English Language and Literature Commons^™

Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma

Electronic Theses and Dissertations

As long as disparities persist in the way women are treated as compared to their male counterparts, the issue of gender will continue to call forth literary productions. For this reason, female writers are on a mission to dismantle the stereotypes that keep women confined to societal roles. Grounded in a feminist framework, this study focuses on the gender disparity theme in Chimamanda Adichie’s Purple Hibiscus and Tsitsi Dangarembga’s Nervous Conditions. The aim is to examine how these writers represent the trauma of women living in an African patriarchal system. The traumatic experiences of the female characters in both texts …

Accepting Or Opposing The Status Quo: A Look At The Women Characters In Mariama Bâ’S So Long A Letter (1981) And Chimamanda Adichie’S Purple Hibiscus (2003), Omolola Giwa

Electronic Theses and Dissertations

What exactly is the status quo of women in Africa? Women’s selfhood has been systematically subordinated or outright denied by law, customary practices, and cultural stereotypes. Scholars like Judith Bennet suggest that religious practices and colonial rule subjugate African women. Patriarchal ideologies guide the society’s discrimination against women and this has influenced the status of women, especially married women and the way they respond in times of affliction.

Authors like Chimamanda Adichie and Mariama Ba in their fictional novels The Purple Hibiscus and So Long a Letter focus on capturing the struggles and conditions of women in the Western African …

Heathen Husband: The Corrupting Patriarchal Hierarchy In Shakespeare’S Othello And Its Absence In Cinthio’S Gli Hecatommithi, Heavyn Renee Lester

Graduate Research Theses & Dissertations

This thesis places William Shakespeare’s Othello within cultural context to examine the moral corruption that Desdemona and Othello undergo once they fulfill marital roles within a patriarchal hierarchy that reflects the hierarchy religious conduct literature calls on Christians to maintain within marriage. At the same time, this thesis contrasts Shakespeare’s Othello with the Italian story of Disdemona and a Moorish captain within Decade Three of Cinthio’s Gli Hecatommithi. Hecatommithi does not ascribe a corrupting power to patriarchal hierarchy or explore Othello’s downfall in relation to his Christian faith. This thesis determines that the alterations Shakespeare makes to Othello’s source material …

La Fille Publique: Depictions Of Sex Work In Fin-De-Siècle Literature, Nicole Araujo

All Student Scholarship

This thesis conducts a feminist analysis of depictions of sex work in fin-de-siècle, or turn of the19th-century, French literature. It draws connections between literature from this time period and the social and political forces that sought to eradicate female sexual autonomy. In the introduction, the political and social setting of fin-de-siècle France is explored, when sex work was widely prevalent and for many women offered a route to sexual and financial autonomy that was otherwise unattainable, much to the anxiety and irritation of the patriarchal forces in place.The first chapter analyzes Emile Zola’s Nana as a classic representation of the …

In A Victorian Fog: Constructing Identities In Female Gothic Novels., Hayley Salo

Electronic Theses and Dissertations

Drawing on feminist criticism and postcolonial theory, this study analyzes conversations about female identity within and around Victorian female gothic novels and how they contribute to the genre’s appeal to modern readers. In particular, it is a case study of how the discourse develops through Mary Shelley’s Frankenstein (1818), Emily Brontë’s Wuthering Heights (1847), and Charlotte Brontë’s Jane Eyre (1847). Each novel presents the challenges women face when their sense of self is based on the expectations of others, and Wuthering Heights and Jane Eyre further explore the potential for women to create their own, unique identity while still remaining …

“An Oak In A Flower-Pot”: The Brontë Sisters’ Depictions Of Female Agency During The Victorian Era, Jessica Dunn

Honors Theses

This thesis discusses the most popular novels written by the Brontë sisters – Charlotte’s Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of Wildfell Hall – in the context of the overbearing patriarchal culture of the Victorian era, specifically through the characterization of feminine agency displayed in each novel. By engaging with the novels as a trinity, this thesis uniquely reveals the more nuanced aspects of the novels through the sisters’ respective depictions of female agency following the lives of their respective protagonists – Jane Eyre, Catherine Earnshaw, and Helen Graham. Additionally, this thesis seeks to engage in conversation …

Þorn: A Novel Excerpt Exploring Giantesses, Their Relation To Women's Bodily Expectations, And Patriarchal Control In The Literature Of Early Modern Britain And Contemporary America., Brady P Alexander

