English Language and Literature Commons^™

“There Must Always Be A Thor”: Disruption Of Super Heroic Masculinities In Marvel’S Thor: The Goddess Of Thunder (2014), Kiera M. Gaswint

Ray Browne Conference on Cultural and Critical Studies

As the popularity of the superhero film genre continues to grow, more attention is being drawn towards the genre as a way to enter cultural conversations regarding representations in popular culture of gender, sexuality, race, and class, among other things. This popularity of the genre among differing age ranges and demographics calls for an investigation and analysis of the comic book genre, superheroes, and representation. Given the popularity of this genre, I plan to argue that Thor: The Goddess of Thunder (2014) offers a unique reading of gender constructs and masculinity.

Whereas characters come and go within their respective universes …

The Women Of Brave New World: Aldous Huxley And The Gendered Agenda Of Eugenics, Jessica Eylem

Ray Browne Conference on Cultural and Critical Studies

Eugenics is the belief that the human race can rid of unwanted characteristics by using science. As this belief became more widely known through the Nazi’s raise to power and their use of ideologies maintained by fear, scholars began to take note of its rise in academic circles and the followers behind it. Authors began incorporating these ideas into their novels as a way of commenting on the future of our world if eugenic practices continued. In this article, I discuss how the concept of eugenics is used in dystopian novels, especially during the interwar period. It explores Aldous Huxley’s …

Another Country: When Your Nation Doesn’T Consider You To Be A Citizen, William B. Daniels Ii

Ray Browne Conference on Cultural and Critical Studies

I plan to show how the characters in Another Country uncover the inherently racist and homophobic requirements for citizenship in a nation. The novel Another Country by African American author James Baldwin (1924-1987) exposes the fallible nature of hetero-normative and racial ideals that narrowly define a model citizen of a nation-state. The queer interracial relationships in the novel, particularly between the main character Rufus and his lover Eric, transgress the boundaries of nation, race, and sexuality, thus revealing the illusionary nature of categorizations that are defined and applied by nation-state apparatuses in order to discriminate and maintain uniformity. In addition …

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …