Open Access. Powered by Scholars. Published by Universities.®
East Asian Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Western Michigan University (78)
- Theoretical Studies in Literature and Art (57)
- Georgia Southern University (11)
- Purdue University (6)
- University of Nebraska - Lincoln (6)
-
- Kennesaw State University (4)
- University of Malaya (3)
- Binghamton University (2)
- Butler University (2)
- City University of New York (CUNY) (2)
- Coastal Carolina University (2)
- Portland State University (2)
- Yale University (2)
- Bowling Green State University (1)
- Bucknell University (1)
- California State University, Monterey Bay (1)
- Chapman University (1)
- Claremont Colleges (1)
- Eastern Illinois University (1)
- Indiana State University (1)
- Lingnan University (1)
- Louisiana State University (1)
- The University of San Francisco (1)
- Universitas Indonesia (1)
- University of Denver (1)
- University of Montana (1)
- Keyword
-
- Poetry (29)
- Translation (29)
- Western Literary Theory (11)
- Classical Literary Theory (10)
- Modern and Contemporary Literary Theory (8)
-
- Mutual Learning between Literary Theories (6)
- French (5)
- German (5)
- Arabic (4)
- Chinese (4)
- Korean literature (4)
- Literature (4)
- Theoretical Studies of Ancient Literature (4)
- Aesthetic Studies (3)
- Avant-garde (3)
- Comparative literature (3)
- Identity (3)
- Issue in Focus: Oversea Studies of Chinese Classical Literature (3)
- Issue in Focus: Studies of Peking Opera (3)
- Japanese (3)
- Japanese poetry (3)
- Short story (3)
- comparative literature (3)
- A Study of Socialist Discourse System with Chinese Characteristics (2)
- Aesthetic (2)
- Alain Badiou (2)
- Anime (2)
- Bruno Latour (2)
- Chinese literature (2)
- Comparative cultural studies (2)
- Publication Year
- Publication
-
- Transference (78)
- Theoretical Studies in Literature and Art (57)
- South East Coastal Conference on Languages & Literatures (SECCLL) (10)
- CLCWeb: Comparative Literature and Culture (5)
- Zea E-Books Collection (5)
-
- Journal of Global Initiatives: Policy, Pedagogy, Perspective (4)
- Student Works (2000-2009) (3)
- Comparative Literature Faculty and Student Scholarship (2)
- Philosophy and Religious Studies (2)
- Scholarship and Professional Work - LAS (2)
- All-Inclusive List of Electronic Theses and Dissertations (1)
- CEAS Reprint Series for Rare and Out of Print Publications (1)
- Capstone Projects and Master's Theses (1)
- Charleston Library Conference (1)
- Dissertations and Theses (1)
- Dissertations, Theses, and Capstone Projects (1)
- Electronic Theses and Dissertations (1)
- English (MA) Theses (1)
- Faculty Journal Articles (1)
- Graduate Student Theses, Dissertations, & Professional Papers (1)
- Honors College Theses (1)
- LSU Master's Theses (1)
- Master of Arts in English Plan II Graduate Projects (1)
- Master's Projects and Capstones (1)
- Masters Theses (1)
- Paradigma: Jurnal Kajian Budaya (1)
- Student Theses (1)
- Student Work (1)
- The Transdisciplinary STEAM+ Journal (1)
- University Honors Theses (1)
- Publication Type
Articles 61 - 90 of 190
Full-Text Articles in East Asian Languages and Societies
Cabaret Voltaire Or Kabarett Voltaire? Three Breakthroughs Of The Concept Gesamtkunstwerk, Duozhi Chen
Cabaret Voltaire Or Kabarett Voltaire? Three Breakthroughs Of The Concept Gesamtkunstwerk, Duozhi Chen
Theoretical Studies in Literature and Art
The birthplace of Dadaism in Switzerland is often simply translated into Chinese as “Voltaire Pub”. As an art salon, it actually finds its prototype in artists' pubs in Germany. The word “Cabaret” translated as “pub”, is also the general term for the entertaining variety shows therein,which originated in France. After its introduction into the German-speaking area, Cabaret became Kabarett and its cultural connotations and ways of presentations underwent great changes due to its collision with the avant-garde movement. Therefore, the simplified understanding of Cabaret as a pub downplays the significance of the Cabaret Voltaire in the history of modern art. …
Writing Of Futurity: On Derrida's Hauntology, Yun Li
Writing Of Futurity: On Derrida's Hauntology, Yun Li
Theoretical Studies in Literature and Art
In Spectres of Marx, Jacques Derrida answers the post-Levinasian question: how to respond to the Other. He claims that The Communist Manifesto has become an injunction of Marx, who requires our response. We have to respond to it and speak, as Marx does, in a non-metaphysical way. Since it is beyond the economy of re-presentation, writing does not produce presence. Thus, everything in it is spectral. But it takes us into l＇avenir or futurity, a "spacing ( and) temporizing" different from the space-time produced by re-presentation, because it constitutes an "ethicality" which goes beyond the metaphysical subjective conquest of the …
