English Language and Literature Commons^™

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

Decolonizing The Ya North: Environmental Injustice In Sherri L. Smith’S Orleans, Micah-Jade M. Coleman

Master's Theses

Young Adult (YA) dystopias, in recent years, have imagined a future world fueled by the overuse and misuse of technology, the advancement of science for human gain, as well as societies ruled by governments that govern based on their own self-interests and economic gain. Such novels have opened the door for discussion about how the present-day actions of societies can impact the future of the environment; yet many only focus their attention on societies in the North— regions considered “developed” by the western world. In her YA novel, Orleans (2014), Sherri L. Smith focuses attention on the aftermath of Hurricane …

"Too Big To Swallow All At Once": Consumption And Posthuman Healing In Ceremony And House Made Of Dawn, Matthew Thomas Craft

Master's Theses

This project examines the roles of animals and animal figures in the Native American novels House Made of Dawn (1968)by N. Scott Momaday and Ceremony (1977) by Leslie Marmon Silko. Both novelists consistently evoke animal imagery within their respective texts often pairing this imagery alongside symbolic and metaphorical depictions of cannibalistic identity violence. Through the use of posthuman and postcolonial methodologies and ideas, I contend that the pairing of these two distinct types of imagery that both Momaday and Silko intentionally align the animal figures with premodern, indigenous belief systems while the cannibalistic violence is more often envisioned as …

Diagnoses By Gender: The Consequences Of Treatment Of The Mentally Ill In Virginia Woolf's The Waves And Mrs. Dalloway 2016, Erika Nichole Jackson

Master's Theses

“Insanity is purely a disease of the brain…The physician is now the responsible guardian of the lunatic, and must ever remain so.” Sir John Charles Bucknill (1897)

Mental illness has consistently been and continues to be a subject that is viewed as taboo by society, especially when it comes to diagnosing a patient. Instead of acknowledging a person’s actions, thoughts, and words, society continually disregards mental illness as something that is negative and to be feared. The fact that this area of medicine can be difficult and distressing makes it all the more important to continue research. It is true …

"Do Not Fashion The Other": Representing Contemporary Haudenosaunee Literature 2016, Michael Patrick Brewster

Master's Theses

Historically, the issue of representation in postcolonial studies is one of some contention. While scholarship might recognize the necessity for highlighting the plights and struggles attendant to postcolonial societies, the primary literature being studied is most often written by natives of those societies themselves. This gap is especially evident with Indigenous cultures, because there are relatively few Indigenous scholars working in the academy. We are at the point now when we have a multiplicity (but not a plurality) of Indigenous voices writing literature (poetry, memoir, fiction, film, etc.) and academic criticism. However, there is value in non-Natives reading and writing …

'The Letter Killeth': The Obscurity Of Language And Communication In Thomas Hardy's Jude The Obscure 2016, Victoria T. Corning

Master's Theses

While the epistolary novel is a genre closely associated with 18th century England, 19th century Victorian literature also incorporates letter writing as a significant form of communication. Written messages convey what can often not be said out loud, as it is easier to hide behind a pen and paper, write in solitude, and be absent when the letter is read by the recipient. Impulsive and emotional thoughts and feelings can be written down immediately and then later edited, which makes writing an unstable form of communication. Is the author conveying true feelings or concealing true feelings? Layering multiple modes of …

The Scripture Of Helices, Jessica M. Ramer

Master's Theses

This thesis comprises poems written during my two years of study for the Master of Arts Degree in English with a creative writing emphasis. The majority of the poems are written in either a received or contemporary form, although a substantial minority are written in free verse. Many of the poems deal with extreme circumstances such as combat and imprisonment. Others address family stresses due to birth, death, remarriage, and clashes of values. Some poems have a religious emphasis while others are firmly rooted in the natural world. All, however, are explorations of human nature.

"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic

Master's Theses

Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …

Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker

Master's Theses

Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

Daisy And Frederick: An Exploration Of Innocence And Its Consequences In Henry James' Daisy Miller: A Study 2015, Mark Andrew Meyer Ii

Master's Theses

No abstract provided.

"Carried Away": Love, Bly, And Secrecy In Henry James' The Turn Of The Screw 2015, Natalie G. El-Eid

Master's Theses

The function of the prologue in Henry James’ The Turn of the Screw is decidedly ambiguous, as the characters in the prologue, much like the uncle of the main text, are seemingly never seen again. For this reason, the purpose of this prologue is much debated.1 As Rolf Lundén states in his article “‘Not in any literal, vulgar way’: The Encoded Love Story of Henry James’ The Turn of the Screw,” “The openness of Henry James' The Turn of the Screw has invited more analytical attempts, and more critical controversy, than most literary texts” (30). Lundén summarizes four schools of …

"Fire And Water Imagery" In Jane Eyre 2015, Shannon O'Loughlin

Master's Theses

Charlotte Bronte’s Jane Eyre is a study in contrasts. Critics have argued the implausibility of the novel, that an orphaned governess who marries her dashing employer is too far-fetched to be believed. However, a proper understanding of Jane Eyre must be based not on a sequence of events, but on the thematic form of the novel in which the signifiers relate to each other and shift throughout. Ferdinand de Saussure explains in his "Course in General Linguistics," that the mental concept one has of a word is its "signifier" (62). Charlotte Bronte relies not simply upon a sequence of events …

