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Articles 1351 - 1380 of 1684
Full-Text Articles in English Language and Literature
Mountain Redemption / The Red Wolf: A Dream Of Flannery O'Connor, John Saad
Mountain Redemption / The Red Wolf: A Dream Of Flannery O'Connor, John Saad
Birmingham Poetry Review
pp. 199-206
Birmingham Poetry Review 42 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review 42 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review
pp. 215-229
Teaching/Writing Workshop: A Critical Memoir Of Training Teacher Candidates In Developmental Composition, Chere Harden Blair
Teaching/Writing Workshop: A Critical Memoir Of Training Teacher Candidates In Developmental Composition, Chere Harden Blair
English Dissertations - Archive
I began by attempting to fill a gap I observed in the preparation of the novice teachers whom I supervised. I created a teaching apprenticeship program in order to give preservice teachers opportunities to enact the theories and methods of writing instruction that I had taught them. The more I read and researched, the more I uncovered important gaps in those theories and methods.Through narrative and critical self-study, I explore my own teaching life, my work with both struggling college writers and teachers-in-training, and my attempts to navigate the complex institutional forces that can frustrate innovation. Ultimately, I suggest that …
Constructing Mothering Performances: The Motherhood Ideal In Caldecott And Newbery Winners, 1980-2014, Dana Mccullough Brewer
Constructing Mothering Performances: The Motherhood Ideal In Caldecott And Newbery Winners, 1980-2014, Dana Mccullough Brewer
English Dissertations - Archive
This project examines representations of motherhood in Caldecott and Newbery winners from 1980-2014 and is informed by feminist literary theory, juvenile literary theory, and motherhood studies. While motherhood studies are evolving to consider egalitarian ideas of motherhood and multiple definitions of motherhood, many Caldecott and Newbery Medal winners present a traditional (and antiquated) motherhood ideal in which maternal figures tend to domestic duties and provide selfless nurturing of children. This objectification depersonalizes, essentializes, and stereotypes motherhood. Diverse mothering characters and practices do materialize in some texts but are often regulated by the motherhood ideal. In Chapter 2, I define the …
The Performing Mother: Maternal Ethics Beyond Embodiment, Charles Hicks
The Performing Mother: Maternal Ethics Beyond Embodiment, Charles Hicks
English Dissertations - Archive
The rich and diverse history of maternal thought is at once a response to the Western philosophical tradition's relegation of the maternal to the material abject, as well as a renegotiation of the maternal body as a site of empowerment capable of destabilizing the foundations of the symbolic economy. Understanding the material and historical conditions that subject these bodies and work to construct maternity, as well as their mediating position to authentic ethical activity, reveals that maternity offers a salient schemata for, not only viewing the fundamental operations of power, but the possibilities of ethical interaction. This study focuses on, …
Creating Myself: Friendship As Black Women's Liberation In Toni Morrison's Sula And Alice Walker's The Color Purple, India Renee Miles
Creating Myself: Friendship As Black Women's Liberation In Toni Morrison's Sula And Alice Walker's The Color Purple, India Renee Miles
English Theses - Archive
The talking book trope, begun in the era of and with the authors of slave narratives, firmly establishes a literary tradition for black writers that continues today. Contemporary authors employ this rhetorical device in order to prove the humanity of those of African descent, express a lack of familiarity with the dominant power structure that seeks to disenfranchise the Other, and to illustrate one method of entry into a hegemonic social structure. Toni Morrison's Sula and Alice Walker's The Color Purple fit into this trope, with varying degrees of success. In both texts, the relational mode of friendship between the …
Realizing The Virtual: Constructing And Embodying Cyberspace In Gibson's Sprawl, Matt Underwood
Realizing The Virtual: Constructing And Embodying Cyberspace In Gibson's Sprawl, Matt Underwood
English Theses - Archive
