English Language and Literature Commons^™

Bioinsecurities: Disease Interventions, Empire, And The Government Of Species By Neel Ahuja, Amrita De

Critical Humanities

In lieu of an abstract:

There is no better way to preface this review of Neel Ahuja’s rich analysis of the “government of species” in his book, Bioinsecurities: Disease interventions, Empire, and the Government of Species than to dive right into the heart of the ongoing interconnected infectious dis-ease crisis.

Review Of Placing Charlotte Smith, Eds Elizabeth A. Dolan And Jacqueline M. Labbe, Heather Heckman-Mckenna

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna

Review Of Female Husbands: A Trans History, By Jen Manion, Jeremy Chow

ABO: Interactive Journal for Women in the Arts, 1640-1830

This review evaluates Jen Manion's Female Husbands: A Trans History.

Review Of The Life And Legend Of Catterina Vizzani: Sexual Identity, Science And Sensationalism In Eighteenth-Century Italy And England, By Clorinda Donato, Ula E. Lukszo Klein

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8

Review Of The Novel Stage: Narrative Form From The Restoration To Jane Austen, By Marcie Frank, Kathleen E. Urda

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda

Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’S Letters, Journals And Watercolours From The Cape Colony (1797–1801), Lenka Filipova

ABO: Interactive Journal for Women in the Arts, 1640-1830

The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical …

Teaching Mary Wollstonecraft's Travelogue Of Historical Trauma, Annette Hulbert

ABO: Interactive Journal for Women in the Arts, 1640-1830

Abstract: I teach Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) in an undergraduate English literature course on “Survival Narratives of the Eighteenth Century” at the University of California, Davis. The aim of this course is to show how significant perilous voyages were to the ways in which writers in eighteenth-century Britain imagined and interpreted their world. The course draws from the burst of new scholarship on rethinking the traditional “rise of the novel” narrative in imperial, oceanic, and global contexts and develops interpretive frameworks for the eighteenth century’s changing relationship to commerce and …

Ripped From The Headlines: Teaching Lady Mary Wortley Montagu's Turkish Letters In The Context Of 21st-Century Controversies, Susan Spencer

ABO: Interactive Journal for Women in the Arts, 1640-1830

In the long shadow of 9/11 and the ongoing COVID pandemic, Lady Mary Wortley Montagu’s Turkish Embassy Letters connect with the lived experience of today’s students, especially the cluster of eight letters dated 1 April 1717. By emphasizing parallels between Montagu’s observations and the students’ own lives, The Turkish Embassy Letters can add a modern dimension to the eighteenth century in general, challenges of gender, and texts written in and about the Muslim world.

Teaching Eliza Fay's Original Letters From India (1817) Through Classroom Editing, Lacy Marschalk

ABO: Interactive Journal for Women in the Arts, 1640-1830

Travel writing is an ever-growing area of interest in eighteenth-century studies, but it can be difficult to teach. Students often find the writing dry and unrelatable, and faculty who have had little experience with travel writing in their own educations may not know which texts would prove useful to their courses. In this article, I discuss the travel narrative with which I've found the most pedagogical success, Eliza Fay's Original Letters from India (1817). Fay's initial journey to India includes a range of captivating adventures, including encounters with Marie Antoinette in Paris, bandits in Egypt, and Hyder Ali in Calicut, …

Concise Collections: Teaching British Women Travelers, Tiffany Potter

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Cooking Up Knowledge: Materiality, Recipes, And Jane Barker’S A Patch-Work Screen For The Ladies, Carolin Boettcher

ABO: Interactive Journal for Women in the Arts, 1640-1830

The recipes included in Jane Barker’s A Patch-Work Screen for the Ladies (1723) appear to be some of the most jarring and out-of-context inclusions in the narrative. This article explores the relationship between Barker’s novel and the form of the recipe collection in the late seventeenth and early eighteenth centuries on both a material and an epistemological level. The entanglements between recipes and the patchwork screen not only point to the processes of constructing and conveying knowledge, but also to the materiality of these processes as Galesia and the Lady build the patchwork screen. Her focus on the materiality of …

Postures After The Antique In Eighteenth-Century Portraits Of Women, Lauren K. Disalvo

ABO: Interactive Journal for Women in the Arts, 1640-1830

This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.