The Beast Inside: Trauma Theory And William Golding's Lord Of The Flies 2015, Emily Paccia

Master's Theses

Following World War II and the horrible devastation in Europe, especially in London, Britain began to rebuild. The country was attempting to come back from war, and the culture reflected a bleak, disheartening feeling. Literature written during this time period, which so often reflects the culture directly, showed that very same bleakness. British novelist, and one who lived through that time, William Golding, writing in the 1960's, recreated the dystopia brought into European countries from living through the destruction of the war. Creating a vision of the future -- one of dysfunction and chaos -- Golding’s characters from Lord of …

"Equal Partners In Crime": Narration In The Brief Wondrous Life Of Oscar Wao, Rebecca Mae Holder

Master's Theses

This reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that …

The Self-(Un)Made Mother: Jungian Archetypes In Dickens's Little Dorrit, William David Love Jr.

Master's Theses

Charles Dickens’s novel Little Dorrit (1857) depicts an abundance of surrogate mothers while simultaneously revealing an absence of biological motherhood. The primary female characters become surrogate mothers in their own ways in order to bypass the legal and physical dangers associated with biological motherhood. To do this, they embrace various alternate forms of femininity—the crone, the maiden, the woman warrior, and the seductress. These women negate themselves willingly in actions that would seem to reinforce the gender norms of their time, but their self-negation actually leads to empowerment and sustainability for themselves and for others. Furthermore, a Jungian interpretation of …

Though My Gross Blood Be Stain'd: Bleeding Bodies And Power Dynamics In Shakespeare's The Tragedy Of Coriolanus And The Rape Of Lucrece, Lindsey Katherine Dee Wedow

Master's Theses

Early modern literature is replete with references to blood. These references appear in the contexts of class and gender distinction, medical information, religious significance, and more. Upon looking into the Galenic model of medicine utilized in early modern England, it becomes clear that blood, while one of the four humors of the body, held a place of special significance amongst the rest. Thus in reading the works of Shakespeare we are able to see how he often handles blood as a substance that holds special qualities and as such plays an important role in human lives. This paper examines two …

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …

Because A Fire, A Lover's Quarrel: Poems, Clifton Clyde Ward

Master's Theses

This thesis comprises poems written and/or revised over the past two years. They mark the development of my aesthetic and writing ability thus far and are representative of the training and practice incited by my own efforts and those of my professors during my enrollment in the Master of Arts degree in English, Creative Writing emphasis. The majority of these poems are written in an open form, and all of them fall under three general categories: autobiographical, absurdist, or formal.

Haunted To Death: Subverting Genre And Reader Expectations In Lewis Carroll's Phantasmagoria, Elissa Anne Graeser

Master's Theses

This study of Lewis Carroll’s Phantasmagoria argues that the poem failed to achieve critical and popular success due to unmet reader expectations. The poem is a haunted house or ghost story and in many ways follows the familiar formula of the Victorian ghost story. However, Carroll’s political and generic satire alters various aspects of the anticipated structure, thereby creating a work that fails to satisfy readers on multiple levels. The failure of a work by a successful author writing within a popular genre is particularly significant for what it shows us about the relationship between genre, consumerism, and literary criticism.

The Queer Gothic Hero's Journey In Oscar Wilde's The Picture Of Dorian Gray, Kyle Leon Ethridge

Master's Theses

This study of Oscar Wilde’s The Picture of Dorian Gray argues that the novel participates in a Gothic subversion of the archetypal hero’s journey. The novel employs Gothic devices to supplant heroic narremes. As the novel progresses, both Dorian (as a type of hero-character) and the narrative repeatedly deny or subvert the normative idea of heroism later reified in Joseph Campbell’s archetypal theory. While Campbell’s hero attempts to secure and universalize a heterosocial story, Wilde’s hero is recuperated through a reconfiguring of normative failure as queer success. What is ostensibly a failure of the normative hero to achieve his quest …

Gender And Self-Representation In Maya Angelou's Autobiography I Know Why The Caged Bird Sings 2014, Jay-Nel Steitz

Master's Theses

A voice that has been silenced for so long has much to say. Whether still confined or set free, the statement applies equally to both. The silenced voice wants not only to tell his or her story, but to share the life experiences which in turn reveal the identities of these individuals. These silenced voices then are not those of the oppressors, but the oppressed; and when an oppressor wants to share his or her story, the oppressed wants to tell their side of it as well. How can those labeled the marginalized outcasts of society express their feelings and …

Chivalric Schism : The Man Who Occupies The Masculine And The Feminine 2014, Timothy C. Morris

Master's Theses

Designated male and female gender roles have created a certain set of expectations that shape the lives of men and women. Although there are benefits and drawbacks for each of the sexes as a result of these sets of rules, males have unquestionably seen themselves the beneficiaries throughout the course of history far more often than their female counterparts. I would argue, however, that chivalric codes, behaviors ascribed to men of the knightly class in the Middle Ages, are confusing and even contradictory for their subjects, thus negating some of the advantage typically granted by virtue of being a male. …

Minor Characters With Major Impacts : Examining Giovanelli’S Role In Henry James’ Daisy Miller 2014, Zachary Lang

Master's Theses

Henry James’s first journey into the world of the American girl came in the form of one of his most read novellas, Daisy Miller. Through the eyes of Frederick Winterbourne, the reader begins a study of Daisy Miller, a character whom James uses to showcase many of the issues that were prevalent at the time including the role of women, societal standards, and class mobility. Winterbourne and Daisy are the principal characters, and as such they are given the most attention from readers and critics alike. The minor character Giovanelli, however, has received little critical attention. Despite being a minor …

Melancholia & Metaphor In Kazuo Ishiguro's The Remains Of The Day, Kristin Lasheaú Teston

Master's Theses

Critics widely acknowledge the psychological grounding of Kazuo Ishiguro's writing. His 1989 novel The Remains of the Day presents a central character deeply afflicted by his inability to acknowledge his condition. Both literal and figurative loss proliferates throughout the novel, and turning to Sigmund Freud's influential essay, "Mourning and Melancholia," allows us to understand how loss influences Stevens's narrative. In this essay, Freud explores conditions that result after the loss of person or an ideal. For Stevens, the lost object is the myth of pre-war English traditions. Freud's theories regarding melancholia provide a crucial insight to Stevens's inability to acknowledge …

"We Need The Storm, The Whirlwind, The Earthquake": The Intersection Of Language And Violence In Nat Turner's "Confessions" And Frederick Douglass's My Bondage And My Freedom, Allison L. Tharp

Master's Theses

Resistance literature is an established genre, dating back to the late eighteenth century, but it underwent a rhetorical revision as slavery increased within the United States in the years leading up to the Civil War. As slaves and free blacks began to rebel against their oppressed condition, they "stole" two prominent tools whites used_ to - oppress slaves: language and violence. Frederick Douglass's My Bondage and My Freedom is a self-conscious revision within resistance literature that argues for national change by advocating physical violence with written language. Reading this text as an intertext with Nat Turner's "Confessions" reveals the ways …

A Study Of The Early American Author Judith Sargent Murray, Her Role In Early American Print Culture And Her Misappropriation By Twentieth-Century Feminism, Robert Allen Fowler

Master's Theses

In 1798, Judith Sargent Murray published a three-volume collection of one hundred miscellaneous essays on topics ranging from social politesse to women’s education to international politics. Her diligence, forethought and manipulation of pseudonyms in the print-hungry post-Revolutionary America create a unique place for her in the history of American letters. However, in the twentieth century, modern feminism has attempted to claim Murray as one of their own, choosing between one and four examples of her work as proof of her forward-looking philosophy, while ignoring significant pieces of those same works as well as much of her oeuvre as a whole …

Metaphasia: Shelley And The Language Of Remoter Worlds, Michael Andrew Howell

Master's Theses

The aim of this project was to trace the evolution of Percy Shelley's metaphasic narrative, or language of the dead, chronologically through the Hymn to Intellectual Beauty, Mont Blanc, and Prometheus Unbound. Proceeding from Earl Wasserman's detailed map of Shelley's mythopoeic structure, I charted this evolution while identifying a fifth discrete entity within the mythological hierarchy of what Harold Bloom has characterized as a "mythopoeic trilogy" (36). Concurrently, I examined the ongoing debate concerning Shelley's influences, as well as the early formation of his personality, as it pertains to the poems in question, and his fascination with worlds beyond the …

I Don't Know Why You Say Goodbye, I Say Hello: Concepts Of Place In Eudora Welty's The Optimist's Daughter And Elizabeth Bowen's The Death Of The Heart, Emily Frances Cooley

Master's Theses

The Optimist's Daughter and The Death of the Heart reveal that, for Eudora Welty and Elizabeth Bowen, place is· more than mere landscape. Place is both the scene upon which their novels unfold and the means by which they convey their abstract understandings of the world. Place provides the physical settings of their stories, but it also reveals something about their psyche or symbolic language. The settings used by Welty in The Optimist's Daughter reinforce traditional notions of place in Southern life and society whereas the settings employed by Bowen in The Death of the Heart exhibit a partiality for …

El Veneno Y Los Remedios: Vida Y Muerte En La Narrativa De Mayra Montero, Jesus Castro Gorfti

Master's Theses

The purpose of this study is to demonstrate the important role that certain elements--namely poison and natural remedies--play in the narrative of Mayra Montero. Poison and natural remedies are an intrinsic part of the Voodoo and Santeria religions, which are the framework for her novels. Within these religions poison serves a dual purpose. Montero's characters employ poison not only for personal gain--and in their struggle against the establishment--but also for more beneficial means, for instance as a way of obtaining food. Natural remedies are part of the magical-medicinal nature of these religions. They maintain the physical and spiritual well-being of …