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Full-Text Articles in English Language and Literature
Women's Timeless Fascination With True Crime And Horror, Sarah Victoria Di Carluccio
Women's Timeless Fascination With True Crime And Horror, Sarah Victoria Di Carluccio
Legacy Theses & Dissertations (2009 - 2024)
This thesis examines society’s interest in gothic literature, horror, and true crime. Beginning with the first gothic works, and ending with modern true crime media, a focus of this exploratory piece will be on women because women have always been, and remain, the primary consumers of the gothic, and of true crime. The question is: Why? To examine the possible reasons, I will be examining the success of original gothic writers, namely, Ann Radcliffe. Other authors who influenced the development of the Gothic genre will influence our modern understanding of these origins. I will examine Poe’s “The Mystery of Marie …
Ghosts’ Stories: Addictive Behaviors And Complicated Grief In George Saunders’ Lincoln In The Bardo, Jc Leishman
Ghosts’ Stories: Addictive Behaviors And Complicated Grief In George Saunders’ Lincoln In The Bardo, Jc Leishman
Criterion: A Journal of Literary Criticism
When experiencing the natural motions of the grieving process, some individuals encounter an inability to pass this process by a phenomenon known as complicated grief. To deal with the cyclical trauma this causes, the human mind seeks to engage in addictive behaviors (both substantive and behavioral) that work to artificially and momentarily circumvent grief. This process, as it appears in George Saunders' experimental novel, Lincoln in the Bardo, reveals a depth of commentary on human attachments and grieving processes through the lives and narratives of ghosts found in the bardo.
"I Don't Believe One-Half Of It Myself": The Role Of Folk Groups In Supernatural Legend Interpretation, Melanie Kimball
"I Don't Believe One-Half Of It Myself": The Role Of Folk Groups In Supernatural Legend Interpretation, Melanie Kimball
Undergraduate Honors Theses
A range of interpretations can characterize supernatural legends as religious or non-religious—or somewhere in between. Religious audiences quickly categorize supernatural religious legends as such, but they hesitate when interpreting supernatural non-religious legends and supply multiple interpretations. Folk group paradigms influence these interpretations, and a variety of factors in turn influence which paradigms are used. The most important of these factors is a hierarchy of folk groups, which each individual has uniquely created and to which they refer when interpreting stories and experiences. When the most important of these folk groups fails to fully interpret a narrative, individuals will use folk …