Post-Structural Theories And Chinese Feminist Criticism: On The Theorization Of Women's “Subjectivity” In The Cultural Studies Of Socialist China, Xi Liu
Theoretical Studies in Literature and Art
Centering on the conceptualization of "subjectivity," this article first traces the post-structural theories' impact on as well as their complex relationship with Western feminism. It then explores the development of the theorization of “women 's subjectivity" in academic research on Chinese women and gender discourses in socialist China from the 1980s. By examining the application of three influential theorists, Louis Althusser, Michel Foucault, and Judith Butler, in the Chinese context, this article intends to show the complex genealogy of "appropriating" post-structural theories for different agendas of contemporary Chinese feminist criticism. Some scholars integrated post-structural ideas into liberal-humanist discourses; some employed …
Narrative Of Habitus Distinction: From Fantasy Of Identity To Competition Of Elegance——Centering On The Image Of People Subject To Identity Transformations In Modern Fictions, Daizong Yu
Theoretical Studies in Literature and Art
Sociological or anthropological list of the habitus of people are from different classes, focusing on the strategy and function of habitus distinction in social struggles from the perspectives of political culture, economic level, and intergenerational reproduction. In contrast, modern fictions depict different forms of struggles from the perspectives of perceptual experience, emotional change, and taste preference. The narrative of habitus distinction in modern fictions shows the obstinacy of old habitus, the fragility of new habitus, and the aggressiveness of habitus in the struggles of classification. Its insight and aesthetic interpretation provide not only a more precise way but also a …
Socialist-Realist Art From The Perspective Of Gaze Theory: An Inquiry From Filmology To Iconology, Ying Lu
Socialist-Realist Art From The Perspective Of Gaze Theory: An Inquiry From Filmology To Iconology, Ying Lu
Theoretical Studies in Literature and Art
"Socialist-realist gaze," linking gaze and socialist realist literary thoughts, refers to the visual communication of heroic figures on the external points off the screen in shooting Chinese revolutionary films. Such gaze, being invisible and with shared sight, returns to Jacques Lacan's gaze theory because of its intersubjective functioning. During its generation and function, socialist-realist gaze breaks the limitation of pictorial space, extends the boundary of screen as a "quilting point," and connects characters and audiences with ideological truth. As a performative image behavior, it arouses and strengthens the empathy between the viewers and the hero.
Fables Agreed Upon: A Comparative Study Of New Historicism And Alternate History, Feng Li, Yitzhak Lewis
Fables Agreed Upon: A Comparative Study Of New Historicism And Alternate History, Feng Li, Yitzhak Lewis
Theoretical Studies in Literature and Art
New Historicism and alternate history raise similar questions regarding history and ideology. New Historicism reads every text as an alternate history narrative, while the narrative mode in alternate history can inspire a nuanced understanding of the critical positions promoted by New Historicism. The paper offers a comparative study of the two in terms of their conceptualizations of historical narrative, intertextuality, narrativity, non-linear structure and spatiality. It seeks to create dialogues between different voices in both the critical theory and the literary genre with respect to their attention to mundane matters, their allusions to the present and projections of the future, …
“Birth Of New Things From Old Things”: The Dialectics Of Ding Ling's “Transformation” In The Left-Wing Literature Movement During The 1930s, Shujie Wu
Theoretical Studies in Literature and Art
Written in the summer of 1931, Ding Ling's Flood is considered to represent her turn to the left-wing. This was the result of Ding Ling's transformation in thought and the construction in the organized movement of the League of Left-wing Writers. With the dialectical materialist method of creation, Feng Xuefeng reinterpreted Flood, turning it into a practice of the "November Resolution". This established new space of discourse and path of practice for the cultural struggle of left-wing writers in the new situation.
