East Asian Languages and Societies Commons^™

My Bones, Journey, And Winds Of Betrayal: On Artaud's Van Gogh By Yoko Mihashi

Transference

Translated from the Japanese by Steve Light.

Flared Skirt And The Healds By Arai Takako, Carol Hayes Dr, Rina Kikuchi

Transference

Translated from the Japanese by Carol Hayes and Rina Kikuchi.

A Poet's Eye: Poems By Princess Shikishi, Rose Bundy

Transference

Translated from the Japanese by Rose Bundy.

Whether You See Me Or Not By Tan Xiaojing, Jun Tang

Transference

Translated from the Chinese by Jun Tang.

I Am A Child Of The Sun By Fukushi Kōjirō, Joshua L. Solomon

Transference

Translated from the Japanese by Joshua Solomon.

Ennui By Abe Kōbō, Darcy L. Gauthier

Transference

Translated from the Japanese by Darcy L. Gauthier.

Foreword

Transference

No abstract provided.

Transference Vol. 3, Fall 2015

Transference

No abstract provided.

Rereading SōSeki: Three Early Twentieth-Century Japanese Novels, Reiko Abe Auestad

CEAS Reprint Series for Rare and Out of Print Publications

For the first project in the Council on East Asian Studies’s reprint series for rare and out of print publications, we are pleased to introduce an electronic republication of Rereading Sōseki: Three Early Twentieth-Century Japanese Novels, a very influential work from 1998 on the celebrated Japanese novelist Natsume Sōseki, written by Reiko Abe Auestad of the University of Oslo. J. Keith Vincent of Boston University has written a new introduction, and Auestad has provided a new preface as well as a bibliography of recent critical studies on Sōseki. We would like to thank John Whittier Treat for recommending this …

Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang

CLCWeb: Comparative Literature and Culture

In her article "Han's (韓邦慶) Novel海上花列傳 (The Sing-Song Girls of Shanghai) and Urbanity in Late Qing Shanghai" Xiaojue Wang discusses the relationship between the urban milieu in the foreign concessions of Shanghai and the late Qing courtesan culture through a critical reading of Bangqing Han's (韓邦慶1856-1894) novel The Sing-Song Girls of Shanghai. Wang argues that Han's novel is a significant departure from traditional vernacular fiction in three aspects: 1) its illustration of the connection between courtesan culture and the rising modern city, 2) its portrayal of emergent female subjectivity and female space in the late Qing, …

Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao

CLCWeb: Comparative Literature and Culture

In his article "Variation Theory and Reception of Chinese Literature in the English-Speaking World" Shunqing Cao introduces "variation theory" he developed and suggests that the framework can be applied in studying the dissemination and reception of Chinese literature in the English-speaking world. Cao argues that cultural and literary differences produce variations in literary exchanges among different cultures and variation theory concentrates on these variations. With unique perspectives on variation in translation, cultural misreading, and domestication, variation theory is a useful theoretical framework and methodology for the study of the reception of Chinese literature in the English-speaking world.

Haruki Murakami And Religion: The Nature Of Religion In 1q84 And Colorless Tsukuru Tazaki And His Years Of Pilgrimage, Ronald S. Green

Philosophy and Religious Studies

This course focuses on underlying religious and philosophical assumptions in the most recent works of Haruki Murakami (1949-), 1Q84 in three volumes and Colorless Tsukuru Tazaki and His Years of Pilgrimage. Murakami is the most popular and widely read novelist in Japan today and a major literary figure worldwide. He cites as his two sources for inspiration in writing 1Q84 George Orwell and the AUM religious cult, responsible for bombing Tokyo subways with sarin gas in the 1990s.

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Commentary On Translating Tao Yuanming And Li Shangyin, Andrew Gudgel

Transference

Notes by Andrew Gudgel on the translation of three Chinese poems into English.

Frost Moon And Autumn Arrives By Li Shangyin, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Ryōan Temple Rock Garden By Murō Saisei, Michael Tangeman

Transference

Translated from the Japanese with commentary by Michael Stone Tangeman.

Gray Toad And Color Of The Season By Ōte Takuji, Dean A. Brink

Transference

Translated from the Japanese with commentary by Dean A. Brink.

Mona Lisa, A Deer, That Man, And The Night Of An Artificial Satellite By Murano Shirō, Goro Takano

Transference

Translated from the Japanese with commentary by Goro Takano.

The Banyan Tree, Untitled, To --, A Dried Flower--For Someone, Palace-Cave Mountain, And Nanmu Forest By Cai Qijiao, Edward A. Morin

Transference

Translated from the Chinese with commentary by Edward Morin, Dennis Ding, and Fang Dai.

