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Modern Literature

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Articles 181 - 190 of 190

Full-Text Articles in East Asian Languages and Societies

The Canning Factory, Bruce Fulton Jun 2011

The Canning Factory, Bruce Fulton

Journal of Global Initiatives: Policy, Pedagogy, Perspective

A short story by P'yon Hye-yong, translated by Soohyun Chang.


The Munhak Tongne Phenomenon: The Publication Of Literary Fiction In South Korea Today, Bruce Fulton Jun 2011

The Munhak Tongne Phenomenon: The Publication Of Literary Fiction In South Korea Today, Bruce Fulton

Journal of Global Initiatives: Policy, Pedagogy, Perspective

In this essay I outline some of the profound ways in which the literary culture of South Korea has changed since the mid-1990s, particularly with respect to the publication of literary fiction. I discuss four prominent publishers of literary fiction in South Korea. I argue that among these four publishers, Munhak Tongne has spearheaded a movement toward a more reader-friendly posture among publishers of literary fiction. I suggest in conclusion that Munhak Tongne has established a paradigm for the publication of literary fiction in South Korea in the new millennium.


Lightning Rod, Bruce Fulton Jun 2011

Lightning Rod, Bruce Fulton

Journal of Global Initiatives: Policy, Pedagogy, Perspective

A short story by Kim Young-ha, translated by Jane Lee.


From Larva To Butterfly: Sophia In Ding Ling’S Miss Sophia’S Diary And Coco In Wei Hui’S Shanghai Baby, Xiaoqing Liu Jan 2011

From Larva To Butterfly: Sophia In Ding Ling’S Miss Sophia’S Diary And Coco In Wei Hui’S Shanghai Baby, Xiaoqing Liu

Scholarship and Professional Work - LAS

Sophia and Coco are two characters in Ding Ling's Miss Sophia's Diary (1928/1995) and Wei Hui's Shanghai Baby (1999), respectively. Like a larva, Sophia, who enters society in the early twentieth century, is weak and immobile. Coco, who lives at the end of the twentieth century, is like a butterfly leading an outlandish lifestyle. The differences between Sophia and Coco reflect the achievement of official feminism, which liberated Chinese women from traditional patriarchal control in the social sense. However, gender issues for women remain unresolved. To fight against traditional patriarchy and especially challenge gender oppression in official feminism, both Sophia …


Perwatakan Wanita Dalam Drama Moden Lao She (1899-1966), Kee Ping Yong Jan 2000

Perwatakan Wanita Dalam Drama Moden Lao She (1899-1966), Kee Ping Yong

Student Works (2000-2009)

Lao She (1899-1966) was one of the greatest realist writers in modem Chinese literature. His achievements had won him high acclaim in the literary world. Apart from his novels, poems, critiques and essays, he was also known for his many excellent dramas, where he showed his talent in character portrayal. Most notably, he succeeded in creating vivid male and female roles with unique individual traits. The focus of this research is the various female characters in Lao She's modem dramas.


Huang Zunxian (1848-1905) Sebagai Diplomat Dan Penyair China, Keng Lee Tay Jan 2000

Huang Zunxian (1848-1905) Sebagai Diplomat Dan Penyair China, Keng Lee Tay

Student Works (2000-2009)

Huang Zunxian (1848-1905) was a famous patriot and diplomat during the Qing dynasty (1644-1911). Besides that, he was also an outstanding poet who expressed his reformation ideas through poetry between the middle of the 19th century and beginning of the 20th century. Huang's life as a diplomat and poet was paved with numerous obstacles and he even had to counter many different challenges. He served as a diplomat for twelve years, beginning his first diplomat duty in Japan in 1877, where he served for five years. During his stint in Japan, he made and improved cultural ties between Japan and …


Perkembangan Sastera Cina Di Sarawak (1950-1962), Hee Wong Jan 2000

Perkembangan Sastera Cina Di Sarawak (1950-1962), Hee Wong

Student Works (2000-2009)

This research project concentrates on the development of the Sarawak Chinese Literature in the nineteen fifties and early sixties. In the early fifties, the Sarawak Chinese Literature was still in its infancy stage. The youths had yet come of age and were struggling and searching for their paths in literary writing. Hence, their works were short in quantity and inferior in quality. However, these works were strongly associated with the time and thought of the society of the period. They reflected the change in attitude towards national identity, the absorption and acceptance of the socialist dogmatism and the perseverance and …


香港與台灣現代詩的關係 : 從個人的體驗說起 The Relationship Between The Modernist Poetry Of Hong Kong And That Of Taiwan: Personal Experience As A Point Of Departure, Ping Kwan Leung Dec 1994

香港與台灣現代詩的關係 : 從個人的體驗說起 The Relationship Between The Modernist Poetry Of Hong Kong And That Of Taiwan: Personal Experience As A Point Of Departure, Ping Kwan Leung

Volume 2

No abstract provided.


The Epic Of Ezra Pound: A Modern Poet's Quest In China's Antiquity, Sun Hong May 1989

The Epic Of Ezra Pound: A Modern Poet's Quest In China's Antiquity, Sun Hong

All-Inclusive List of Electronic Theses and Dissertations

Although the influence of the Chinese culture on Ezra Pound has long been recognized in the study of his Cantos, the question of whether his work should be regarded as a "transmission" or an "invention" requires a more substantial consideration of both his work and the Chinese tradition. This thesis attempts to supply an evidence to T. s. Eliot's answer to the question about Pound's status regarding the Chinese culture--namely, that Pound was "the inventor of the Chinese poetry for our times." To do so three features of the Cantos are considered: the philosophy of Confucius, particularly the text Da …


The Cat Who Went To Heaven, Elizabeth Coatsworth, Lynd Ward Jan 1930

The Cat Who Went To Heaven, Elizabeth Coatsworth, Lynd Ward

Zea E-Books in American Studies

Winner of the Newbery Medal for excellence in American children's literature in 1931, this novel is the story of a struggling Japanese artist and his housekeeper who adopt a three-colored cat and how that affects their lives and fortunes. Commissioned to make a painting of the death of Buddha to be hung in the village temple, the artist imagines the various animals whose forms had been taken in the Buddha’s past lives and the generous deeds they had done, as the cat—auspiciously named “Good Fortune”—looks on with hopes to be included. Could a cat, from a species usually so proud …