A Study Of The Relationship Between Zhou Zuoren And Takeuchi Yoshimi As An Overseas Student In Beijing, Wanming Liu
A Study Of The Relationship Between Zhou Zuoren And Takeuchi Yoshimi As An Overseas Student In Beijing, Wanming Liu
Theoretical Studies in Literature and Art
From 1937 to 1939, Takeuchi Yoshimi studied in Beijing as an overseas student. During this time, he had adeveloped deep understanding of literature's inefficacy when confronted with Japanese invaders＇ political violence. At the sametime, through befriending Zhou Zuoren, Takeuchi was deeply affected by him, especially regarding his views on the relationshipbetween literature and politics, national character, cultural subjectivity, and modernization of East Asia. In the end, Zhou Zuoren became a bridge for Takeuchi Yoshimi to Lu Xun. By using the two key words, "ghost" and "sorrow of the East Asia people", to connect Zhou Zuoren and Lu Xun, Takeuchi expressed …
On The Relationship Between The Morality Advocating Campaign In The Qing Dynasty And Popular Novels, Caixun Chen
On The Relationship Between The Morality Advocating Campaign In The Qing Dynasty And Popular Novels, Caixun Chen
Theoretical Studies in Literature and Art
Through the nationwide Morality Advocating Campaign, the Qing government brought novels into cultural management, which had a profound influence on the creation and dissemination of the novel. In such a political and cultural ecology, censership and banning of novels, which had formed an important part of the social Morality Advocating Campaign, became a top- down, national cultural conscious action in Qing Dynasty. On the one hand, in order to enhance the effect of advocating morality, some“moralist scholars”intentionally fictionized the moral-instruction books. On the other hand, some novelists consciously utilized popular novels to implement persuasion in order to cooperate with the …
A Comparison Of The Two Historical Narrative Approaches To Qi Baishi's “Late Life Transformation”, Zhongyi Xia
A Comparison Of The Two Historical Narrative Approaches To Qi Baishi's “Late Life Transformation”, Zhongyi Xia
Theoretical Studies in Literature and Art
The two historical narrative approaches to Qi Baishi's “late-life transformation” could be referred to as “the Sovietperspective” and “the non-Soviet perspective”. The former is characterized by “framing history with theory” and “substitutinghistory with theory”, while the latter “confirming theory with historical facts” and “constructing theory with historical facts”. Following the thread “constructing theory with historical facts”, one must valorize The Autobiography of Qi Baishi, because itssimple summary of “late-life transformation” is reliable as “history”, and as theory it is also superbly profound, which can shedlight on the absurdity of the Soviet perspective “framing history with theory”. Likewise, by following the …
Cento: The Categorizing Feature And Fictional Function Of Verse In The Vernacular Stories Of The Song And Yuan Dynasties, Chuyan Ye
Theoretical Studies in Literature and Art
In the vernacular stories of the Song and Yuan dynasties, centos of poems or ci-poems not only appear in the beginning of the story as a lead-in, but also widely exist in the rhymed texts of other parts. Judging by its content and form, the performance of centos is closely related to the art form of hesheng (a form of rhyme created upon sighting anything) in the Song and Yuan Dynasties. According to the audience's familiarity with the rhymed text, and the story-teller＇s categorization of knowledge and utilization of techniques, the centos in the story-telling scripts can be classified into …
The Aesthetics Of Witheredness And Artistic Creations In The Song Dynasty, Yun Dong
The Aesthetics Of Witheredness And Artistic Creations In The Song Dynasty, Yun Dong
Theoretical Studies in Literature and Art
In the Song dynasty witheredness (ku) came to be the representation of a particular type of beauty, with the withered objects regarded as the object of aesthetic interest. The taste for witheredness manifests in various forms such as cold and thin, sparse and plain, old and strange, epitomizing the ancient-emulating aesthetics of the Song dynasty. Besides literary texts highlighting the withered objects, literati paintings constitute a unique world characterized by witheredness popularized with examples of withered objects such as dead trees, aged plum trees, and thin bamboos. The aesthetics for the withered reflects the taste and spiritual pursuit of the …
Yang Weizhen And The Changes Of Poetics In Late Yuan Dynasty, Fang Ding
Yang Weizhen And The Changes Of Poetics In Late Yuan Dynasty, Fang Ding
Theoretical Studies in Literature and Art
The history of poetry in Yuan dynasty is usually divided into three periods. In the early Yuan period, the poetic style of late Tang dynasty and late Song dynasty was prevalence. In the middle-Yuan period, the high Tang style was emulated, as was represented by the so-called the Four Great Yuan Poets who were officials and served in the court. Yang Weizhen, an influential poet in late Yuan dynasty for his poetics, however, advocated the Six-Dynasty poetry as well as the works of Li Po, Li Ho, Tao Yuanming, Wei Yingwu, Liu Zongyuan, Du fu, Li Shangyin, etc. Yang Weizhen …
Anthologies Of Ancient Chinese Fiction Compiled By Western Sinologists And The Construction Of The Literary Style Of Fiction, Lijuan Song
Theoretical Studies in Literature and Art
Anthologies of ancient Chinese fiction compiled by Western Sinologists are an important channel for their textualization in the West. These fictive works exist mainly in three forms: selected translations of ancient Chinese fiction, selected works of Chinese literature, and histories of Chinese literature. Being translations, samples and selections at the same time, these texts also feature functions of in-betweenness, exhibition and criticism. Through translation, exhibition and criticism, those anthologies have not only textualized ancient Chinese fiction in the West, but also investigate Chinese fiction from Western perspective, which, regarding issues of translation, origin, and types of Chinese fiction, facilitated the …
An Analysis Of Chinese Fiction's Impact On The Joseon Conception Of Fiction, Weiguo Zhao
An Analysis Of Chinese Fiction's Impact On The Joseon Conception Of Fiction, Weiguo Zhao
Theoretical Studies in Literature and Art
Based on the literature of Goryeo and Joseon fiction, this article aims to study ancient Korean fictive works written in Chinese, and explores the conception of early Goryeo and Joseon fiction from the lens of its reception of Chinese understanding of fiction. With the wide spread of fictive works such as Taiping Guangji and Jiandeng Xinhua on the Korean Peninsula, Goryeo and Joseon scholars began to understand and consciously create fiction. Then, Seo Geojung and Yi Seungso, who inherited the Confucian conception of fiction, put forward the“jesting theory”and“completing history theory”. These ideas not only laid the foundation for the development …
Narratives Of Journey To The West In Overseas Sinology, Hongbo Zhu, Xinxin Wang
Narratives Of Journey To The West In Overseas Sinology, Hongbo Zhu, Xinxin Wang
Theoretical Studies in Literature and Art
Since the mid-20th century, in Japan, as well as some European and American countries, studies of Journey to the West have started to emerge, which, with rich content and fruitful achievements, are in themselves narratives of overseas Sinology on this novel. Besides being an important part of overseas Sinology, they are also an extension to the modern study of Journey to the West in China, which testifies to the significance of cultural exchange in the process of “Chinese culture going West”. At the same time, through examining and interpreting Journey to the West from the perspective of global and modern …
On Allegory, Metaphor, And Allegorical Interpretation, Longxi Zhang
On Allegory, Metaphor, And Allegorical Interpretation, Longxi Zhang
Theoretical Studies in Literature and Art
In the 4th and 5th centuries B.C., the rise of philosophy challenged the authority of Homer and many philosophers, notably Plato, dismissed Homer and poetry in the quarrel between poetry and philosophy. Some other philosophers, however, particularly the Stoics, came to the defence of Homer by proposing the idea of allegory and arguing that the Homeric epics contained a spiritual meaning beyond the literal sense of the text. Similarly, the Song of Songs in the Bible was also questioned by both Jewish rabbis and Christian interpreters because of its sensual language and eroticism. It was again allegorical interpretation that came …
Notes On Contributors, Molly Lynde-Recchia
On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney
On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney
Transference
Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.
Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow
Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow
Transference
Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"
Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist
Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist
Transference
No abstract provided.
Drops From Black Candles By Abdallah Zrika, Mike Baynham
Drops From Black Candles By Abdallah Zrika, Mike Baynham
Transference
English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.
While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson
While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson
Transference
A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.
Corona By Paul Celan, David Capps
Five Poems By Michael Krüger, Louise Stoehr
Two Poems By Charles Baudelaire, Arnold Johnston
Two Poems By Charles Baudelaire, Arnold Johnston
Transference
Arnold Johnston's translations of Baudelaire's "The Lovely Ship" and "Invitation to the Voyage."
Blue Crystal By Martha Hofmann, Paul J. Shlichta
Blue Crystal By Martha Hofmann, Paul J. Shlichta
Transference
A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.
Two Poems By Nohad Salameh, Susanna Lang
Two Poems By Nohad Salameh, Susanna Lang
Transference
Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."
Persistence Of Memory After A Poem By Bashō, John Savoie
Persistence Of Memory After A Poem By Bashō, John Savoie
Transference
This piece merges a classic haiku of Bashō with a contemporary English poem, first as its own new creative piece, then contemplated further in the commentary.
Four Poems By Rainer Maria Rilke, Susan Mclean
Four Poems By Rainer Maria Rilke, Susan Mclean
Transference
Translations of four German poems from New Poems by Rainer Maria Rilke (1875-1926): "The Blind Man," "The Donor," "The Arrival," and "Lady on a Balcony."