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Articles 151 - 180 of 883
Full-Text Articles in English Language and Literature
She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese
She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese
Master of Arts in English Plan II Graduate Projects
A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.
Freeing The Black Final Girl In Postmillennial Zombie Horror: Race, Gender, And The Strong Black Woman Stereotype In 28 Days Later, The Walking Dead, & Z Nation, Makhalath Fahiym
Freeing The Black Final Girl In Postmillennial Zombie Horror: Race, Gender, And The Strong Black Woman Stereotype In 28 Days Later, The Walking Dead, & Z Nation, Makhalath Fahiym
English MA Theses
Freeing the Black Final Girl in Postmillennial Zombie Horror: Race, Gender, and the Strong Black Woman Stereotype in 28 Days Later, The Walking Dead, & Z Nation discusses the cultural image and issues of representation of the black femme within the horror genre. As the horror genre shifts in the 21st century to an era of increasingly diverse representation, examining the black Final Girl is particularly relevant. Race complicates the Final Girl concept and the black Final Girl must be analyzed within the context of the controlling images, like the Strong Black Woman stereotype, and racialized horror tropes …
Female Rage, Revenge, And Catharsis: The "Good For Her" Genre Defined In Promising Young Woman (2020), Tara Heimberger
Female Rage, Revenge, And Catharsis: The "Good For Her" Genre Defined In Promising Young Woman (2020), Tara Heimberger
English MA Theses
By analyzing relevant cultural contexts to the popularity of the “Good for Her” genre, such as the “#MeToo” movement, the Trump presidency, and the resurgence of conservatism in the United States, the development of the “Good for Her” genre and its impact can be made clear. Given the genre’s development through social discourse on social media, it has become a universal and collaborative representation of liberation from oppressive experiences under a patriarchal society. The lead women in these films give those who experience patriarchal oppression a reprieve and an opportunity for catharsis they would not typically get in a male-led, …
A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus
A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus
Honors Theses
Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.
Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff
Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff
Journal of Religion & Film
The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …
The Wheel Of Power In Hbo's Game Of Thrones, Inbar Shaham
The Wheel Of Power In Hbo's Game Of Thrones, Inbar Shaham
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Maps the familial power struggles and patterns of inheritance of Westeros as depicted in the television adaptation of George R.R. Martin’s Song of Ice and Fire series by using A.J. Griemas’s semiotic square. Applying this framework to the title logo of the series also supports this interpretation.
Gower In Exile, Joel Fredell
Gower In Exile, Joel Fredell
Accessus
The articles in Hope and Healing reveal John Gower's interest in an inclusive approach to human suffering, but also a clear-eyed look at its suffering. The experience of Amans in the Confessio Amantis, exiled from the love court of Venus, represents a powerful vision of love-agony as a central form of human suffering, not a cliche of love poetry.
The Price We Pay For Envy: A Political And Social “Maladie”, Will Rogers
The Price We Pay For Envy: A Political And Social “Maladie”, Will Rogers
Accessus
"The Travelers and the Angel" is a curious exemplum: depicting envy as almost an emotion, it depicts the seemingly hopeless worsening of the world, as the envious care more for others' pain than their own happiness. While the exemplum's moral is undoubtedly true, even for 21st century readers, we might address how Gower's particular framing of envy doesn't account for envy's potential to drive positive change.
The Unfinished Hope Of Gower's Transgender Children, Gabrielle M.W. Bychowski
The Unfinished Hope Of Gower's Transgender Children, Gabrielle M.W. Bychowski
Accessus
This article examines two of Gower's tales from the Confessio Amantis that deal with trans youths: Iphis and Narcissus. Considering these two tales together, I ask the question: why does one story end with hopeful futurity for the trans masculine youth and the other end with death and the absence of futurity for the trans feminine youth. Connecting these medieval texts to premodern contexts and then with modern contexts, I map the trajectory of centuries long problems facing trans youths. In the end, I conclude that trans youth possess a healthier and more stable future when they receive trans affirming …
Healing, Accountability, And Community In Gower’S Confessio Amantis, Kara L. Mcshane
Healing, Accountability, And Community In Gower’S Confessio Amantis, Kara L. Mcshane
Accessus
This piece focuses on the Tale of Lucrece and the Tale of Mundus and Paulina in John Gower's Confessio Amantis. I examine how these two quite distinct narratives of sexual assault emphasize key themes in community response to trauma. In these two tales, Gower emphasizes the extent to which interpersonal violence is also social violence; further, community demands for accountability are essential to social healing in both cases. These two models demonstrate the extent to which contemporary society, too, struggles to hold authority accountable and address social wrongs.
