East Asian Languages and Societies Commons^™

A Study Of The Relationship Between Zhou Zuoren And Takeuchi Yoshimi As An Overseas Student In Beijing, Wanming Liu

Theoretical Studies in Literature and Art

From 1937 to 1939, Takeuchi Yoshimi studied in Beijing as an overseas student. During this time, he had adeveloped deep understanding of literature's inefficacy when confronted with Japanese invaders＇ political violence. At the sametime, through befriending Zhou Zuoren, Takeuchi was deeply affected by him, especially regarding his views on the relationshipbetween literature and politics, national character, cultural subjectivity, and modernization of East Asia. In the end, Zhou Zuoren became a bridge for Takeuchi Yoshimi to Lu Xun. By using the two key words, "ghost" and "sorrow of the East Asia people", to connect Zhou Zuoren and Lu Xun, Takeuchi expressed …

On The Relationship Between The Morality Advocating Campaign In The Qing Dynasty And Popular Novels, Caixun Chen

Theoretical Studies in Literature and Art

Through the nationwide Morality Advocating Campaign, the Qing government brought novels into cultural management, which had a profound influence on the creation and dissemination of the novel. In such a political and cultural ecology, censership and banning of novels, which had formed an important part of the social Morality Advocating Campaign, became a top- down, national cultural conscious action in Qing Dynasty. On the one hand, in order to enhance the effect of advocating morality, some“moralist scholars”intentionally fictionized the moral-instruction books. On the other hand, some novelists consciously utilized popular novels to implement persuasion in order to cooperate with the …

A Comparison Of The Two Historical Narrative Approaches To Qi Baishi's “Late Life Transformation”, Zhongyi Xia

Theoretical Studies in Literature and Art

The two historical narrative approaches to Qi Baishi's “late-life transformation” could be referred to as “the Sovietperspective” and “the non-Soviet perspective”. The former is characterized by “framing history with theory” and “substitutinghistory with theory”, while the latter “confirming theory with historical facts” and “constructing theory with historical facts”. Following the thread “constructing theory with historical facts”, one must valorize The Autobiography of Qi Baishi, because itssimple summary of “late-life transformation” is reliable as “history”, and as theory it is also superbly profound, which can shedlight on the absurdity of the Soviet perspective “framing history with theory”. Likewise, by following the …

Cento: The Categorizing Feature And Fictional Function Of Verse In The Vernacular Stories Of The Song And Yuan Dynasties, Chuyan Ye

Theoretical Studies in Literature and Art

In the vernacular stories of the Song and Yuan dynasties, centos of poems or ci-poems not only appear in the beginning of the story as a lead-in, but also widely exist in the rhymed texts of other parts. Judging by its content and form, the performance of centos is closely related to the art form of hesheng (a form of rhyme created upon sighting anything) in the Song and Yuan Dynasties. According to the audience's familiarity with the rhymed text, and the story-teller＇s categorization of knowledge and utilization of techniques, the centos in the story-telling scripts can be classified into …

The Aesthetics Of Witheredness And Artistic Creations In The Song Dynasty, Yun Dong

Theoretical Studies in Literature and Art

In the Song dynasty witheredness (ku) came to be the representation of a particular type of beauty, with the withered objects regarded as the object of aesthetic interest. The taste for witheredness manifests in various forms such as cold and thin, sparse and plain, old and strange, epitomizing the ancient-emulating aesthetics of the Song dynasty. Besides literary texts highlighting the withered objects, literati paintings constitute a unique world characterized by witheredness popularized with examples of withered objects such as dead trees, aged plum trees, and thin bamboos. The aesthetics for the withered reflects the taste and spiritual pursuit of the …

Yang Weizhen And The Changes Of Poetics In Late Yuan Dynasty, Fang Ding

Theoretical Studies in Literature and Art

The history of poetry in Yuan dynasty is usually divided into three periods. In the early Yuan period, the poetic style of late Tang dynasty and late Song dynasty was prevalence. In the middle-Yuan period, the high Tang style was emulated, as was represented by the so-called the Four Great Yuan Poets who were officials and served in the court. Yang Weizhen, an influential poet in late Yuan dynasty for his poetics, however, advocated the Six-Dynasty poetry as well as the works of Li Po, Li Ho, Tao Yuanming, Wei Yingwu, Liu Zongyuan, Du fu, Li Shangyin, etc. Yang Weizhen …