College of Arts & Sciences Senior Honors Theses

This thesis will analyze examples of women of size in the literature of the British Isles throughout history, focusing predominantly upon the Early Modern Period, and will create a fiction piece in response to such attitudes. I argue that one of the most clear ways to dissect contemporary cultural attitudes about powerful women and women who occupy more space than men is to examine giantesses and other examples of women of size within this period of literature. From this, a novel excerpt will be written from the perspective of a time-traveling woman of size who engages with these texts and …

Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling

Honors Thesis

This thesis discusses Hélène Cixous’ ideas on feminine literature, as expressed in her article, “The Laugh of Medusa,” and attempts to apply the goals that she sets out for what feminine literature must look like in order to develop the literary cannon to the novel. In an attempt to pull away from traditional patriarchal images and expectations of feminine lifestyles, I join Cixous’ call for the marginalized to inscribe their voices into the cannon for themselves, and argue that representation of such images in literature is necessary to the development of our biased perceptions to more authentically represent typically marginalized …

Violet Is One Letter Off From Violent, Audrey E. Spina

Master’s Theses and Projects

The poems in this creative collection, Violet is one letter off from violent, aim to add to the critical conversation in contemporary poetry about violence, women’s anger, patriarchal oppression, and physical and sexual assault, specifically drawing on analyses from the poetry of Rachel McKibbens, Tarfia Faizullah, Emily Skaja, Erika L. Sánchez, Tracy K. Smith, Safiya Sinclair, and Paisley Rekdal. My myriad speakers, who take both first and third person points of narrative view, reclaim and reproduce their own stories in ways that are complex, vulnerable, and angry as a result of living under and through traumatic experiences in domestic and …

“Fetch M’Dear”: Healers, Midwives, Witches, And Conjuring Women In Select Ya And Toni Morrison Novels, Diane Mallett-Birkitt

Electronic Theses and Dissertations

Accusations and persecution of witchcraft have been embedded in global culture for centuries. For as long as these persecutions have occurred, women have found themselves accused most frequently. Older women with herbal knowledge were often called on to assist with childbirth or termination of pregnancies and this “secret knowledge” often led them to be suspected of supernatural abilities, often of a satanic nature. Intrigued by these wise women who appeared to have mysterious powers and a penchant for arousing the ire of men in the legal, medical, and religious communities, I began to notice their frequent appearance in novels. Does …

Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue

Masters Theses

This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …

“They Do Us The Honour Of Treating Us Like Gods, And We Respond By Treating Them Like Things”: The Problem With Fathers In William Shakespeare’S Titus Andronicus And J.M. Coetzee’S Disgrace, Colleen Walsh

Theses and Dissertations

Titus Andronicus’s obsession with honor eclipses his daughter's agency whereas David Lurie’s acceptance of his daughter's choices ultimately creates conditions of possibility. Coetzee represents Lurie as ultimately shedding patriarchal preoccupation with “dignity” and “honor.”

The Psychological Effects Of Patriarchy And Courtship: Eighteenth Century Women’S Mentalities In Pamela And Clarissa, Peter J. Laporta

English Theses

I plan to analyze the effects of a patriarchal courtship system on female mentalities during the English eighteenth-century. Samuel Richardson's first two novels, Pamela; or, Virtue Rewarded (1740) and Clarissa, or, the History of a Young Lady (1747-48), will be used toward this end based on their epistolary format. The usage of these letters and journals will be pivotal to the evidence based on the characters creating a written nexus of their minds and bodies through their writing. I plan to lay out the ways in which the reader can emotionally feel and understand both Pamela and Clarissa's breakdown …

Daenerys Targaryen: Mad Or Madly Ended? A Feminist Analysis Of Her Downfall, Barbara Yauss

Undergraduate Theses and Capstone Projects

The release of the final episodes of Game of Thrones was met with uproar, particularly in response to David Benioff and Weiss’s ending for the beloved Daenerys Targaryen, played by Emilia Clarke. Her descent into madness has sparked controversy over whether she deserved this fate, with the unexplained slaughter of Kings Landing being yet another example of the showrunners rushing through the eighth and final season. Popular belief agrees either way that Dany’s downfall is attributed to the madness that runs through Targaryen bloodlines. I argue, however, that it is patriarchal impositions that lead to her demise. Jon Snow, as …

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

Madwomen And Resistance: Gender And Self-Harm In Romantic And Victorian Literature, Emily V. Rasch

Honors Theses

Literature of the late eighteenth and early nineteenth centuries was concerned with madness. However, relatively little research has been done to indicate how supposed “madwomen” escaped patriarchal control. This thesis will analyze madwomen from the late eighteenth to mid-nineteenth centuries and will argue that suicide appears in literature as the sole way that “mad” characters can resist patriarchal control. I examine the impact of self-harm and suicide in Mary Wollstonecraft’s Maria or the Wrongs of Woman; John Keats’s “Isabella and the Pot of Basil”; and Charlotte Bronte’s Jane Eyre. I connect self-harm to the desire to escape patriarchal …

“The Healing Balm Of Sympathy Denied”: Moral Sense Philosophy, Patriarchy, And Monstrosity In Mary Shelley’S Frankenstein, Estefania Velez

Theses and Dissertations

Though Mary Shelley’s Frankenstein produces an ideology of sympathy consistent with the literary and philosophical aims of Romanticism, this essay examines Shelley’s critique of patriarchy which posits that though sympathetic companionship in Frankenstein remains an ethical necessity, it is unattainable within a social order marred by misogynist structures of power.

Alchemical Feminism : The Power And Authority Of Women In Shakespeare's Pericles, Kathryn Corah

Legacy Theses & Dissertations (2009 - 2024)

William Shakespeare and George Wilkin’s romance play, Pericles, Prince of Tyre, is an example of a Renaissance narrative that includes alchemical subtext. There have been many academic articles and dissertations written on this subject; I seek to build upon these previous arguments to expand upon their premises to argue that this alchemical diction and iconography of alchemical emblems allows for Marina and Thaisa to promote the power latent in feminine-coded virtue as it resists against patriarchal violence and reforms a masculinist patriarchal system. The lens I utilized to analyze the text in my exploration of this topic, which I named …

False Spring, Tobias Wray

Theses and Dissertations

This dissertation explores queer kinship and masculinity in an extended poetic sequence. The speakers of these poems attempt to understand the ways that family shapes our sense of gendered identity, particularly how masculinity is constructed and perpetuated through a history of gendered violence in western culture. Investigating the shame of failed masculinity and unsanctioned identity through a range of aesthetic positions, these poems interrogate the tradition of English language poetry as a space where masculinity is both blurred and reinscribed.

In three sections, the collection considers the relationship between paternity and patriarchy, and how queer identity offers alternative aesthetic positions …

Exploitation Of Land And Labor In Appalachia: The Manipulation Of Men In Ann Pancake's Strange As This Weather Has Been, Britani W. Baker

Master's Theses

Ecofeminism is traditionally interested in the relationship between patriarchal domination of women and nature. Ann Pancake’s novel Strange As this Weather Has Been critiques the way the coal mining industry has affected the Appalachian people and land. The novel reflects natural ecofeminism, which views the connection between women and nature in essentialist terms. This outdated mode of ecofeminism leads to a reinforcement of gender stereotypes and a misrepresentation of the relationship between gender, nature, and culture. This study of Pancake’s novel employs a material ecofeminist approach to both critique and develop the novel’s gender politics. Material ecofeminism, even as it …

Monstrous Dolls: The Abject Body In Rosario Ferré’S Works, Mackenzie Fraser

Senior Theses

In this Honors Thesis project, I examine two literary texts, “The Youngest Doll” (1991) and The House on the Lagoon (1995), by Puerto Rican author Rosario Ferré (1938-2016) with attention to her depiction of the abject female body as a figure analyzed by both theories of gender and the subaltern. Using these critical frameworks as well as my own textual analysis, I argue that Ferré offers a postcolonial feminist critique of the double oppression—patriarchal and colonial— operating upon her female Puerto Rican characters. Yet these women also turn this abjection into transgression, allowing Ferré to expose the paradoxes of female …

Becoming Pamela: The Fight For Maternal Authority In Pamela Ii, Danielle Pollaro

Seton Hall University Dissertations and Theses (ETDs)

In Pamela, Volume II, Pamela and her husband, Mr. B, clash over breastfeeding their child. The conflict over breastfeeding represents a contest for control over the maternal body and with it control over woman’s authority. The eighteenth-century created the concept of motherhood in order to maintain and perpetuate the patriarchy’s social, economic and sexual hierarchies. Pamela, Volume II propagates eighteenth-century domestic discourse by instructing and constructing the idea of the good wife and mother. Pamela’s failure to resist domesticity reveals patriarchy’s role in establishing gender identity. The novel functions to reinforce, strengthen and sustain eighteenth-century domestic discourse to stabilize …

The Sounds Of Silence; Or, Isabella’S Counter Discourse In Measure For Measure, Gina Vivona

Theses and Dissertations

This argument reshapes the thinking about masculine dominance in Measure for Measure, and considers the patriarchy as a series of socially constructed, hence artificial, rules and regulations. It also explores how Isabella’s discourse and celibacy empower her to defy the constraints of early modern paradigms and achieve individual freedom.

