English Language and Literature Commons^™

Tragedy And Transcendence: Tracing Tragedy From Early Modernity To Present, William J. Giancola '12

College Honors Program

This thesis will examine six “tragedies” spanning the Renaissance and Modern epochs and attempt to trace the narrative of tragic consciousness as this consciousness expands to include new forms, symbols, and modes of expression. Additionally, this thesis will attempt to parse the kind of relationship tragedy has with transcendence and seek to understand – and ultimately judge – whether each of the texts examined herein is properly “tragic” as opposed to ironic, pessimistic, nihilistic, merely cynical, or merely existential.

'I Am Rooted, But I Flow': Virginia Woolf And 20th Century Thought, Emily Lauren Hanna

Scripps Senior Theses

My thesis is about Virginia Woolf’s novels, Mrs. Dalloway, The Waves, and To the Lighthouse. I examine these novels in relation to the theories of Henri Bergson, William James, and Sigmund Freud, and the groundwork of Modernism. I relate Woolf's use of water imagery and stream of consciousness technique to Bergson’s theory of “la durée,” or psychological, subjective time, James’ “stream of consciousness” theory in psychology, and Freud’s theory of the “oceanic” feeling of religious experience.

Lost In Space No Longer: The Visionary Union Of 'The Wire', Brett Dupré

LSU New Orleans Theses and Dissertations

In its serial space, David Simon’s The Wire season two relates the seemingly “disconnected” union men, foreign sex worker women, and African-American drug traders and crosses constructed boundaries of race, gender, sexuality, and geography to evoke the possibility of a transnational working class. The Wire’s serialized narrative trespasses the limitations of money and numbers games and of individual characters to build, scene by scene, what Roderick Ferguson calls in Aberrations in Black: Toward a Queer of Color Critique “the location for new and emergent identifications and social relations” (108).

“All This Was My Life”: Constructing Textual Self-Identity In Diaries, Christie M. Jeansonne

LSU New Orleans Theses and Dissertations

The ordering and control of experience through fictive selves, constructed in consideration of an audience of the self and others, is part of the diary’s identity-building and meaning-making function. This thesis analyzes the process by which the diaries of Virginia Woolf, Sylvia Plath, and Janet Schaw construct multiple textual identities and conceptualize their public and private selves. The projection of these multiple selves in the diary text serve to justify the private individual experience as extraordinary and worth telling, as well as to connect with a public community experience, relating the self to a greater socio-cultural context.

Traumatic And Healing Memory In Leslie Marmon Silko's Ceremony And Toni Morrison's Song Of Solomon, Ambata K. Kazi-Nance

LSU New Orleans Theses and Dissertations

A comparative analysis of Leslie Marmon Silko’s Ceremony and Toni Morrison’s Song of Solomon, with a focus on individual as well as collective memory work in historically marginalized indigenous and African-American communities, respectively. This represents a critical study of how the novels invoke progressive and redemptive models of remembering, as well as foreground the role of spiritual guides in the transformative process from trauma towards healing.

Individual Spirituality And The Canterbury Tales: An Analysis Of The Philosophical Connection Between The Tale Of Melibee And The Parson’S Tale As It Operates Within The Narrative Framework, Chelsea R. Martin

LSU New Orleans Theses and Dissertations

An analysis of both the placement and the philosophical connections between The Tale of Melibee and The Parson’s Tale suggests that a highly individual spiritual philosophy is being presented within The Canterbury Tales. This philosophy is exemplified via an analysis of both the role of The Tale of Melibee within the work, and the manner in which it is historically developed. The highest form of individual spirituality is revealed within The Tale of Melibee, through the spiritual developments occurring within the character Melibeus and his wife Prudence. This development serves to unify the exemplified extremes of satire and spirituality …

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

LSU New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …

May 16, 2012: William Saroyan International Prize For Writing, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.

Developing A Picture Book Collaboratively With Children, Jenny Torgerson

Graduate Student Independent Studies

This children's story is designed to give children some ideas about what change is about and the possible positive consequences, and hopefully provide a jumping off point for discussion about change.

Exploring Literature For Children Of Incarcerated Parents, Tara Di Gerlando

Graduate Student Independent Studies

Investigates the educational need for children's literature that conveys the theme of a child coping with a physical separation from their parent. Includes an original children's story by the author based on a real life story of a son and mother who were separated for almost twenty years due to incarceration.

"I Enter Into Its Burning": Yvonne Vera's Beautiful Cauldron Of Violence, John C. Hawley

English

Commentators inevitably remark upon Yvonne Vera's prose and upon its startling application to the violent episodes she recounts. Some find it inappropriate, self-conscious, more suited to poetry than to prose. Others (and sometimes the same folks) describe it as by far her strongest suit, wherein descriptive powers overtake narration and plot becomes inevitably amorphous - but lovely. In this essay I wish to analyze why this conflicted response would not have concerned the author and why, in fact, she would have sought to discomfort the reader while bringing pleasure. Many writers before Vera have struggled over the applicability of art …

Quantitative Patterns Of Stylistic Influence In The Evolution Of Literature, James M. Hughes, Nicholas J. Foti, David C. Krakauer, Daniel N. Rockmore

Dartmouth Scholarship

Literature is a form of expression whose temporal structure, both in content and style, provides a historical record of the evolution of culture. In this work we take on a quantitative analysis of literary style and conduct the first large-scale temporal stylometric study of literature by using the vast holdings in the Project Gutenberg Digital Library corpus. We find temporal stylistic localization among authors through the analysis of the similarity structure in feature vectors derived from content-free word usage, nonhomogeneous decay rates of stylistic influence, and an accelerating rate of decay of influence among modern authors. Within a given time …

May 13, 2012: Dailykos Notes Convening Of Medieval Congress, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.

The Stage Is The Court And All The Players Merely Copies: Shakespeare's Antony And Cleopatra As Propaganda, Ginnye Cubel

Undergraduate Honors Thesis Collection

In 1603 the world as England knew it changed. After forty-five years Elizabeth I, Queen of England, and last surviving Tudor was dead and James VI of Scotland was ascending the throne. Despite several differences between the new king and the old queen, there were similarities in their patronage of the arts. Enthralled by theatrical performances, one of James' first acts as king was to offer royal patronage to William Shakespeare's theatre company and give them the title, The King's Men. But it is likely that James' love of the theatre wasn't his only reason for patronizing Shakespeare's theatre troupe. …

Modernist Women In Three Acts: The Stage For Political Protest, Jennifer B. Redmond

Undergraduate Honors Thesis Collection

In this essay, I will draw upon Katherine Mansfield's New Zealand Sh011stories, "Bliss" (1918), "The Woman at the Store" (1912), "Je Ne Parle Pas Francais" (1918), George Bernard Shaw's play Mrs. Warren's Profession (1893), and Virginia Woolf's extended essay A Room of One 's Own (1929), to defend Jeffreys's idea that "lesbianism" was, in many cases, nothing more than a bond of friendship between two women - a private experience that took on a different meaning in the public eye.

Additionally, I wish to support Gubar's notion that gender norms frequently existed secondarily to the importance of women gaining more …

The Vegetarian Question, Mary Elizabeth Sekela

Undergraduate Honors Thesis Collection

I wasn't raised in a vegetarian household. As a matter of fact, I have spent the majority of my life on a horse and cattle farm in central Kentucky. As a child, the process of raising our cattle for slaughter didn't strike me as a disgusting or unholy activity-my parents participated, after all, and they didn't seem to be adversely affected. Even when I became aware that some of the animals I had seen wandering the fields were slaughtered just down the road from our kitchen table, it never bothered me beyond an initial instant of discomfort. It wasn't until …

May 11, 2012: Gws Event—5/17 In Center For Humanities, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.

The Hero’S Journey: A Postmodern Incarnation Of The Monomyth, Sarah Hoffman

Honors Theses

‘Monomyth’ is the term coined by James Joyce and popularized by Joseph Campbell in his seminal work, The Hero with a Thousand Faces. Its structure is delineated by Campbell, and it follows that of the traditional heroic myths that permeate human culture and history. Margaret Atwood’s two companion novels, Oryx and Crake and The Year of the Flood, incorporate Campbell’s monomyth and transplant it into the realm of postmodern dystopia. In this way, Atwood offers an escape from the existential dilemmas that face the postmodern subjectivity through the self-perpetuated, neo-shamanic journey toward the recognition of immanence. The …

Matriarchal Monsters: Literary Villians Through The Lens Of Gender, Katherine Currie

Honors Theses

The exposure of American readers to the literary monster culminates at an incredibly young and impressionable age. The genre of children’s literature seems to rely heavily on the impact of the presence of villainous monster characters. From the “boogey man” to “Cruella de Vil” to “The Grinch,” children are presented at a very young age with the character of evil. As a result of our early experience with villains, we as readers accept the “bad guy” created in a novel to be classified under the category of “monster.” However, most readers have never even pondered or questioned the label of …

“Critical Habitat” And Other Stories, Jon Michael Mitchell

Honors Theses

The nature of writing, that is, storytelling, is difficult to discuss in a technical manner. Often it is easier to demonstrate by example rather than theory how storytelling does and does not work. This thesis is a collection of short stories written to practice the art of writing and storytelling. They do not follow a central theme or motif; they are self-contained projects demonstrating the application of the theories discussed in the introduction. The point of this thesis is not to show the correct way to write or provide examples of perfect stories. It is to show the learning process …

What Makes A Man: Social Constructions Of Masculinity In The Works Of Stanley Kubrick, Michael Cory Taylor

Honors Theses

This study examines three male protagonists from films by Stanley Kubrick, and the original literary texts, with specific focus on the social influence of each character’s sense of masculinity. Much has been written about literature and film as a social critique, but there is a particular need for study through Kubrick’s lens. The original literary texts are Lolita, A Clockwork Orange, and The Shining. By considering the historical context of both the novel and its adaptation, it is possible to provide an indication of each protagonist’s effect on social constructions of manhood. It is also necessary to note the …

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

Corporate Style Guides: Understanding And Construction, Riley Ann Ashcroft

Undergraduate Honors Capstone Projects

Style guides have existed for many years and yet there is almost no information concerning how to write one. Since corporations are so different from one another, each could have its very own style guide. Most, however, use an existing style guide and fill in any gaps with customer specific information. One such corporation is the Utah State University Research Foundation (USURF). To answer the question “how to write a style guide,” this paper compares five style guides with similar content to what would appear in a USURF guide. The paper then discusses interviews from USURF’s technical writers to determine …

How Do We Read Comics Of The Quotidian? (Part I Of A Series), Frank Bramlett

English Faculty Publications

In two separate posts on Pencil Panel Page, Qiana Whitted and Aaron Meskin have explored the way comics readers engage with images. (Click here to read Qiana’s post and click here to read Aaron’s.) Specifically, they engage Scott McCloud’s claim that readers identify with drawn images of human beings. To quote McCloud, “when you look at a photo or realistic drawing of a face–you see it as the face of another. But when you enter the world of the cartoon–you see yourself” (36).

My question in this post has not to do with images but rather with narrative. When …

The Galway Rambler: Anthony Raftery And The Roots Of Irish Cultural Identity, Caroline O'Shea

English Student Scholarship

My project looks at the impact of Anthony Raftery, a 19^th century blind poet and fiddle player from Co. Mayo, Ireland, on Ireland’s cultural landscape upon his ‘discovery’ by Irish writers Lady Augusta Gregory and Douglas Hyde, and his influence upon E. B. Yeats. Explorations of Scottish folk collections and Homeric influences upon Raftery’s poetry and the art of folk music preservation are also examined.

Evolution Of Effect: The Numinous In Gothic And Post-Gothic Ghost Experience Literature, Ryan P. Kennedy

Honors Scholar Theses

This thesis undertakes to examine Rudolf Otto's work on the rational understanding of God and authentic experience, referred to as the "numinous," as it applies to the authentic ghost experience as it exists in Gothic literature and its successors. We begin by establishing the scene in 19th century Europe, where the Enlightenment is the primary philosophical force and superstition is seen as a primitive concern of the past. The playful fascination with tales of ghosts and spectral forces begins here, with the publication of Walpole's The Castle of Otranto, an ultimately failed, farcical piece, which nonetheless serves as the …

Transformational Leadership In The Life And Works Of C.S. Lewis, Crystal L. Hurd

Electronic Theses and Dissertations

The author of this study explored the works of C.S. Lewis as well as memoirs and scholarship concerning his work to illustrate his transformational leadership. Works reviewed included Lewis's fiction, such as his science fiction trilogy and his children's series, The Chronicles of Narnia, as well as his works of nonfiction, such as essays that addressed social issues. The secondary aim for the author of this study was to determine whether the transformational qualities Lewis exhibited also existed in his characters.

Transformational leadership served as the conceptual framework for the descriptive explanatory qualitative design. Essentially the study analyzed the primary …

Transforming Information Literacy: Engaging Stakeholders, Deana Greenfield, Rob Morrison

Faculty Publications

Librarians at National Louis University have been engaged with stakeholders for the past four years to integrate Information Literacy into the undergraduate curriculum that goes beyond traditional instruction. The outcome was a 2 credit course on Digital Information Literacy now required in three undergraduate degree programs. The success of this course resulted in the creation of additional credit courses tailored to the learning outcomes of specific programs. We have learned from this process how to strategically discuss Information Literacy with academic departments. In this session, we will draw from our experience to facilitate a group discussion on transforming Information Literacy …

Hidden Kisses, Walled Gardens, And Angel-Kinder: A Study Of The Victorian And Edwardian Conceptions Of Motherhood And Childhood In Little Women, The Secret Garden, And Peter Pan, Leah Marie Kirkpatrick

Masters Theses, 2010-2019

In this paper, I explore the evolving conceptions of childhood and motherhood as expressed in Victorian and Edwardian children’s literature generally, and specifically in Louisa May Alcott’s Little Women, Frances Hodgeson Burnett’s The Secret Garden, and J.M. Barrie’s Peter Pan. An overview of the history of children’s literature and its development with relation to the changing cultural concept of childhood, as well as a discussion of social, economic, and creative factors impacting the ideological position of women at the turn of the 20th century provide the necessary background for said exploration. A variety of primary and secondary sources relating to …

A "New" New Woman: The Portrayal Of Women In The Late Nineteenth-Early Twentieth Century Novel, Samantha L. Moore

English Department Theses

The thesis examines how women are portrayed in Bram Stoker's Dracula, E.M. Forster's Howards End, and Elizabeth Robins's The Convert and Votes for Women. I specifically focus on how the ideal of Victorian womanhood is juxtaposed to the attributed horrors of the New Woman in Dracula and Howards End. In The Convert and Votes for Women I explore how the ideas of and about the New Woman transition into the Suffragette. Finally, I argue that the women I examine establish a "new" New Woman that is worthy of praise.