An Exercise In Exceptions: Personhood, Divergency, And Ableism In The Star Trek Franchise, Jessica A. Blackman
An Exercise In Exceptions: Personhood, Divergency, And Ableism In The Star Trek Franchise, Jessica A. Blackman
USF Tampa Graduate Theses and Dissertations
In 1987, more than two decades after Star Trek: The Original Series aired on television for the first time, the Enterprise returned to delight audiences with an all-new crew in Star Trek: The Next Generation. With the new generation came new issues and adventures for the crew and the audience to explore, and the popularity of the show lead to the production of three successful spin-offs. These four new shows in the Star Trek franchise dealt with more complex plots and commentaries than the original series before them; three characters in particular – Lt. Commander Data, Dr. Julian Bashir, and …
Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar
Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar
CLCWeb: Comparative Literature and Culture
Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …
"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch
"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch
Theses and Dissertations
Though the lyric-I has often been perceived as an isolated ego, Alice Notley's "I" in her long poem Disobedience (2001) necessitates plurality through what I call a "poetics of encounter." In response to the 1978 Language poetry manifesto "Aesthetic Tendency and the Politics of Poetry," and to the larger well-rehearsed debate about vocal homogeneity and persona centrism in poetry, this paper argues that Notley's poetics of encounter brings the "I" of Disobedience into continual and complex conversation with material history, politics, and mass culture, thus situating it within, and not sequestered from, the world and its mediation.
Adorno, Beckett…Wagner, Artaud: Reflections On Stefan Sorgner’S Philosophy Of Posthuman Art, Russell Kilbourn
Adorno, Beckett…Wagner, Artaud: Reflections On Stefan Sorgner’S Philosophy Of Posthuman Art, Russell Kilbourn
English and Film Studies Faculty Publications
This essay reflects on the question of posthuman(ist) art by way of Stefan Sorgner’s book, Philosophy of Posthuman Art, which makes an important initial contribution to the nascent investigation of the significance of creative and imaginative expression from a critical posthumanist perspective. From the understanding that we cannot (yet) do without the subject as ground of the self, I elaborate a theory of the dynamic ‘subjective trinity’ (self, other, and transcendent subject) underpinning the occidental aesthetic experience construed in visual-spatial terms, exemplified in the cinema. From this basis I explore two possible avenues of posthumanist aesthetic expression: First, the secular …
Film Review: È Stata La Mano Di Dio / The Hand Of God By Paolo Sorrentino, Russell J A Kilbourn
Film Review: È Stata La Mano Di Dio / The Hand Of God By Paolo Sorrentino, Russell J A Kilbourn
English and Film Studies Faculty Publications
No abstract provided.
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
Publications and Research
En su relato “Lost in the Museum of Natural History” Pedro Pietri se inserta en la narración como personaje y como fuente de historias inspiradas en la violencia de los géneros del western, los biker films y los melodramas. Esta aproximación a la experimentación literaria, la alteración sensorial y fílmica escenifica una crisis en la enunciación y la representación que hecha luces sobre las relaciones entre las desigualdades sociales, la violencia y la subjetividad.
Kids, Culture, And Queerness: The Progression Of Lgbtq+ Representation In Children's Media, Sarah Stevens
Kids, Culture, And Queerness: The Progression Of Lgbtq+ Representation In Children's Media, Sarah Stevens
Mahurin Honors College Capstone Experience/Thesis Projects
Historically, popular media has functioned as a window into society’s ever evolving idea of normalcy. Children’s popular media, which contains elements of both entertainment and didacticism, is further burdened with the responsibility of influencing the perspectives of upcoming generations. This truth is particularly salient for the LGBTQ+ community, who have faced consistent misrepresentation or utter erasure from children’s media in the recent past. While there have been marked improvements in both the quality and quantity of queer representation in children’s media since 2015’s Obergefell v. Hodges case, there is still a significant need to acknowledge intersectional queerness and queer gender …
Table Of Contents, Vol. 24, 2022
The Regendering Of Van Helsing: Sister Agatha's Unique Approach To Investigating Dracula's Methods And Mental Processes, Taylor Holden
The Regendering Of Van Helsing: Sister Agatha's Unique Approach To Investigating Dracula's Methods And Mental Processes, Taylor Holden
Journal of Dracula Studies
No abstract provided.
