English Language and Literature Commons^™

Buried In Plain Sight: Unearthing Willa Cather’S Allusion To Thomas William Parsons’S “The Sculptor’S Funeral”, Melissa J. Homestead

Department of English: Faculty Publications

In January 1905, Willa Cather’s story “The Sculptor’s Funeral” appeared in McClure’s Magazine and shortly thereafter in her first book of fiction, The Troll Garden, a collection of stories about art and artists. In the story, the body of sculptor Harvey Merrick arrives in his hometown of Sand City, Kansas, on a train from Boston, accompanied by his friend and former student, Henry Steavens. Cather criticism has long been concerned with identifying real-world prototypes for characters and situations in her fiction, and two such prototypes have been unearthed for “The Sculptor’s Funeral.” First, the return by train of the …

The Transatlantic Village: The Rise And Fall Of The Epistolary Friendship Of Catharine Maria Sedgwick And Mary Russell Mitford, Melissa J. Homestead

Department of English: Faculty Publications

In June 1830, the American novelist and short-story writer Catharine Maria Sedgwick used the imminent London publication of her novel Clarence as a pretext for initiating a correspondence with the British author Mary Russell Mitford. In her first letter to Mitford, Sedgwick addressed her as “My dear Miss Mitford,” a violation of epistolary decorum in a letter to someone to whom she had not been introduced (FOMRM, 155).¹ As Sedgwick protested, however, “I cannot employ the formal address of a stranger towards one who has inspired the vivid feeling of intimate acquaintance, a deep and affectionate interest in …

Courtly Connections: Anthony Sherley’S Relation Of His Travels (1613) In A Global Context, Kaya Sahin, Julia Schleck

Department of English: Faculty Publications

This article revisits Anthony Sherley’s Relation of his travels into Persia (1613), reading the text within the larger context of early modern Eurasia. It highlights the ways in which at least one European traveler sought and found not alterity, but commensurable structures, social roles, political ideologies, and personal motivations in the Islamic polities to the east and emphasized these connections to his European readers. Furthermore, in making the case that Sherley’s narrative is informed by local actors in Safavid Persia, it maintains that a certain level of Eastern knowledge is present within Western texts from this period and awaits scholarly …

Networking With Middleton And Jonson: Theater, Law, And Social Documents, Kelly Stage

Department of English: Faculty Publications

In the lines above, the lawyer Tangle seems to be listing the tools of his trade, various legal documents he uses regularly. However, the list names more than just documents; it also labels the stream of blood trickling out of Tangle’s arm as he is forced into a purgative healing. Quieto, a lawyer-cum-healer, prescribes a bloodletting because Tangle’s long association with ink has infected him and the only way to cure him of poisonous legal practice is to drain him. Quieto confirms his diagnosis with the protagonist, Phoenix, who looks into the basin catching the blood and exclaims “This, why …

Courtly Connections: Anthony Sherley’S Relation Of His Trauels (1613) In A Global Context, Julia Schleck, Kaya Sahin

Department of English: Faculty Publications

Despite various attempts by literary theorists and historians to find more integrative ways of studying early modern societies and cultures, fairly essentialist notions of the difference between Europe and the rest of the world continue to persist in scholarship. The assumption of fundamental differences then leads to a search for sundry misperceptions, misunderstandings, mischaracterizations, and other skewed representations in early modern texts, particularly in those produced by European travelers. Similarly, studies on cultural, ideological, religious, and intellectual exchanges have not always been able to transcend approaches that solely focus on encounters, a word that sometimes implies haphazard meetings and difficult …

Intersections Of Space, Movement, And Diasporic Subjectivity In Brick Lane, White Teeth, And Maps For Lost Lovers, Md. Alamgir Hossain