Witches, Bitches, And The Patriarchy: Gender And Power In The Harry Potter Series, Delaney Bullinger

Senior Theses

At the start of the Harry Potter series, J.K. Rowling employs traditional gendered thinking in her construction of character roles, but as the series continues, the gender roles are complicated. In the three main communities of J.K. Rowling’s world – the Ministry, Hogwarts School of Witchcraft and Wizardry, and the societies of the Death Eaters and the Order of the Phoenix – a struggle between the constructive, equalizing force of white magic and the violent, dominating force of black magic influences the gender roles operative in each. As a vehicle for the exercise of magic, the nuclear family also influences …

Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson

University of New Orleans Theses and Dissertations

Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …

Redefining Blackness In The Age Of Whiteness: Mimicry, Ancestry, Gender Performance, And Self-Identity In Afro-Caribbean And Afro-American Literature, Brandon Marcell Erby

Seton Hall University Dissertations and Theses (ETDs)

The elements associated with mimicry and colonialism are found in Elizabeth Nunez’s Prospero’s Daughter (2006), as the novel reveals how colonized subjects use mimicry to survive their colonized spaces. Keeping in mind the ideologies of Homi Bhabha and Wumi Raji, the novel also suggests how a subject’s pre-existing condition before being colonized develops agency. Comparably, while Elizabeth Nunez’s novel illustrates how imitation is used by black and native Caribbeans, Richard Wright’s Native Son (1940) and Lorraine Hansberry’s A Raisin in the Sun (1958) contextualize and exhibit W.E.B. Du Bois’s double-consciousness theory and the struggles that black Americans experience while mimicking …

Inheritance Of The Past: Patriarchy, Race And Gender In Faulkner's And Chopin's South, Therese D. Osborne

Master of Liberal Studies Theses

The death of the Confederacy sealed in white southern memory a lost world of beauty that denied the cruelty of its “peculiar institution.” Southern writers have seemed haunted by this conflict between the cherished past of their ancestors and the reality of the devastated region, with its legacy in slavery. Through the commentary of women diarists who mourn their crumbling society, and selected works of William Faulkner and Kate Chopin, this paper examines the myth and reality of the southern past. It reveals the enduring impact of the all-powerful white patriarchy that gave order to the antebellum South, destroyed it, …

Gertrude's Role In Hamlet, Emily Graf

Senior Honors Theses and Projects

Typically, Gertrude's character in productions of Hamlet has been limited by her guilt and sexuality. However, lacking the social and political conventions that confined Elizabethan England, it would seem that there is another possible interpretation of Hamlet's mother.

A Woman Is A Dish For The Gods': Shakespeare's Use Of Myth To Criticize Patriarchy, Marissa Polascak

Honors Theses

William Shakespeare's canon is famous throughout the world, studied by scholars as well as read by laymen for leisure. These scholars and laymen value Shakespeare's works for their content and form, at the same time that they criticize them for their flaws. On the surface, it is clear that Shakespeare touches on many issues in his poems and plays, such as love and war, but hidden underneath are messages that are ambiguous. These hidden messages are a product of censorship. During the Renaissance, Sir Francis Walsingham established the State apparatus which helped to protect society against counter-Reformation activists. This apparatus …

Telling History Through The Stories Of Women: Julia Alvarez's In The Time Of The Butterflies And In The Name Of Salomé, Nicole Marie Carlson

Theses and Dissertations

My thesis discusses the ways in which Julia Alvarez's In the Time of the Butterflies (1994) and In the Name of Salomé (2000) are revolutionary texts contesting traditional, male dominated history and redirecting historical and communal foci to the lives of Dominican women. I employ Walter Benjamin's theories found in his essays "The Storyteller" (1936) and "On the Concept of History" (1940) to assist my exploration of Alvarez's questions concerning the power and effect of storytelling, and the importance of reconstructing various historical voices and images, specifically, the importance of reconstructing female voices in male dominated cultures. I discuss the …