Digital Humanities Commons^™

“Ships, Vol. 2” Beyond Transport, Combat And Tourism: A Study Into Ships On Postcards, Janos Jalics

Student Projects from the Archives

Over several millennia, ships have been displayed in all sorts of media ranging from commercials to diaries and newspapers. When the postcard was invented in 1869, various ships began appearing on them. Postcards with ships became far more than a way to message. They became advertisements, showcases of paintings, and repositories of information. Postcards gave ships a new purpose and unique audiences in the name of advertisement, art, and knowledge, as this essay will show by examining “Ships, Vol. 2”of the David P. Campbell Postcard Collection at The University of Akron.

Replicating Nontraditional Postcards From The Archive, Cristopher Shell

Student Projects from the Archives

The purpose of this project is to digitize and replicate nontraditional postcards from the David P. Campbell Postcard Collection from Drs. Nicholas and Dorothy Cummings Center for the History of Psychology.I set out to find the easiest way to replicate a few postcards that are nontraditional in one way or another. The method I came to involves using a Cricut Printer and the Cricut Design Space to scan and upload the complex shapes. The result was that I could very easily replicate any of the three chosen postcards with little to no trouble. I concluded that, even though Cricut Printers …

Postcards And Psychograms: The Science Of Handwriting Analysis, Aubrey Baldwin

Student Projects from the Archives

One psychogram, or means of testing personality, is handwriting analysis or graphology. Handwriting analysis can be used to look at personality traits or it can be used to determine emotions that a person is feeling when they are writing things like a postcard or a letter. This essay will look at the history of handwriting analysis and then will analyze four postcards from the 1920’s using Paul D. Hugon's handwriting analysis test.

Thanks to the Drs. Nicholas and Dorothy Cumming Center for the History of Psychology, Hugon's Psychograms test has been saved and it will be used to do the …

“Here Is Where Al Capone And A Few Others Are Spending Their Vacations?” : Tracing How Alcatraz Was Portrayed In Postcards, 1924-1971, Franchesica Kidd

Student Projects from the Archives

Between the 1920s and the 1970s and as Alcatraz was decommissioned as a federal prison and bloomed into a booming tourist industry, the Rock saw a change in the way that the postcard industry portrayed it via photos on the back of postcards. As time went on, Alcatraz was depicted more as a tourist hotspot than a warning place to stay out of. Photo postcards of Alcatraz shifted from black and white photos and printed photos toward lively colored photos that had the message “Wish You Were Here!” printed on them, suggesting a cultural shift in attitude toward this notorious …

A Map Based On The "Hold-To-Light" Binder, Amanda Leach

Student Projects from the Archives

The Hold-to-Light cards in the David P. Campbell Postcard Collection have a wide dispersion over the United States and Europe, and even one from Argentina. The Copper Window cards, however, are predominately travel postcards, which show a popular tourist attraction. These cards are indeed clustered in the New England Area. This tells us that these coastal states were popular travel destinations in the early 1900s. To explore this interactive map, please follow the link below:

https://www.google.com/maps/d/viewer?mid=1Wkjl4QLAxLYX7ukvp84fgIcV4TsNTB0G&ll=35.41926243680842%2C-97.16311076875001&z=4

Capturing Hold-To-Light Postcard Images: A Video, Richard Marko

Student Projects from the Archives

One of the major challenges we faced in working with our binder from the David P Campbell Postcard Collection was getting digital images of the postcards with their Hold-to-Light effects. After a few attempts with the scanner it was decided that photography was the best way to capture these images. In order to best capture the Hold-to-Light a special card holder was constructed. The holder helped make photographing the cards less time consuming and produced the best quality images in showing the effects of the cards. The construction process and instructions for this card holder can be found in this …

Hold-To-Light And Other Specialty Postcards, Zoe Orcutt

Student Projects from the Archives

The "Hold-to-Light" binder in the David P. Campbell Postcard Collection deals primarily with cards that contain some type of visual effect when viewed. The majority of the cards’ visual effects can be viewed when held up a light. For this, they are usually called HTL (hold-to-light) cards, or transparency cards. There were three specific processes used in printing these HTL Cards: Die-cutting, Transparency, and Slide-Transparency.