Masters Theses

This thesis explores the correlations between characters' encounters with specific locations and their interior development as they adjust to their new environments in the novels Brick Lane (2003), White Teeth (2000), and Maps for Lost Lovers (2004). Monica Ali's Brick Lane focuses on Nazneen's (the protagonist) encounters with different places such as particular streets, pubs, restaurants, cafés, and train stations, which impact her personality to such an extent that, in the process of traversing London's physical terrain, she is transformed from a passive Bangladeshi rural woman into an active, independent agent in London. In With Teeth, Zadie Smith depicts …

"There Is So Much You Can't Translate" : English Translation Of Chinese Classic Poetry In Twentieth Century America, Ahui Yu

Legacy Theses & Dissertations (2009 - 2024)

Although the translation of Chinese texts by modernist poets has been acknowledged by critics, the implications of this cultural exchange between China and America has not generated substantial critical study. Using Ludwig Wittgenstein’s theory of language, this thesis examines this cultural dialogue through the work of Ernest Fenollosa, Ezra Pound and Kenneth Rexroth. Restoring Fenollosa’s pioneering role, a chapter of this thesis uncovers his unfinished project of a fusion of East and West, and exposes his imperialist and nationalist attitudes that later result in appropriation. Reexamining Pound’s engagement with Chinese texts throughout his career, another chapter of this thesis argues …

When Time Stops: A Loss Of Identity Or A Lack Of Responsibility?, Emma M. Kuper

The Criterion

Elizabeth Bishop’s “In the Waiting Room”, and Louis MacNeice’s “Sunday Morning” follow a similar temporal structure as they begin with a normal passing of time, feature a hiatus or stretch of time in the central part of the poem, and then end with a return to normalcy. In addition, both poems include a connection among strangers during this stretched time period. However, Bishop’s speaker finds this connection frightening, due to her resulting loss of identity. In contrast, MacNeice portrays this connection as positive, as all of humanity shares in a peaceful, joyous morning. This difference originates in the cause of …

Of Shining Sea And Rising Sun: Cultural Storytelling In The Genre Of Horror In Video Games, Anna C. Webster

Undergraduate Research Posters

In the modern era, video games are hardly the simple, mindless medium that they used to be. Rather, they are now being used as a vehicle for artistic expression and storytelling worldwide, creating a colorful and comprehensive new approach to the storytelling experience that was previously reserved for books or movies. The immersive nature of the medium provides for a richer and more stimulating experience, from which the genre of horror greatly benefits. Rather than the more passive experience the viewer gets from watching a movie or reading a book, video games allow for the player to be completely immersed, …

The Reader's Complicity: Universality In Waiting For The Barbarians, The Laramie Project, And The Laramie Project: Ten Years Later, Aubrey Kosa

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Nursery Rhymes: Pieces Of The Children’S Literature Puzzle In Translation, Catalina Millán Scheiding

Faculty Works

Nursery rhymes are being found increasingly in translational situations, normally in intertextual translations, yet there is no framework or specific study of how they should be translated. This paper aims, on the one hand, to explore the theories related to children’s literature translation that could be applied to nursery rhyme translation, and on the other hand, to identify the particular idiosyncrasies of nursery rhymes that may have an effect on their translation. Several examples are analyzed from different media (comic, children’s book and film) in their translation from English into Spanish and new study possibilities are proposed.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Gender And Power In Waiting For Godot, Ryan Wright

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Blind With Superstition, Cursed With Illusions: Masculinity And War In Bierce’S “Chickamauga”, Salina Patterson

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Game Debate: Video Games As Innovative Storytelling, Melissa Somerdin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

James Joyce’S Gnomon Of Pain In “Grace” And “The Dead”, Bari K. Boyd

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 18 Fall 2016

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

“‘It’S A Cu’Ous Thing Ter Me, Suh’: The Distinctive Narrative Innovation Of Literary Dialect In Late-Nineteenth Century American Literature”, Kym M. Goering

