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Eastern Illinois University

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Articles 5821 - 5850 of 6536

Full-Text Articles in English Language and Literature

Eng 3110c-001-002: Cultural Foundations Ii: India, China, And The Middle East, Michael Loudon, Young Sook Lee Jan 1999

Eng 3110c-001-002: Cultural Foundations Ii: India, China, And The Middle East, Michael Loudon, Young Sook Lee

Spring 1999

No abstract provided.


Eng 3405-003: Children's Literature, Fern Kory Jan 1999

Eng 3405-003: Children's Literature, Fern Kory

Spring 1999

No abstract provided.


Eng 4300-003: Mad Mothers, P A. Boswell Jan 1999

Eng 4300-003: Mad Mothers, P A. Boswell

Spring 1999

No abstract provided.


Eng 3504-001: Feet And Faces, Ted Quinn Jan 1999

Eng 3504-001: Feet And Faces, Ted Quinn

Spring 1999

No abstract provided.


Eng 5011-001: Studies In Rhetoric And Comp, Beebe Jan 1999

Eng 5011-001: Studies In Rhetoric And Comp, Beebe

Spring 1999

No abstract provided.


Eng 4950-002: Literary History, Stephen Swords Jan 1999

Eng 4950-002: Literary History, Stephen Swords

Spring 1999

No abstract provided.


Eng 3009c-008-013: Myth And Culture, Carol D. Stevens Jan 1999

Eng 3009c-008-013: Myth And Culture, Carol D. Stevens

Spring 1999

No abstract provided.


Eng 3892-001: Honors Shakespeare, Julie Campbell Jan 1999

Eng 3892-001: Honors Shakespeare, Julie Campbell

Spring 1999

No abstract provided.


Eng 3801-002, Shonk Jan 1999

Eng 3801-002, Shonk

Spring 1999

No abstract provided.


Eng 3703-003: 20th Century American Literature, Carpenter Jan 1999

Eng 3703-003: 20th Century American Literature, Carpenter

Spring 1999

No abstract provided.


Eng 3807-001: Victorian Literature, Duangrudi Suksang Jan 1999

Eng 3807-001: Victorian Literature, Duangrudi Suksang

Spring 1999

No abstract provided.


Eng 4750-001: Harlem Renaissance, Fern Kory Jan 1999

Eng 4750-001: Harlem Renaissance, Fern Kory

Spring 1999

No abstract provided.


Eng 5006-001: Contemporary British Fiction, Zahlan Jan 1999

Eng 5006-001: Contemporary British Fiction, Zahlan

Spring 1999

No abstract provided.


"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles Jan 1999

"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles

Tim Engles

No abstract provided.


"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles Jan 1999

"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles

Faculty Research & Creative Activity

No abstract provided.


"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles Jan 1999

"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles

Faculty Research & Creative Activity

No abstract provided.


Connecting Threads: Quilts As Symbols In Adolescent Literature, Anita L. Beaman Jan 1999

Connecting Threads: Quilts As Symbols In Adolescent Literature, Anita L. Beaman

Masters Theses

Quilting is a functional art form that has been practiced by generations of American women. In the past, quilting provided women with an outlet for personal expression. Learning to quilt acted as a rite of passage from childhood to adulthood. Quilting provided women with a means of recording their personal histories as well as an opportunity for socializing: quilting bees were social occasions that allowed women to gather together and establish connections with each other as they connected their quilt pieces.

Feminist history has recognized the quilt as an important symbol for women. Quilts represent strength, resiliency and the creative …


Are They Fact Or Are They Fiction? The Sadeian Women Of Angela Carter, Catherine Gall Jan 1999

Are They Fact Or Are They Fiction? The Sadeian Women Of Angela Carter, Catherine Gall

Masters Theses

Angela Carter is well-known for her gothic twists on fairy tales and the use of magical realism in creating alternate worlds and monstrous creatures that exist within our own. The meaningful "twists" that her tales take often have to do with gender, reversing traditional roles and transcending barriers. In her fiction, Carter creates characters and scenes that often include "traditional" roles, displaying an awareness of the sexual stereotypes that have been in place for centuries. Her female characters offer a complex commentary on the patriarchal standard that suggests that a woman's value is dependent upon her virginity.

Her book The …


‘Two Are Better Than One;’ Adam And Eve's Symbiotic Marriage In John Milton's Paradise Lost, Jeffrey Paul Pietruszynski Jan 1999

‘Two Are Better Than One;’ Adam And Eve's Symbiotic Marriage In John Milton's Paradise Lost, Jeffrey Paul Pietruszynski

Masters Theses

Although much has been written on the roles of Adam and Eve created by John Milton in Paradise Lost, the critics, oddly enough, overlook the dependency created by the roles. This paper extends these roles further, explaining that Milton wanted to show that the roles of man and woman, husband and wife, combine to create a unit dependent on one another other for survival. As Adam himself states, when they are separated, husband and wife are vulnerable to the dangers of evil. However, together, they form a single unit, able to accomplish any task, epitomizing the symbolic relationship described in …


Reanimating The Creature: The Last Man As A Sequel To Frankenstein, Shannon Phillips Jan 1999

Reanimating The Creature: The Last Man As A Sequel To Frankenstein, Shannon Phillips

Masters Theses

In my thesis, I explore how Mary Shelley's The Last Man (1826) continues a critique of Romanticism that she began in her more well-known novel Frankenstein. Although Frankenstein has been read many different ways through a variety of critical methodologies, one of the central questions continually asked about the novel is whether (and to what extent) Frankenstein challenges or extends the romanticism of her husband, Percy Bysshe Shelley, and others in the Byron-Shelley circle. Another way to investigate this lingering question is through a comparative study of The Last Man. My preliminary thesis is that a comparative study reveals not …


Eng 1000-002: Fundamental English, Jenn Blade Aug 1998

Eng 1000-002: Fundamental English, Jenn Blade

Fall 1998

No abstract provided.


Eng Schedule, English Department Aug 1998

Eng Schedule, English Department

Fall 1998

No abstract provided.


Eng 1000-001: Fundamental English, Shannon Thomas Aug 1998

Eng 1000-001: Fundamental English, Shannon Thomas

Fall 1998

No abstract provided.


Eng 1001c-001-007: Composition And Language, Denise Clark Aug 1998

Eng 1001c-001-007: Composition And Language, Denise Clark

Fall 1998

No abstract provided.


Eng 1001c-002-023: Composition And Language, Steve Cloud Aug 1998

Eng 1001c-002-023: Composition And Language, Steve Cloud

Fall 1998

No abstract provided.


Eng 1001c-008-024-037: Composition And Language, Mary Dwiggins Aug 1998

Eng 1001c-008-024-037: Composition And Language, Mary Dwiggins

Fall 1998

No abstract provided.


Eng 1001c-010-040-052: Composition And Language, Lucinda Berry Aug 1998

Eng 1001c-010-040-052: Composition And Language, Lucinda Berry

Fall 1998

No abstract provided.


Eng 1001c-012-033: Composition And Language, Devon Flesor Aug 1998

Eng 1001c-012-033: Composition And Language, Devon Flesor

Fall 1998

No abstract provided.


Eng 1001c-014-031-036: Composition And Language, Carol Dudley Aug 1998

Eng 1001c-014-031-036: Composition And Language, Carol Dudley

Fall 1998

No abstract provided.


Eng 1001c-017-029-071: Composition And Language, Tammy Veach Aug 1998

Eng 1001c-017-029-071: Composition And Language, Tammy Veach

Fall 1998

No abstract provided.