M. Storey-Bates Cards, Stacy Young, Emma Grosjean

Student Projects from the Archives

The M. Storey-Bates postcard binder in the David P. Campbell Postcard Collection includes 132 postcards that date from 1904-1918 and that feature a multitude of images. These images consist of photographs of Edwardian actors and actresses, cartoon illustrations, illustrations created from Dickens, paintings, and much more. All of the postcards that are included in the binder have been mailed to addresses in the United Kingdom, most certainly from other addresses in the UK. The majority of these postcards were mailed to Minnie Storey-Bates (1887-1959) from Ralph Duckworth (1885-1960). Their personal relationship included correspondence that consisted of mundane daily activities, check-ins, …

A Map Based On The Institutions, Asylums, Etc. Binder, Justin Veda

Student Projects from the Archives

This project creates a map that displays the real life locations of the institutions pictured in our Institutions, Asylums, Etc. binder’s postcards and creates a website that displays the information of the map and some of the information from Veronica Bagley’s project.

The David P. Campbell Postcard Collection, searchable at postcard.uakron.edu, is a key collection of the CCHP’s Institute for Human Science and Culture. The collection provides the raw material for this project.

Overview To The Institutions, Asylums, Etc. Binder Catalogue, Veronica Bagley

Student Projects from the Archives

This project involves compiling different tables, graphs, and indexes that cover the Institutions, Asylums, Etc. binder. I also made a glossary that covers some of the names of the institutions for which definitions may not be obvious. The intention was that these can be added to the binder for future researchers.

The David P. Campbell Postcard Collection, searchable at postcard.uakron.edu, is a key collection of the CCHP’s Institute for Human Science and Culture.

“None But The Brave Deserve The Fair?” An Analysis Of Lovers Postcards From The First World War, Randall Slonaker

Student Projects from the Archives

Over ten percent of postcards in the Lovers Portraits Vol. 1 binder feature couples where the man is wearing a military uniform, with twenty-two of these cards depicting men in World War I era, United States military garb. The images and captions featured on these cards evoke familiar ideas of romance, courtship, and marital fidelity. Therefore, I have chosen to write a short synopsis that groups all of the World War One themed cards in this binder in one of three categories: courtship and pursuit, domesticity and marriage, and marital commitment and fidelity. I have positioned the images and captions …

“Feminists Leap Year Vol. 2:” The Portrayals Of Gender In Early 20th Century Postcards, Anthony Pankuch, Jessica Wilson

Student Projects from the Archives

The “Feminists Leap Year Vol. 2” binder of the David P. Campbell Postcard Collection contains postcards reflecting women in empowered, vulnerable, pitiful, and satirical situations. They appear in scenes of public activism, romance, and the once-mythologized American frontier. The postcards arranged by Dr. Campbell under the banner of “Feminist” reflect the stereotypes, themes, and gendered images that have remained attached to the feminist movement from its emergence in the late nineteenth and early twentieth centuries to its incarnation in the twenty-first century. Postcard images demonstrate the intersectionality of gender and feminism by juxtaposing postcards satirizing women as masculine or domestically …

The Medium And The Message In Early Twentieth Century Postcards Picturing Courtship And Romance, Rosemary Herbert

Student Projects from the Archives

This examination of representative postcards from the Lovers Portrait Vol. 1 volume in the David P. Campbell Postcard Collection will use the postcards dating from the early twentieth century and the messages on them to illuminate facts about postcard production, postal history, family relationships, daily life, fashion strictures, and much more. With each card inspiring a piece of detective work that brings to light a nugget of information about a time gone by, this work also generally represents the kind of curiosities that the collection as a whole brings to light. It is hoped that it will serve as a …

A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen

Proceedings from the Document Academy

The paper outlines a research effort into the changing representations, policies, strategies, activities, and practices of libraries, archives, and museums (LAMs) in the digital age. Comprehensive social changes including big slow-moving processes, such as aging populations, global migration, technological change, and environmental change, expose communities and LAM institutions to vulnerabilities. How do the institutions handle vulnerabilities, how do they become more resilient, and how do they contribute to building the resilience of their local communities?

