English Language and Literature Commons^™

The Need For Christian Authors In Mainstream Fiction, Ashley Renea Starnes

Masters Theses

Fiction is an effective and underutilized tool in Christian circles to implicitly illustrate Christian ideas and values to readers of other worldviews. By adopting the writing approach of authors like J. R. R. Tolkien and C. S. Lewis, Christian writers can enter into the broad discussion of philosophy, morality, and theology going on in popular fiction.

Innocent No More: How Child Vampires Challenge The Social Narrative Of Childhood, Ashley Quinn

Masters Theses

The inclusion of children within Gothic and horror fiction has always been regarded as untoward because children are vulnerable to misrepresentation. However, excluding children from transgressive genres eliminates a space where childhood can be critically analyzed. Fortunately, authors such as Stephen King, Anne Rice, and John Ajvide Lindqvist break the taboo through the inclusion of children in vampiric narratives. These narratives encourage readers to question the social narrative of childhood within the context of vampire stories. Through an examination of ‘Salem’s Lot (King, 1975), “Popsy” (King, 1987), Interview with the Vampire (Rice, 1976), and Let the Right One In (Lindqvist, …

“Is [He] A Man? If So, Is He Mad? And If Not, Is He A Devil?”: The Influence Of Culture Versus Experience On The Brontë Sisters’ Perception Of Mental Illness, Catrina May Mehltretter

Masters Theses

Charlotte, Emily, and Anne Brontë each presented a different perspective on mental illness within their novels. The primary reason for this difference in perspective can be found in their different responses to their brother Branwell’s poor mental state. As Branwell’s health deteriorated mentally and physically, his sisters ended up becoming his primary caregivers, giving them a unique insight into mental illness that would have been unusual for the time period, given the tendency to send any mentally ill family members away to asylums. Still, this shared experience impacted each of the sisters differently, likely due to the different relationship each …

"Members One Of Another": Heteroglossic Utterances As Critiques Of Injustice In Charles Dickens’S Bleak House, Cale Baker

Masters Theses

Charles Dickens often dealt with societal injustice within his work, and he often used the different languages—the language of the poor, the rich, the religious, the political—of various social strata to expose the disparity between the high and the low social classes. Within Bleak House, Dickens inserts different voices common to Victorian London through his third-person narrator to highlight the upper class oppression of the poor. To see Dickens’s insertion of these different voices, I use Mikhail Bakhtin’s work on heteroglossia and dialogism as a framework for understanding how Dickens inserts these different voices to specifically expose injustice. Additionally, I …

Translingualism: Breaking The Language Policies And Politics In Composition Pedagogy And Protecting Cultural Identities Of International Students, Md Fahad Hossain

Masters Theses

This thesis explores the debates and conversations relating to a translingual pedagogical approach that helps preserve the cultural and ethnic identities of international students who take college composition courses in universities across the United States of America. Since domination of English in teaching, learning, and research in the United States of America is prevalent, this thesis explores much talked pedagogical approach – a translingual approach – in college composition that intends to protect the cultural and ethnic identities of international students studying in universities across the country. The translingual orientation in composition pedagogy is constantly adding new conversations to teaching …

The Cast Of A Giant's Shadow, Angela Kay Steineman

Masters Theses

Adapting fairy tales and folklore has been an ongoing endeavor by storytellers and artists since the very first story was repeated. The evidence can be seen in the many versions of fairy tales like those of the sleeping beauty, from Giambattista Basile’s “Sun, Moon, and Talia” to Walt Disney’s Maleficent. However, unlike their European counterparts, adaptations of American tales outside of children’s literature are not as ubiquitous. My writing rectifies this by adding to the resurging interest as seen in recent retellings like Matt Bell’s Appleseed: The Monstrous Birth (2019).

In an effort to reframe the American tall tale …

"There Is Nothing Else Like It": The Innovative Personality Of Lowney Turner Handy, Nathan Crews

Masters Theses

No abstract provided.