Ribbons Of May, Fading, Green, And Angels Of The Sea By Sagawa Chika, Rina Kikuchi, Carol Hayes

Transference

Translated from the Japanese with commentary by Rina Kikuchi and Carol Hayes.

Foreword, David Kutzko, Molly Lynde-Recchia

Transference

Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.

Transference Vol. 2, Fall 2014, Molly Lynde-Recchia

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Situating A Badiouian Anthropocene In Hagiwara's Postnatural Poetry, Dean A. Brink

CLCWeb: Comparative Literature and Culture

In his article "Situating a Badiouian Anthropocene in Hagiwara's Postnatural Poetry" Dean A. Brink discusses the ecological dimension of the poetry of one of the founding voices in modern Japanese poetry, Sakutarō Hagiwara (1886-1942). Brink argues that Hagiwara developed a poetics characterized by engagements with nonhuman organisms and actants to situate the materiality of these actants in ways that diffuse the binary of "language" and "nature" and present a postnatural relationality that Bruno Latour describes. Drawing on the recent work of Alain Badiou, Brink explores materialist alternatives to representationalism—including the Lacanian triangle of the imaginary real and symbolic—by emphasizing human-nonhuman …

Course Syllabus (Sp14) Coli 211 Literature & Psychology: "The Sublime, The Uncanny, And The Imagination", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

In a world in which what counts as knowledge is predominantly restricted to the measurable and the calculable, those elements of human experience which elude and exceed these parameters are often ignored and discounted. In this course, we will examine questions of the sublime, the uncanny, and the speculative as treated in literature, psychoanalysis, and philosophy in order to think and write critically about them. Here, we will consider the possible extent to which an openness to such experiences can enrich our lives.

Hiroshima. At The Intersection Of Sciences, History, And Personal Narratives. A Personal Reflection., Gloria R. Montebruno Saller

The Transdisciplinary STEAM+ Journal

In the city of Hiroshima, Japan, sciences, history, and personal narratives meet. Atomic bomb survivors became the keepers of this town’s history and one of the most tragic chapters in the history of humankind; and as their voices fade to old age and death, there is a sense of urgency to keep their narratives alive. These are my personal reflections.

On The Dimension Of Narrative: Zhang Ailing’S Self Translation Of Her Novel, Spring-Sprout Song, Xiaoqing Liu

Scholarship and Professional Work - LAS

Zhang Ailing, in her self-translation of The Rice-Sprout Song from English to Chinese, made a special effort to adopt a Chinese narrative style. This style includes the Chinese way of depicting events, an emphasis on the narration of non-events, the addition and highlighting of the technique of irony, a strong lyrical tone, a simple and straightforward way of portraying characters, and the tailoring of narrative structure. Nevertheless, Zhang did not make her Chinese translation depart significantly from her "original" English writing, except for the last chapter, which was changed for other reasons. Rather, she made the changes in a subtle …

Modern Japanese Literature And Visual Culture: Constructions Of Religious And Historical Identity, Ronald S. Green

Philosophy and Religious Studies

This course is a survey of modern Japanese literature and visual culture since the Meiji Restoration (1868). It focuses on constructions of identities within historical contexts. Our objective is to analyze ways in which writers and artists have positioned their subjects and re-imagined culture to create particular portrayals. The class examines a selection of shōsetsu (the Japanese novel) of Natsume Soseki, Kawabata Yasunari, Mishima Yukio, Murakami Haruki, and Ogawa Yōko, films of Miyazaki Hayao, and important anime. The course promotes critical methodologies and interdisciplinary or comparative studies, combining, for example, literature with film, visual culture, gender studies, cultural history, Buddhist …

Transference Vol. 1, Summer 2013

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, Classical Greek and Latin, Japanese, and Russian into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Lessons In Immorality: Mishima's Masterpiece Of Humor And Social Satire, Nathaniel Peter Bond

Dissertations and Theses

From 1958 to 1959, Mishima Yukio published a series of satirical essays titled Lessons in Immorality, in the magazine Weekly Morningstar. Lessons in Immorality was made into a television series, a stage play, and a film.

Famous in the West for writing serious novels, Mishima's work as a humor writer is largely unknown. In these essays Mishima writes in a very comic style, making liberal use of hyperbole, burlesque, and travesty, in order to parody and satirize contemporary Japanese morality. Mishima uses humor to create a world in which Mishima Yukio, iconoclastic author and pop-culture figure, is an arbiter of …

Butterfly In The Dust, Bruce Fulton

Journal of Global Initiatives: Policy, Pedagogy, Perspective

A short story by Un Hui-gyong, translated by Jennifer Kyung.