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Western Kentucky University

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Articles 181 - 210 of 587

Full-Text Articles in English Language and Literature

The Art In Teaching Writing, Sally Helene Tooley Aug 2009

The Art In Teaching Writing, Sally Helene Tooley

Masters Theses & Specialist Projects

The purpose of the study was to determine how exceptional writing teachers utilize visual images in their teaching of writing. Specifically, the researcher was interested to discover how drawing might be used as a learning tool in the various stages of the writing process. Nine elementary teachers - recognized as exemplary teachers of writing, completed a detailed questionnaire in reference to their writing instruction. All of the teachers surveyed value visuals highly and recognize the potential impact that drawing can have on writing. However, not all of these teachers are utilizing drawing or visual strategies in their writing instruction on …


Ua68/6/1 The Phoenix, Vol. 2, Wku English Apr 2009

Ua68/6/1 The Phoenix, Vol. 2, Wku English

WKU Administration Documents

Newsletter created by and about the WKU English department, includes information regarding courses and activities by faculty, staff, students and alumni.


Wood, Irene Hansel (Fa 364), Manuscripts & Folklife Archives Feb 2009

Wood, Irene Hansel (Fa 364), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 364. Paper: "The Theme of the Cruel Brother" [in the Child Ballads] written by Irene Hansel Wood for a Western Kentucky University folk studies class.


Gartner, Michael G., B. 1938 (Fa 367), Manuscripts & Folklife Archives Feb 2009

Gartner, Michael G., B. 1938 (Fa 367), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 367. Copies of Michael G. Gartner's newspaper column "Words, Words, Words" that appeared in the Louisville "Courier-Journal."


Distance, Lesley Doyle Jan 2009

Distance, Lesley Doyle

Student Creative Writing

No abstract provided.


Zephyrus, Western Kentucky University Jan 2009

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.


Malfunction, Cody Tucker Jan 2009

Malfunction, Cody Tucker

Student Creative Writing

No abstract provided.


Pick A Star, Katelyn Spalding Jan 2009

Pick A Star, Katelyn Spalding

Student Creative Writing

No abstract provided.


Villainous Villanelle, Bradley Scott Ashley Jan 2009

Villainous Villanelle, Bradley Scott Ashley

Student Creative Writing

No abstract provided.


The Happiest Place On Earth, Kassidy Vaught Jan 2009

The Happiest Place On Earth, Kassidy Vaught

Student Creative Writing

No abstract provided.


Coffee Shop Ghazal, Marianne Hale Jan 2009

Coffee Shop Ghazal, Marianne Hale

Student Creative Writing

No abstract provided.


Ars Poetica, Morgan J. Eklund Jan 2009

Ars Poetica, Morgan J. Eklund

Student Creative Writing

No abstract provided.


A Stair I'D Never Come Across, Ryan Hunton Jan 2009

A Stair I'D Never Come Across, Ryan Hunton

Student Creative Writing

No abstract provided.


Weirdo, Lucas Filip Jan 2009

Weirdo, Lucas Filip

Student Creative Writing

No abstract provided.


A Negative Of My Brother, Regina Durkan Jan 2009

A Negative Of My Brother, Regina Durkan

Student Creative Writing

No abstract provided.


A Funeral For Tea, Will Hollis Jan 2009

A Funeral For Tea, Will Hollis

Student Creative Writing

No abstract provided.


Chronometer, Bobbie Hayse Jan 2009

Chronometer, Bobbie Hayse

Student Creative Writing

No abstract provided.


The Collapse: An Annotated Screenplay, Brandon Colvin Jan 2009

The Collapse: An Annotated Screenplay, Brandon Colvin

Mahurin Honors College Capstone Experience/Thesis Projects

The Collapse: An Annotated Screenplay consists of an in-depth theoretical essay and an original feature-length screenplay, with a series of annotations to the screenplay explicating how the principles established in the essay are implemented in a creative work. The essay, entitled “The Absurd Screen: Bresson, Tarkovsky, and ‘Waterless Deserts,’” investigates how Albert Camus’ philosophy of the absurd applies to the cinematic styles of two directors – Robert Bresson and Andrei Tarkovsky – using examples from the filmmakers’ own theoretical writings and specific scenes and sequences from their films. The Collapse provides a practical example of the essay’s conclusions and categorizations, …


Once Was Lost, Or Turtles All The Way Down, Evan Gribbins Jan 2009

Once Was Lost, Or Turtles All The Way Down, Evan Gribbins

Mahurin Honors College Capstone Experience/Thesis Projects

These are seven stories set in the rural, Central Kentucky Town of Lebanon. These stories, besides the intermission, may or may not chronicle the life of one young man. They revolve around the young man’s life and friends during his time living in the area and his sense of loss upon his return.


Edward I And The Appropriation Of Arthurian Legend, Rachealle Marie Sanford Jan 2009

Edward I And The Appropriation Of Arthurian Legend, Rachealle Marie Sanford

Mahurin Honors College Capstone Experience/Thesis Projects

In recent years, an increasing interest in the appropriation of folklore by political leaders has led scholars to investigate potential instances where this may have occurred in the past. This work follows that tradition, examining the life and actions of King Edward I of England to determine if there are instances where he is making deliberate use of folk narrative for his own political aims. An analysis of several events discussed by past historians indicates that the king was intentionally manipulating the Arthurian legend, which was highly popular in Europe during the thirteenth century, to justify his claims to authority …


"Survival With Honor": The Battle Between The Flesh And The Spirit In The Dramas Of Tennessee Williams, Kirby Watkins Jan 2009

"Survival With Honor": The Battle Between The Flesh And The Spirit In The Dramas Of Tennessee Williams, Kirby Watkins

Mahurin Honors College Capstone Experience/Thesis Projects

Tennessee Williams struggled his entire life with sexuality and spirituality. His view of God and sex were continuously intermingled in confusion, and the resulting chaos found its way into many of Williams’ plays. This thesis focuses on Williams’ entire career, from his very first plays to some of his last. The theme of flesh versus spirit is examined closely. Williams attempted in many ways to find a balance between the two and his characters exemplify this search.


A New Man: Masculine Confusion And Struggle In The Works Of Edith Wharton, Gary L. Crump Dec 2008

A New Man: Masculine Confusion And Struggle In The Works Of Edith Wharton, Gary L. Crump

Masters Theses & Specialist Projects

Edith Wharton’s male characters offer an important commentary on the evolving situation of the man in American society. Wharton did not wish for women to usurp all social positions from men but rather to claim their rightful position alongside them. Characters such as Lawrence Selden in The House of Mirth and Ralph Marvell in The Custom of the Country display the same characteristics of fear, passion, and vulnerability as do many of her primary female figures. Wharton’s societal concerns do not merely extend to that of her own sex but to that of the male in society who struggled with …


Beyond Boundaries: Embodiment And Selfhood In Hilary Mantel's Novels, Tara Koger Dec 2008

Beyond Boundaries: Embodiment And Selfhood In Hilary Mantel's Novels, Tara Koger

Masters Theses & Specialist Projects

No abstract provided.


A Mock Rhetoric: The Use Of Satire In First-Year Composition, Michael James Sobiech Dec 2008

A Mock Rhetoric: The Use Of Satire In First-Year Composition, Michael James Sobiech

Masters Theses & Specialist Projects

On the eve of the Second World War, high school English teacher Leon Ormond writes about a minor skirmish he has with a history teacher over the pedagogical usefulness of wit. After telling her about his book, Laugh and Learn: The Art of Teaching with Humor, she tells him, “Only morons laugh.” Ormond goes on to describe her as one who exhibits “a countenance curiously reminiscent of an ancient Greek tragic mask”—she was “an exemplary member of the Cult of Pedagogic Pallbearers.” Although educators, historically, have often frowned upon humor, humorous writing—especially satirical writing—helps students understand the fundamentals of …


Paradise Lost And The Medieval Tradition, Justin Lee Mathews Aug 2008

Paradise Lost And The Medieval Tradition, Justin Lee Mathews

Masters Theses & Specialist Projects

This thesis is a comparative study of the Medieval influence on the creation of John Milton’s Paradise Lost, and the purpose of this thesis is to establish Paradise Lost as a poem designed to correct what Milton saw as the errors of the Medieval theological worldview. A range of topics are discussed, from the loyal angels to the Garden of Eden to Hell and Satan, and particular attention is given to Dantean parallels in these areas of Milton’s poem. The thesis shows how Milton responded to such Medieval concepts as courtly love and salvation theory and demonstrates how Milton …


Exploring The New Front Of The Culture War: 1984, Oryx And Crake, And Cultural Hegemony, Terry Ryan Hall Aug 2008

Exploring The New Front Of The Culture War: 1984, Oryx And Crake, And Cultural Hegemony, Terry Ryan Hall

Masters Theses & Specialist Projects

Dystopic fiction is defined by its depiction of oppressive societies with power structures that seek to exercise control on its citizens. Orwell’s classic 1984 depicts a society that is a reaction to World War II and totalitarian regimes. This society depicts elements of cultural hegemony that are altered during the move to postmodernism. Atwood’s Oryx and Crake evolved to reflect the political climate that grew out of the Cold War’s end, while retaining the cautionary messages regarding the state’s ability to control. Oryx and Crake can be seen as completely reversing the concern from centralized power to decentralized power (represented …


Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies Jun 2008

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.


Hodes, Jane Ellen (Sachs), 1918-2009 (Sc 1633), Manuscripts & Folklife Archives May 2008

Hodes, Jane Ellen (Sachs), 1918-2009 (Sc 1633), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1633. Correspondence between Jane Ellen (Sachs) Hodes, Oakland, California and librarians at the Kentucky Library & Museum related to photos and papers in the manuscript collection of Hodes's mother and author, Emanie (Nahm) Sachs Arling Philips. Includes a 1940s letter from Philips to Hodes.


Cobb, Irvin Shrewsbury, 1876-1944 (Mss 18), Manuscripts & Folklife Archives May 2008

Cobb, Irvin Shrewsbury, 1876-1944 (Mss 18), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscript Collection 18. Correspondence (10 items) between Irvin Shrewsbury Cobb and WKU's Kentucky Building director, Mary Leiper Moore, and handwritten manuscripts for five Cobb short stories.


The Girls Who Had To Grow Up: Reflections On Motherhood And Dual Identity In Lewis Carroll's Wonderland And J.M. Barrie's Neverland, Theresa Fitzpatrick May 2008

The Girls Who Had To Grow Up: Reflections On Motherhood And Dual Identity In Lewis Carroll's Wonderland And J.M. Barrie's Neverland, Theresa Fitzpatrick

Masters Theses & Specialist Projects

My thesis explores the world of the "imaginary" in Lewis Carroll's Alice's Adventures in Wonderland and J.M. Barrie's Peter Pan and its connection to the world of the "mundane" experienced by the typical Victorian housewife and mother. Both are intimately connected within the texts, primarily in the characters' dual roles as dictated by the gendered expectations of Victorian society. While in the imaginary world, both Alice and Wendy experience mini-versions of their future lives. They exist as girl and mother simultaneously. Carroll, by creating a hostile environment, grotesque motherimages, and a confused, argumentative Alice, shows a negative portrait of motherhood, …