Anthologies Of Ancient Chinese Fiction Compiled By Western Sinologists And The Construction Of The Literary Style Of Fiction, Lijuan Song

Theoretical Studies in Literature and Art

Anthologies of ancient Chinese fiction compiled by Western Sinologists are an important channel for their textualization in the West. These fictive works exist mainly in three forms: selected translations of ancient Chinese fiction, selected works of Chinese literature, and histories of Chinese literature. Being translations, samples and selections at the same time, these texts also feature functions of in-betweenness, exhibition and criticism. Through translation, exhibition and criticism, those anthologies have not only textualized ancient Chinese fiction in the West, but also investigate Chinese fiction from Western perspective, which, regarding issues of translation, origin, and types of Chinese fiction, facilitated the …

An Analysis Of Chinese Fiction's Impact On The Joseon Conception Of Fiction, Weiguo Zhao

Theoretical Studies in Literature and Art

Based on the literature of Goryeo and Joseon fiction, this article aims to study ancient Korean fictive works written in Chinese, and explores the conception of early Goryeo and Joseon fiction from the lens of its reception of Chinese understanding of fiction. With the wide spread of fictive works such as Taiping Guangji and Jiandeng Xinhua on the Korean Peninsula, Goryeo and Joseon scholars began to understand and consciously create fiction. Then, Seo Geojung and Yi Seungso, who inherited the Confucian conception of fiction, put forward the“jesting theory”and“completing history theory”. These ideas not only laid the foundation for the development …

Narratives Of Journey To The West In Overseas Sinology, Hongbo Zhu, Xinxin Wang

Theoretical Studies in Literature and Art

Since the mid-20th century, in Japan, as well as some European and American countries, studies of Journey to the West have started to emerge, which, with rich content and fruitful achievements, are in themselves narratives of overseas Sinology on this novel. Besides being an important part of overseas Sinology, they are also an extension to the modern study of Journey to the West in China, which testifies to the significance of cultural exchange in the process of “Chinese culture going West”. At the same time, through examining and interpreting Journey to the West from the perspective of global and modern …

On Allegory, Metaphor, And Allegorical Interpretation, Longxi Zhang

Theoretical Studies in Literature and Art

In the 4th and 5th centuries B.C., the rise of philosophy challenged the authority of Homer and many philosophers, notably Plato, dismissed Homer and poetry in the quarrel between poetry and philosophy. Some other philosophers, however, particularly the Stoics, came to the defence of Homer by proposing the idea of allegory and arguing that the Homeric epics contained a spiritual meaning beyond the literal sense of the text. Similarly, the Song of Songs in the Bible was also questioned by both Jewish rabbis and Christian interpreters because of its sensual language and eroticism. It was again allegorical interpretation that came …

Ataka, Anthony H. Chambers

Mime Journal

No abstract provided.

On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo

Mime Journal

No abstract provided.

Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe

Mime Journal

No abstract provided.

Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia

Mime Journal

No abstract provided.

Mochizuki: History And Context, Michael Watson

Mime Journal

No abstract provided.

From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li

Mime Journal

Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …

Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer

Mime Journal

No abstract provided.

On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo

Mime Journal

No abstract provided.

A Fat Imposter: The Embodied Intersection Between Race, Body Type And Fatness In Margaret Cho’S Comedy, Julia Cox

Theses and Dissertations--Linguistics

Margaret Cho is a comedic goddess who, in her mockery, serves flaming hot social commentary about race, body image, and fatness. Within this thesis, I used critical discourse analysis to understand how Margaret Cho embodies Asianness, whiteness, and the body types and images prescribed respectively. While working on data analysis, I came across a common media trope of fat women: the use of indexically Southern (United States), Appalachian, and Working class indexicals in speech and lexical items. I connected the ideologies surrounding Southern and Appalachian language to the inequalities that fat women face. This voicing had not previously been written …

Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton

Senior Honors Projects, 2020-current

Guided by the Director of the Madison Art Collection and Lisanby Museum, Virginia Soenksen,I served as the Curatorial Assistant for the Lisanby Museum’s forthcoming exhibition Savoring the Moon: Japanese Prints of the Floating World. The exhibition will highlight the Madison ArtCollection’s impressive Japanese woodblock prints in the ukiyo-e style. Ukiyo-e translates to“pictures of the floating world.” This style proliferated in Japan during the Edo period (1603 - 1868) and Meiji period (1868 - 1912), with visual themes that ranged from flora and fauna, Japanese ceremonies, kabuki actors, mythology, courtesans, and cultural pastimes. The estate of Charles Alvin Lisanby gifted over …

Memory Bread, Nisiqi

Art + Design Masters Theses

Memory Bread, constituting a daily performance ritual and the post-action objects, seeks to address the generational decline of mother language use in Inner Mongolia Autonomous Region, a post-colonized province of China. I chose to eat sliced white bread in the performance and later casted concrete sculptures as the extension of the action for both substances’ capitalistic nature. Being an invasive material that took over the traditional architectural lifestyle, the use of concrete mirrors the pervasive cultural and ethnic assimilation in China. Meanwhile, the materiality of concrete being a mixture of various substances also metaphors the mixed culture that Chinese-Mongolians …

Theatre & The Environment: Cross-Cultural Exchange Through Travel And Performance Activism, Betel Solomon Tesfamariam

EnviroLab Asia

Performance activism, collaborative and cross-cultural, were keys to the success of EnviroLab Asia's clinic trip to Thailand in May 2018. Working with peers in Thai universities, this writer reflects on the degree to which her immersion in local environmental struggles in Thailand, and the compelling theater project that grew out of it, also has helped her understand some of the same pressures that confront her home communities in Africa.

Familiarity & Unfamiliarity, Luyi Huang

EnviroLab Asia

During the May 2018 EnviroLab Clinic Trip to Thailand, and as part of the performance group, the author encountered an important linguistic barrier. Because the Thai and US-based dancers did not know each other's language, they had to learn to trust each other's body language as their form of communication. The unfamiliar became familiar.

Exploring Gender Through Art In Myanmar, Allison E. Joseph

EnviroLab Asia

No abstract provided.

Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim

CLCWeb: Comparative Literature and Culture

In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …

"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones

Master's Projects and Capstones

Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators and cause a drain of creative …

1999 Aaa Jrpg Quality And How A 2019 Indie-Game Developer Can Meet It, Kailynn Haskell-Harbert

Capstone Projects and Master's Theses

This paper is a delve into 1999 JRPG AAA video games and how small developers can make something of similar quality with contemporary technology. This is explored by using Final Fantasy VIII and Lunar: Silver Star Story Complete as a 1999 AAA standard, then comparing that standard to modern indie-games as well as my own experience in indie-game development. The ultimate goal of the paper is to prove that small indie-game studios can create 1999 AAA quality JRPGs with relatively minimal investment.

New Directions For Kabuki Performances In America In The 21st Century, Narumi Iwasaki

Dissertations and Theses

Transitions from the first kabuki performance abroad in Russia in 1928 to the recent performances around the world show various changes in the purpose and production of kabuki performances overseas. Kabuki has been performed as a Japanese traditional art in the U.S. for about 60 years, and the United States has seen more kabuki than any other country outside of Japan. Those tours were closely tied to national cultural policy of both Japan and the USA in the early years. The first kabuki tour to New York in 1960 helped to reestablish the U.S-Japan relationship after the war.

However, recently …

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …

The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin

CLCWeb: Comparative Literature and Culture

In her article, “The Colonized Masculinity and Cultural Politics of Seediq Bale,” Chin-ju Lin discusses a Taiwanese blockbuster movie, a postcolonial historiography and a form of life-writing, which delineates the last Indigenous insurrection against Japanese colonialism. This article explores the cultural representations in Seediq Bale. Fighting back as a colonized man for pride and dignity is portrayed as means to restore their masculine identity. The headhunting tradition is remembered, romanticized, praised highly as heroic and even strengthened in an inaccurate way to promote individualistic masculinity and to forge a new national identity in postcolonial Taiwan. Nevertheless, the stereotypical …