Digital Humanities Commons^™

Senza Parole: A Review, Robyn Ravlich

RadioDoc Review

This is a charming radio feature of modest length in the form of a travel memoir. Its author-producer is Katharina Smets, a radio maker with a background in philosophy, theatre and philology with experience in teaching radio documentary at the Royal Conservatory in Antwerp, Belgium and as a reporter and feature maker for Radio 1, KLARA (VRT in Belgium) and Holland Doc Radio (VPRO in The Netherlands). Originally produced in Dutch, her English language version of Senza Parole has attracted attention at both the Third Coast International Audio Festival (2014), USA and the Sheffield Doc/Fest (2014) in Britain.

In Senza …

Still Glowing Strong: Review 2 (Australia), Maree Delofski

RadioDoc Review

Still Glowing Strong is an elegant and poetic documentary about a dreamer. Harald Brobakkan has an obsessive desire to create an everlasting battery. From the outset, the minimalist music and Leganger’s beautifully written narration set up the tone of the documentary – gentle, respectful, restrained, occasionally melancholic yet never maudlin. Program maker Sindre Leganger very successfully conveys Harald’s story together with rich observations about the universe, science and its treatment of ‘outsiders’, life - and the nature of a very long relationship.

Still Glowing Strong: Review (Denmark), Anna Elisabeth Jessen

RadioDoc Review

Still Glowing Strong is Norwegian Sindre Leganger’s tender story of an old man, Harald, who thinks he has invented an everlasting battery that could save the world. The problem is that no one has the time to look at it – his wife in particular. But as Leganger and the old man’s grandson take an interest, this short but remarkable feature reveals much about our finite lives and the eternal starry sky above us, about being stubborn, being optimistic and about hope. Leganger illustrates Zola’s dictum, that “art is a corner of reality seen through a temperament”. He plays three …

The Half-Life & After-Life Of New Media, Nancy Austin

Journal of Contemporary Archival Studies

It is fitting to think of the half-life of new media using the time-based metaphor of radioactive decay. As a metaphor, an object’s half-life can be a useful way to talk about the potent technological modernity of new media and, like Walter Benjamin’s well-known notion of the aura, call attention to an object’s performativity. However, Benjamin’s aura remains a constant reminder of irrevocable originality whereas remarking on half-life references a quality that changes over time. But what happens after the rhetorical impact of being new has run its course? What is the life expectancy of once-new media and what of …

Chawton Novels Online, Women’S Writing 1751-1834 And Computer-Aided Textual Analysis, Anne Bandry-Scubbi

ABO: Interactive Journal for Women in the Arts, 1640-1830

Using Chawton House Library’s “Novels Online,” several corpora have been set up for a computer-aided textual analysis of the use of vocabulary by women writing “domestic novels” from 1752 to 1834. This corpus stylistics approach makes it possible to map texts according to their word usage and to identify quantitative keywords which provide vocabulary profiles through comparison and contrast with contemporary male and female canonical texts. Items identified include pronouns, markers of dialogue and of intensity; others can be grouped into specific lexical fields such as feelings. One text from the collection then forms the object of a …

Editorial Overview, Volume 2, Issue 1, Siobhan A. Mchugh

RadioDoc Review

Overview of the nine audio features critiqued by Guest Reviewers, who are themselves eminent producers and curators of audio features. The works reviewed are from the US, UK, Canada, France, Poland and Denmark.

Chinese Internet Literature: Preserving Born-Digital Literary Content And Fighting Web Piracy, C. David Hickey

Journal of East Asian Libraries

This paper undertakes to define Chinese internet literature (CIL) and discuss the unique circumstances that make the subject of CIL content preservation so problematic. Copyright infringement and text corruption, in which the text is changed or adapted without author’s permission, are major problems in China. Text corruption mostly results from censorship or web piracy. A recently-developed type of anti-piracy scheme called “literary works fingerprinting” can protect the content of the works themselves, guarding them against plagiarism. If as many of the original CIL documents as possible are consistently archived and digitally fingerprinted, then the born-digital works that remain online will …

Sharing Authority And Agency: A Multilogue Response To Goldenberg’S “Youth Historians In Harlem,” Part 2 Of 2, Jack Dougherty

Education's Histories

Jack Dougherty (Trinity College) provides a multilogue response to Part 2 of Barry M. Goldenberg's Youth Historians in Harlem series.

Engaging Many Minds: Nurturing Collaboration In A Steam Context, Mark Dzula

The STEAM Journal

This field note describes a recent interdisciplinary project facilitated by Jeremy Gercke, an art teacher at the Bishop's School in La Jolla, California. The project creates ceramic tile markers for flora around the Bishop's School campus. The markers feature QR codes linking to websites populated with student content, including: drawings, information, and oral histories. In this project, Mr. Gercke synthesizes his interests as an artist; maximizes his social connections to mentors, peers and students; and bridges disciplines to create opportunities for interdisciplinary (STEAM) inquiry.

