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Articles 481 - 510 of 1093
Full-Text Articles in Poetry
La Joie Dans La Diversité: Joy In Diversity, Erica P. Monnin
La Joie Dans La Diversité: Joy In Diversity, Erica P. Monnin
Collage
No abstract provided.
Les Mêmes Différences: The Same Differences, Gin Weisz
Porsche, Henry Apostel
Photograph, Richard Banks
Das Lizzie-Lied: The Lizzie Song, Shaun Mcfall
Das Lizzie-Lied: The Lizzie Song, Shaun Mcfall
Collage
To hear the music go to http://quizzes.denison.edu/modlangs/podcasts/shaun.mp3
Photograph, Charles O'Keefe
Lafayette.Net, Samantha Salvato
Pouvez-Vous Deviner Qui Je Suis?: Can You Guess Who I Am?, Shelley Pressman
Pouvez-Vous Deviner Qui Je Suis?: Can You Guess Who I Am?, Shelley Pressman
Collage
No abstract provided.
Comptine: Nursery Rhyme, Sara Hoffman
Collage, Alyssa Landry
Esprit De La Mer: Spirit Of The Sea, Grace Dugar
Esprit De La Mer: Spirit Of The Sea, Grace Dugar
Collage
Original work by Ashley Jones
Interpretations Of Leo Lionni, Judy Cochran
Interpretations Of Leo Lionni, Judy Cochran
Collage
In our class on French readings, students interpreted stories by the children’s author Leo Lionni. These are whimsical stories that teach a lesson.
Photograph, Charles O'Keefe
Photograph, Charles O'Keefe
Frederick, Erica Hughes
Frederick, Erica Hughes
Collage
A family of field mice, who live in a stone wall on an abandoned farm, have been gathering supplies for the winter. Frederick, however, has not lifted a finger. They accuse him of being lazy, but he claims he’s gathering things just as important as food- the sun’s rays, colors, and words. When winter comes, the food runs out, but Frederick’s unique supplies and poetic delivery sustain the mice.
La Plus Grande Maison Du Monde, Jenni Messner
La Plus Grande Maison Du Monde, Jenni Messner
Collage
A young snail tells his father that he wants to have the biggest house in the world. His father tells him a story to explain why it is better to have a smaller house. In the story a young snail learns how to make his shell grow large and sprout cone-shaped domes in all colors. When the other snails move on to find more food, the snail with the biggest house in the world is left alone and finally fades away. When anyone asked the little snail why he had such a small house, he would tell them the story …
Photograph, Charles O'Keefe
Photograph, Charles O'Keefe
Sa Propre Couleur, Jacklyn Iverson
Sa Propre Couleur, Jacklyn Iverson
Collage
This is the story of a chameleon who is sad that he does not have a color of his own. He changes color wherever he goes. He tries to remain one color by staying on a leaf – but the leaf changes color with the seasons. He meets another chameleon who suggests they travel together. So they were green together, and yellow together and violet together and lived happily ever after.
Photograph, Charles O'Keefe
Photograph, Suzane Baker, Gary Baker
Photographs, Gary Baker, Suzanne Baker
南方的树: Tree From The South, Xinda Lian
Collage, Marie-Madeleine Stey
Le Portrait Du Poète En Barbare Dans L’Œuvre D’Henri Michaux, Taoufiq Moueddene
Le Portrait Du Poète En Barbare Dans L’Œuvre D’Henri Michaux, Taoufiq Moueddene
Dirassat
The article highlights the imprint and poetic requirement of Henri Michaux in his work on the portrait of the poet in barbarian. The author returns, from a complex game, to the question of the plural being. Michaux diverts from the recognition and republic of letters, to make of it to be, not only the barbarian and the pariah of French literature but also his «Mlecha». Michaux’s work and life are part of a reflection on literature in its relation to being as a machine to be and to think.
Often called experimental thinking, Michaux is a discreet poet, painter painterand …
Précisions À Propos De La Poésie Orale Du Rif, Abdelmottaleb Zizaoui
Précisions À Propos De La Poésie Orale Du Rif, Abdelmottaleb Zizaoui
Dirassat
This article preaches the authenticity of Rifaine society in harmony with its physical and symbolic environment. While reflecting on Rifaine oral poetry, the author evokes the roots of the ancient poem as an element of socio-territorial identification in the test of time. Through the song rallabuya, it is the local heritage that forces admiration and forge the perpetual adaptation of young people. Following the orientation of Jean Cohen and Roman Jakobson, the author reinvests the concept of poeticity while resorting to the theses of the orality of Paul Zumthor in order to extract the poetic forms and thorny aspects accompanying …
Vagabonder: Wandering, Adam Shaw
Photograph, Charles O'Keefe
Sans Titre: Untitled, Rachel Winter