Image And Range-Based 3d Acquisition And Modeling Of Popular Musical Instruments, Giacomo Patrucco, Filiberto Chiabrando, Piercarlo Dondi, Marco Malagodi

Proceedings from the Document Academy

This article aims to illustrate the importance of the contribution of 3D survey and modeling techniques in the framework of movable heritage and museum collection documentation and cataloguing. The work reported in this study focuses on digitalization and 3D modeling of some popular music instruments (belonging to the collection of Museo del Paesaggio Sonoro in Italy) in the framework of the SAMIC project (Sound Archives & Musical Instruments Collection). Different sensors and strategies have been applied during this research in order to obtain high-resolution digital replicas of the objects (a LiDAR system and a photogrammetric approach have been …

Should Theatre Disappear Like Soap Bubbles?, Erin Lee

Proceedings from the Document Academy

I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy for his materials to disappear "like soap bubbles" (Reason, 2006). One of the fundamentally difficult things about archiving theatre, aside from its ephemeral nature, is the approach that creatives take to their work. Not only do we need to battle the format of live performance but we also need to convince many creatives, not all I must add, that their work can and should remain in the Archive for use in the future. There are glimmers of potential in the area …

Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective, Marine Theunissen

Proceedings from the Document Academy

Contemporary technologies allow incredible possibilities of capturing individuals, but a problem arises when it comes to capturing a chorus, that is to say a "collective body" in motion. This proposal will address the problem of the sensitive capture of the quality of the interrelations between individuals, and of their refined interpretation through algorithms to "output” them in other forms. We will address two questions on the subject: how to capture the relations between individuals within a collective? How to create a circular-causal loop, whose artistic material (the digital data) is the interrelations of a collective, without engendering redundancy in their …

The Walking Dramaturg: An Autoethnographic Methodology For Performance Documentation, Giselle G. Garcia

Proceedings from the Document Academy

Technology usually implies the distancing of the human experience, but I argue what technology has enabled can teach us something about the role of multiplicity and the rhizomatic nature of history and storytelling. By looking at the subject position of the practicing performance researcher in terms of the walking dramaturg, the autoethnographic catalogue of such experience becomes a form of documentation in the archive of theatre histories. Taking the time to explore a nuanced understanding of the documeter’s subject position acknowledges the multifarious subject positions that contribute to the archive of theatre histories.

Beyond creating a record of evidence, I …

Rethinking The Potential Of Documentation Of Culture As A Data Gathering Practice, Tomasz Umerle

Proceedings from the Document Academy

In this article, I examine the documentation of culture (DoC). This is the practice of gathering and producing the information and data relevant to intangible cultural phenomena. DoC is generally practiced by teams of documentalists generally outside GLAM institutions (i.e., galleries, libraries, archives and museums). As such, it differs from the preservation and description of concrete objects of cultural heritage done within those institutions. I examine how DoC finds it increasingly difficult to clearly define and communicate its role: a) in relation to LIS; b) to the broader academic community; and c) in digital age of information overload. In this …

[For The System, Alternate Title: If It Sort Of Looks Like A Duck: Reflecting On Bad Photographs And Chains Of Custody], Jodi Kearns, Brian C. O'Connor

Proceedings from the Document Academy

Though the system will not permit it, our abstract is an out-of-focus photograph of ducks at 1900 pixels wide and black and white, which is approximately 20% the size of the original color photograph we use for our title. By most technical standards, it is a bad picture. Straightening the horizon, cropping the image to emphasize the two foremost ducks, brightening the image to highlight the feet, and adding a caption that indicates activity might yield a “better” picture for some viewers. This piece captures nearly 20 years of conversations about good and bad pictures, and continues the conversation from …

Personal Video And Observation Of The Ordinary, Brian C. O'Connor

Proceedings from the Document Academy

No abstract provided.

Analyzing The Pvcs Documents: A Multimodal Rate-Based Approach To Understand Community’S Goals And Values, Anastasia Sergeeva, Bogdan Kirillov, Ekaterina Voronina

Proceedings from the Document Academy

A significant amount of modern professional communication takes place in the so-called Virtual Communities of Practice or Professional Virtual Communities (PVCs): social systems of individuals who use Information Technologies to mediate their relationships and facilitate knowledge exchange and generation. In current research we analyze one of the biggest Russian IT-PVCs, Habrahabr.ru. The community’s official goal is connecting the IT-specialists; communication takes form of users articles and comments; users can rate the articles, the comments and the other users themselves. Using the number of SNA instruments, community’s metadata, linguistics statistics and discourse analysis we show the structure of the community, main …

Digital Engagement: Personality Is The Context Of The Text, Diane C. Spencer-Scarr

Proceedings from the Document Academy

This paper examines digital-technology as a tool and an environment with the individuals’ personality at the intersection of the two: Its impact on social memory and the unbound document. With the ubiquitous embedding of digital networked technology in society and the emergence of the unbounded document, humans increasingly obtain information by grasping snippets of decontextualized text sourced through non-human entities from globally dispersed databases that have stripped out context. Then in a Kafkian way humans’ have to build from the middle to make sense of the information snippets. The paper explores how the inherent nature of the individual can be …

Documenting Spatial And Temporal Information For Heritage Preservation: A Case Study Of Sri Lanka, Chiranthi Wijesundara, Shigeo Sugimoto, Bhuva Narayan

Proceedings from the Document Academy

Cultural Heritage Properties (CHPs) around the world have been altered or destroyed due to various unforeseen factors, both natural and human-made. Consequently, as a preparedness approach around such disasters, documenting the CHPs are crucial to any efforts to repair, rebuild or relocate them. With advancements in digital technologies, integrating them into our documentation to improve heritage preservation has become a common approach. Here the main concern is on Spatial and Temporal (ST) information and the paper proposes that with recent developments in the field of Geospatial technologies, heritage preservation can be enhanced and improved by documenting ST information parallel to …

Wikia: Between Documentary Simulacra And Documented Fictions, Caroline Courbières, Sabine Roux

Proceedings from the Document Academy

Wikis are digital community spaces that have attracted high traffic but virtually no study as socio-communicational platforms. These platforms offer individuals the possibility of engaging in unique writing activities by defining a distinct material configuration and imposing a protocol of enunciation. Wikis are platforms developed through the contributions of anyone, and constitute collaborative encyclopedias dedicated to a cultural topic. This article more specifically examines the Harry Potter Wiki, which is devoted to the literary universe of J.K. Rowling. Our semio-communicational analysis concerns the structure, the authors and the contents of the French and Anglo-Saxon versions of this wiki. First we …

Social Media & Audience Participation In Regard To Television, Jean Marie Mcbride

Williams Honors College, Honors Research Projects

Jean McBride

Major: Communications: Radio/TV Broadcasting & Mass Media Production

Project Sponsor: Dr. Sylvia White

Number of Project Credits: 3

Social Media & Audience Participation in Regard to Television

The purpose of my honors project was seeing if social media had an influence on television show ratings and popularity by incorporating audience participation. Especially in regards to television shows that have been around for years, I was interested to see if television ratings went up when using Twitter compared to when they did not use Twitter to increase viewers and audience participation. I surveyed forty-nine collegiate women between the ages …