A Wrinkle In Autism Literature: An Analysis Of Madeleine L’Engle’S A Wrinkle In Time And Hope Larson’S A Wrinkle In Time: The Graphic Novel, Marla Larson

Masters Theses

This literature review will examine Madeleine L’Engle’s classic intermediate novel A Wrinkle in Time, and Hope Larson’s A Wrinkle in Time: The Graphic Novel. Medical scholarship regarding autism, comics scholarship, and comments from online contributors are used to describe how a comparison of these two texts can provide positive representation of autism in literature. Consideration for how these texts can be used together in the Language Arts classroom to develop the comprehension skills of students on the spectrum is also considered. This thesis first examines the character Charles Wallace in L’Engle’s original text and how he represents a positive presentation …

Cormac Mccarthy’S Border Trilogy And The Modern American Identity Crisis, Michael G. Cox

Masters Theses

The narrative trope of the American western is a long-standing literary convention rooted in a convoluted history of conquest, exploration, settlement, and exploitation. At the heart of the western genre is the idyllic vision of self-reliance. From its inception, the United States developed westward, pushing the limits of self-governance into the farthest reaches of empty terrain. As a result, the frontier has long been a symbol of personal liberty, a place where travelers and homesteaders have the freedom to achieve private independence in its purest form. Hollywood has done much to nurture this nostalgic image of prairie life. Iconic silver …

“Not To Be Loved But To Lead”: Homosocial Soldiering In Tim O’Brien’S The Things They Carried, Cliffton M. Young

Masters Theses

This study explores the presence of homosocial bonds for Tim O’Brien’s characters in his short story collection, The Things They Carried, and examines the value of them for soldiers in and out of the war theatre. Their vulnerabilities and fragilities create for the soldiers false fronts of masculinity, and they attain comfort in and attach themselves to others with whom they share military experiences. Members of Alpha Company deal with both physical and mental burdens stemming from battle. Their timidity and emotional / physical ineptness complicate their being able to have honest and affectionate interactions with other men in …

“We Are The Walking Dead”: Morality In Robert Kirkman’S Comics Series, Amy L. Jacobs

Masters Theses

Despite widespread cultural success, Robert Kirkman’s comics series, The Walking Dead, has received little critical attention in the literary canon. The limited critical attention it has received fails to provide an in-depth examination of the work’s morality. This could be a result of the ever-present influence of Frederic Wertham’s claims in his 1954 work, Seduction of the Innocent. However, when viewed through the frameworks provided by John Gardner’s On Moral Fiction and Wayne C. Booth’s The Company We Keep, Kirkman’s zombie narrative exhibits morality in multi-layered and complex ways with every turn of the page. Through the …

“Arriving At Your Own Door”: Transnational Identity Formation In Chimamanda Ngozi Adichie’S Americanah, Julie Oosterink

Masters Theses

Chimamanda Ngozi Adichie’s Americanah (2013) guides readers through the internal questions and external pressures that contribute to identity formation of her transnational characters. This paper examines the specific ways in which Adichie’s protagonist, Ifemelu, engages with both self-discovery and self-fashioning in order to shape the narrative of her past and make a plan for her future. Kwame Anthony Appiah’s The Ethics of Identity offers a philosophical framework to consider the many components of identity formation and the ways in which individuals form personal and collective identities. Adichie uniquely addresses personal and collective identities through the transnational experiences of her characters. …

Creation, Destruction, And The Tension Between: A Cautionary Note On Individuation In Tristan Egolf, W. G. Sebald, And Niall Williams, Nicholas Kanaar

Masters Theses

The modern individual faces a psychological disconnect between his conscious mind and unconscious due primarily to the outward attachments that dictate false tenets of ontological worth. This thesis investigates the benchmark of creation and destruction and narrows in on its utility in the individual’s pursuit for individuation. The creation and destruction paradox is used to penetrate liminal space where personal transformation occurs, and it is used within those spaces to strip away old, ego-centric ideals in the service of new ones. C. G. Jung’s “archetypes of transformation” are the main tools of the psyche for assisting the conscious mind to …

"Thus Saith The Lord": The Theological Rhetoric Of Dr. Martin Luther King, Jr., Nathaniel Ryan Davis

Masters Theses

This text seeks to explain the rhetorical appeals that Martin Luther King, Jr. used to persuade his audience of the fundamental truths of human dignity, sin, justice, and hope.