Prancing Shadow Connecting Worlds, Tiffany D. Randle

The STEAM Journal

The practice of being conscious about the environment and how shadows, light, and movement create an intellectual space for different interpretations allows the viewer to make their own associations. Concrete, the ground that people of different shades walk on, to one person can look and seem like an ethereal and unknown environment, but to another may seem like a moving body of liquid. When artists stop and look at the simple things such a concrete, and water, or passersby they can capture a moment in time that transcends the mundane and suddenly the artist is in a position to present …

Youth Historians In Harlem: Exploring The Possibilities In Collaborative History Research Between Local Youth And Scholars, Barry M. Goldenberg

Education's Histories

During 2014-15 academic year, high school students and Barry M. Goldenberg work together to study the history of education in Harlem.

Heirloom: A Piper's Orchard Abecadarian, Shin Yu Pai

The Goose

Poetry by Shin Yu Pai

Global Chaucers: Reflections On Collaboration And Digital Futures, Candace Barrington, Jonathan Hsy

Accessus

Global Chaucers, our multi-national, multi-lingual, multi-year project, intends to locate, catalog, translate, archive, and analyze non-Anglophone appropriations and translations of Chaucer’s The Canterbury Tales. Since its founding in 2012, this project has rapidly changed in response to scholars’ diverse interests and our expanding discoveries. Almost all these changes were prompted and made possible by our online presence (including a blog and Facebook group), and digital media comprises our primary means for gathering information, disseminating our findings, advertising conferences and events, and promoting the resource to other scholars. Because digital media can help disparate people traverse geographical and linguistic barriers, …

Video Games – That Happen To Be Educational, Kyle Bryant, Dr. Jarom Mcdonald, Dr. Derek Hansen

Journal of Undergraduate Research

Researchers like James Gee, culturists such as Henry Jenkins, and educators such as BYU’s own Derek Hansen and Jonathan Ostenson agree that video games can be a powerful educational tool; capturing both the users attention and imagination, something that the educational system is struggling to gain even one. Sir Ken Robinson points out in his 2014 TED talk “Changing Educational Paradigms” that to children, school is very dull compared to the exciting world of technology available at their fingertips.

Les Rues Des Tableaux. Géographie Du Marché De L'Art Parisien (1815-1955), Léa Saint-Raymond, Félicie De Maupeou, Julien Cavero

Artl@s Bulletin

Continuation of a first socioeconomic analysis of the "art dealers" in Paris between 1815 and 1955 (Artl@s Bulletin 2, no. 2), this paper presents the results of a spatial study of the Parisian art market at that time. Departing from serial geographical data given by a homogeneous source, the Bottin du commerce, we mapped a 140 years spatial evolution of the "art dealers", using a geocoding system with composite locators. The article exposes the spatial dynamics of this market and studies them in a multi-scalar way, making the connection between the global evolution of the Parisian economy and …

A Research-Based Model For Digital Mapping And Art History: Notes From The Field, Paul B. Jaskot, Anne Kelly Knowles, Andrew Wasserman, Stephen Whiteman, Benjamin Zweig

Artl@s Bulletin

Most digital mapping in art history today divides the research process from the visualization aspects of the project. This problem became the focus of a summer institute that Paul Jaskot and Anne Kelly Knowles ran at Middlebury College with the support of the Samuel H. Kress Foundation. Our article both reports on the institute and suggests how research questions can complement digital mapping methods. We conclude with three case studies of spatial questions in art history and discuss the Fellows’ use of GIS to explore examples from Qing Dynasty China, medieval Gotland, and contemporary New York City.

Provincializing Paris. The Center-Periphery Narrative Of Modern Art In Light Of Quantitative And Transnational Approaches, Béatrice Joyeux-Prunel

Artl@s Bulletin

The alternative “centre‐periphery” is essential to the myth of modern art and its historiography. Even though Postcolonial studies have denounced the implications of such geopolitical hierarchies, as long as our objects remain centred on one capital city and within national boundaries, it will be difficult to escape the hierarchical paradigm that makes Paris and New York the successive capital cities of Modernism. This paper highlights how approaches focusing on different scales of analysis—from the quantitative and geographic to the monographic—challenge the supposed centrality of Paris through 1945.

Change Over Time: Neatline And The Study Of Architectural History, Lisa A. Reilly

Artl@s Bulletin

This article discusses how the usual study of architecture from the perspective of a single moment in time, usually the moment of its creation is limiting. New methodologies make it possible to add to the current rich variety of approaches available to the architectural historian in order to consider the dynamic history of the forms we study. This problem can be resolved in part through the use of digital tools, in particular Neatline, (www.neatline.org) which allows the viewer to see and understand how a building changes over time.

Towards A Spatial (Digital) Art History, Catherine Dossin

Artl@s Bulletin

Among the numerous possibilities offered by the Digital Humanities, digital mapping is certainly among the most promising for art history. It is a rather simple yet efficient way to explore the large amount of data and databases which are available to the discipline but that are often underutilized. New mapping technologies allow us to work with art history’s big data serially and spatially, and to diffuse the result of our research through attractive and compelling visualizations.

The Change In Farming: A Review, Neil Sandell

RadioDoc Review

The protagonist of the CBC documentary, The Change in Farming, is an 89-year-old farmer, called Henry. We learn that his grandson, Adam, has been recording Henry’s reminiscences about farming as a way of preserving his family heritage. The program was produced in 1998 by Adam Goddard, a 25-year-old musician and composer, in collaboration with veteran CBC producer, Steve Wadhams.

Adam is more hunter-gather than farmer. He collects found sound, an artist alert to its musical possibilities. He is composing a work using Henry’s speech. We hear the elder’s reaction. And then, in an indispensable coda, the two of them …

We Are All Historical Actors: A Multilogue Response To Goldenberg’S “Youth Historians In Harlem,” Part 1 Of 2, Mike Suarez

Education's Histories

Mike Suarez responds to Barry M. Goldenberg's "Youth Historians in Harlem (Part 1 of 3)" in an open peer review, multilogue format.

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Reporting On What Jane Saw 2.0: Female Celebrity And Sensationalism In Boydell’S Shakespeare Gallery, Janine Barchas

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay reports on ongoing efforts to build an accurate digital model of John Boydell’s popular Shakespeare Gallery precisely as it looked in August 1796—when a 20-year-old Jane Austen visited London’s sites, staying within a ten-minute walk from the gallery. The essay argues for the substantial difference between studying Boydell’s pictures in a paper volume (whether as lists, illustrations in books, or engraved folio plates) and viewing them as an exhibition of paintings on walls, albeit virtual ones. For example, the digital reconstruction illuminated commissions from several female participants in Boydell’s male-dominated gallery, especially Angelica Kauffman (1741-1807) and Anne Seymour …

Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao

CLCWeb: Comparative Literature and Culture

In his article "Variation Theory and Reception of Chinese Literature in the English-Speaking World" Shunqing Cao introduces "variation theory" he developed and suggests that the framework can be applied in studying the dissemination and reception of Chinese literature in the English-speaking world. Cao argues that cultural and literary differences produce variations in literary exchanges among different cultures and variation theory concentrates on these variations. With unique perspectives on variation in translation, cultural misreading, and domestication, variation theory is a useful theoretical framework and methodology for the study of the reception of Chinese literature in the English-speaking world.

Digital Humanities And The Common Good, Pamela Fletcher, Crystal Hall

Maine Policy Review

Digital humanities is an emerging field of scholarship, teaching, and outreach, in which digital and computational methods are brought to bear on the traditional materials and questions of the humanities. Some claim this new field will save the humanities; others worry that it will crowd out traditional methods of reading, looking, writing, and teaching. It is our belief that neither of these outcomes is likely. Instead, the authors believe that bringing computational tools to the study of the humanities and humanistic inquiry’s focus on questions of historical perspective and context, ethics, and value to the study of technology will benefit …

The Digital Humanities Imperative: An Archival Response, Pauleena Macdougall, Katrina Wynn

Maine Policy Review

The authors offer a look at how as archivists at the Maine Folklife Center they are using new digital tools to both preserve historical resources and improve public access to them.

The Maine Memory Network: Re-Imagining The Dynamics And Potential Of Local History, Stephen Bromage

Maine Policy Review

Stephen Bromage explores the Maine Historical Society’s experience creating, nurturing, and sustaining the Maine Memory Network (www.mainememory.net), a nationally recognized statewide digital museum. In particular, the article focuses on the opportunities that the digital humanities create to foster collaboration, to engage communities in the practice of history, and to collapse traditional geographic and institutional boundaries.

Northeast Historic Film And The Documentation Of Maine’S History, Jim Henderson, Karan Sheldon

Maine Policy Review

Moving images are among the most important documents of twentieth-century life as they capture policy steps taken and not taken, infrastruc­ture created and abandoned, politicians’ campaigns and public governance, citizens’ work lives, social and cultural attitudes, industries, natural resources and their use. The authors reflect on the work of Northeast Historic Film and how it documents Maine history.

Data Curation Needed To Avoid A Digital Dark Age, Desiree Butterfield-Nagy

Maine Policy Review

An increasingly recognized need for digital cura­tion, or the active selection of digital files and taking steps toward preserving them, has been a natural evolution in an environment where vast amounts of intellectual and cultural content is born digital and may not be represented in tangible form. Desirée Butterfield-Nagy explores the measures that individuals and organizations need to take to ensure we avoid a Digital Dark Age.