East Asian Languages and Societies Commons^™

My Bones, Journey, And Winds Of Betrayal: On Artaud's Van Gogh By Yoko Mihashi

Transference

Translated from the Japanese by Steve Light.

Flared Skirt And The Healds By Arai Takako, Carol Hayes Dr, Rina Kikuchi

Transference

Translated from the Japanese by Carol Hayes and Rina Kikuchi.

A Poet's Eye: Poems By Princess Shikishi, Rose Bundy

Transference

Translated from the Japanese by Rose Bundy.

Whether You See Me Or Not By Tan Xiaojing, Jun Tang

Transference

Translated from the Chinese by Jun Tang.

I Am A Child Of The Sun By Fukushi Kōjirō, Joshua L. Solomon

Transference

Translated from the Japanese by Joshua Solomon.

Ennui By Abe Kōbō, Darcy L. Gauthier

Transference

Translated from the Japanese by Darcy L. Gauthier.

Excerpt From A Pilgrimage To Sumiyoshi By Ashikaga Yoshiakira, Kendra D. Strand

Transference

Translated from the Japanese by Kendra Strand.

Twelve Tanka On Scooters By Huang Minhuei, Dean A. Brink

Transference

Translated from the Japanese by Dean A. Brink.

Rainy Night In Linqing, Spring Rain, And Evening Meditations By Yao Nai, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Foreword

Transference

No abstract provided.

Transference Vol. 3, Fall 2015

Transference

No abstract provided.

Haiku's Reception And Practice In Contemporary North American Poetry, Judy Halebsky, Ayako Takahashi

Collected Faculty Scholarship

This article traces the chronological development of haiku translation, which includes Imagism and haiku, the transitional period around the 1950's, the emergence of English Haiku and contemporary haiku practice. To examine the influence of haiku in contemporary American poetry, the discussion includes west coast fi-ee verse poets whose work draws from Basho's haiku in different ways.

Article excerpt

Haiku's Reception And Practice In Contemporary North American Poetry, Ayako Takahashi, Judy Halebsky

English and Creative Writing | Faculty Scholarship

In the Meiji Restoration of 1868, the Meiji government implemented a wealth and military strength policy. This policy invited employed foreigners from western countries to Japan in order to modernize the nation by importing western laws, technologies and systems. Through these employed foreigners, Japanese literacy and literature were abruptly introduced into western countries. The translation of haiku in French influenced Symbolist poets and the translation in English also greatly influenced Imagist poets in England and the United States. The term haiku, it has been used since Shiki Masaoka. Before him, the words of haikai and hokku were brought into use …

文苑 (重刊號第15期), 第十九屆嶺南大學學生會中文系系會 (凝暄)

文苑

空

蜚語 (第十三期), 嶺南文社

嶺南文社 : 蜚語

遺失

Magic Wood, Nadia Stosija Barulich

CMC Senior Theses

This project is a translation of Liu Qingbang's novella 'Shénmù' from Chinese into English. It is also accompanied by an analysis of the text and Li Yang's movie 'Blind Shaft', which was based on the novella.

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Commentary On Translating Tao Yuanming And Li Shangyin, Andrew Gudgel

Transference

Notes by Andrew Gudgel on the translation of three Chinese poems into English.

Frost Moon And Autumn Arrives By Li Shangyin, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Cloudy Skies By Tao Yuanming, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Ryōan Temple Rock Garden By Murō Saisei, Michael Tangeman

Transference

Translated from the Japanese with commentary by Michael Stone Tangeman.

Selections From Man’Yōshū By Various Authors, John G. Peters

Transference

Translated from the Japanese with commentary by John Peters.

Gray Toad And Color Of The Season By Ōte Takuji, Dean A. Brink

Transference

Translated from the Japanese with commentary by Dean A. Brink.

Mona Lisa, A Deer, That Man, And The Night Of An Artificial Satellite By Murano Shirō, Goro Takano

Transference

Translated from the Japanese with commentary by Goro Takano.

The Banyan Tree, Untitled, To --, A Dried Flower--For Someone, Palace-Cave Mountain, And Nanmu Forest By Cai Qijiao, Edward A. Morin

Transference

Translated from the Chinese with commentary by Edward Morin, Dennis Ding, and Fang Dai.

Ribbons Of May, Fading, Green, And Angels Of The Sea By Sagawa Chika, Rina Kikuchi, Carol Hayes

Transference

Translated from the Japanese with commentary by Rina Kikuchi and Carol Hayes.

Foreword, David Kutzko, Molly Lynde-Recchia

Transference

Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.

Transference Vol. 2, Fall 2014, Molly Lynde-Recchia

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.

文苑 (重刊號第14期), 第十八屆嶺南大學學生會中文系系會 (流觴)

文苑

醉

Haiku In West Coast Poetics: What Kigo?, Judy Halebsky

Faculty Authored Books and Book Contributions

"

When I attended the Meguro International Haiku Circle last year, I asked for ideas for presentation topics. Someone suggested that I explain why poets in the U.S. are not overly concerned with kigo. Coming from a lineage of California poets influenced by haiku and Japanese poetry, I am not sure if I understand the subtleties of this challenge. However, the question of kigo brings up a larger issue: the cultural translation of haiku in the work of English language poets. Today, I would like to touch on the issues that have shaped how free verse poets in California translate …