Persecutor’S Remorse: Mimetic Desire, Institutions, And Shūsaku Endō’S Loving Gaze On Persecutors, Jirayu Smitthimedhin

Masters Theses

Building on Mark Williams’ thesis that Endō’s characters often reconcile with an unconscious Other within themselves, I will argue that Endō’s “weak” characters are trapped by mimetic desire and are drawn toward acts of persecution; their status as persecutors depends on their relationships—whom they wish to imitate or whom they imitated in their past. While Williams and other Endō scholars often focus on the psychology and existential choices facing Endō’s characters, I point out how contextualizing Endō within the postwar Daisan no shinjin writers reveals Endō’s criticism of institutional powers, particularly because institutions can become “centers of desire.” Drawing on …

Meeting The Stranger: Closing The Distance In Ernest Hemingway’S A Moveable Feast, Brett Joseph Raszinski

Masters Theses

This thesis provides an in-depth analysis of Ernest Hemingway’s memoir, A Moveable Feast. The analysis focuses on how AMF functions as a memoir, given its complicated publication history. The thesis uses the 2009 Restored Edition, which is most closely associated with Hemingway’s original manuscripts. He crafts his memories of Paris between 1921-1926, develops interactive scenes for twenty-first century readers to discover his story, and constructs a blended voice that closes the distance between his present and his past by writing about his writing process. This thesis adds to the academic conversation of A Moveable Feast, attempting to present how important …

Breaking The Fourth Wall, Esther Elizabeth Karram

Masters Theses

This creative, non-fiction thesis is written in memoir form and analyzes how a person perceives reality, how that perception is broken, and how a person copes with the limitations of a new reality. In examining my life, I came to realize that many of my performative tendencies stemmed from a desire to be loved and the belief that love was contingent upon perfection. What follows is my struggle to try to maintain that perfection, the failure to do so, and the slow acceptance of being an imperfect person in an imperfect world.

Language Attitudes Of Writing Center Consultants: Perception And Expectation, Benjamin John Sparks

Masters Theses

This master’s thesis explores the results of research into the language attitudes of peer consultants working in a writing center at a large regional public university in the American Midwest. A survey was administered to writing center staff in which they were asked to evaluate the sociopolitical relationship between standard and nonstandard English dialects, the perceived relative grammaticality of these dialects, and the traditional concept of appropriateness in academic writing. Also included were questions pertaining to how consultants manage the practical responsibilities of their positions and the expectations of students and professors with the writing center’s stated policy of linguistic …

The Sandman: The Artifice Of Comics And Power Of Dreams, Nathan Teft

Masters Theses

Neil Gaiman’s Vertigo Series The Sandman is an exceptional artistic endeavor. From “Preludes and Nocturnes”(1988) to “The Wake” (1996), Gaiman worked alongside a team of talented artists and graphic designers to produce an indelible work of revisionist mythology. This thesis will attempt to establish the framework by which our modern literary canon has celebrated classical Western myths while relegating graphic or visual forms of literature or outright neglecting comic myths altogether. Scott McCloud’s Understanding Comics will frame the discourse for pictographic analysis of Neil Gaiman’s mythological revisionism of Milton’s Paradise Lost in Season of Mists, Italo Calvino’s Invisible Cities …

Cavalier Reading: Examining The Problematic Nature Of Signifiers, Monique Nichelle Branscumb

Masters Theses

No abstract provided.

Workers, Athletes And Artists: The Historical Continuity Of White Control Of Black America, Courtney Walton

Masters Theses

From the early twentieth century to the early twenty-first century, black Americans have been subject to different forms of control. This subjection of blacks to societal demands arose in part because black people are viewed as inferior to white people. Because of this misconstrued perception, black people are forced to present an acceptable level of blackness to prevent punishment. Richard Wright's "The Ethics of Living Jim Crow: An Autobiographical Sketch" (1938), Zora Neale Hurston's "How It Feels to Be Colored Me" (1928), and Langston Hughes's "The Negro Artist and Racial Mountain" (1926) detail their lives at the tum of the …

Narrating Trauma: Youth, Masculinity, And Storytelling In The Midst Of War, Rebekah Smith

Masters Theses

No abstract provided.

