstone Projects

Knowing Others, Or Not makes two overarching claims about the nineteenth-century novel’s depictions of relations. First, they are overwhelmingly concerned with epistemological questions about knowing others, and second, more often than not, the problem of other minds is portrayed as productive of both pleasure and valuable negative affects. While much scholarship on the relational nineteenth century focuses on either sympathy or social responsibility within the framework of liberal individualism, I show instead that the authors in this study—Jane Austen, Charlotte Brontë, Wilkie Collins, and George Eliot—repeatedly register doubt about the usefulness or possibility of authenticity, and posit the pleasure that …

Queer Affect In T.S. Eliot's Early Poetry, Michael Houle

Chancellor’s Honors Program Projects

No abstract provided.

Intelligent Bodies And Embodied Minds: Reading Religious Performance In Middle English Writing From Syon Abbey, Nicholas Love, William Langland, And John Gower, Paul Holchak

Dissertations, Theses, and Capstone Projects

This dissertation argues for a new reading of the relationship that texts have to performance, bodies have to agency, and that social construction has to literary criticism as these matters relate to the study of religious practice in late medieval England. The project first asks what it meant to participate in religious practice in two, early fifteenth-century Middle English prose texts, The Myroure of Oure Ladye and The Mirror of the Blessed Life of Jesus Christ. The former work is a gloss of the Divine Service performed by the Brigittine sisters at Syon Abbey, and the latter consists of …

Roots And Repercussions Of Romantic Feeling: Sensation And Affect In The Poetry Of Samuel Taylor Coleridge And William Wordsworth, Mary K. Cotter

Theses and Dissertations

Enlightenment emphasis on rationalism in philosophy and the arts prefigures Samuel Taylor Coleridge’s and William Wordsworth’s Romantic recovery of a subject’s empirical relationship to nature and the phenomenal world. Coleridge and Wordsworth respond to philosophical precedents that emphasize rationalism and the autonomy of a subject while introducing empiricism and sensation as primary components of the speaker’s experience. The poets delineate a fluid shift from the Enlightenment to Romanticism through an interchangeable reliance on Kantian and Burkean philosophical methods. The philosophy of Immanuel Kant follows the Cartesian cogito toward a similar end of reducing human experience to circumstance bereft of empirical …

Animate Impossibilities: On Asian Americanist Critique, Racialization, And The Humanities, Frances H. Tran

Dissertations, Theses, and Capstone Projects

This dissertation works from and through the field of Asian American studies, drawing on Asian Americanist cultural critique and minority discourse, to investigate the relationship among race, the politics of knowledge, and the epistemic function of the humanities. Proliferating discourses on “post-race” and “colorblindness” characterizing the present moment posit a progressive movement beyond racial division, towards recognizing and incorporating minority difference into the academy. However, even as issues like “diversity” have gained visibility as institutional objectives, I contend that this heightened visibility occludes the structural conditions that allow racialization to persist. In this project, I follow the work of thinkers …

Politics Of Affect, Object-Oriented-Ontology, And Multitudes In "The Monk" And "Obi", Caitlin Elizabeth Scheufler

Legacy Theses & Dissertations (2009 - 2024)

This thesis will examine the potential viability of a “politics of affect”. The analysis will begin by evaluating Spinoza’s theory of affect and its connection to object-oriented-ontology and quasi-objects. This will include a discussion of Spinoza’s specific brand of “affect” and its ability to influence politics. This paper will also address the theory of Bruno Latour, which utilizes Spinoza’s theory of bodies and affect while examining the political implications of Spinozist ideas. The goal of this analysis is to use a discussion of affect, quasi-objects, and object-oriented-ontology to delineate what exactly a politics of affect might be and how this …