“I Suppose An Island Dweller Should Expect It To Be So”: The Contradiction And Drama Of Maternity And Islands In Caleb’S Crossing, Shayla Frandsen

Criterion: A Journal of Literary Criticism

Islands have a long tradition of capturing human imagination and functioning as a space that nurtures both magic and mystery. As geographic locations, they seem to avoid easy taxonomy even while behaving easily categorizable: they exist as tourist fantasies separate from everyday landscape even while many operate as an othered land that is still “safe” enough to visit. They are isolated yet capable of nurturing strong cultural identity. They also act as autonomous entities while still being interconnected within larger natural structures, coastlines, and waterways. In these ways and more islands navigate as border spaces of inherent contradiction—contradictions which are …

Queering Faith In Fantasy Literature: Fantastic Incarnations And The Deconstruction Of Theology By Taylor Driggers, C. Palmer-Patel

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Review of Taylor Drigger's Queering Faith in Fantasy Literature: Fantastic Incarnations and the Deconstruction of Theology, the first publication in Bloomsbury Academic's new 'Perspectives in Fantasy' series

Goddess And Mortal: The Celtic And The French Morgan Le Fay In Tolkien’S Silmarillion, Clare Moore

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Few characters change more in their depiction throughout ‘traditional’ Arthurian literature than Morgan le Fay, who transitions from the benevolent and supernatural Queen of the Isle of Apples to the mortal sister of King Arthur with a complicated relationship to her brother and his court. These two versions of the Arthurian enchantress are represented in Geoffrey of Monmouth’s Vita Merlini and the French Vulgate Cycle, and they parallel two of Tolkien’s prominent female characters in The Silmarillion: Lúthien and Aredhel. Establishing parallels between Monmouth’s Morgen and Tolkien’s Lúthien demonstrates both a connection to the Celtic tradition and a departure …

Jane Austen: A Study On The Influences, World, And Character Of An Eighteenth-Century Novelist, Elisabeth Phillips

Bound Away: The Liberty Journal of History

Jane Austen is one of the most influential authors in history and her works are regarded as timeless classics. Her ability to harness the motif of the strong, independent woman in a time when society wanted women to have neither attribute is incomparable in contemporary works. This article examines Austen's life and the variety of factors (family, religious, intellectual, historical) that molded her mind and character and thus informed the characters she created and the stories she crafted.

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

No abstract provided.

Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick

Critical Inquiries Into Irish Studies

The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.

Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn

Critical Inquiries Into Irish Studies

This article will analyze how Tana French conceptualizes spatiality, focusing on her use of liminal spaces, edgelands and peripheries, as the settings for her crime scenes. Instead of more traditional Irish literary urban-rural binaries, French exploits the interface of both places, reflecting a contemporary post-industrial, post-Celtic Tiger Ireland. In particular, in In the Woods (2007) the untamed woodland behind the housing estate in Knocknaree becomes an interfacial zone between the rural and urban, past and present. In The Likeness (2009), Whitethorn House sits at the edge of the village geographically, politically, and historically. In French’s first two novels peripheral spaces …

Tana French: An Interview With Brian Cliff, Brian Cliff

Critical Inquiries Into Irish Studies

No abstract provided.

_Not That Bad_: Lessons Women Learn In A Rape Culture, Sydney J. Selman

Pursuit - The Journal of Undergraduate Research at The University of Tennessee

In 2018, Roxane Gay assembled an anthology that addresses the severity of rape, rejecting the common belief that some sexually violent acts, compared to others, are not that bad. This collection, titled Not That Bad: Dispatches from Rape Culture, compiles pieces from thirty different authors and sheds light on how the notion of not that bad contributes to a broader structural social problem involving sexual violence. This social problem, known as rape culture, is commonly defined as a culture that normalizes sexual violence and blames victims of sexual assault (“What is Rape Culture?”). In other words, rape culture …

“An Eternity Or Two Later”: Family Of Choice In Elaine Castillo’S America Is Not The Heart, Caroliena E. Cabada

Beyond the Margins: A Journal of Graduate Literary Scholarship

Many of the challenges faced by environmental activists are issues of scale. How can vital changes be enacted and sustained over the necessarily long time scales of environmental restoration? Elaine Castillo’s America Is Not the Heart (2018) illuminates a possible avenue for activists engaged in environmental justice work. Parts of the book contains extensive flashbacks to Hero’s, the protagonist’s, time as part of a cadre of the New People’s Army in the Philippines during the Marcos dictatorship. Though the NPA is not strictly an environmental activist group, the organization takes their cues from queer ecofeminist frameworks and the intersections between …

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

Pursuit Of Happiness In Alternate Realities: The Intersection Of Queerness And The Metaphysical In Haruki Murakami’S Sputnik Sweetheart, Katelyn Morris

Kean Quest

This research aims to examine the intersection of queerness and the metaphysical in Haruki Murakami’s Sputnik Sweetheart. I intend to accomplish this by focusing on the instances of magical realism as they are presented throughout the narrative and deconstruct them through the escapades of the explicitly queer protagonist Sumire. Sumire is an individual who has never felt sexual desire until she encounters an older woman named Miu. However, Miu underwent a bizarre, fantastical encounter many years ago that “split her in two” as the text puts it, and her ability to feel sexual desire joined her other half on …

Frankenstein’S Creature: Monstrous Chicken Or Grotesque Egg?, Alexandria B. Acero

Gettysburg College Headquarters

Some scholars believe that due to the negligence of Victor in Mary Shelley’s Frankenstein the creature became an attention-craving murderous monster. Other scholars believe that the unaffectionate and unnatural way Victor birthed the creature caused his monstrous form. The argument over “Nature versus Nurture” in relation to the creations is irrelevant, however. The creature is only pushed away by Victor due to his hideousness which stems from the environment in which the creature was born. Victor’s societal view on nature and its connection to womanly attributes creates a paradox of a loveless creation and an affection-craving creature within the novel.

Review Of The The Closet: The Eighteenth-Century Architecture Of Intimacy, By Danielle Bobker, Mary Peace

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Review Of Relative Races: Genealogies Of Interracial Kinship In Nineteenth-Century America, By Brigitte Fielder, Shelby Johnson

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Review Of The Man Who Thought Himself A Woman, Ed Christopher Looby, Carrie D. Shanafelt

ABO: Interactive Journal for Women in the Arts, 1640-1830

Christopher Looby's anthology of queer nineteenth-century American short stories is a fascinating collection of both obscure and familiar texts that together constitute a powerful argument for the queerness of the short story and for the centrality of queerness to American literary aesthetics.

“All The Modes Of Story”: Genre And The Gendering Of Authorship In The Year 1771, David Mazella, Claude Willan, David Bishop, Elizabeth Stravoski, Walter Barta, Max James

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay argues that literary histories organized around a single genre, narratives of national formation, or canonical male authors cannot do justice to the complexities of women’s participation in eighteenth-century British genres. Instead, this essay offers an alternative approach based on the reduction of the geotemporal scope to the literary productions of a single year in three cities. Working with the ESTC records for the 2000+ items produced in these cities helped produce a dataset that allowed us to recreate each city's literary and non-literary genre system, print environment, and "historical present" for the target year. This inventory became the …

The Lady’S Museum Project: A Digital Critical Edition In Phase 1 Of Its Development, Now Available For Teachers And Students To Learn Collaboratively Through Charlotte Lennox’S Lady’S Museum (1761-62), Kelly Plante

ABO: Interactive Journal for Women in the Arts, 1640-1830

This announcement informs readers on how they can use, and participate in, the Lady's Museum Project (ladysmuseum.com). It discusses the work completed and the forthcoming updates planned for teachers', scholars', and students' use of this first critical edition of Charlotte Lennox's the Lady's Museum, as of spring 2022.