While the term “cyberspace” first appears in William Gibson’s 1980’s Sprawl series, it arises from a culmination of information and communication technology and cybernetic theory development spanning the majority of the twentieth century. Further, the notion of cyberspace has existed and functioned since the advent of language and tool use and has always reached a global population of users. The recent recognition of cyberspace and its coinage occur as a result of how contemporary technology allows for much more instantaneous and extensive interaction across rapidly increasing distances and user bases. All media and technology, meaning all cyberspace operations, serve as …
In Another Time With (An)Other Race: Representations Of Race And National Narratives In Elder Scrolls V: Skyrim And Fallout 3, Christopher M. Simpson
In Another Time With (An)Other Race: Representations Of Race And National Narratives In Elder Scrolls V: Skyrim And Fallout 3, Christopher M. Simpson
English Theses - Archive
The video games Elder Scrolls V: Skyrim and Fallout 3 provide simulations of systems of racial marginalization within the context of competing narratives of nation. By utilizing Ian Bogost’s concept of unit operations in concert with postcolonial theorists Edward Said, Homi Bhabha, and Gayatri Spivak it is possible to see how these games perpetuate discourses of the human Western Self and the non-human racial Other. Despite the limitations in the simulation presented in these games, they reflect how video games offer the potential for simulating real-life systems of discrimination and marginalization.
Dress Rehearsal: Word Play And Narrative Construction In The Assembly Of Ladies, Nicola Blake
Dress Rehearsal: Word Play And Narrative Construction In The Assembly Of Ladies, Nicola Blake
Publications and Research
In the erotics of theater, words are (theoretically) corporeal. They are up there for public scrutiny. The mind's eye echoes the mind's ear. Words act. They are elements of the: scenic investiture affecting, synesthetically, light space rhythm pattern sound, but they also resound at the deepest level of the: mise-en-scene, through self time memory consciousness as well. Mere words, true. Problematic to the last breath of being. The: material elements of theater - like the: body itself - situate us.
Gender And The Popular Heroines (And Heroes) Of The Young Adult Dystopia, Kara E. Hemphill
Gender And The Popular Heroines (And Heroes) Of The Young Adult Dystopia, Kara E. Hemphill
Williams Honors College, Honors Research Projects
For the past few years, dystopian stories have ruled the young adult fiction aisles and the box office. Taking the reins from similarly popular predecessors like Harry Potter and Twilight, the genre has set itself apart by telling stories of action, war, and heroism that are often led by a young female protagonist. This project examines a variety of gender-related themes in six young adult dystopian novels, chosen for their popularity and subject matter. While it is not a comprehensive look at the genre, it is meant to analyze some of the most widely known works, which is important because …
Completeless Show, Kathleen Raymond-Judy 15
Completeless Show, Kathleen Raymond-Judy 15
Honor Scholar Theses
No abstract provided.
Wordsworth's Lyrical Ballads, 1800, Jason N. Goldsmith
Wordsworth's Lyrical Ballads, 1800, Jason N. Goldsmith
Scholarship and Professional Work - LAS
Prelude:
IN the dense tracts of woodland that stretch south from Esthwaite Water, a young boy pauses amidst a copse of hazel. His chest heaves; his heart races. Brake, bramble, and thorn. Exhaustion and expectation gather in each breath, course through his body and deeper still into his soul. He eyes the trees, fingers the milk-white flowers that hang in clusters, and knows joy. His breathing slows. Leaves murmur in the breeze. His heart fills with kindness. Taking up the crook that lies in the long grass, he swings it wide. Petals fill the air, swirl around him like …
Hamlet Reinvents Himself, William Walsh
Hamlet Reinvents Himself, William Walsh
Scholarship and Professional Work - LAS
We see the early modern as an open carry society. Hamlet’s success in the swordplay at the end is usually seen as his triumph, fulfilling his father’s injunction at last. The 2013 RSC production of Hamlet projected ambiguity, which I share. The most intriguing angle was Hamlet’s costume. Jonathon Slinger very quickly donned half of a fencing jacket; but the straps of the jacket dangled, strongly suggesting a straight jacket. Half mad, half resolute, Hamlet is driven through much of the play until, I will argue, he reinvents himself as a mad version of divine providence. The providential idea is …
The Royal Review: 2014-2015, Kathleen Conway
The Royal Review: 2014-2015, Kathleen Conway
The Royal Review from the English Department
No abstract provided.
