English Language and Literature Commons^™

The Lease By Mathew Henderson, Jon Gordon

The Goose

Review of The Lease by Mathew Henderson.

The Memory Of Water By Allen Smutylo And Traveling The 38th Parallel: A Water Line Around The World By David Carle And Janet Carle, Sandy M. Bonny

The Goose

Review of The Memory of Water by Allen Smutylo and Traveling the 38th Parallel: A Water Line Around the World by David Carle and Janet Carle.

The Once And Future World: Nature As It Was, As It Is, As It Could Be By J.B. Mackinnon, Pamela Banting

The Goose

Review of The Once and Future World: Nature As It Was, As It Is, As It Could Be by J.B. MacKinnon.

Everything, Now By Jessica Moore And Birds, Metals, Stones & Rain By Russell Thornton, Kelly Dean Shepherd

The Goose

Review of Everything, Now by Jessica Moore and Birds, Metals, Stones & Rain by Russell Thornton.

Living Through The End Of Nature: The Future Of American Environmentalism By Paul Wapner, Taylor Kraayenbrink

The Goose

Review of Living Through The End of Nature: The Future of American Environmentalism by Paul Wapner.

Parks, Peace And Partnership: Global Initiatives In Transboundary Conservation Edited By Michael S. Quinn, Len Broberg, And Wayne Freimund, Fenn Stewart

The Goose

Review of Parks, Peace and Partnership: Global Initiatives in Transboundary Conservation edited by Michael S. Quinn, Len Broberg, and Wayne Freimund.

Humanesis By David Cecchetto, Max Ritts

The Goose

Review of Humanesis by David Cecchetto.

Stories In A New Skin: Approaches To Inuit Literature By Keavy Martin, Allison K. Athens

The Goose

Review of Stories in a New Skin: Approaches to Inuit Literature by Keavy Martin.

X: Poems & Anti-Poems By Shane Rhodes, Tom Miller

The Goose

A review of Shane Rhodes' X: Poems & Anti-Poems. This review focuses on the link between language and landscape, and considers the ways in which that link, reflected in Rhodes' work, comments upon the use of language as an oppressive tool in the treatment of Native Americans and Canadians.

“You Are Turning Into A Hive Mind”: Storytelling, Ecological Thought, And The Problem Of Form In Generation A, Jenny Kerber

English and Film Studies Faculty Publications

This article discusses the relationship between literary form and contemporary ecological anxiety in Douglas Coupland’s novel Generation A. Coupland’s speculative fiction envisions a possible future in the wake of Colony Collapse Disorder, but the more generalized eco-anxiety the novel explores is applicable to a number of contemporary environmental issues ranging from climate change to ocean acidification. I argue that Coupland’s novel invites readers to consider the problem of representing ecological problems characterized by global scale, temporal uncertainty, and multiple origins. I then explore how Coupland responds to these challenges by stretching form in two directions. First, he juxtaposes and …

Polish Or Work? Four Women Novelists And The Professionalization Of Accomplishment, 1796-1814, Ada Sharpe

Theses and Dissertations (Comprehensive)

Polish or Work? Four Women Novelists and the Professionalization of Accomplishment, 1796-1814 examines the ways in which cultural models of accomplished, industrious femininity find expression in four novels written by women during the Romantic period: Amelia Opie’s The Father and Daughter (1801), Mary Brunton’s Self-Control (1811), Ann Radcliffe’s The Italian (1796), and Frances Burney’s The Wanderer (1814). This dissertation reads accomplishment as a pervasive and familiar cultural practice that writers use to interrogate domestic ideology and middle-class women’s position in commercial society within the space of popular fiction. I focus, specifically, on instances in which the genteel heroine turns privately …

The Assimilated Asian American As American Action Hero: Anna May Wong, Keye Luke, And James Shigeta In The Classical Hollywood Detective Film, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

Camera Arriving At The Station: Cinematic Memory As Cultural Memory, Russell J A Kilbourn

English and Film Studies Faculty Publications

This paper explores the modern metropolis as an ironically concrete metaphor for the collective memory and the mourning of cinema’s passing, as it—the “city”—is digitally constructed in two recent, auteur-directed, special effects-driven blockbuster films, Inception and Hugo. The modern city, and mass media, such as the cinema, as well as modes of mass transport, especially the train, all originate in the 19th century, but come into their own in the early 20th century in their address to a subject as the mobilised citizen-consumer who, as Anne Friedberg makes clear, is also always a viewer. Additionally, as Barbara Mennel has recently …

The Asian Renovation Of Biracial Buddy Action: Negotiating Globalization In The Millennial Hollywood Cop Action Film, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

Markus Zisselsberger, Ed. The Undiscover’D Country: W. G. Sebald And The Poetics Of Travel. Rochester: Camden House, 2010. 390 Pp., Russell J A Kilbourn

English and Film Studies Faculty Publications

No abstract provided.

Pressing The Public: Nineteenth-Century Feminist Periodicals And “The Press”, Maria Dicenzo

English and Film Studies Faculty Publications

No abstract provided.

Pulling Up Roots: Border-Crossing And Migrancy On Southern Alberta’S Irrigation Frontier, Jenny Kerber

English and Film Studies Faculty Publications

No abstract provided.

Hunger, History, And The Shape Of Awkward Questions: Reading Sarah Klassen’S Simone Weil As Mennonite Text, Tanis Macdonald

English and Film Studies Faculty Publications

No abstract provided.

Acting His Age?: The Resurrection Of The 80s Action Heroes And Their Aging Stars, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

Witnessing From A Distance: Postwar Literary Representations Of The Holocaust, Miriam Carolin Raethel

Theses and Dissertations (Comprehensive)

This thesis concerns itself with the possibilities and limits of witnessing the Holocaust from a distance. It analyzes the ways in which the notion of distance—temporal, geographical, linguistic, and aesthetic—influences, shapes, and alters the act of bearing witness to a remote historical event, which, because of its enormity, seemingly defies the act ofwitnessing and thus ofrepresentation. This study investigates the long-lasting impact ofthe Holocaust on subsequent generations, particularly on third-generation descendants ofvictims and perpetrators, and explores how the traumatic legacy ofthe Holocaust locates new forms of representation within the context ofpostmodernism, which, because of its emphasis on fragmentation, on the …

The Maritorious Melodrama: Film Noir With A Female Detective, Philippa Gates

English and Film Studies Faculty Publications

Feminist critics tend to disagree whether the parachuting of women into traditionally male roles—for example, that of detective—results in a feminist representation. The female detective of the 1930s, however, can be seen to offer a decidedly positive feminist hero in that she defies the stereotype of the “masculine” (i.e. unnatural) woman—especially when one considers the time in which she appeared and representations of female detectives in contemporary film. Despite popular conceptions of classical film, Hollywood did offer progressive representations of working women, ironically in the decade characterized by economic and social upheaval during the Depression. The prolific female detective of …

Icyireze In Rwanda Fifteen Years Post-Genocide, Madelaine Hron

English and Film Studies Faculty Publications

No abstract provided.

Itsembabwoko ‘À La Française’? Rwanda, Fiction And The Franco-African Imaginary, Madelaine Hron

English and Film Studies Faculty Publications

This article explores the literary representation of the genocide in Rwanda, and by extension, that of the Franco-African imaginary. Since the horrific events in 1994, “Rwanda” has become a discursive epiphenomenon, be it in global human rights, African or francophone contexts. Literary works about itsembabwoko, mostly published in France, now represent both a varied and a substantial corpus in Francophone literature. Problematically, however, France played a critical, if not insidious, role in the 1994 Tutsi genocide. This paper therefore examines to what extent Francophone literature about Rwanda is shaped by French politics. Specifically, it contrasts Franco-African texts produced as part …

Improvising Chicago, Tamas Dobozy

English and Film Studies Faculty Publications

d, 7(1):101-127 (provide link). Reproduced with permission.

Saltwater Sacraments And Backwoods Sins: Contemporary Atlantic Canadian Literature And The Rise Of Literary Catholicism, Andrew Peter Atkinson

Theses and Dissertations (Comprehensive)

In the 1990s, Canadian readers were offered a new literary trend: the Atlantic Canadian Catholic novel. In this dissertation, I examine works from six authors whose writing reflects the scope of this trend and I argue for a consideration of their collective impact on our social imaginary. The bulk of my argument is devoted to an examination of the Catholic religious content in the five novels and one memoir: David Adams Richards’ Bay of Love and Sorrows (1998); Ann-Marie MacDonald’s Fall on Your Knees (1996); Lynn Coady’s Strange Heaven (1996); Wayne Johnston’s Baltimore’s Mansion: A Memoir (1999); Patrick Kavanagh’s Gaff …

Phantoms Of Old Forms: The Gothic Mode In The Dramatic Verse Of Tennyson And Browning, Michael E. Ackerman

Theses and Dissertations (Comprehensive)

My dissertation, “Phantoms of Old Forms: The Gothic Mode in the Dramatic Verse of Tennyson and Browning” situates Alfred Lord Tennyson and Robert Browning within a lineage of writers who experimented with the Gothic mode in dramatic and verse forms. This study is, in the first instance, an experiment in applying a specific strain of Gothic critical theory, one that addresses issues of gender, to canonical literary materials not ordinarily approached in that light. Definitions of the Gothic are notoriously elusive, and this project is not an assertion that the Gothic is always, in all of its manifestations, about gender. …

The Three Sam Spades: The Shifting Model Of American Masculinity In The Three Films Of The Maltese Falcon, Philippa Gates

English and Film Studies Faculty Publications

Dashiell Hammett’s 1930 novel The Maltese Falcon—starring the quintessential hard-boiled private detective, Sam Spade—was adapted for the screen not once, but three times: The Maltese Falcon (also known as Dangerous Female) directed by Roy Del Ruth (US, 1931); Satan Met a Lady directed by William Dieterle (US, 1936); and The Maltese Falcon directed by John Huston (US, 1941).1 It is the last of these films, according to critics, that follows the novel most closely and is the version Hammett liked best, although he had no direct involvement with the production of any of the three films. And it is …

Torture Goes Pop! : Screening The Praxis Of Torture In Films & On Tv, Madelaine Hron

English and Film Studies Faculty Publications

No abstract provided.

Mis-Education And The Crisis In Male Subjectivity: William Godwin’S Middle Novels, 1799–1817, Lisa-Marie Lynn Butler

Theses and Dissertations (Comprehensive)

In the tumultuous period of the 1790s, the English anarchist philosopher William Godwin was a seminal figure whose 1793 Enquiry Concerning Political Justice and Its Influence on Morals and Happiness stood as a touchstone for the reform movement in Britain. Godwin is primarily known today as the author of Political Justice and Things As They Are; Or, The Adventures of Caleb Williams, a 1794 novel which many readers, past and present, have regarded as a fictionalized allegory of the philosophical claims outlined in Political Justice.

Although his fame as a novelist largely rests on this one popular novel, …

Fighting The Good Fight: The Real And The Moral In The Contemporary Hollywood Combat Film, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.