English Language and Literature Commons^™

The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

English culture and politics in the last decade of the sixteenth century were both patriarchal and patrilineal, in spite of— or, perhaps, in part, because of—the so-called bastard queen sitting on the throne. The prevailing political questions of the day concerned Elizabeth’s successor and the fate of the nation that, so many believed, hung precariously in the balance. Questions of legality, legitimacy, and fitness formed the crux of these debates, but almost all claimants attempted to justify their right by tracing their bloodlines back to either Henry VII or Edward III, the respective patriarchs of the Tudor dynasty and the …

A Note On 'Roderick Hudson' And 'La Traviata': Who Has Gone Astray?, Rodney Stenning Edgecombe

Verdi Forum

No abstract provided.

[Introduction To] Twisted: My Dreadlock Chronicles, Bertram D. Ashe

Bookshelf

In Twisted: My Dreadlock Chronicles, professor Bert Ashe delivers a witty, fascinating, and unprecedented account of black male identity as seen through our culture's perceptions of hair. It is a deeply personal story that weaves together the cultural and political history of dreadlocks with Ashe's own mid-life journey to lock his hair.

After leading a far-too-conventional life for forty years, Ashe began a long, arduous, uncertain process of locking his own hair in an attempt to step out of American convention. Black hair, after all, matters. Few Americans are subject to snap judgements like those in the African-American community, …

[Introduction To] Apocalyptic Sentimentalism: Love And Fear In U.S. Antebellum Literature, Kevin Pelletier

Bookshelf

In contrast to the prevailing scholarly consensus that understands sentimentality to be grounded on a logic of love and sympathy, Apocalyptic Sentimentalism demonstrates that in order for sentimentality to work as an antislavery engine, it needed to be linked to its seeming opposite—fear, especially the fear of God’s wrath. Most antislavery reformers recognized that calls for love and sympathy or the representation of suffering slaves would not lead an audience to “feel right” or to actively oppose slavery. The threat of God’s apocalyptic vengeance—and the terror that this threat inspired—functioned within the tradition of abolitionist sentimentality as a necessary goad …

[Introduction To] Indians Playing Indian: Multiculturalism And Contemporary Indigenous Art In North America, Monica Siebert

Bookshelf

Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization. Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains …

[Introduction To] Posthumanism And Educational Research, Nathan Snaza, John A. Weaver

Bookshelf

Focusing on the interdependence between human, animal, and machine, posthumanism redefines the meaning of the human being previously assumed in knowledge production. This movement challenges some of the most foundational concepts in educational theory and has implications within educational research, curriculum design and pedagogical interactions. In this volume, a group of international contributors use posthumanist theory to present new modes of institutional collaboration and pedagogical practice. They position posthumanism as a comprehensive theoretical project with connections to philosophy, animal studies, environmentalism, feminism, biology, queer theory and cognition. Researchers and scholars in curriculum studies and philosophy of education will benefit from …

Modern American Myth-Making In Mass Media Texts, Kassandra Andreadis

Honors Theses

What is an American myth? “Myth” can have many meanings and can refer to many different types of works. For example, Edwards and Klosa refer to Frankenstein as “an important mythic text” (Edwards and Klosa 34), which provides a middle point between ancient myths (e.g. the Odyssey) and current myths, showing that myths have continued to be produced and establishing myth-making as a continuous process. This process continues into the present, all over the world, so it stands to reason that the United States of America has its own myths. The identity of those myths is less certain. While ideas …

"Wood For The Coffins Ran Out": Modernism And The Shadowed Afterlife Of The Influenza Pandemic, Elizabeth Outka

English Faculty Publications

Here’s what we already know—during the First World War, soldiers and civilians often had remarkably different experiences of the war corpse. Dead bodies were omnipresent on the front line and in the trenches, an inescapable constant for the living soldier. As critic Allyson Booth notes, “Trench soldiers . . . inhabited worlds constructed, literally, of corpses.”¹ In Britain and America, however, such corpses were strangely absent; unlike in previous conflicts, bodies were not returned. This dichotomy underscores some of our central assumptions about the differences between the front line and the home front: in the trenches, dead bodies and …

[Introduction To] The Cambridge Companion To Paradise Lost, Louis Schwartz

Bookshelf

This Companion presents fifteen short, accessible essays exploring the most important topics and themes in John Milton's masterpiece, Paradise Lost. The essays invite readers to begin their own independent exploration of the poem by equipping them with useful background knowledge, introducing them to key passages, and acquainting them with the current state of critical debates. Chapters are arranged to mirror the way the poem itself unfolds, offering exactly what readers need as they approach each movement of its grand design. Essays in Part I introduce the characters who frame the poem's story and set its plot and theological dynamics …

Bringing Down The Island: Rebellion, Colonial Hierarchy, And Individualized Leadership In Nuñez’S Novel Prospero’S Daughter, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

“Bringing Down the Island: Rebellion, Colonial Hierarchy, and Individualized Leadership in Nuñez’s novel Prospero’s Daughter” offers an analysis of Elizabeth Nuñez’s (2006) novel Prospero’s Daughter and Aimé Césaire’s A Tempest (1969), both of which draw upon multicultural tradition of European and Caribbean literatures, retelling Shakespeare’s The Tempest (1611). The paper is concerned with the ways in which leadership has been transformed from the original story, through Césaire’s text, and into Nuñez’s. Each work acts as an agent of leadership in literary and social terms, attempting to enact paradigmatic shifts away from hierarchy and classification and toward individualized transformational leadership.

David Walker, Harriet Beecher Stowe And The Logic Of Sentimental Terror, Kevin Pelletier

English Faculty Publications

With few exceptions, contemporary criticism reads nineteenth-century sentimental fiction as a literature of love. When Harriet Beecher Stowe famously asserted that the moral growth of the nation depended on each citizen’s ability to “feel right,” she voiced a sentiment shared by many of her contemporaries. It is no surprise, then, that scholars have assumed Stowe’s injunction to “feel right” was a call to feel compassion and love, for it was ostensibly through a rhetoric of Christian love that Stowe was able to foment a passionate outcry against slavery from many of her Northern readers. Indeed, sentimentalism’s transformative potential is best …

Life In The Hopeless Emptiness : The Search For Authenticity In Revolutionary Road, Austin Marie Carter

Honors Theses

Richard Yates’ Revolutionary Road opens, appropriately, with the “final dying sounds” of the Laurel Players’ dress rehearsal of The Petrified Forest. The suburban community theater is preparing for its inaugural show, and from these opening words, it is clear that this is a novel of performance—of failed performance, specifically. Even though the Players have little theatrical experience, both they and the community have allowed themselves to begin to believe in the “brave idea” of the show (7), and they “let the movement of the play come and carry them and break like a wave” (6). Revolutionary Road is populated by …

[Introduction To] Leadership And Elizabethan Culture, Peter Iver Kaufman

Bookshelf

Bringing together contributions from political, cultural, and literary historians, Leadership and Elizabethan Culture identifies distinctive problems confronting early modern English government during the reign of Queen Elizabeth I.

This diverse group of contributors examines local elites and church leadership, explores the queen, her councillors, as well as her struggles with Mary Stuart and Robert Devereux, earl of Essex, raises questions about Elizabeth's leadership, and the advice she received as well as the advice she rejected.

Selected, influential works by Shakespeare, Marlowe, Jonson, Sidney, and Bacon are put in their Elizabethan and contemporary critical contexts, rounding off the study of Elizabethan …

Machiavelli's People And Shakespeare's Prophet: The Early Modern Afterlife Of Caius Martius Coriolanus, Peter Iver Kaufman

Jepson School of Leadership Studies articles, book chapters and other publications

Both Machiavelli and Shakespeare were drawn to Livy's and Plutarch's stories of the legendary field commander turned political inept, Caius Martius, who was honored with the name Coriolanus after sacking the city of Corioles. The sixteenth-century ‘coriolanists’ are usually paired as advocates of participatory regimes and said to have used Coriolanus's virulent opposition to power-sharing in early republican Rome as an occasion to put plebeian interests in a favorable light. This article objects to that characterization, distinguishing Machiavelli's deployment of Coriolanus in his Principe and Discorsi from Shakespeare's depiction of Coriolanus and his critics on stage. The essay that follows …

Staged Magic: Performing Witchcraft In Macbeth, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

The three witches who initiate William Shakespeare's (1564 - 1616) Macbeth (1606) are the play's primary figures of theatrical spectacle, their bodies and actions the products of the 'magic of the theatre.' While much critical attention has been paid to the interpretive significance of the witches in Macbeth, much less has focused on the practical physicality of the witches' presence and the methodology of their theatrical presentation. The witches' entrance open Macbeth and is central to understanding their role within Macbeth's Scotland. The 'magic' that appears on stage is acknowledged by its audience as a series of illusions that …

Book Review: A Brief History Of The Soul, Terryl Givens

English Faculty Publications

A Brief History of a Soul is the story of a lively debate whose arguments, vocabulary, and even subject have evolved over millennia. In this historical narrative cum apologia, Stewart Goetz and Charles Taliaferro champion “substance dualism,” a philosophical position that asserts the ontologically distinct reality of matter and soul (or body and mind in post-Cartesian terms). They largely succeed in their efforts to be “fair and balanced” (4) and succeed in presenting a sophisticated and nuanced yet readable account of the controversy in its philosophical and, to some extent, theological and scientific dimensions. As entailed by the “Brief …

Joseph Smith, Romanticism, And Tragic Creation, Terryl Givens

English Faculty Publications

Joseph Smith, as I think historians readily recognize, has much to commend him as a Romantic thinker. Personal freedom was as sacred to him as to the young Schiller, his emphasis on individualism invites comparison with Byron and Emerson, his view of restoration as inspired syncretism is the religious equivalent of Friedrich Schlegel's "progressive universal poetry," his hostility to dogma and creeds evokes Blake's cry, "I must create my own system or be enslaved by another man's," and his celebration of human innocence and human potential transform into theology what Rousseau and Goethe had merely plumbed through the novel and …

Spirits, Vitality, And Creation In The Poetics Of Tommaso Campanella And John Donne, Anthony P. Russell

English Faculty Publications

In discussions over the meaning of "genius" in the Renaissance, there is at the very least agreement that the term was associated with heightened powers of perception and creativity. Whether defined in terms of Neoplatonic notions of inspiration, Aristotelian/Galenic theories of the humors (and of melancholy in particular), or rhetorical theories of invention, ingegno is acknowledged as having denoted an unusual mental energy and flexibility which facilitated the creative process. It is the psychic mobility with which ingegno was consistently linked that I intend to emphasize here, and in particular its frequent identification with those volatile spirits that were centrally …

Reading On The Edge Of Oblivion: Virgil And Virule In Coetzee's Age Of Iron, Gary Shapiro

Philosophy Faculty Publications

Not long ago I taught a yearlong course on reading and writing for the last time. Last, because I have just retired from the university that sponsored the course and also because faculty, in their usual condition of mixed motives, aspirations, and agendas, have decided to discontinue it. I write then elegiacally, in memory of about twenty years of teaching a varying assemblage of so-called great books of literature, philosophy, religion, and even (occasionally) science, sprinkled with more-contemporary works (Toni Morrison, Orhan Pahmuk, Adrienne Rich, and others), drawn from all continents (we may have missed Australia) and written any time …

"The Stuff Of Thought" : Virginia Woolf's Object Lessons, Sam Mitchell

Honors Theses

No abstract provided.

Scout's Daughters : Race And Creative Development In Contemporary Adolescent Literature, Amanda Malloy

Honors Theses

At the heart of what Roberta S. Trites titles ―adolescent literature‖ – works written both for and about young adults—is a question of agency (Disturbing 7). In Disturbing the Universe: Power and Repression in Adolescent Literature, Trites asserts that adolescent novels attempt to answer the question of young adults who wonder if they ―should or even can affect the world in which they live‖ (1). Trites‘ argument is based on the idea that the distinguishing characteristic of adolescent literature is its focus on ―the social forces‖ that …

Preface: Monsters And Mormons, Terryl Givens

English Faculty Publications

In the nineteenth century, Mormonism seemed grist for everybody's mill. Humorists like Artemus Ward and Mark Twain made hay out of polygamy; conspiracy theorists like Thomas deWitt Talmage imputed President Garfield's assassination to the Mormons; pseudo-memoirists like "Maria Ward" recounted their seduction, imprisonment, and torture at the hands of Mormon mesmerists; the Republican jump-started their political party with a promise to expunge the Mormon "relic of barbarism"; and pulp fiction writers and serious novelists alike fueled sales with stories of bloodthirsty Danites, lecherous elders, and grief maddened Mormon wives who murdered competitors.

Emily And Annie: Doris Lessing's And Jamaica Kincaid's Portraits Of The Mothers They Remember And The Mothers That Might Have Been, Daryl Cumber Dance

English Faculty Publications

In 2008 at the age of eighty-nine, Nobel laureate Doris Lessing returned to the mother who has haunted her life and her literature in order to rewrite a fictional account of the life that might have been and a biographical account of the life that she actually lived in Alfred & Emily. Her efforts to finally exorcise the powerful and hated figure that has hounded her for most of her eighty-nine years call to mind similar efforts throughout the canon of fifty-nine-year-old celebrated Antiguan-American novelist Jamaica Kincaid to free herself. Both writers take advantage of and seek to find …

Of Horror And Humor : The Transformation Of The Grotesque Into The Gothic In The Novels Of Frances Burney, Brittany Taylor

Honors Theses

This year was ushered in by a grand and most important event,—for at the latter end of January, the literary world was favoured with the first publication of the ingenious, learned, and most profound Fanny Burney!—I doubt not but this memorable affair will, in future times, mark the period whence chronologers will date the zenith of the polite arts in this island! This admirable authoress has named her most elaborate performance “EVELINA, OR A YOUNG LADY’S ENTRANCE INTO THE WORLD.” (Ellis 212)

When 1778 dawned, twenty-five-year-old Frances Burney was not the egotist this pronouncement in her diary might suggest. She …

Robert Munford & Mercy Otis Warren : How Gender, Geography, And Goals Affected Their Playwrighting, Kylie A. Horney

Master's Theses

This thesis analyzes the Revolutionary-era plays of Robert Munford and Mercy Otis Warren. Munford’s two comedies, The Candidates and The Patriots, are compared to Warren’s three earliest satires, The Adulateur, The Defeat, and The Group, in an effort to explain some of the differences between these two authors. The original printings of these plays from the Early American Imprints series, as well as more recent scholarship on Munford and Warren, are used to investigate the plays and lives of these playwrights. Munford’s and Warren’s backgrounds are explored to account for variations in their works. While the …

A Conversation Among Sisters : The "Dangerous Lover" In The Texts Of The BrontëS, Jennifer K. Patchen

Honors Theses

Since the Brontes first published their novels, critics and readers have often associated the male leads with the Byronic hero. Certainly, Arthur Huntingdon in Anne's The Tenant of Wildfell Hall, Edward Rochester in Charlotte's Jane Eyre and Heathcliff in Emily's Wuthering Heights are all, like Lord Byron's own heroes, brooding and damaged men. Each of these men, additionally, is fundamentally willing to flout social expectations. Their search for selffulfillment often leads them outside of the boundaries of conventional society, although the three sisters sometimes ascribe conflicting moral values to that search. For Charlotte and Emily, Rochester's and Heathcliffs strong personalities …

Cosmological Vision(S) : History, Modernism, And American Renewal In Hart Crane's The Bridge, Lauren Grewe

Honors Theses

With the help of recent Crane studies, along with my own ear, I intend to prove the worth of Crane's myth of bridging as a way of responding to and eventually reforming the Elitonian vision of the modem world. The Bridge counters Eliot as a way to offer hope to the modem world in place of despair, as a way to offer a system of belief that is neither dogmatic nor futile, that incorporates a vision of the future just as much as a vision of the past.

Grace Through Love : An Examination Of Milton's Monism, Mortalism, And The Puritan Ideals Of Desire As Reflected In Sonnet 23, Leslie Naomi Wyatt

Master's Theses

This thesis examines Sonnet 23, especially in concern to: 1) Milton’s adherence to monism, a philosophical and theological position that he derived from his reading of Rabbinical approaches to the Old Testament; 2) His adherence to the related doctrine of mortalism, which held that death entailed the death, until resurrection of both body and soul; and 3) Milton’s interest in the way certain Puritan thinkers idealized desire for aspects of the world’s beauty, especially desire for one’s spouse, and how, particularly in the process of mourning, such desires could foster a stronger bond with God. The thesis also looks at …

The Endangered Representation Of Sexual Violence In Sarah Kane's Blasted, Dina Zhurba

Master's Theses

In Blasted, Kane represents how incidents of rape highlight, exacerbate and solidify the unevenness of power distribution between men and women in the modern world and provides a new perspective at what we might call “rape in general” – a transhistorical phenomenon of rape as a practice of violence towards the female victim. Through a detailed analysis of the unique representational circumstances of the multiple scenes of rape, such as Cate’s meaningful absence in Ian’s scene of rape, the author of the essay comes to a conclusion that rape is and remains an engendered practice. However, along with reaffirming …

Reconsidering African-American Identity: Aesthetic Experiments By Post-Soul Artists, Letitia Guran Tudorica

Master's Theses

The present study attempts to offer an overview of the Post-Soul aesthetic and its role in re-writing African-American identity and focuses explicitly on three authors: Spike Lee, Touré, and Suzan-Lori Parks. My premise is that Post-Soul art is a direct result of the sweeping changes brought by the post-Civil Rights era in the African- American mentality, which inaugurated a new age in African-American art. Thus, the Post-Soul generation represents blackness as diverse, free to define itself in its own terms; they promote a critical take on black nationalism, and new perspectives on slavery. Most of the Post-Soul artists consider themselves …