English Language and Literature Commons^™

The Thirty-Seventh George Eliot Memorial Lecture, 2008- George Eliot's Dorothea? 'That Fair Bright Useful Woman': Mrs. Nassau Senior In George Eliot's Life And Writing, Sybil Oldfield

The George Eliot Review Online, ISSN: 2831-5375

Who was Jeanie Senior before Octavia Hill introduced her to George Eliot in October 1866? Born Jeanie Hughes in 1828, the cherished daughter and only sister of seven brothers, she had started life as a happier Maggie Tulliver - keenly alive, with a questioning intelligence and an intense capacity for feeling. She could bum with indignation as well as overflow with impulsive generosity. Tall, golden haired and blue-eyed, she was also an exceptionally gifted musician with a marvellous singing voice, so it would have seemed that born into an affectionate, lively, well-to-do Squire's family, she had been allotted almost too …

Margaret Wolfit (1929-2008), Lucy Amis

The George Eliot Review Online, ISSN: 2831-5375

My Mum, Margaret Wolfit (Amis) passed away on 20th September. I wanted to write to reassure everyone that she didn't suffer for long and that 2008 was a decent year in many ways. As you may know, she'd been treated for breast cancer thirteen years ago and came through well for over twelve years, but in August 2007 was re-diagnosed, this time affecting her chest. At the time (August 2007) she had some fluid drained from her lungs and was more or less fine within about forty-eight hours - indeed she was performing only a few days later. The doctors …

Editors' Note- 2009 Special Issue

The George Eliot Review Online, ISSN: 2831-5375

The Conference on 'George Eliot's Beginnings' at the Institute of English Studies on 1 November 2008 was organized by Rosemary Ashton, Beryl Gray and Barbara Hardy. The publication in volume form of Scenes of Clerical Life in 1858 was the point at which Mary Ann Evans became 'George Eliot' and we think it appropriate to mark this event by publishing the proceedings of the Conference as a Special Issue.

Death And Recollection: The Elegiac Dimension Of Scenes Of Clerical Life, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

Perversely, though perhaps appropriately for a paper on death, I want to begin at the end. George Eliot's last novel, Daniel Deronda, ends with a good death: that of Ezra Mordecai, dying with the arms of Mirah and Deronda around him, and feeling 'an ocean of peace beneath him'. The deaths that immediately precede it in her fiction, Grandcourt's drowning in the same novel, or the deaths of Featherstone, Casaubon and Raffles in Middlemarch are of a different order: those figures go more or less unlamented to their graves, and their passing may even be a form of liberation for …

Notes On Contributors - 2009

The George Eliot Review Online, ISSN: 2831-5375

Lucy Amis is the daughter of Margaret Wolfit and currently works at the International Business Leaders Forum, a London-based educational charity which focuses on how global companies can conduct their business in ways that demonstrate respect for their workers and nearby communities.

Juliette Atkinson currently teaches at the Open University. Forthcoming works include the monograph Victorian Biography Reconsidered: a Study of Nineteenth-Century 'Hidden' Lives (OUP) and an edition of critical responses to George Eliot's novels that will appear as a volume in the series Bloom s Classic Critical Views (Facts on File, 2009).

Josie Billington teaches at the University of …

George Eliot's Middlemarch As A Translation Of Spinoza's Ethics, Miriam Henson

The George Eliot Review Online, ISSN: 2831-5375

In 1846 John Chapman of Newgate Street published a translation of David Strauss's Das Leben Jesu. Although no translator was accredited, this book was the result of two years' arduous work by Mary Ann Evans, the woman who would later achieve renown as George Eliot. Strauss's presentation of Jesus is that of a historical figure; he denies his divine status, and suggests that the miracles written about in the Gospels are mythic in nature. Although Mary Ann was distressed by Strauss's destruction of all the 'miraculous and highly improbable' elements of the Gospel, she too had, for some time, been …

Orchestrating Society: The Merging Of Language And Voice To Create Social Bonds In Romola, Jennifer Diann Jones

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's Romola (1863) reflects her interest in using musical metaphor to explain how relationships are formed. She explores more fully than she has done before this point in her career how language and the human voice function as music; she theorizes the function of voice more explicitly than she had done before as she examines how it can possess the listener and incite people to action.

There are very few scenes of actual musical performance in Romola and in George Eliot and Music, Beryl Gray correctly observes that the few musical scenes we are given are unsatisfying. It is …

Japanese Branch Report- 2008, Miwa Ota

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 29 November 2008, the twelfth Annual Convention of the George Eliot Fellowship of Japan was held at Kinki University.

The morning session began with an opening remark by Yosie Abe (Shoin University), followed by a welcome address by Itsuyo Shimizu (Kinki University). In the morning, we had three papers presented. The first two papers were introduced and commented upon by Chizuko Watari (Kanasai Gaidai University), and the third by Keiji Yata (Tokyo Kasei University). The first paper was 'Maggie's Struggle in The Mill on the Floss' by Muneaki Shinoda (the Graduate School of Osaka City University). He drew …

Review Of Private Sphere To World Stage From Austen To Eliot, Elizabeth Sabiston

The George Eliot Review Online, ISSN: 2831-5375

Elizabeth Sabiston's Private Sphere to World Stage from Austen to Eliot is a somewhat perplexing book. Ostensibly, Sabiston sets out to contribute to ongoing discussions about the difficulties faced by nineteenth-century women writers, who 'were confronted with the dilemma of effecting an elision of public and private spheres' (2). The first three chapters, on Persuasion and Northanger Abbey, lane Eyre, and Wuthering Heights, argue that the central protagonist of each novel offers an image of confident female authorship. Anne Elliot is presented as a heroine who 'against all odds ... strives for autonomy' (36), Jane Eyre moves from making amateur …

'The Stream Of Human Thought And Deed' In 'Mr. Gilfil's Love-Story', Melissa Raines

The George Eliot Review Online, ISSN: 2831-5375

In George Eliot: The Emergent Self, Ruby Redinger explains that it was through the demands of authorship that the woman Marian Evans 'evolved into another self, her writing self', essentially becoming George Eliot. Literary biographies of George Eliot in the last few decades have all, to varying degrees, focused on this transformation of the woman into the author. When considering George Eliot's first work of fiction, I think it significant that it is during the writing of the second 'scene' of Scenes of Clerical Life, 'Mr. Gilfil's Love-Story', that Marian Evans first chose to write and sign a professional letter …

George Eliot And The Female Tradition: A Little-Known Source, Lorna J. Clark

The George Eliot Review Online, ISSN: 2831-5375

In an essay published in the Westminster Review in 1856, George Eliot delivered a scathing indictment of 'Silly Novels by Lady Novelists' which (she claimed) lack verisimilitude, 'intellectual power' and 'moral qualities'. The skill of such a writer 'is in inverse proportion to her confident eloquence'; the picture of life that she draws is 'totally false'. Her motivation is merely 'the foolish vanity of wishing to appear in print' or 'busy idleness'. Finally, these hapless female novelists are likened to La Fontaine's ass. Not surprisingly, faced with such a sweeping condemnation, critics have found Eliot's relationship with gender issues and …

Idlers And Collaborators: Enter The Dog, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

Both George Eliot and her older contemporary, Charles Dickens, introduced dogs into their fiction before introducing any into their homes. By the time Dickens was given the first of his many dogs he had invented Ponto, the sagacious pointer described by Jingle in The Pickwick Papers; Bull's-eye for Oliver Twist; and Jerry's performing dogs for The Old Curiosity Shop. Before George Eliot received her first dog - the Pug presented to her by her grateful publisher John Blackwood - the narrator of her first story, 'The Sad Fortunes of the Reverend Amos Barton', had justified in the following terms the …

Review Of Victorian Turns, Neovictorian Returns: Essays On Fiction And Culture, Penny Gay, Judith Johnston, Catherine Waters

The George Eliot Review Online, ISSN: 2831-5375

The inside of this volume offers exactly the pleasurable variety and range of interest promised by its outside (the beautifully reproduced cover image is Ernest Dudley Heath's Piccadilly Circus at Night, 1893). As its title suggests, the volume, divided into two sections, seeks to capture, in Part One, the diverse ways in which the Victorians explored in fiction the multiple 'turns' in new directions the age was taking, and, in Part Two, the imaginative updatings of these fictions, in literature, film and theatre, as well as in scholarship, in the burgeoning afterlife of Victorianism.

The editors note in their introduction …

Scenes Of Clerical Life: George Eliot's Own Version Of Conversion, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Before the publication of Scenes of Clerical Life, few people would have thought that Miss Evans had all the qualities for writing fiction, or, what is more, that she would become a great novelist. She was in her late thirties when she came to fiction writing, although, at the approach of middle age, most novelists have already tried their hand at it. Yet, as she confessed in her Journal, when she started writing the first story of Scenes of Clerical Life, it marked a new beginning for her, because she had always dreamt of writing fiction: 'September 1856 made a …

Middlebrow Readers And Pioneer Heroines: Willa Cather’S My Ántonia, Bess Streeter Aldrich’S A Lantern In Her Hand, And The Popular Fiction Market, Melissa J. Homestead

Department of English: Faculty Publications

Along with repositioning Cather in a new reading context, this essay aims to bring Aldrich and her novel into literary history (and college classrooms) by putting her work into dialogue with Cather’s. I do not, however, elevate Aldrich to the status of elite artist, a move that she herself would disavow. Instead, I seek to revalue the middlebrow as a mode of authorship, circulation, and reading for the literary history of the American West and to place Ántonia and Lantern together on that oft-scorned terrain. When Aldrich is taken note of in Western literary history, she receives only glancing attention …

Chaos Is The Poetry: From Outcomes To Inquiry In Service-Learning Pedagogy, Shari J. Stenberg, Darby Arant Whealy

Department of English: Faculty Publications

It is no secret that the contemporary university values a model of efficiency, of tangible, quantifiable outcomes. Jan Currie and Lesley Vidovich (qtd. in Downing, Hurlbert, Mathieu 9) contend that since the 1980s, the boundaries between higher education, government, and business have largely deteriorated, and business discourse of "excellence" has come to dominate university culture. Consequently, output, outcomes, and efficiency are valorized over and above process, inquiry, and the inevitable tensions of learning. Stanley Aronowitz puts it this way: "[A]cademic leaders chant the mantra of excellence . . . [which] means ... all parts of the university 'perform' and are …

Transcultural Transformation: African American And Native American Relations, Barbara S. Tracy

Department of English: Dissertations, Theses, and Student Research

The intersected lives of African Americans and Native Americans result not only in Black Indians, but also in a shared culture that is evidenced by music, call and response, and story. These intersected lives create a dynamic of shared and diverging pathways that speak to each other. It is a crossroads of both anguish and joy that comes together and apart again like the tradition of call and response. There is a syncopation of two cultures becoming greater than their parts, a representation of losses that are reclaimed by a greater degree. In the tradition of call and response, by …

A Hand Of Steel In A Velvet Glove: Purpose And Fulfillment Through The Gender Sphere, Sylvie A. Shires

Department of English: Dissertations, Theses, and Student Research

Modern audiences have come to believe that the nineteenth-century woman was oppressed by a patriarchal society and that until women obtained the vote, they had no voice, and could exert no influence to improve either their lot or that of others. While many scholarly secondary sources, as well as popular culture, strongly support this view, this research challenges it, and posits that this generally accepted interpretation echoes stereotypes that became strong with the second wave of feminism, in the 1960s, but is not representative of nineteenth-century middle-class women in the Anglo-Saxon world.

This research examines the British middle-class woman of …

The Camera's Eye And Mine: An Experience Of Creating Video, Teal Gardner

Laurus: Undergraduate Literature Journal of the University of Nebraska–Lincoln

The Camera's Eye and Mine: An Experience of Creating Video. This piece won the "Laurus Award for Outstanding Creative Writing" from the Department of English, University of Nebraska-Lincoln, presented to the author, Teal Gardner, April 30, 2009. Accompanied by a video, "Attention: Opposing 1," available on YouTube.

Grips, Teal Gardner

Laurus: Undergraduate Literature Journal of the University of Nebraska–Lincoln

GRIPS, a poem by Teal Gardner, won the "Laurus Award for Outstanding Creative Writing" from the Department of English, University of Nebraska-Lincoln, presented April 30, 2009.

A Western Man Of Color: Richard Wright And The World, Guy J. Reynolds

Department of English: Presentations

Richard Wright had become by the mid 50s an analyst of what it means to be ‘of’ the West. He was by now a firmly-established émigré, and had become a French citizen in 1947. His journeys, in a way, had only just become: Europe was a stage or an inauguration into further mappings of the self and society. Those mappings took the extraordinary geo-political shifts of the mid-century as their subject. In the wake of the Second World War, severely damaged economically and in terms of sheer power, European nations were finally forced to give ground to the nationalist movements …

Hemingway, Mau Mau And The End Of (British) Empire, Guy J. Reynolds

Department of English: Presentations

In this paper I want to work with some of the key global issues – modernization, decolonization, development – that preoccupied US intellectuals in the 1950s, as the country moved towards a hegemonic global position following the Second World War and, perhaps more importantly, the breaking-up of European empires. In Burdick and Lederer’s The Ugly American (1958), Bellow’s Henderson the Rain King (1959), and the sprawling manuscript that became Under Kilimanjaro/ True at First Light we see fictional responses to decolonization: these authors constructed narratives that placed American protagonists in the terrain of the vanishing European. All these texts contain …

Making Strangers Indelible: Eggers, Ondaatje, And Civil War, Guy J. Reynolds

Department of English: Presentations

With no-doubt foreseen timeliness, the German social theorist Ulrich Beck argued in 2000 that a new era had begun. Describing a ‘Second Age of Modernity,’ he stated that ‘towards the end of the twentieth century the condition humana opens up anew… A new kind of capitalism, a new kind of economy, a new kind of global order, a new kind of politics and law, and a new kind of society and personal life are in the making, which both separately and in context are clearly distinct from earlier phases of social evolution.’ Beck pointed to an explosion of ‘empirical indicators …

Academic Cultural Guides: Sponsors Of Academic Literacy Development, Luis Balmore Rivas

Department of English: Dissertations, Theses, and Student Research

This dissertation explores Hispanic/Latino students’ perceptions about language association and identity, the institution, and white professors at a small Midwestern liberal arts college. Issues addressed include the origin of a stigmatized relationship between Euro-Americans and Hispanics in the U.S. and its spill into academia, negative perceptions that affect students’ performance and persistence in the university, discussing the culture of power of the institution with students as a form of sponsorship, and providing academic literacy sponsorship through an Academic Cultural Guide role. The dissertation concludes with examples of strategies I have used in the first-year writing classroom to establish transparency of …

The Scientific Management Of Writing And The Residue Of Reform, Eric Turley

Department of English: Dissertations, Theses, and Student Research

Working at the intersection of composition, writing assessment, and school reform, this dissertation draws on an archival study of Progressive Era educational journals and a year-long qualitative study in a small urban district to examine the ways standardize writing tests are implemented as tools in public school reform. In the first half of the dissertation, I argue that administratively-minded Progressive Era school reformers, in a response to a “writing problem” framed around teacher inefficiency, designed tools for teachers to measure writing “objectively” in their classrooms; however, these tools were quickly used against teachers by administrators interested in efficiently managing schools …

Nebraska, New England, New York: Mapping The Foreground Of Willa Cather And Edith Lewis's Creative Partnership, Melissa J. Homestead, Anne L. Kaufman

Department of English: Faculty Publications

Who was the woman who could add local color in the form of kolaches (Czech pastries) to one of Cather's Nebraska stories and who could refine (and correct) the details of Cather's depiction of the home of a legendary New England literary hostess? One could search long in Cather biography and criticism and find no traces of the woman capable of making these carefully considered changes to Cather's prose. One can, of course, find many references to Edith Lewis, the woman with whom Cather shared an apartment in New York City for nearly four decades, but that Edith Lewis is …

Review Of Women And Authorship In Revolutionary America And Learning To Stand And Speak: Women, Education, And Public Life In America's Republic, Melissa J. Homestead

Department of English: Faculty Publications

Two books the 1980s had a deep influence on the study of Arnerican women novelists of the early republic and the antebellum era. Mary Kelley's Private Woman, Public Stage: Literary Domesticity in Nineteenth- Century America (1984) presented twelve popular women novelists as deeply conflicted about their role as public producers of culture. The chapters in Cathy Davidson's Revolution and the Word: The Rise of the Novel in America (1986) that treat women novelists and their readers as worthy of serious analysis significantly altered the course of scholarship on the early American novel. AngelaVietto clearly frames Women and Authorship in Revolutionary …

Review Of Felix Holt, The Radical, Michael Eaton, Lucy Bailey

The George Eliot Review Online, ISSN: 2831-5375

Felix Holt, with its large cast of characters, and above all with its notoriously complicated legal plot, presents a real challenge when adapting and reducing it for a three hour, serialized radio dramatization. Michael Eaton is to be congratulated on neatly simplifying the plot, by omitting Thomas Trounsem's sale of his rights to Durfey and the exchange of names between Bycliffe and Scaddon. Admittedly this left a few loose ends, and listeners might have been puzzled by the name Scaddon, mentioned without explanation, but on the whole the necessary simplification was skillfully done and the main plot threads made clear. …

Japanese Branch Report 2007, Maiko Ohtake

The George Eliot Review Online, ISSN: 2831-5375

The eleventh annual convention of the George Eliot Fellowship of Japan was held at Chuo University on Saturday 24 November 2007.

The morning session began with an opening address by Miwa Ohta (Chuo University). Four papers were presented in the morning; the first two were introduced and commented upon by Michiko Kurisu (Daito Bunka University), and the last two by Shigeko Tomita (Koshien University).

The first paper was titled 'Rethinking Adam Bede - Why Does No One Help Hetty?' by Mayumi Fujita (Kwansei Gakuin University). Starting with a question about the severe treatment of Hetty, Ms. Fujita examined the moral …

Editor's Notes

The George Eliot Review Online, ISSN: 2831-5375

Middlemarch has been in the public eye since our last issue: Erica Wagner's column in the Times for Saturday 13 October 2007 bore the heading 'How good is Middlemarch if you reread it? Better'; and on 24 May 2008 the Review section of the Saturday Guardian devoted two and- a half broadsheet pages to Zadie Smith's tribute to George Eliot, 'On Middlemarch'. We have recently received Josie Billington's new Reader's Guide to the novel, Eliot's 'Middlemarch' (Continuum, 2008). This will be reviewed in our next issue.

Another work just received - Elizabeth Sabiston's Private Sphere to World Stage from Austen …