The Securitate Versus Dracula, Tourism And Ideology In Communist Romania, Valentin Gheonea
The Securitate Versus Dracula, Tourism And Ideology In Communist Romania, Valentin Gheonea
Journal of Dracula Studies
The present study focuses on the methods by which the Romanian Securitate intervened in the management of a tourist activity – the Dracula itineraries – considered to threaten the country image of communist Romania.
Dracula's Harem: Feminine Otherness And Reverse Colonization Of The Male Body, Amanda Shipman
Dracula's Harem: Feminine Otherness And Reverse Colonization Of The Male Body, Amanda Shipman
Journal of Dracula Studies
No abstract provided.
Vampire Crusades: The Separation Of The Crucifix And Wafer From Their Intended Purpose In Dracula, Olivia Vanvoorhis
Vampire Crusades: The Separation Of The Crucifix And Wafer From Their Intended Purpose In Dracula, Olivia Vanvoorhis
Journal of Dracula Studies
No abstract provided.
Infectious Queers: Hiv/Aids And The Vampiric Body In Interview With The Vampire (1994), Ian Clark
Infectious Queers: Hiv/Aids And The Vampiric Body In Interview With The Vampire (1994), Ian Clark
Journal of Dracula Studies
No abstract provided.
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Honors Program Theses
Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …
Review Of 'The Lure Of The Image: Epistemic Fantasies Of The Moving Camera By Daniel Morgan.', Pardis Dabashi
Review Of 'The Lure Of The Image: Epistemic Fantasies Of The Moving Camera By Daniel Morgan.', Pardis Dabashi
Literatures in English Faculty Research and Scholarship
No abstract provided.
Twenty-First Century Adaptations Of Early Twentieth Century American Protest Literature, Kathryn J. Mcclain
Twenty-First Century Adaptations Of Early Twentieth Century American Protest Literature, Kathryn J. Mcclain
Theses and Dissertations--English
Twenty-First Century Adaptations of Early Twentieth Century American Protest Literature examines the resurgence of didactic political literature in the United States during the 21st century, specifically adaptations of early 20th century American leftist protest works by authors such as Upton Sinclair, Jack London, and Richard Wright. While the most political aspects of these writers’ fiction are often either criticized as too politically overt – such as Sinclair’s The Jungle and Wright’s Native Son – or forgotten in favor of an author’s perceived literary merit – London’s The Iron Heel in comparison to his other works like Call of the Wild …
Greenpeace In Germany And The U.S.: A Case Study In Non-Profit Web Design, Maximilian J. Weirauch
Greenpeace In Germany And The U.S.: A Case Study In Non-Profit Web Design, Maximilian J. Weirauch
CMC Senior Theses
This thesis draws on Geert Hofstede’s cultural dimensions model, connects it to basic principles of web design, and applies it to a website analysis of the global non-profit organization Greenpeace. This case study of cultural dimensions in web design utilizes Hofstede’s framework from 1974 throughout all its chapters and focuses on the cultural differences between Germany and the U.S. My hypothesis that successful marketing materials such as websites must communicate differently with their U.S.-American and German audiences is partially borne out. But it is important to note that Hofstede’s cultural dimensions model cannot fully account for certain intercultural dimensions of …
The Reflective Age: Nostalgia At The End Of History, Zachary Griffith
The Reflective Age: Nostalgia At The End Of History, Zachary Griffith
Theses and Dissertations--English
This project investigates the ways in which nostalgic American media of the last decade reflects the sociopolitical conditions of the end of history. It begins with the assertion that the end of history represents a confounded, contradictory moment in which large-scale political change is relatively scarce, and belief in a progressive future has largely been abandoned, while cultural change has also accelerated at a pace never before seen––spurred on, in particular, by the constant return of dead styles and dormant IP. In other words, it seems as if nothing is changing and everything is changing simultaneously. The recent boom in …
Femme Ex Machina: Sex Robots, Embodiment, And Posthuman Subjectivity, Julia A. Empey
Femme Ex Machina: Sex Robots, Embodiment, And Posthuman Subjectivity, Julia A. Empey
Theses and Dissertations (Comprehensive)
Andrea Dworkin warned in her 1974 book Woman Hating that men would soon develop the technology to “create the sex objects that will gratify them” (199). This dissertation investigates one of those technologies: sex robots, as mediated through science fiction film and literature. While the sex robot is still an emerging technology, its embodiment, particularly when female-rendered, has been imagined and negotiated for centuries. Men creating women in a specific, desired image is not new, but the sex robot is currently being transformed from imagined representation to embodied subject. This dissertation traces a pattern of representation that has allowed us …