English Language and Literature Commons^™

A Critical Exploration Of Costume Design Possibilities In Tolkien’S Legendarium, M. Grace Costello

Apparel Merchandising and Product Development Undergraduate Honors Theses

Tolkien’s Legendarium has in many ways codified modern fantasy. Illustrations and film adaptations of it have had far-reaching consequences on popular culture, building an 80-year tradition of visual depictions of Tolkienesque fantasy. Particularly, Elven characters are usually depicted wearing costume inspired by Victorian notions of Western medieval costume. In this paper I seek to approach the design of original costume for the Ñoldor from a different perspective, free from the established traditions of other designers’ and illustrators’ work.

The preliminary research focuses on searching the source materials of the Silmarillion and select texts from the Histories of Middle Earth. I …

Epic Adolescence: Contemporary Adolescence In Philip Pullman’S His Dark Materials, Chloe Felterman

Master's Theses

To find the truth of a societal construct or phenomena, it can help to look at the world of fiction and fantasy. Though this idea may seem ironic or counter-intuitive, one will find that fictional literature can reveal the working order of its respective society. Philip Pullman’s epic fantasy trilogy, His Dark Materials, uses and manipulates the traditional constructs of the genre to reflect and re-imagine the concepts of adolescence of the late-20^th and early-21^st centuries. Eleven-year-old protagonist Lyra Belacqua and subsequently her cohort, Will Perry, reveal the complications and difficulties modern American and British adolescents experience as …

Neoliberalism In Contemporary Literature: The Nuclear Family’S Decimation In Jonathan Franzen’S The Corrections, Jillianne Larson

Honors Theses

Within any text, there is often evidence of the author’s own life along with cultural reflections. A specific example of this occurrence is Jonathan Franzen’s novel The Corrections (2001). Since the novel was written in the early twenty-first century, it is an immediate reflection of post-millennial society, specifically the rise of neoliberalism. Neoliberalism was introduced to America as an economic venture; however, the policy’s impact can be frequently seen in relation to the nuclear family. As the idea gained popularity during the 1980s, neoliberalism began seeping into family units by way of one’s career and one’s home. This invasion has …

The Grotesque Self: Finding Identity Through The Grotesque In The Works Of Carson Mccullers, Colton Greganti

Honors Theses

Historically speaking, the South has maintained rigid, male dominated constructions of gender, which have manifested themselves in almost every aspect of the southern individual’s actions, sense of self, and appearance. While much of southern culture has been centered on this rigid identity, the southern gothic literary tradition strays from this stark binary, especially in its depiction of female characters. Through the use of grotesque representations, these characters are able to form a unique identity and deviate from the phallocentric social norms, though it often comes at the cost of social alienation. However, even when tragedies strike these gothic heroines, their …

“To Defend The Citadel Of Its Faith From All Assaults": Hermann Adler And The London Society For Promoting Christianity Amongst The Jews, Robert H. Ellison

English Faculty Research

This article employs sermons as a lens through which to examine Jewish-Christian relations in Victorian England. It focuses primarily upon discourses preached by clergy affiliated with the London Society for Promoting Christianity Amongst the Jews, and on rebuttals delivered by Hermann Adler, a London rabbi who would go on to become Chief Rabbi of the British Empire. Attention is also given to reviews of Adler's work, and to responses to those reviews. These reviews and reviews-of-reviews are evidence that there was an active conversation taking place in the pulpit and the press; the article seeks to show that preaching is …

Preface To Ssl 44.1, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Brief introductory comments on the inclusion of comparative studies in Studies in Scottish Literature, and, through a reference to G.S. Fraser's poem "Meditation of a Patriot" (1944), on how perspectives on Scottish-Russian literary interrelationships changed from the 19th to the 20th centuries.

Introduction: Scotland And Russia Since 1900, Anna Vaninskaya

Studies in Scottish Literature

Introduces the project "Scottish-Russian Cultural Relations since 1900," based at the University of Edinburgh, the series of related symposia in Edinburgh, Dundee and Aberdeen, and its extensive web-site of translations and other resources, and provides a brief narrative of cultural interactions between Scotland and Russia in the twentieth and twenty-first centuries, including such key examples as the Russian presence at the Glasgow International Exhibition of 1901, Korney Chukovsky's account of visiting Scottish troops in 1916, and the the Scotland-USSR Society's welcome to the Russian Burns translator Samuil Marshak and Burns biographer Anna Elistratova during the International Burns Festival of 1955.

Translations Of Robert Burns In The Russian Book Market: The Old And The New, Natalia Kaloh Vid

Studies in Scottish Literature

Discusses the influence of Samuil Marshak's long-dominant Russian translations of Robert Burns's poems and the more recent anthologies and translations that "broke the Marshak monopoly," and briefly examines why, in publishing terms, the Marshak translations are still the most widely available.

Scottish Demotics And Russian Soul: Liz Lochhead’S Adaptation Of Chekhov's Three Sisters, Ksenija Horvat

Studies in Scottish Literature

Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov's classic play Three Sisters, through adaptations by the Irish playwright Brian Friel and (briefly) the Scot John Byrne, and then discusses more fully the adaptation by Liz Lochhead, premiered at the Royal Lyceum Theatre, Edinburgh, in 2000.

‘The Shadow And The Law’: Stevenson, Nabokov And Dostoevsky, Rose France

Studies in Scottish Literature

Discusses Vladimir Nabokov's comments in lectures at Cornell praising Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde while condemning Fyodor Dostoevsky's Crime and Punishment, and compares the two novels' treatment of the double in their central character with Nabokov's Humbert Humbert in Lolita.

'Like Pushkin, I': Hugh Macdiarmid And Russia, Patrick Crotty

Studies in Scottish Literature

A detailed discussion of the poetic development of the Scottish poet Hugh MacDiamid (1892-1978), drawing on research for the forthcoming Complete Collected Poems of Hugh MacDiarmid to chart the changing ways in which he encountered, read, and responded to Russian writing, philosophy and culture in different phases of his career.

Contributors To Ssl 44.1

Studies in Scottish Literature

No abstract provided.

Fake News: Political Satire In The Age Of President Trump, D. Landon Graham

Undergraduate Honors Capstone Projects

This thesis examines Donald Trump's disruption of political satire. The history and format of the White House Correspondents' Dinner provides a framework for understanding the shifting relationship between the president's administration, the journalists who cover that administration, and political comedians. These three groups cross paths at the White House Correspondents' Association's annual dinner, which the president traditionally attends and where a headlining comedian entertains guests with a monologue. Trump's decision to skip the Correspondents' Dinner set the stage for a renegotiation of the traditional relationship between president, press, and performer. As President Trump continues to attack both journalists and late-night …

‘Presume Not That I Am The Thing I Was’: Altering Perceptions Of The Disabled Via The Staging Of Disability In Early Modern England, William Nyfeler

All NMU Master's Theses

Attitudes toward people with physical or mental disabilities have varied throughout history. Each society collectively defines what is considered normal and abnormal, and those values change over time. Many cultural factors impact how much these views change, including the dominant social philosophies and religions of an era. In Early Modern England, the rise of large public theaters and an increasingly permissive society contributed to the development of plays becoming a powerful tool for swaying public opinion.

Using this new pulpit, Shakespeare and his contemporaries staged plays that often depicted disability and deformity in negative ways, including the implications that a …

Investigating Faculty Across The Disciplines Perceptions And Practices Of Reflective Writing In Community Engaged Courses: A Comparative Study, Marcela Hebbard

Theses and Dissertations

Recently, research in composition studies and Writing Across the Curriculum (WAC) has focused on understanding better how student reflective practices assist on their transfer of writing knowledge across contexts (Yancey et al., 2014; Taczak & Robertson, 2017, Lindenman et al., 2018). However, not much research has been done that investigates faculty beliefs and practices about reflective writing, how they use it to measure student outcomes and achievement in community engaged courses and the implications this might have for the transfer of knowledge and practice of writing. This study draws primarily on activity theory to better understand whether there is a …

Epistemic Violence In Beowulf, Joseph W. Krippel

Theses and Dissertations

Throughout the more than two centuries of scholarship on Beowulf scholars have engaged in a consistent controversy in interpretation revolving around the issue of Christian versus pre-Christian content in the poem. While scholars largely agree that the understanding of the poem depends on understanding this content, scholars still widely disagree on what that understanding should be. The history of this problem is summarized, moving from viewing the poem as primarily pre-Christian, to general agreement that it is primarily Christian, to the current climate of viewing the text as hybridization. The thesis then proposes that, following the theories of Michel Foucault …

Healing And Resistance Through Humor: A Literary And Cultural Analysis Of Chicana And Latina Cultural Production, Victoria E. Valdez

Theses and Dissertations

This thesis analyzes elements of humor used by Chicana cultural producers (poets, performance artists, stand up comediennes) to subvert negative stereotypes of Chicanas. Chicana humorists have challenged harmful images of Mexican American women through poetry, prose, performances, and stand-up comedy. While Américo Paredes created a scholarly foundation for the study of Chicano humor, it is evident that Chicanos and members of dominant society mock Chicanas with their brand of humor. I argue writers like Michele Serros and Lorna Dee Cervantes resist dichotomous Chicana imagery and instead create and add to Chicana representation with humor. This thesis examines performance artist Maria …

Building A Strong Chicana Identity: Young Adult Chicana Literature, Rocio Janet Garcia

Electronic Theses, Projects, and Dissertations

This thesis considers the use of Young Adult Chicana Literature in the classroom to help young Chicanas work through their process of finding their identities. It begins by making the case that Chicana identities are complex because of their intersectional borderland positioning between Mexican and U.S. American cultures, which makes the identity formation process more difficult for them than others. By relating these complex issues facing young Chicanas to literature that is more relevant to them and their struggles, it is argued that teachers can help ease some of the tensions that exist within their students and help them work …

“I’Ve Been Given The Wrong Mother:” Reconsidering Absent Mothers In Postmodern British Literature, Amanda G. Sawyers

Electronic Theses and Dissertations

Nineteenth-century British authors, in particular, Charles Dickens, Charlotte Bronte, and Jane Austen, often turned to orphaned children as a means to drive the plot of their novels. While struggles such as displacement were often accurately depicted, the abovementioned authors and their contemporaries often glossed over or completely disregarded the trauma and psychological implications felt by these orphans. As psychology gained prominence as a discipline through the works of Sigmund Freud and others, modern British literature saw a shift in its consideration of orphans and, additionally, emotionally absent mothers. This thesis will examine three modern British novels; Ian McEwan’s Atonement, …

Sickness And Contamination In The Yellow Wallpaper And Maggie: A Girl Of The Streets, Abigail Callahan

Honors Theses

Sickness and Contamination in “The Yellow Wallpaper” and “Maggie: A Girl of the Streets” looks at feminism through the lens of nineteenth-century medical practices and how both Charlotte Perkins Gilman and Stephen Crane used them to argue against social standards for women. Most women during this time were seen as mentally ill or sick because they were in fact women. However, sexually active women were seen as even more sickly. Gilman in particular exposes sexism within the medical practice, and Crane builds on that by exposing sexism towards sexually active women through the idea of contamination. This paper refers to …

From Meyerhold And Blue Blouse To Mcgrath And 7:84: Political Theatre In Russia And Scotland, Rania Karoula

Studies in Scottish Literature

Discusses the 1920s Russian political theatre movement Blue Blouse, as seen in 1926 by the American Hallie Flanagan (later director of the Federal Theatre Project), the Scottish radical theatre group 7:84, the Scottish company's successful Russian tour in 1982, and parallels between the two in approach and staging as analysed by 7:84's John McGrath.

Exploring Video Analytics As A Course Assessment Tool For Online Writing Instruction Stakeholders, Jason Michael Godfrey

Theses and Dissertations

Online Writing Instruction (OWI) programs, like online learning classes in general, are becoming more popular in post-secondary education. Yet few articles discuss how to tailor course assessment methods to an exclusively online environment. This thesis explores video analytics as a possible course assessment tool for online writing classrooms. Video analytics allow instructors, course designers, and writing program administrators to view how many students are engaging in video-based course materials. Additionally, video analytics can provide information about how active students are in their data-finding methods while they watch. By means of example, this thesis examines video analytics from one semester of …

The Persistence Of The Past Into The Future: Indigenous Futurism And Future Slave Narratives As Transformative Resistance In Nnedi Okorafor's The Book Of Phoenix, Ellen Eubanks

Graduate Theses and Dissertations

In recent years, a number of authors have written science fiction works that express the concerns and experiences of marginalized people groups, including those in postcolonial societies, Indigenous/First Nations peoples, and other racial minorities. These works provide counter narratives to that of much canonical science fiction, which developed from narrative forms that often explicitly and implicitly supported colonial ideologies, and still often includes these ideologies today. This thesis analyzes the way The Book of Phoenix (2015) by the NigerianAmerican speculative fiction author Nnedi Okorafor uses a combination of the forms of Indigenous futurism and what Isiah Lavender terms meta-slavery narratives …

Interpretations Of Female Authority In Medieval Literature, Olivia Havlin

Departmental Honors & Graduate Capstone Projects

Beginning with Romance of the Rose by Guillaume de Lorris and Jean de Meun in 1269, Medieval authors give allegorical characteristics to women defining what a Medieval woman is, who she should be, and how she should behave. This text becomes a rule book on courtly love and male and female behavior lasting for centuries and is borrowed by authors like Geoffrey Chaucer, who used Romance of the Rose as a reference to question female authority in many of his works. Therefore, it is through an understanding of characters such as the Old Woman from The Romance of the Rose, …

Farah Ali, Visiting Assistant Professor Of Spanish, Musselman Library, Farah Ali

Next Page

In this Next Page column, Farah Ali, Visiting Assistant Professor of Spanish, shares why she celebrates “the good, the bad, and the weird” in her reading life, which writer’s grocery lists she would read if given the chance, and why it’s important to read outside of your comfort zone.

Review Of Charlotte Lennox: An Independent Mind By Susan Carlile, Alexis Mcquigge

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640–1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640–1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers

ABO: Interactive Journal for Women in the Arts, 1640–1830

Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …