English Language and Literature Commons^™

Herlands: Imperial Feminisms From Charlotte Perkins Gilman To Wonder Woman, Anna Jankovsky

Graduate Research Theses & Dissertations

The society of women is a trope of feminist utopian fiction in which a group of women live together in harmony without the influence of men to disrupt their society. This trope functions on five criteria: 1) The society must be able to defend itself and replenish itself without the assistance of men. 2) It must be fully isolated and nearly impenetrable from the outside world 3) It must have a utopic order of society untroubled by ambition. 4) It must be infiltrated and challenged by a man during the course of the story. 5) It must grapple with the …

The Making Of Monsters: Creativity And Morality In Gothic Novels Frankenstein And The Picture Of Dorian Gray, Elisa Klaassen

Graduate Research Theses & Dissertations

This study examined Mary Shelley’s Frankenstein, which foreshadows the Victorian period, and Oscar Wilde’s The Picture of Dorian Gray, which reflects on it. The two novels are both monster stories that share many similarities, including themes of creativity and morality. However, the two novels are distinctly different in surprising ways. This thesis serves as an examination of their differing treatments of creativity and morality. In its examination, it reveals the ways in which Shelley couples these themes, foreshadowing Victorianism, while Wilde decouples them, reflecting and refracting on Victorian themes. Thus, this study reveals some of the major cultural changes that …

Margins Of The City: Urban Masculinity And Identity Politics In British Social-Realist Queer Cinema, Yi Li

Graduate Research Theses & Dissertations

This dissertation identifies and analyzes a history of queer politics and identities in British realist cinema from the early 1960s to the 2010s. Focusing primarily on filmmakers Sidney J. Furie, Stephen Frears, Hettie MacDonald, and Andrew Haigh, it traces British queer maleness of the working class by tracking its changing representations and demonstrates how urban cinematic realism proves central to British definitions of masculinity. The first chapter investigates how foundational films of the British New Wave address social inequalities as consequences of class and sexuality to consider how they embraced a sexual frankness and realism with coded and decoded homoeroticism. …

Filming Reconciliation: Indigenous Screen Cultures In An Age Of Redress, Kyle L. Killebrew

Graduate Research Theses & Dissertations

This dissertation examines Indigenous cinematic cultures in the United States and Canada since 1998 in the context of international reconciliation movements between settler and Indigenous states. This project examines the contested intersections of twenty-first century Indigenism and multiculturalism, exploring the ways in which Native voices in media navigate international cultural marketplaces. I focus on Georgina Lightning’s Older than America, Igloolik Isuma’s Atanarjuat: The Fast Runner, Sherman Alexie and Chris Eyre’s Smoke Signals, and Elle-Máijá Tailfeathers’ A Red Girl’s Reasoning. Specifically, I am concerned with Indigenous cinemas and media that envision and enact models of reconciliation, healing, and social justice using …

The Golden Gates Of Childhood: Romantic Influences On Childhood Perspective In George Eliot's The Mill On The Floss And Charles Dickens's Oliver Twist, Tara Rosenzweig

Graduate Research Theses & Dissertations

This study explores George Eliot’s The Mill on the Floss and Charles Dickens’s Oliver Twist, specifically in terms of how these Victorian authors portray childhood. I focus on the Romantic influences of Jean-Jacques Rousseau and William Wordsworth to analyze this portrayal. I examine how Eliot and Dickens use Wordsworth’s Romantic images of nature, gates, and windows to portray Victorian adults as corruptors of childhood innocence. Further, I analyze how these authors use Rousseau’s teaching philosophies to criticize Victorian educational policies. By comparing Dickens’s Oliver Twist to Eliot’s The Mill on the Floss, I trace how both authors depend on Romanticism …

"Don't Look At Her, She's Mad": Mama And Frankenstein Reveal Modern-Day Preoccupations, Caitlin Gamble

Graduate Research Theses & Dissertations

Viewing the film Mama (2013) through the lens of a certain Gothic text, Mary Shelley’s Frankenstein, reveals similar fears of the feminine alongside the focus of the nature of the in-between. These commonalities between the texts reveal an emerging trend in modern monster-horror films—the narrative-driven analysis of the role of the other and multiculturalism in the social consciousness. In this paper, I examine how Mama as an Imperial Gothic film builds on the tradition of indigenous stories, like La Llorona, and the Gothic. By referencing and combining these histories in the genre markers, it uses motherhood and the other to …

What Is Literature? An Investigation Of Definitions, Symptoms, And Routes Toward Literariness In English, Maxwell Robert Hoover

Graduate Research Theses & Dissertations

This project asks how and why certain works have received the label of “literature” while others have not. The project begins in Chapter 1 by examining seven glossaries of literary terms to define literature by means of understanding its parts, by which I mean the classes that literature has been divided into (e.g., genres). The overall finding of this chapter is that, while the glossarists seem to converge in their definitions of some terms, they greatly diverge in defining others. This divergence creates a problem in defining literature as a whole, because glossarists do not even reach a consensus in …

Speculative Satire In Twentieth-Century Utopia And Dystopia, Benjamin Craig Parker

Graduate Research Theses & Dissertations

This study integrates the literature and correspondence of such Inklings authors as C. S. Lewis and J. R. R. Tolkien into the arc of Commonwealth utopian and dystopian literature of the late nineteenth and twentieth centuries. Because utopian authors such as Samuel Butler, William Morris, and H. G. Wells employ the utopian form pioneered by Thomas More but largely abandon More’s Augustinian Catholic view of human nature, their works frequently fail to address the impediments to justice and equity that More satirically addresses in Utopia. Thus, the speculative fiction of later Augustinian Christian authors such as Lewis and Tolkien complements …

Get Out (2017), Us (2019), And Jordan Peele's New Black Body Horror, Brady Simenson

Graduate Research Theses & Dissertations

This thesis provides an analysis of Jordan Peele’s films, Get Out (2017) and Us (2019). The thesis contextualizes Get Out and Us as part of a protracted cultural conversation regarding monstrous images of the cinematic black body that began with Hollywood’s early monster films and continued into the culturally subversive era of blaxploitation horror films. While blaxploitation cinema reclaimed images of the racial Other that had been represented in the early creature feature subgenre, no such notable movement has subverted the more recent body horror subgenre. Jordan Peele’s Get Out and Us shift this subgenre toward racially inverted body horror. …

Beyond A Language Boundary: Encounters With Silence And L1 Spanish-Speakers' Willingness To Communicate In English, John Turnbull

Graduate Research Theses & Dissertations

The descriptive multi-case study asks three adult migrants, first-language (L1) Spanish-speakers from México, about their interpretations of their own and others’ silences as they navigate daily life, jobs, family, and English-language learning in the United States. Subjective opinions about silence, their second-language (L2) acquisition processes, comfort levels in various speaking situations, functions of L2 communication, and affective and social dimensions of language learning are related to participants’ willingness to communicate (WTC), a construct that measures a predisposition to talk, rather than stay silent, in L2 interaction.

The research, through daily language-use surveys and semi-structured Spanish-language interviews with the three English-language …

History In American New Wave And Hard Renaissance Science Fiction, Joseph Donaldson

Graduate Research Theses & Dissertations

This dissertation examines the novels of American New Wave Science Fiction authors Philip K. Dick and Ursula K. Le Guin as well as the novels of American Hard Renaissance Science Fiction author Kim Stanley Robinson. This examination places the rhetoric of these three authors into the larger discourse in Science Fiction that metaphorically visualizes the physics of space-time, historiography, periodization, and narrative form. By crafting nonteleological arguments against hard determinism, Dick and Le Guin effect Robinson’s ahistorical perspectives celebrating human agency

Why We Turn The Page: A Literary Theory Of Dynamic Structuralism, Justin J. J. Ness

Graduate Research Theses & Dissertations

This study claims that every narrative text intrinsically possesses a structure of fixed relationships among its interest components. The progress of literary structuralism gave more attention to the static nature of what a narrative is than it did to the dynamic nature of how it operates. This study seeks to build on the work of those few theorists who have addressed this general oversight and to contribute a more comprehensive framework through which literary critics may better chart the distinct tensions that a narrative text cultivates as it proactively produces interest to motivate a reader’s continued investment therein. This study …

A Lingua Franca Afloat And Ashore: Contact English In American Sea Fiction, 1824 To 1914, Fredrik Reidar Stark

Graduate Research Theses & Dissertations

This dissertation examines how American sea writers between 1824 and 1914 promoted new perceptions of English as a various and expanding intercultural and international language. It argues that presentations of language contact form a critically underemphasized component of American nautical literature. It surveys how such presentations take shape in James Fenimore Cooper’s The Pilot (1824) and The Crater (1847), Edgar Allan Poe’s The Narrative of Arthur Gordon Pym (1838), and Richard Henry Dana’s Two Years before the Mast (1840). It asserts that Herman Melville’s innovative presentations of contact between pidgins and native varieties of English in Typee (1846) and Omoo …

Using Semantic And Pragmatic Information To Determine Syntactic Decisions In Translation Of The Passive Voice From English To French, Ashli Fain

Graduate Research Theses & Dissertations

I investigated statistically significant factors that effect syntactic changes in French and

English during translation of by phrases using the passive voice. Relative clauses containing this

structure were also looked at. This feature was chosen from information that was gathered from

experts in the form of academic texts on English-French translation, as well as handbooks

intended for an audience of professional translators. Data came from the proceedings of the

Canadian Parliament (the Hansard), which are published in French and English. Passive

sentences were collected from the output of the Stanford Parser. Animacy was found to be a

significant factor in …