Origin Of The Term "Jazz", Gerald Leonard Cohen
Origin Of The Term "Jazz", Gerald Leonard Cohen
Arts, Languages and Philosophy Faculty Research & Creative Works
The book (193 pages, soft-covered) is intended as a scholarly study and therefore contains more detail than would appear in a book intended for a broad readership.
The Bioscience-Industrial Complex, Radical Materialist Aesthetics, And Interspecies Political Ecologies: The Unforeseen Posthuman Future In Mary Shelley's Frankenstein And Margaret Atwood's Maddaddam Trilogy, Sarah Sydney Lane
Graduate Student Theses, Dissertations, & Professional Papers
This project traces how Mary Shelley’s Frankenstein and Margaret Atwood’s MaddAddam Trilogy, science fiction novels from the Romantic and contemporary literary periods respectively, contest the problematic relationships between subjecthood, science, ecological health, and patriarchal, capitalist societies by crafting radical materialist alternatives to such a system and its dualistic and destructive interpersonal/interspecies relations. Through the theoretical framework of ecofeminism that recognizes the conceptual linkages between women and nature in Western systems of thought, as well as psychoanalytical feminist critiques of the masculinization of scientific epistemology, this project examines the developmental and ontological overlaps between literary “masculine” and “scientific” subjects socialized under …
The Argument, Michael Anda
The Argument, Michael Anda
Whittier Scholars Program
This project is encompassed in the form of a play titled "The Argument" which is centered on a conversation revolving around film theory and critical reception in the setting of a house party.
Past The Bloom: Aging And Beauty In The Novels Of Jane Austen, Stephanie M. Eddleman
Past The Bloom: Aging And Beauty In The Novels Of Jane Austen, Stephanie M. Eddleman
Faculty Research and Publications
No abstract provided.
Wreath-Laying In Poet's Corner, Westminster Abbey 17 July 2014, Beryl Gray
Wreath-Laying In Poet's Corner, Westminster Abbey 17 July 2014, Beryl Gray
The George Eliot Review Online, ISSN: 2831-5375
Every one of us attending this ceremony in Poets' Corner today is surely conscious of a great debt of gratitude to George Eliot for the legacy of her works. This year, partly due to the appearance of Rebecca Mead's memoir, one particular work - Middlemarch - has been the focus of much attention; and of all George Eliot's books it's the existence of Middlemarch for which I am myself most grateful. It's therefore on that work that I shall be focusing today.
For many decades it has been generally accepted that Middlemarch is George Eliot's greatest novel.' The writer Julian …
The George Eliot Review: Journal Of The George Eliot Fellowship- 2015 No. 46, Beryl Gray, John Rignall, Michael Davis
The George Eliot Review: Journal Of The George Eliot Fellowship- 2015 No. 46, Beryl Gray, John Rignall, Michael Davis
The George Eliot Review Online, ISSN: 2831-5375
CONTENTS
Notes on Contributors ............................................................. .5
ARTICLES Jen Davis: Silas Marner: George Eliot's most Coleridgean Work? (Prize Essay)........................... 8
Barbara Hardy: Elizabeth Gaskell in Middlemarch: Timothy Cooper, the Judgement of Solomon, and the Woman at the Window................................. .16
Marianne Burton: How Much did Dorothea and Celia Know? Sexual Ignorance and Knowledge among Unmarried Girls in Middlemarch ........................................ 21
Kate Osborne: Mr Brooke's Thinking Organ...................................................... 29
John Rignall: Middlemarch and the Franco-Prussian War ............................... 38
Rodney Edgecombe: Felix Holt and the Gusset of Futurity ...............................46
Rosemary J. Burges Woods: A Life Reclaimed: George Evans (1766-1857) of Norbury, Winster, Derby and Belper …
Chairman's Annual Report For 2014, John Burton
Chairman's Annual Report For 2014, John Burton
The George Eliot Review Online, ISSN: 2831-5375
No wonder we all felt exhausted by December! In preparing this report I have realized what an extraordinary number of things the Fellowship did last year; certainly the biggest workload since I became chairman but, one hopes, a year which brought new insights and pleasures to members and non-members we attract to our events.
