English Language and Literature Commons^™

A Valley Lost To Time, Washington C. Pearce

Undergraduate Honors Theses

This thesis delivers a playable and functional module for the 5 th Edition of the World’s Greatest Role-Playing Game. The Critical Introduction uses reader response and performance theory to create a framework for reading role-playing games as literature, explains some of the recent scholarship surrounding role-playing games, and details the creative process and work of the creative thesis.

In A Valley Lost to Time, Adventurers recruited by the Trellin Prime Minister are sent westward, over the Drazlin mountain range, with a mission to discover the fate of a decades-lost failed colony. The route is long and treacherous, passing through a …

Framing The Female Narrative: Male Audiences And Women's Storytelling Within Two Brontë Novels, Sammy Murphy

Undergraduate Honors Theses

Since being published, both Anne Brontë's The Tenant of Wildfell Hall and Emily Brontë's Wuthering Heights have attracted scholarly and critical attention on account of their framed narratives. At the time of publication, some portion of this attention was negative; however, since the early 20th century, scholars have moved towards recognizing and analyzing potential purposes for the narrative structures of both texts. Within my thesis, I enter into this field of scholarship so as to analyze how the frame narrative functions as a tool for both simulation and subversion within the two texts. More specifically, I argue that Emily and …

The Written Word Bound By Devotion Unseen: Female Monasticism And Religiosity In The Visions Of Gertrud The Great Of Helfta, Jana Considine

Undergraduate Honors Theses

The mystical, religious writing of Gertrud the Great of Helfta expressed an erotic love of the Christ, presented in her Herald of God's Loving-Kindness through a series of visions centered around the interaction of the monastery's community and the liturgy. This Honors Thesis attempts to study this religiosity, discovering how Gertrud's visions communicated a sensual understanding of the Divine centered around the Eucharist. Contextualizing the fourth book of the Herald in monastic history, this paper examines the presence of the Liturgy, the Eucharist, wealth and materiality, and female spirituality in this High Medieval text, discovering a communal religiosity based upon …

An Analysis Of And Guide To Tamora Pierce’S Protector Of The Small Quartet As Compared To The Established Young Adult Fantasy Canon, Emma Marie Gilbert

Undergraduate Honors Theses

Tamora Pierce’s work has been cited by many Young Adult fantasy authors as a major influence in recent years. Despite this, her work remains relatively obscure among librarians and readers of Young Adult literature. This paper examined one of Pierce’s Young Adult fantasy series, Protector of the Small, by comparing the series to existing works of Young Adult fantasy literature commonly accepted as classic or canonical literature. Among the comparative works were titles authored by C. S. Lewis, J. K. Rowling, and Philip Pullman. Comparison was character-focused, with emphasis on the representation of parents, other sympathetic adults, peers, and …

A Claiming Of Kin: A Linguistic Analysis Of Southern Appalachian English In Melissa Range's Scriptorium: Poems, Jolee White

Undergraduate Honors Theses

The research studies the Southern Appalachian dialect present in five poems in Melissa Range’s Scriptorium: Poems. The linguistic phenomena characteristic of Southern Appalachian English observed and analyzed in the poems include lexicon, grammatical features, and phonological aspects. The research seeks to bring attention to this Appalachian woman writer as well as to bring understanding of her reasoning behind incorporating the dialect in her poetry. It establishes that the five poems by Range contain the lexicon, grammatical features, and phonological aspects of the SAE dialect. It holds meaning both grammatically and pragmatically within the context of the poem and Appalachia.

"But A Contraband Is A Free Man:" Civil War Literature And The Figure Of The "Contraband", Mary A. Kardos

Undergraduate Honors Theses

This thesis explores Civil War popular literature related to "contraband" individuals by Black and white authors. In May 1861, those who escaped from enslavement to Union territory were deemed "contrabands of war," a label placing them between freedom and property. This purgatorial category delayed freedom and depicts formerly enslaved persons as both intellectual and literal property of white America. Across various poems, essays, speeches, novels, illustrated envelopes, and sketches, Civil War authors debated the function of the “contrabands” within the American social order. Consequently, this thesis explores the patterns through which the uniquely transitory nature of the “contraband" allowed the …

'Carcern' And 'Wordcræft': Enclosure, Connection And Gender In Cynewulf's "Juliana" And "Elene", Katherine Grotewiel

Undergraduate Honors Theses

The scholarly narrative around monastic enclosure has centered on rigid gender divisions. But Cynewulf's Juliana and Elene reveal a more complex picture. Through images of enclosure, binding and the creation of words, Cynewulf unwinds these restrictive ties of gender in the epilogues of his poems and instead identifies with the figures in these poems not along lines of gender, but in their experiences of enclosure.