Theses and Dissertations

American literature and verse advanced in dialectal writing during the late-nineteenth century. Charles Chesnutt’s “The Goophered Grapevine” (1887), “Po’ Sandy” (1888), and “Hot-Foot Hannibal” (1899); Joel Chandler Harris’ Uncle Remus: His Songs and His Sayings (1881); Thomas Nelson Page’s “Marse Chan” (1884); and Mark Twain’s “Sociable Jimmy” (1874) and “A True Story, Repeated Word for Word as I Heard It” (1874) provided diverse dialect representations. Dialect expanded into poetry with

James Whitcomb Riley’s “She ‘Displains’ It” (1888), “When the Frost is on the Punkin” (1882), and “My Philosofy” (1882) and Paul Laurence Dunbar’s “The Spellin’ Bee” (1895), “An Ante-Bellum Sermon” …

Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su

CLCWeb: Comparative Literature and Culture

In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …

Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo

CLCWeb: Comparative Literature and Culture

In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …

Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He

CLCWeb: Comparative Literature and Culture

In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …

T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya

Honors Thesis

The following thesis explores the work of T.S. Eliot before and after his conversion to the Anglican Church. While the paper explores the stylistic qualities of Eliot's poetry, the main focus of the essay lies in bridging the pre and post conversion works together in order to show that both of the periods were significant in the poet's life. While many critics viewed Eliot's early poetry as a lot more exploratory and challenging, calling his later poetry banal and bland, my essay aims to show that even though the poetry had shifted in its content, its significance, complexity, and experimentality …

Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker

Master's Theses

Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …

How Does Poetry Confess? Zhai Yongming's Poems And The Landscape Of "Confession", Xin Xu

Seton Hall University Dissertations and Theses (ETDs)

In the 1980s, a Chinese poet, Zhai Yongming (翟永明), published a linked suite of nineteen poems. Zhai entitled this sequence “Women” (Nǚren女人) and claimed that her poems were largely influenced by American confessional poets such as Sylvia Plath. Chinese critics suggest that Zhai inaugurates the trend of confessional poetry in China. This paper will first contextualize the Chinese translation of American confessional poetry in the Mao and post-Mao age, and then problematize the concept of “confession” in Chinese poetry criticism by making American confessional poetry a counter point. Under the term of confessional poetry it is “the illusion of a …

“Carried In The Arms Of Standing Waves:" The Transmotional Aesthetics Of Nora Marks Dauenhauer, Billy J. Stratton

English and Literary Arts: Faculty Scholarship

In recent years, Native, Indigenous, First Nations, and Aboriginal scholars and writers have forged alliances to initiate and support decolonization efforts and the reassertion of native survivance. Native and non-Native scholars have responded to modern challenges by reconceptualizing notions of peoplehood, identity, and nationalism. Following these intellectual contours, rather than conceiving of native culture as totalizing, static, and/or incommensurable—as always already foreign—responsive readings informed by the critical work of Gerald Vizenor can support more sophisticated understandings of native literary production while revealing sites of native transmotion. Through a thusly informed examination of the work of the Tlingit poet, Nora Marks …

On Writing Neo-Victorian Fiction: James Miranda Barry (1999) And Sophie And The And The Sibyl: A Victorian Romance (2015), Patricia Duncker

The George Eliot Review Online, ISSN: 2831-5375

This is the text of the Forty-Fourth George Eliot Memorial Lecture delivered at the Chilvers Coton Heritage Centre on 10 October, 2015. An extended version of this article will appear in late 2016 or early 2017 as an interview/essay in the series 'anglistik & englischunterricht': Christina Flotmann and Anna Lienen (eds.), Victorian Ideologies in Contemporary British Culture, Heidelberg: Winter Verlag.

My first historical novel - lames Miranda Barry (1999) was not born a Neo-Victorian novel, but became one. And it had a very personal link to my own life. Barry was a nineteenth-century colonial doctor and medical reformer, who had …

Recovering The Beauty Of Medusa, Alexander M. Schlutz

Publications and Research

This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …

Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman

SANE journal: Sequential Art Narrative in Education

Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …