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“Dangerous Thoughts”? Margaret Sanger’S World Trip Journal, Japan, 1922, Peter C. Engelman Jan 2010

“Dangerous Thoughts”? Margaret Sanger’S World Trip Journal, Japan, 1922, Peter C. Engelman

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Sanger’s longest and, I would argue, most significant piece of travel writing was her 1922 World Trip Journal, which chronicles her six-month tour to discuss birth control in Japan, Korea, China, Hong Kong and Ceylon, with stops in Yemen and Egypt, vacation time on the European continent, and a major conference in London. Coming just a few months after she formed the American Birth Control League in New York, the world tour raised Sanger’s international profile and gave her increased prominence at home, solidifying her leadership of the American movement. My focus in what follows is on the first leg …


An Assessment Of Recent Developments In Historical Editing, Jennifer E. Steenshorne Jan 2010

An Assessment Of Recent Developments In Historical Editing, Jennifer E. Steenshorne

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The American historical editing profession has a rich and varied history of publishing projects ranging from the collected papers of great men and women to diaries of relatively obscure individuals. However, one senses that as the profession enters the twenty-first century, as new technologies appear, and as boundaries between disciplines are blurred, the profession is at a loss as to where to place itself. This article is based on a survey of current projects, both in the United States and internationally, from a variety of disciplines, and in both traditional print and new media. My aim is to broaden our …


Scholarly Editing In A Web 2.0 World: Presidential Address, October 16, 2009, Cathy Moran Hajo Jan 2010

Scholarly Editing In A Web 2.0 World: Presidential Address, October 16, 2009, Cathy Moran Hajo

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

How many of you remember when the World Wide Web was new? I remember being thrilled by the things I could do, the information that I could find quickly, and the ability to spread the word about our work. I also remember being unsure how the Web would change the practice of editing. Lately, the design advances and the use of Web technology often described in shorthand as Web 2.0 have made me feel that way again. I am excited about the possibilities, but uncertain about some of the underlying premises of Web 2.0 and what it might mean to …


Review Of The Joseph Smith Papers, Journals, Volume 1: 1832–1839. Edited By Dean C. Jessee, Mark Ashurst-Mcgee, And Richard L. Jensen., Kenneth P. Minkema Jan 2010

Review Of The Joseph Smith Papers, Journals, Volume 1: 1832–1839. Edited By Dean C. Jessee, Mark Ashurst-Mcgee, And Richard L. Jensen., Kenneth P. Minkema

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

With the long-anticipated appearance of the first volume of The Joseph Smith Papers, a landmark project in American religious history and in Mormon Studies commences. Containing the scribal and printed remains of the founder and organizer of the Church of Jesus Christ of Latter-day Saints, The Joseph Smith Papers, when completed, will amount to some thirty-two volumes—a phenomenal undertaking in an age when the magisterial, multi-volume printed edition is an endangered species. Under the general editorship of distinguished historians Dean C. Jessee, Ronald K. Esplin, and Richard Lyman Bushman, the edition is arranged in six series: Journals, Documents, Revelations and …


In Memoriam: W. W. Abbot (1922–2009), Making Something Of Life, Philander D. Chase Jan 2010

In Memoriam: W. W. Abbot (1922–2009), Making Something Of Life, Philander D. Chase

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

George Washington, Bill Abbot wrote in his 1989 essay “An Uncommon Awareness of Self,” “saw life as something a person must make something of.” Several years of patiently editing Washington’s pre-Revolutionary papers had left Bill “with the impression of a man driven to master every aspect of his life and to make the most of what life offered.” Anyone who had the privilege of working with Bill Abbot, particularly during his long and distinguished documentary editing career spanning the last third of his life, is left with a similar impression of Bill himself.


Life Service Award Presented To Rich Leffler, John P. Kaminski Jan 2010

Life Service Award Presented To Rich Leffler, John P. Kaminski

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I have known Rich Leffler for more than forty years. We both came to the University of Wisconsin in 1967 as graduate students in the Department of History. He came from New York and I from Chicago. Rich started to work informally with the Ratification project in 1969–70, when he went to Raleigh, North Carolina, to do research on his dissertation. He searched libraries for the Ratification project, the First Federal Elections project, and the First Federal Congress project. Officially, Rich started to work full time on the project in 1973, first as a researcher, then as assistant editor, associate …


Meir B. Elijah Of Norwich And The Margins Of Memory, Miriamne Ara Krummel Jul 2009

Meir B. Elijah Of Norwich And The Margins Of Memory, Miriamne Ara Krummel

English Faculty Publications

"Meir b. Elijah of Norwich and the Margins of Memory" is a study of Meir of Norwich's use of acrostics to record his English Jewish identity. In the face of the 1290 Expulsion, which follows upon many episodes of anti-Jewish violence and antipathy, Meir attempts to have his name recorded in perpetuity. This essay details some of those moments of violence in order to give voice to Meir's world and to clarify Meir's desire to be remembered.


Presidential Address--Why Documentary Editing Matters, Michael E. Stevens Jan 2009

Presidential Address--Why Documentary Editing Matters, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The title of my talk tonight is “Why Documentary Editing Matters.” The question I seek to answer is critical, especially in an era that has seen rapid change in how we make information accessible.We need to know the answer to the question in order to explain our work to funders. But we also must also explain to ourselves why we choose to dedicate our energies to this endeavor. The significance of what we do is not based on how we publish our work, but in the value we add.


Association For Documentary Editing Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona And 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009 Jan 2009

Association For Documentary Editing Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona And 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Association for Documentary Editing:

  • Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona
  • 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009


Recent Editions, Linnéa Caproni Jan 2009

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.


Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4 Jan 2009

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.


Review Of The Moravian Springplace Mission To The Cherokees, Volume I, 1805–1813 And The Moravian Springplace Mission To The Cherokees, Volume Ii, 1814–1821. Edited And With An Introduction By Rowena Mcclinton; Preface By Chad Smith., Angela Pulley Hudson Jan 2009

Review Of The Moravian Springplace Mission To The Cherokees, Volume I, 1805–1813 And The Moravian Springplace Mission To The Cherokees, Volume Ii, 1814–1821. Edited And With An Introduction By Rowena Mcclinton; Preface By Chad Smith., Angela Pulley Hudson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Noted historian William G. McLoughlin once observed that in addition to mirroring U.S. political structures, the nineteenth-century Cherokee Nation shared two other trends with the young Republic: slavery and Christianity.1 Indeed, even as Cherokee people fought to retain their eastern lands in the first decades of the nineteenth century, they often adopted the ideologies of the land-hungry Americans they tried to resist. Few sources document this complex and contradictory process more vividly than The Moravian Springplace Mission to the Cherokees. Rarely do Cherokee, Christian, and slave histories appear in such intimate relation to one another. In the secondary works on …


Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter Jan 2009

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter -- Officers -- Publication Committee -- Editorial Staff -- Table of Contents -- Contributors


In The Beginning: Ade And The Big Bang Revolution, Roger Burns Jan 2009

In The Beginning: Ade And The Big Bang Revolution, Roger Burns

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Documentary Editing. Some people have compared the origins of the ADE with the American Revolution. Others have linked it to the big bang theory. I prefer to think of it as a Big Bang Revolution. Anyway, today you will get a little of the inside story of the creation of ADE. You see, I was there. And with me today are three individuals who have joined the ADE at different times in its history. Charlene Bickford, editor of the First Congress Project, who was also …


Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell Jan 2009

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I come to you from the digital world. I am president of the Digital Americanists; I recently received a Digital Humanities Start-Up grant; I edit a digital archive on the life and work of Willa Cather; I am a faculty fellow at the Center for Digital Research in the Humanities; and I even have the word “digital” in my official job title: Assistant Professor of Digital Projects. I don’t begin this way in order to impress you with my credentials, but as a confession: my current professional identity is absolutely entangled with the digital medium. That said, I want to …


President’S Letter 2009 : Documentary Editing Is Alive And Well, Cathy Moran Hajo Jan 2009

President’S Letter 2009 : Documentary Editing Is Alive And Well, Cathy Moran Hajo

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

As experienced editors, we sometimes see change as a negative—complaining about the paucity of funding, or about the new requirements that digital publishing has forced on our projects. But when you meet so many enthusiastic newcomers, it is hard to remain a pessimist.We have made great strides in the last thirty years, bringing our editions to a far broader segment of the public than the founders of ADE had ever thought possible.We have honed our practices, paving the way for new editors to follow using our publications in microfilm, book, and digital format as examples of best practices, a massive …


A Bibliography Of Editions Prepared By Ade Members, Karen Mylan, Linnéa Caproni, Harriet Simon, Richard Leffler Jan 2009

A Bibliography Of Editions Prepared By Ade Members, Karen Mylan, Linnéa Caproni, Harriet Simon, Richard Leffler

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The following is a listing of the many editions and volumes that have been published by members of the ADE. Each edition contains at least one editor, and usually more, who is or has been a member of the Association. It is a remarkable record of scholarly productivity in a wide range of disciplines. These many volumes, microfilms, microfiche, and electronic editions have added greatly to the resources available to scholars and laymen alike. It should also be noted that this list is incomplete. There are many other editions that have escaped the attention of those who prepared this list.


Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton Jan 2009

Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The publication of the first volume of the Eleanor Roosevelt Papers Project (ERPP), edited by Allida Black and her associates at George Washington University, is an event of the utmost significance to documentary editors and historians alike. Nothing like this pathbreaking volume exists in the ER literature, and this resource will forever change the research landscape. This volume stands for documentary editing at its best, and the larger ERPP itself, with its informative website and teacher training workshops, is a model of the highest editorial scholarship applied innovatively to the mission of public education.


Review Of Emma Goldman: A Documentary History Of The American Years, Volume One: Made For America, 1890–1901 And Emma Goldman: A Documentary History Of The American Years, Volume Two: Making Speech Free, 1902–1909. Edited By Candace Falk; Barry Pateman, Associate Editor; Jessica M. Moran, Assistant Editor., Nancy Marie Robertson Jan 2009

Review Of Emma Goldman: A Documentary History Of The American Years, Volume One: Made For America, 1890–1901 And Emma Goldman: A Documentary History Of The American Years, Volume Two: Making Speech Free, 1902–1909. Edited By Candace Falk; Barry Pateman, Associate Editor; Jessica M. Moran, Assistant Editor., Nancy Marie Robertson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

For more than a quarter of a century, Candace Falk and her comrades at the Emma Goldman Papers Project (EGPP) have worked to make the records of the turn-of the-century anarchist, lecturer, and social critic available.With the assistance of the National Historical Publications and Records Commission (NHPRC), they joined with papers projects for Jane Addams, Elizabeth Cady Stanton and Susan B. Anthony, and Margaret Sanger to form the Consortium for Women’s History, part of an effort to diversify the people represented in historical editing projects. Funded by individual contributions as well as support from NHPRC and the National Endowment for …


Association For Documentary Editing 2008–9 Annual Plan Jan 2009

Association For Documentary Editing 2008–9 Annual Plan

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The ADE is at an important crossroads. Much has changed in the documentary editing profession in the past three decades. New methods of publication have emerged; the era of the large projects is diminishing; and the number of users of published historical documents has exploded as a result of the Web. Many more people are engaged in the practices that we call documentary editing (the selection, transcription, and explication of documents), but these same individuals don’t define their work or their profession as such. Scholars use new and changing tools to produce their work in ways that weren’t imaginable when …


In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock Jan 2009

In Memoriam, Thomas E. Dulan, Charlene Bickford, Mary Jo Kline, Raymond W. Smock

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Beverly Runge--Larry I. Bland--John Y. Simon


President’S Letter 2008: Moving Forward, Michael E. Stevens Jan 2009

President’S Letter 2008: Moving Forward, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This past summer, the ADE’s Planning Committee met in Madison for three days to discuss the Association’s future. The group had previously developed background papers, and while in Madison they built on that work. The conversations were stimulating, and participants’ opinions changed as the pros and cons of different ideas were weighed. In the end, the group agreed upon a strategic direction and an action plan for the Association. The plan is printed elsewhere in this issue as well as at www.documentaryhistory.org. I urge you to give it a close read and to think about ways you might want to …


One-Dimensional History, Denton L. Watson Jan 2009

One-Dimensional History, Denton L. Watson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I began attending the annual ADE conference on a regular basis in 2000. Since then, I have often wondered how many of you have been aware of my distinction? The lone black in a sea of white. Not the first, of course, just the lone one. Nevertheless, I have always reveled in my distinction, even though, to be truthful, I would have welcomed some company. My distinction, I am sure, has been due to the reality that I am one of just a tiny handful of black documentary editors, which has been the result of a combination of factors. I …


Recent Editions, Linnéa Caproni Jan 2008

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.


A Place In The Sun: Review Of The Selected Papers Of Margaret Sanger, Volume 2: Birth Control Comes Of Age, 1928–1939. Edited By Esther Katz; Peter C. Engelman And Cathy Moran Hajo, Associate Editors; Amy Flanders, Assistant Editor., Jimmy Wilkinson Meyer Jan 2008

A Place In The Sun: Review Of The Selected Papers Of Margaret Sanger, Volume 2: Birth Control Comes Of Age, 1928–1939. Edited By Esther Katz; Peter C. Engelman And Cathy Moran Hajo, Associate Editors; Amy Flanders, Assistant Editor., Jimmy Wilkinson Meyer

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Birth control advocate Margaret Sanger (MS) was, and still is, both revered and reviled for her efforts to move contraception out from the shadows of illegality and obscenity into the light of widespread acceptance. During her radical activist days (1910s–1920s), MS honed her leadership, networking, and speechmaking skills and often depended on direct action to further her cause.1 By 1930 she had departed from her radical cohorts but continued to employ her broadening network of contacts. The Selected Papers of Margaret Sanger, Volume 2: Birth Control Comes of Age, 1928–1939 covers the efforts and life of MS during this era. …


Association For Documentary Editing Business Meeting, November 16, 2007, Richmond Marriot Hotel, Richmond, Virginia, Christine S. Patrick Jan 2008

Association For Documentary Editing Business Meeting, November 16, 2007, Richmond Marriot Hotel, Richmond, Virginia, Christine S. Patrick

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

President's Report--Treasurer’s Report--Secretary’s Report--Publications Committee Report--Travel Funds Committee Report--President-Elect’s Report--Federal Policy Committee Report--Meetings Committee Report--New Business


President’S Letter: Looking Backward, Looking Forward, Michael E. Stevens Jan 2008

President’S Letter: Looking Backward, Looking Forward, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This year marks the thirtieth anniversary of the Association for Documentary Editing, and it is a time to both celebrate our past and look forward to new directions. I recently took a look at the first volumes of The ADE Newsletter (predecessor of Documentary Editing) to refresh my memory of the ADE’s first annual meeting. I was struck by how much has changed over the past three decades, as well as by how much has stayed the same.


Humor And Its Hazards: Editing The Papers Of Will Rogers, Steven K. Gragert Jan 2008

Humor And Its Hazards: Editing The Papers Of Will Rogers, Steven K. Gragert

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Almost from the opening day of the Memorial, discussion began about publishing Rogers’s collected works. An early one-volume effort appeared in 1949. Author and magazine editor Donald Day literally cut and pasted several of Will’s newspaper and other writings—retyped versions, fortunately—to produce the chronologically sequenced The Autobiography of Will Rogers, published by Houghton Mifflin. Other trade books and assorted academic studies came into print over the next several years, but no serious attempt was made to collect and edit his published works.That is, until 1967. In March of that year, Paula Love, the curator of the Memorial since its opening, …


Documentary Editing: Journal Of The Association For Documentary Editing--Front Matter Jan 2008

Documentary Editing: Journal Of The Association For Documentary Editing--Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter: Table of Contents--Contributors


Balancing Public And Private Lives In The Letters Of Lucretia Coffin Mott And Florence Kelley, Beverly Wilson Palmer Jan 2008

Balancing Public And Private Lives In The Letters Of Lucretia Coffin Mott And Florence Kelley, Beverly Wilson Palmer

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Despite their obvious differences, Lucretia Coffin Mott and Florence Kelley share some striking similarities. As prominent women reformers, they embraced three passionate concerns. First, they battled injustice to women. Lucretia Mott (1793–1880) helped organize the historic Woman’s Rights Convention at Seneca Falls in 1848 and constantly spoke out for women’s rights, not only at the ballot box but in marriage, courts of law, and the workplace. Florence Kelley (1859–1932) likewise fought for both political and economic equality for women. She worked for the passage of the Nineteenth Amendment giving women the right to vote, and throughout her career as director …