Feelings Of Fallenness: Affect And Gender In Victorian Fallen Woman Novels, Kate Kowalski

Undergraduate Honors Theses

A famous poem by Coventry Patmore articulated Victorian expectations for women: to be “the angel in the house.” The woman was the arbiter of morality, spiritual guide and helpmeet, and was worshiped almost as a goddess of purity— and goddesses need no legal protections. Chastity and submission were not only expected, but demanded of Victorian women. After all, these qualities were scientifically inherent in women (to the Victorian mind); the biological imperative of reproduction and maternity rendered women’s bodies a sacred space and prevented their minds from developing as a man’s could.The twin forces of Victorian patriarchal science and religion …

'Geomorlic' Or 'Eorlic?' Uncovering Early English Emotional Communities In "The Wanderer," "Deor," And "The Wife’S Lament", Hunter Phillips

Undergraduate Honors Theses

In my honors thesis, I uncover what I consider to be a poetic trope governing emotional expression in three of the Old English 'elegies.' Narrators in these poems engage the emotional values of the Old English "Heroic Tradition"-namely the value of keeping silent in the face of adversity-through abstracted and idealized figures like the 'eorl' (warrior/man). The invocation in these poems of the eorl and eorl-like figures such as a hlaford (lord) or geong mon (young man) functions as a poetic trope that signals the speakers engagement with the heroic emotional community represented by that figure. I name this …

"I Don't Believe One-Half Of It Myself": The Role Of Folk Groups In Supernatural Legend Interpretation, Melanie Kimball

Undergraduate Honors Theses

A range of interpretations can characterize supernatural legends as religious or non-religious—or somewhere in between. Religious audiences quickly categorize supernatural religious legends as such, but they hesitate when interpreting supernatural non-religious legends and supply multiple interpretations. Folk group paradigms influence these interpretations, and a variety of factors in turn influence which paradigms are used. The most important of these factors is a hierarchy of folk groups, which each individual has uniquely created and to which they refer when interpreting stories and experiences. When the most important of these folk groups fails to fully interpret a narrative, individuals will use folk …

“I—I Can’T Talk About Things”: The Tragedy Of Post-Wwii Civilian Masculinity In Agatha Christie’S Taken At The Flood, Rebekah Olsen

Undergraduate Honors Theses

This thesis examines the ways in which Agatha Christie’s Taken at the Flood serves to illustrate the fragility and ultimate destabilization of masculinity immediately following WWII. Christie illustrates this break by comparing two men, David Hunter and Rowley Cloade who represent types of men in Britain’s postwar landscape. Throughout the text, David Hunter is framed as a dangerous and dreadful young man, serving as a representation of post-war fears about demobbed soldiers attacking young women. However, the story really revolves around the civilian trauma that Rowley Cloade has sustained through his wartime role as a farmer, which comes from repression …

“The Only Story I’Ll Be Able To Tell”: An Analysis Of Shame And Queer Identity In Gothic American Campus Novels, Aubrey Dickens

Undergraduate Honors Theses

This thesis analyzes shame and queerness in contemporary gothic American campus novels, also known as “dark academia” novels. The thesis looks specifically at the novels The Secret History by Donna Tartt, published in 1992 and considered to be the first dark academia novel, and Catherine House by Elisabeth Thomas, published in 2020 and a more modern adaptation on the subgenre. The two novels deal explicitly with how shame constitutes identity, specifically in regards to individuals who are depicted as queer or outside of heteronormative expectations of sexuality. Queerness in the context of this paper is defined as any portrayal of …