English Language and Literature Commons^™

Nine Tolkien Scholars Respond To Charles W. Mills’S “The Wretched Of Middle-Earth: An Orkish Manifesto”, Robin Anne Reid, Bianca Beronio, Robert T. Tally, Cait Coker, Cami Agan, Robert Stuart, Charlotte Krausz, Tom Ue, Helen Young

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In spite of being written over three decades ago, Mills’s posthumously published “Manifesto” not only anticipates but transcends the majority, if not the totality, of the scholarship on Tolkien, race, and racisms which has been published since 2003. Scholars in philosophy and related fields familiar with Mills’s work will recognize that the essay was a “critical exploration of [how] a fictional racial hierarchy strikingly illuminates the ongoing influence of certain old racist ideas on our present day [sic] social realities.” Reid has invited a wide-ranging Tolkienists who have read the essay to respond, briefly, on the significance of the essay …

On The Rings Of Power: Thoughts Inspired By Larry Burriss's "Sentience And Sapience In The One Ring", Nancy Martsch

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

A response to Larry Burris’s “Sentience and Sapience in the One Ring,” Mythlore 41.2, #142.

The Sun, The Son, And The Silmarillion: Christopher Tolkien And The Copernican Revolution Of Morgoth’S Ring, Kristine Larsen

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Among the most central of Tolkien’s myths is the creation of the Sun and Moon as the last fruit and flower of the Two Trees of Valinor. The death of the Trees is central in a long chain of events that directly leads to the later battles, kin slayings, and geological upheavals in Middle-earth. It is therefore curious that during the writing of The Lord of the Rings (and continuing into the later 1950s and 1960s), Tolkien began second-guessing himself, and became concerned with what he called “the astronomically absurd business of the making of the Sun and Moon.” Beginning …

"A Fearful Weapon", Verlyn Flieger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The changes to Tolkien's cosmology introduced in "Myths Transformed" were not well received. Certainly their realism is a 180% turn for the man who declared unequivocally that "Fantasy remains a human right" (72). Have Tolkien's revisions, radical as they are, been “a fearful weapon” against his own creation? And if they have, how has the perception of that creation changed since the publication of Morgoth's Ring in 1993? Has Tolkien's weapon destroyed his imaginary world?

Mythos To Myth To Mythopoeia: A Cyclical Process, Ashna Mary Jacob, Nirmala Menon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The paper predicates the prospects of mythopoeia in the mythical tradition. An authorial construction of mythopoeia, when internalized into the collective consciousness can evolve into mythos. This mythopoeia turned mythos in the course of time and space may regress into myth. The fragments of the myth may then result in the making of another mythopoeia. Mythopoeia to mythos to myth is a cyclical process in mythical tradition. The paper establishes this argument with J. R. R. Tolkien’s conception of mythopoeia. It explores similarities between mythopoeia and conlang. It contends that just as conlang can evolve as language, mythopoeia can also …

Negative Estrangement: Fantasy And Race In The Drow And Drizzt Do’Urden, Steven Holmes

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay introduces the concept of negative estrangement to help understand current cultural interventions into the norms of depicting fantasy races. First, this essay builds on Shklovsky’s concept of estrangement to describe the literary practice of negative estrangement, wherein artists craft “more evil” foes based on hybridized amalgamations of stereotypes to create antipathy toward a subject, be it monster or fantasy race. This practice is sometimes used in service of confronting the issue of race and racism, despite seeming to reify or rearticulate racist stereotypes.

This essay builds on Tolkien’s argument in favor of creating “more evil” foes to exemplify …

Otherworldly But Not The Otherworld: Tolkien’S Adaptation Of Medieval Faerie And Fairies Into A Sub-Creative Elvendom, Elliott Thomas Collins

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Through a comparative analysis of Lothlorien and the medieval stories of Lanval and Sir Orfeo, this article attempts to shed some light on how the inherently pessimistic and recursive nature of Tolkien's sub-creation affects his adaptation of medieval Faerie into a sub-creative elvendom born of the creative instincts of the elves. In doing so, the article also questions Tolkien's adherence to parameters of Faerie and characteristics of elves as laid out in OFS.

"A Bleak, Barren Land": Women And Fertility In The Lord Of The Rings, Dylan L. Henderson

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Critics, and even the general public, have noted the absence of women in The Lord of the Rings, an absence so glaring that it could hardly be overlooked. Many feminist scholars have, as a result of this deficiency, denounced J.R.R. Tolkien, interpreting this lack of female characters as indicative of repressed misogyny. Others, however, have defended the author, pointing out that the female characters that do exist could be considered role models. This essay offers an alternative interpretation and contends that the absence of women in the novel, though potentially reducing its appeal to modern readers, reinforces one of …

Through Fire And Water: The Exodus Of The Gondothlim, Ethan Danner

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Despite being one of the earliest Middle-earth texts and a central component of the legendarium, J.R.R. Tolkien's Fall of Gondolin has received far less attention than the tale deserves. Building upon the works of David Greenman, Bruce Alexander, and Austin Freeman and their studies comparing The Fall of Gondolin to Virgil's Aeneid as well as Tom Shippey's monograph, The Road to Middle-earth, this article seeks to expand current scholarship surrounding The Fall of Gondolin by the examination of Exodus, as both a Medieval and religious text, as a potential source for the narrative structure, characters, and themes found …

“Or Break It”: The Cost Of Silmarils And Sworn Oaths, Alexander M. Bruce

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

As much as J. R. R. Tolkien valued the heroism expressed in “The Battle of Maldon,” with its record of warriors who died to maintain their oath, he challenged the notion of utter adherence to a sworn oath in The Silmarillion. The over-arching narrative of The Silmarillion tells of Fëanor and his seven sons who swear an oath to reclaim the three Silmarils from any “Vala, Demon, Elf or Man as yet unborn, or any creature, great or small, good or evil, that time should bring forth unto the end of days, whoso should hold or take or keep …

"It Is 'About' Nothing But Itself": Tolkienian Theology Beyond The Domination Of The Author, Tom Emanuel

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

There is a broad stream of Christian interpretation of J.R.R. Tolkien’s fiction, especially The Lord of the Rings, which views it as the intentionally, essentially Christian work of an intentionally, essentially Christian author. This reductive, exclusivist approach does not do justice to the complex, generative interactivity between Tolkien’s faith, the faith of his readers (or lack thereof), and the text itself. Building on work by Veryln Flieger, Michael Drout, and Robin A. Reid, this paper interrogates how Christian Tolkien scholarship drafts Tolkien the human sub-creator to perform Foucault’s author-function by suppressing his contradictions and painting a figure whose life …

The Posttraumatic Stress Disorder Of Frodo Baggins, Bruce D. Leonard

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J.R.R. Tolkien in The Lord of the Rings accurately portrayed the signs and symptoms of what is currently labeled Post Traumatic Stress Disorder. Frodo’s condition logically follows his experiences of less than a year in the War of the Ring. Tolkien did not have access to a diagnostic manual but apparently used his keen observations from both World Wars to inform his narrative. No fantasy is employed to describe Frodo condition after the Ring is destroyed. His condition is that of a vet with PTSD. Evidence from the History of Middle-earth demonstrates the deliberate steps taken to show Frodo as …

Editorial, Janet Brennan Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Frights And Forests: The Hellish Landscape Of The Dark Forest, From Sleepy Hollow To The Forest Of Arden, Minna Nizam

Online Midwinter Seminar (OMS)

This paper seeks to explore forest settings in fantasy, and its hellish landscapes. From the headless horseman in Washington Irving’s The Legend of Sleepy Hollow, to the frights and horrors of mythical creatures in fantasy settings placed in forests. The purpose of this study is to dive deep into the fear of the forest, its early days in storytelling, to more modern renditions. Sources used will be primarily books, and texts within books, such as The Legend of Sleepy Hollow, The Lord of the Rings, and much more.

Mythopoeic Awards Discussion, David Lenander, David Emerson

Online Midwinter Seminar (OMS)

No abstract provided.

Seven Minutes In Hell: Hells In Fantasy Games, Nyssa Gilkey

Online Midwinter Seminar (OMS)

Join Nyssa Gilkey on a tour through several different fantasy video game depictions of hell. We’ll spend about seven (-ish) minutes looking around each hell or underworld before moving on, touring Helheim in God of War and God of War: Ragnarok, Hades and Elysium as portrayed in Assassin’s Creed: Odyssey DLC, and the Duat of ancient Egypt in Assassin’s Creed: Origins DLC. With sufficient time and interest, we can tour other fantasy depictions of hell. Participants will be able to ask questions and discuss throughout the journey.

The Image Of Satan In Evangelical Children’S Fantasy, Melody Green

Online Midwinter Seminar (OMS)

Over the last few decades, niche publishers have presented several children’s fantasy series marketed as being “in the tradition of Lewis and Tolkien.” These publishers, however, are neither British, nor are they Anglican or Catholic. They are instead American Evangelical organizations, providing a space for faith-informed stories that wander somewhere between allegory and parable. Within the pages of these texts can be found not only the expected Christ-figures, but there are also Satan-figures and hellish landscapes much more likely to reflect concepts from Dante, Milton, and medieval witch-hunting guides than from the Bible, the text that evangelicals claim to be …

Hell As An Exploration Of Sin: A Comparison Of Alan Moore’S Providence To Dante’S Inferno, Zachary Rutledge

Online Midwinter Seminar (OMS)

In Alan Moore’s graphic novel Providence, Robert Black travels Lovecraftian New England and suffers a series of horrifying encounters—each an allusion to a Lovecraft story. These encounters contain direct references to various sins and taboos, thereby making explicit much of the sublimated sexuality in Lovecraft’s works. Therefore, Black’s journey constitutes not only a trip through Lovecraft’s mythology but also reads as a cataloguing of sins reminiscent of Dante’s passage through the levels of sin in Inferno. This paper identifies and explores the similarities between Dante and Black as examples of those who descend to the underworld along with a …

Political Demons: Society As Hell In Hellblazer And Sandman, Andrew Burt

Online Midwinter Seminar (OMS)

In the Hellblazer and Sandman comic book universes, hell depends on the writer’s worldview and often on the decade in which they are writing, appearing as a twisted version of a dreary regular world. Thus, this hell is often related to the contemporary Western political and cultural landscape as seen through Judeo-Christian conceptions of hell, demonology, and fears of everlasting torment and damnation, just like Dante’s Inferno and many other representations for centuries. In creating a hell that mirrors the modern world and accounts for contemporary folklore about the supernatural, the creators humanize the character’s quests and reify the fruitlessness …

Panel: The Rings Of Power Season 1: Underworlds, Overworlds, And Ocean Worlds, Tim Lenz, Leah Hagan, Grace Moone, Pablo Guss

Online Midwinter Seminar (OMS)

Now that the first of five planned seasons of Amazon’s big budget Second Age adaptation The Lord of the Rings: The Rings of Power has aired, we will provide a retrospective of Season 1. We will compare Tolkien’s Second Age writings with the realized version in the show, including how the writers and showrunners have interpreted certain specific passages from the texts, and where significant departures were made for sake of adaptation. We will highlight themes of the season, as well as specific characters, relationships, and settings that have resonated with audiences, and speculate on where the series could potentially …

Who The Hell Is Helen Of Sparta?, Nyssa Gilkey

Online Midwinter Seminar (OMS)

The rising popularity of Greek mythology is due in some part to female authors such as Madeline Miller and Natalie Haynes lending a fresh perspective to the Homeric tradition. However, these female authors tend to actually reduce the importance of one of the most important female characters of the Trojan War: Helen. Helen of Sparta has been an enigma to writers throughout the last 3000 years, her story changing with each iteration and era. Since Homer’s Iliad, the most beautiful woman in the world has been victim and villain, strong and weak willed. She has chosen husbands, and been …

Pullman’S Problematic Paradise: Dissolving Into Dust, David E. Isaacs

Online Midwinter Seminar (OMS)

In the His Dark Materials trilogy, Phillip Pullman has openly positioned himself as the anti-C.S. Lewis who attempts to embed the gospel of atheism through his fantasy novels. Pullman recasts classics such as Paradise Lost and Blake’s The Marriage of Heaven & Hell so that humans triumph over the oppressive Authority by learning that sinning is simply enjoying life. This paper will specifically explore Pullman’s depictions of the underworld and his alternative vision of Hell, Purgatory, and Heaven in The Amber Spyglass, examining Pullman’s attempts to assure readers that by rejecting Christian views of the final translation, one can …

Hellish Landscapes In J.R.R. Tolkien’S Legendarium, Willow Dipasquale

Online Midwinter Seminar (OMS)

J.R.R. Tolkien’s Legendarium is rich with magical and mythological elements—enchanted rings, powerful wizards, stories told long ago—and near-Biblical struggles of good over evil, power over life and death, and the inexorable passage of time. The Halls of Mandos in Valinor even have echoes of the “afterlife,” serving as a liminal place for the spirits of Elves to await their next destination. Interestingly, though, a “hell” in the classic sense (that is, a spiritual region of eternal torment and suffering) does not seem to truly exist in Tolkien’s imagined worlds. However, Tolkien does fill those worlds with hellish landscapes: Utumno and …

Planes Of Oblivion In The Elder Scrolls, Michael Barros

Online Midwinter Seminar (OMS)

The planes of Oblivion from The Elder Scrolls (TES) series are not explicitly Hell; they are any dimensions of reality which are not under control of the Aedra, the benevolent spiritual entities. As a result, these planes may be totally unknown, pleasant, chaotic, or horrifying, depending on who is in charge, reflecting the personality of its ruler. These planes are at the heart of the franchise, and the intrusion of the planes of Oblivion and its inhabitants is a constant in the series. The planes of Oblivion are a reimagining of Hell as a place of potential, rather than evil. …

Persephone Bites: Consumption In The Underworld, Erin Sledd

Online Midwinter Seminar (OMS)

If you know one thing about Persephone, it is that she was abducted by Hades, held captive, and ate pomegranate seeds in the Underworld. Although Demeter rescued her daughter, she had to return for several months each year as a consequence of consuming the “Fruit of the Underworld.” But tasting those succulent ruby red seeds was not the first time she succumbed to desire—according to the Homeric Hymn to Demeter II, the first thing Persephone “bites” is a lure. Hades sets a trap: a flower with “one hundred stems of fragrant blossoms.” When Persephone grasps a stalk of this …

Only In Dying Life: The Production Of Hope And Peace, Taylor Johnson Guinan

Online Midwinter Seminar (OMS)

Unlike fantasy authors of previous generations like C.S. Lewis and J.R.R. Tolkien who wrote depictions of an afterlife that mirrored their personal faiths, modern children’s fantasy authors of the last thirty years, such as Neil Gaiman, Ursula K. Le Guin, Phillip Pullman, Rick Riordan, J.K. Rowling, Jonathan Stroud, and Garth Nix, often merely use religious concepts as a way to depict the land of the dead. In their depictions, the land of the dead is a dark, terrible, and uninviting place. However, rather than ending on that dark point, these authors transition from fear to a sense of peace, acceptance, …

Through Sauron’S Eye: Hell, Arda Unmarred, Arda Marred, And Arda Healed According To The Maia Formerly Known As Mairon, Cameron Bourquein

Online Midwinter Seminar (OMS)

From the beginning of Tolkien scholarship Mordor has been analyzed in light of its Hellish iconography; from the perspective of the narrative voice, what constitutes “Hell” in Middle-earth may seem clear. But what is Hell to Mordor’s chief inhabitant? What is Hell in Sauron’s Eye? The Rings of Power has brought Sauron into the spotlight by interpreting him not as depersonalized evil but as a character in his own right. Actor Charlie Vickers has shared how he developed this character for the screen, adapting characteristics taken directly from Tolkien’s own writings: Sauron’s love of order and his desire to “heal” …

The Lord Of The Rings & Dante’S Inferno: The Pilgrim’S Path—A Descent Into Hell, Hayden Bilbrey

Online Midwinter Seminar (OMS)

This project explores the parallels between the journeys of Dante’s Pilgrim in Inferno and Frodo Baggins in The Lord of the Rings. It asserts that these two examples are a variant of the hero’s journey, more akin to a divine pilgrimage. Through this analysis, each author’s use and repurposing of mythology and monsters to fit within a Christian narrative will be closely examined. Following the Pilgrim and Frodo, this project charts their voyages through hell (or hellish landscape) and the effects that has on each of them psychologically and spiritually. In essence, this project seeks to chart both external …

Hell As Colonizing Force: Postcolonialism In World Of Warcraft’S The Maw, Heather Bass

Online Midwinter Seminar (OMS)

The lore in World of Warcraft represents various global religions along with their multiple paths to the soul’s redemption. One quest asks players to approach various divintities and retrieve their sacred objects in order to save a paladin from the disease of undeath in desolate Icecrown. Scholars have also noticed World of Warcraft’s religious capacities with one such example being comparing Thrall to Jesus. Therefore, it comes as no surprise that the World of Warcraft lore has its own version of Hell–a region known as the Maw–with its own version of Satan. The Maw is one of the new territories …

Hell Is School—And Other People—And Myself (But Mostly Other People): From Inferno To The Paradiso In The Scholomance Series By Naomi Novik, Nicole Duplessis

Online Midwinter Seminar (OMS)

In her novels A Deadly Education, The Last Graduate, and The Golden Enclaves, Naomi Novik constructs a world in which school is Hell and the outside world is Heaven—or so it seems from the inside. From the competition and internal hierarchies that exist between the students, to the monsters, or “mals” that stalk students and devour them for their “mana,” to the brutal lessons, harsh punishments, and presumed Darwinism of the school itself, the inside of the Scholomance seems the embodiment of Hell to the novel’s protagonist and central consciousness “El,” short for Galadriel, even as she …