East Asian Languages and Societies Commons^™

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Commentary On Translating Tao Yuanming And Li Shangyin, Andrew Gudgel

Transference

Notes by Andrew Gudgel on the translation of three Chinese poems into English.

Frost Moon And Autumn Arrives By Li Shangyin, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Cloudy Skies By Tao Yuanming, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Ryōan Temple Rock Garden By Murō Saisei, Michael Tangeman

Transference

Translated from the Japanese with commentary by Michael Stone Tangeman.

Selections From Man’Yōshū By Various Authors, John G. Peters

Transference

Translated from the Japanese with commentary by John Peters.

Gray Toad And Color Of The Season By Ōte Takuji, Dean A. Brink

Transference

Translated from the Japanese with commentary by Dean A. Brink.

Mona Lisa, A Deer, That Man, And The Night Of An Artificial Satellite By Murano Shirō, Goro Takano

Transference

Translated from the Japanese with commentary by Goro Takano.

The Banyan Tree, Untitled, To --, A Dried Flower--For Someone, Palace-Cave Mountain, And Nanmu Forest By Cai Qijiao, Edward A. Morin

Transference

Translated from the Chinese with commentary by Edward Morin, Dennis Ding, and Fang Dai.

Ribbons Of May, Fading, Green, And Angels Of The Sea By Sagawa Chika, Rina Kikuchi, Carol Hayes

Transference

Translated from the Japanese with commentary by Rina Kikuchi and Carol Hayes.

Foreword, David Kutzko, Molly Lynde-Recchia

Transference

Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.

Transference Vol. 2, Fall 2014, Molly Lynde-Recchia

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Situating A Badiouian Anthropocene In Hagiwara's Postnatural Poetry, Dean A. Brink

CLCWeb: Comparative Literature and Culture

In his article "Situating a Badiouian Anthropocene in Hagiwara's Postnatural Poetry" Dean A. Brink discusses the ecological dimension of the poetry of one of the founding voices in modern Japanese poetry, Sakutarō Hagiwara (1886-1942). Brink argues that Hagiwara developed a poetics characterized by engagements with nonhuman organisms and actants to situate the materiality of these actants in ways that diffuse the binary of "language" and "nature" and present a postnatural relationality that Bruno Latour describes. Drawing on the recent work of Alain Badiou, Brink explores materialist alternatives to representationalism—including the Lacanian triangle of the imaginary real and symbolic—by emphasizing human-nonhuman …

Course Syllabus (Sp14) Coli 211 Literature & Psychology: "The Sublime, The Uncanny, And The Imagination", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

In a world in which what counts as knowledge is predominantly restricted to the measurable and the calculable, those elements of human experience which elude and exceed these parameters are often ignored and discounted. In this course, we will examine questions of the sublime, the uncanny, and the speculative as treated in literature, psychoanalysis, and philosophy in order to think and write critically about them. Here, we will consider the possible extent to which an openness to such experiences can enrich our lives.

Laughter And The Cosmopolitan Aesthetic In Lao She's 二马 (Mr. Ma And Son), Jeffrey Mather

CLCWeb: Comparative Literature and Culture

In his article "Laughter and the Cosmopolitan Aesthetic in Lao She's 二马 (Mr. Ma and Son)" Jeffrey Mather discusses Lao She's (pseudonym for Qingchun Shu 1899-1966) texts and their naturalist portrayals of social life in China during a tumultuous period. Lao She's most celebrated works include the 1937 novel 骆驼祥子 (Rickshaw Boy) and the 1958 play 茶馆 (Teahouse), both of which were made into films in China. Rickshaw Boy was translated into English in 1945 and became an international bestseller, making Lao She one of the first modern Chinese writers known in the West. …

On The Dimension Of Narrative: Zhang Ailing’S Self Translation Of Her Novel, Spring-Sprout Song, Xiaoqing Liu

Scholarship and Professional Work - LAS

Zhang Ailing, in her self-translation of The Rice-Sprout Song from English to Chinese, made a special effort to adopt a Chinese narrative style. This style includes the Chinese way of depicting events, an emphasis on the narration of non-events, the addition and highlighting of the technique of irony, a strong lyrical tone, a simple and straightforward way of portraying characters, and the tailoring of narrative structure. Nevertheless, Zhang did not make her Chinese translation depart significantly from her "original" English writing, except for the last chapter, which was changed for other reasons. Rather, she made the changes in a subtle …

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

Navigating 18th Century Haiku: Translating The Poetry Of Yosa Buson, Allan Persinger

2013 New England Association for Asian Studies Conference

One of the difficulties in translating the poetry of Yosa Buson, an 18th century Japanese poet and painter is negotiating the cultural differences between time and place, and still writing a translation that moves the audience within the limits of a haiku without doing any violence to the original text. My presentation is on the difficulties in translating a literary master from the Edo Era, Yosa Buson, especially when the poems contain embedded cultural references that the average American reader would not be familiar with as it is important to convey all of the information in a meaningful way and …

Turning Into A Shadow: Textual Management Of Sexual Violence In Taketori Monogatari, Otilia C. Milutin

2013 New England Association for Asian Studies Conference

This paper is an integral part of an ongoing doctoral research which examines the varied textual representations of sexual violence in Heian and Kamakura monogatari. The first part of this dissertation, opening with the section presented here, addresses the three mid-ninth to mid-tenth century texts, Taketori, Utsuho and Ochikubo monogatari, whose representations or misrepresentations of sexual violence shaped Murasaki Shikibu’s own, in the eleventh century Genji monogatari.

The present study focuses on the Taketori text and its management of sexual violence; it traces the work’s textual lineage and underlines the consistent and sustained attempts to sanitize its content …

Transference Vol. 1, Summer 2013

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, Classical Greek and Latin, Japanese, and Russian into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Tokuya Higashigawa's After-Dinner Mysteries: Unusual Detectives In Contemporary Japanese Mystery Fiction, Jessica Claire Kindler

Dissertations and Theses

The detective fiction (tantei shōsetsu) genre is one that came into Japan from the West around the time of the Meiji Restoration (1868), and soon became wildly popular. Again in recent years, detective fiction has experienced a popularity boom in Japan, and there has been an outpouring of new detective fiction books as well as various television and movie adaptations. It is not a revelation that the Japanese detective fiction genre, while rife with imitation and homage to Western works, took a dramatic turn somewhere along the line, away from celebrated models like Poe, Doyle, and Christie, and developed into …

Logogenesis And Appraisal: A Systemic Functional Analysis Of English And Japanese Language Arts Textbooks, Shinji Kawamitsu

Theses, Dissertations and Capstones

The purpose of this thesis is to demonstrate the distinct and purposeful differences of the language of evaluation between English textbooks and Japanese textbooks. This thesis applies Appraisal system in Systemic Functional Linguistics to the language arts textbooks used in 2nd to 4th grade classrooms in Japan and in the U.S. The analysis shows that the number of Attitudinal lexical items, especially invoked Attitude, is notably higher than that in the English texts. The analysis also shows that the Japanese texts employ Judgment lexis, which is a resource to form a sense of group harmony, more than the other Attitudinal …

Revisiting History Through Crime Fiction: Shiono Nanami’S Scarlet Venice In The Renaissance Trilogy Of Murder, Ikuho Amano

Department of Modern Languages and Literatures: Faculty Publications

In her Renaissance Trilogy of Murder (1988), Shiono Nanami (塩野七生, 1937- ) rejuvenates the classical genre of historical crime fiction, dismantling a canonical outlook of late Renaissance Italy. As historiographer of Ancient Rome, the Italian Renaissance, and the Mediterranean naval epic, Shiono achieved literary stardom in Japan in the 1980s, and has been internationally known for her pragmatist approaches to history and contemporary politics. Her writing has reassessed established history from the non-Western and non-Christian viewpoints. Most notably, her magnum opus, Rōmajin no monogatari (Res GestaePopuli Romani—Tales of the Romans) (published 1992-2006) tirelessly describes the empire’s politics, beginning …

The National Imagination (Spring 2012), Robert D. Tobin, Marvin D'Lugo, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …

From Larva To Butterfly: Sophia In Ding Ling’S Miss Sophia’S Diary And Coco In Wei Hui’S Shanghai Baby, Xiaoqing Liu

Scholarship and Professional Work - LAS

Sophia and Coco are two characters in Ding Ling's Miss Sophia's Diary (1928/1995) and Wei Hui's Shanghai Baby (1999), respectively. Like a larva, Sophia, who enters society in the early twentieth century, is weak and immobile. Coco, who lives at the end of the twentieth century, is like a butterfly leading an outlandish lifestyle. The differences between Sophia and Coco reflect the achievement of official feminism, which liberated Chinese women from traditional patriarchal control in the social sense. However, gender issues for women remain unresolved. To fight against traditional patriarchy and especially challenge gender oppression in official feminism, both Sophia …

The National Imagination (Spring 2011), Robert D. Tobin, Beth Gale, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …

Kajian Metafora Dalam Puisi Tradisional Bahasa Cina., Liew Foot Yuen

Student Works (2010-2019)

In recent years, the reading of Chinese traditional poems has become more popular in the Chinese society in Malaysia. Traditional Chinese philosophical poems have even been incorporated into the Chinese language syllabus in primary as well as secondary schools. However, students still encounter difficulty in understanding the real meaning of the poems because of the artistic language of the poems which contain numerous metaphors.  This is a descriptive study which aims to identify the kinds of metaphor used and the reasons for using such metaphorical items in traditional Chinese philosophical poems. In this research, 122 lexical metaphors from 30 traditional …

Stranger In A Strange Land: The Struggle For Cultural And Personal Identity In Haruki Murakami's Hard-Boiled Wonderland And The End Of The World, Laura E. Smith

Honors Theses

In order to explicate Murakami's version of the official culture, I have analyzed the novel with the works of several different theorists. Primarily, I drew my own understanding of the official culture from Raymond Williams's examination of culture in Marxism and Literature. His terminology became helpful in writing about the operation of the System and the Town, though it did not define that operation precisely. Williams's work also introduced me to the theory behind the official culture's manipulation and exclusion of historical aspects in order to create their "official" version of history, from which the official culture draws its identity. …

Science Fiction And Postmemory Han In Contemporary Korean American Literature, Seo-Young J. Chu

Publications and Research

In this essay, Seo-Young Chu explores representations of a specifically Korean American type of postmemory that she calls "postmemory han."

New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng

Comparative Cultural Studies

In The New Woman in Early Twentieth-Century Chinese Fiction, Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Specifically, Feng argues that male writers such as Lu Xun, Yu Dafu, Ba Jin, and Mao Dun created fictional women as mirror images of their own political inadequacy, but that at the same time this was also an egocentric ploy to affirm and highlight the modernity …