Our normal pattern of meetings took place but was supplemented by several other large-scale events. Thus the AGM in March, which included the routine election of officers and council members, was enclosed by two much more exciting events. In February we had a full house at …
Elizabeth Gaskell In Middlemarch: Timothy Cooper, The Judgement Of Solomon, And The Woman At The Window, Barbara Hardy
Elizabeth Gaskell In Middlemarch: Timothy Cooper, The Judgement Of Solomon, And The Woman At The Window, Barbara Hardy
The George Eliot Review Online, ISSN: 2831-5375
In 'Silly Novels by Lady Novelists" Gaskell and Harriet Martineau were the only living novelists George Eliot praised, and very briefly. George Eliot and Gaskell never met but corresponded, admired each other's work, and in several books George Eliot unconsciously drew on details and characters from Gaskell novels.3 There are three important details in Middlemarch - which Gaskell never read because she died before its publication - deriving from Cousin Phillis, Wives and Daughters, and North and South.
Chapter 56 of Middlemarch is a meeting-point for history and the personal life. Caleb Garth's social confidence rings loud as he speaks …
Note: Alcharisi And The Redundant Definite Article, John Rignall
Note: Alcharisi And The Redundant Definite Article, John Rignall
The George Eliot Review Online, ISSN: 2831-5375
In critical and scholarly writing about Daniel Deronda, Daniel's mother, the Princess Leonora Halm-Eberstein, is all too often referred to as 'the Alcharisi'. In fact, the definite article is only used on one occasion in conjunction with her former stage name, when she tells Daniel that 'I was the Alcharisi you have heard of' (Ch. 51). The definite article simply specifies the particular Alcharisi she was. This is like, for instance, Maria Callas saying to someone on a first meeting 'I am the Callas you have heard of’. Just as this would not license anyone to refer to her thereafter …
A Life Reclaimed: George Evans (1766-1857) Of Norbury, Winster, Derby And Belper, Rosemary J. Burges Wood
A Life Reclaimed: George Evans (1766-1857) Of Norbury, Winster, Derby And Belper, Rosemary J. Burges Wood
The George Eliot Review Online, ISSN: 2831-5375
George Evans, the elder brother of Robert Evans, George Eliot's father, has generally been disparaged as a drunkard who died young, but the following account of further research into his life aims to set the record straight. What is known for certain is that he died on 28 October 1857 at his daughter's house in Swinney Lane, Belper, Derbyshire, and was buried in the Churchyard of St Peter's Parish Church at Belper. He was 90 years of age. On the death certificate his occupation is given as 'A shoemaker at Derby (Master),
The immediate descendants of his daughter, Elizabeth, knew …
Middlemarch And The Franco-Prussian War, John Rignall
Middlemarch And The Franco-Prussian War, John Rignall
The George Eliot Review Online, ISSN: 2831-5375
By the early summer of 1870, George Eliot's work on Middlemarch, then consisting of the Vincy, Lydgate and Featherstone material, seemed to have stalled. In a journal entry of 20 May, George Eliot confessed that she was not hopeful about future work: 'I am languid, and my novel languishes to O'.1 And in fact the last references to Middlemarch in her journal date back to the previous September: on 11 September she had reached page 50 and the end of chapter 3, and then on the 22nd she maintained that she was stuck: 'im Stiche gerathen' (Journals, 138). There followed …
Review Of George Eliot, Poetess, Wendy S. Williams
Review Of George Eliot, Poetess, Wendy S. Williams
The George Eliot Review Online, ISSN: 2831-5375
The word 'poetess' is contentious. For some it rankles, because the diminution of 'poet' is generally considered gratuitous, patronizing and offensive. More often than not, it belittles women writers and their work. Others, however, argue that it is a useful word with which to describe poets belonging to the 'poetess tradition'. That particular tradition demands our attention, they argue, and requires detailed study. In 2003, Peggy Davis wrote that such work had only just begun but more biographical research was needed 'to establish a more prominent place for the poetess in particular and, more generally, women's poetry in literary criticism …
Review Of George Eliot's Feminism: 'The Right To Rebellion', June Skye Szirotny
Review Of George Eliot's Feminism: 'The Right To Rebellion', June Skye Szirotny
The George Eliot Review Online, ISSN: 2831-5375
This luminous new work - dedicated to 'the millions of women deprived of life, liberty, and the pursuit of happiness by society's misogynist myths' - casts fresh light on George Eliot's feminism, which has often been the subject of controversy. 'I want to show' , says the author, 'that however ambivalent George Eliot was about practical matters, she strongly accepted most of the ideals of contemporary feminists […]. [S]he moves, through her works, from a repudiation of rebellion against conventional views of women to an acceptance of that rebellion in her later works; and, in each of her major works, …
Review Of Sophie And The Sibyl: A Victorian Romance, Patricia Duncker
Review Of Sophie And The Sibyl: A Victorian Romance, Patricia Duncker
The George Eliot Review Online, ISSN: 2831-5375
George Eliot's afterlife in adaptations of and sequels to her works is thin compared to those of such contemporaries as Dickens and the Brontes, and similarly the number of novels in which she appears as a character is meagre. True, as early as 1881 the characterization of Theresa in The Autobiography of Mark Rutherford was inspired by the friendship of its author, William Hale White, with Marian Evans in the 1850s, when both lived in publisher John Chapman's house at 142 Strand. Theresa is an idealized character, but recall White's corrective to George Eliot's Life ... by her husband 1. …
Silas Marner: George Eliot's Most Coleridgean Work?, Jen Davis
Silas Marner: George Eliot's Most Coleridgean Work?, Jen Davis
The George Eliot Review Online, ISSN: 2831-5375
In 1861 Henry Crabb Robinson compared George Eliot's Silas Mamer with Coleridge's 'The Ancient Mariner'. He noted the novel's 'great affinity' with the poem: 'A little child, its mother having frozen to death at his solitary hovel, is taken in by Silas [ ...]. It is to him what the blessing of the animals is to the Ancient Mariner.' 1 In 1977, U. C. Knoepflmacher argued that: '[b]oth The Mill on the Floss and Silas Mamer hark back to those poems of severance, loss, and expiation that had haunted the imaginations of Coleridge and Wordsworth at the turn of the …
Review Of Silas Marner. Read By Anna Bentinck. Naxos Complete Classics, Michael Slater
Review Of Silas Marner. Read By Anna Bentinck. Naxos Complete Classics, Michael Slater
The George Eliot Review Online, ISSN: 2831-5375
Audiofile praises the 'pleasant cadence' of Anna Bentinck's voice in this recording of George Eliot's Wordsworthian masterpiece but, initially at least, I found her reading with its beautiful elocution sounded a bit too like Mrs. Miniver (contrast Eileen Atkins's sensitive reading of The Mill on The Floss for Cover to Cover). The pace, moreover, is generally rather slow and becomes slower still when Bentinck comes to voice rural speakers like Jem Bryce or the company at the Rainbow Inn, and almost unbearably slow in the case of Snell the landlord (the exception is Dowlas, the quarrelsome farrier, for whom she …