Reaching The Sacred Through The Secular: Biblical Elements And The Superiority Of Divine Love In Three Of Marie De France’S Lais, Sarah J. Kooienga

Masters Theses

In the Prologue to her Lais, Marie de France hints that her text possesses multiple layers of meaning: “The custom among the ancients…was to speak quite obscurely / in the books they wrote, / so that those who were to come after / and study them / might gloss the letter / and supply its significance from their own wisdom” (9, 11-16). Critics who study the Lais agree that the tales overwhelmingly focus on romantic love, and most of the existing scholarship overlooks the fact that this theme is merely one layer of the text’s significance. To the contrary, …

“Who Has A Right To Say What Focus Is The Legitimate Focus?” Tennessee Williams And Julia Margaret Cameron’S Theatrical Portraits Of Women, Jennifer M. Klug

Masters Theses

In the production notes preceding The Glass Menagerie, Tennessee Williams said: “Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.” In spite of Williams’s emphasis on the limitations of literal representation, some of his most famous female characters were created in a tradition similar to that of portraits of women by the Victorian-era photographer Julia Margaret Cameron. Both Cameron and Williams made …

Annie Dillard: At The Altar Of Nature, Kelley A. Kasul

Masters Theses

This thesis intends to delve into Annie Dillard’s time spent at Tinker Creek. Why Dillard chose to go into nature is critiqued, as well as what she found. One of the things it appears Annie Dillard sought and found was a connection to the Divine. She had been searching for this connection in various churches but had not found what she needed there. There is another, perhaps more pressing, issue of the mystical journey Dillard went on as well. This was an internal journey, not a physical journey. Both of these topics are vetted for the purposes of furthering the …

Trinity, Freedom, And Evil: The Importance Of The Triune Nature Of God In The Problem Of Evil, Seth Pryor

Masters Theses

This thesis presents an abductive argument for a trinitarian conception of God as opposed to a unitarian conception especially when juxtaposed against the problem of evil. On the whole, this author argues, the Trinity has more conceptual resources to answer the problem of evil by granting freedom of the will to its creation, specifically the will to go against God, by himself consisting in an inherently relational ontological structure of three persons yet the same being that would grant such a capability.

Comparing Cultural Context Through New Historicism: The Impact Of Form Upon Content In The Serialized And Novelized Versions Of F. Scott Fitzgerald’S The Beautiful And Damned, Anna Sweeney

Masters Theses

In this thesis, I analyzed the differences between the serialized portions and subsequent novelization of F. Scott Fitzgerald’s The Beautiful and Damned. To conduct this research, I studied the seven issues of Metropolitan magazine from September 1921 to March 1922 in which the serialized portions of The Beautiful and Damned were published, and read them against the novel. I found that the omissions and additions between the two modes of text, including the advertisements and illustrations present within the serialized portions, greatly altered the nuances and meanings of the finished novelized product. This project revealed that there is currently a …

What’S In The Potato Barn: A Discourse Of Redemption In Three Of Kurt Vonnegut’S Novels, Rebecca Tutton Parker

Masters Theses

This thesis discusses how three of Kurt Vonnegut’s novels (Slaughterhouse-Five, Breakfast of Champions, and Bluebeard) become a discourse on redemption when using Linda Hutcheon’s historiographic metafiction. Starting with Slaughterhouse-Five, Vonnegut opens the discussion about redemption by creating a character struggling with PTSD who is unable to be redeemed. In Breakfast of Champions, Vonnegut continues the discourse by introducing Rabo Karabekian who opens Vonnegut as character’s mind to the idea that redemption is possible. By Bluebeard, Rabo Karabekian is able to obtain redemption for both himself and for his author. By studying these three books together it becomes clear that Rabo …

The Centrality Of Human Freedom In Dostoevsky And Huxley, Evelyn J. Hylton

Masters Theses

Fyodor Dostoevsky learned the hard way that human beings need to be free. In a Siberian prison camp, a four-year period which would later inspire his semi-autobiographical prison memoir Notes from a Dead House, he was forced to come to terms with the realities of life under severe constraint and without the freedom for self-actualization, which convicted him of the dangers of the Westernized liberalism he once embraced. Dostoevsky’s transformed understanding of humanity and its need for individual freedom eventually matured to form the moral and philosophical foundations of his final novel, The Brothers Karamazov, whose support of the centrality …

Restoring What Has Been Lost: The Mythic Journey Of Shakespearean And Tolkien Heroes After The Fall In Eden, Taylor Loforti

Masters Theses

In order for man to understand where he is going, he must first remember where he began. The intertwining link between the beginning, the in-between journey, and the end of a story, or narrative, has been present since the ancient years of literary criticism. The ancient Greek philosopher Aristotle explains that a unified and effective narrative should have a beginning, middle, and end, and the even more ancient realm of mythology tends to follow this format not only in its written structure, but also in its thematic and archetypal construction. These three main segments of a mythic narrative are later …