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Articles 481 - 498 of 498
Full-Text Articles in Poetry
When Fall Arrives, David James
When Fall Arrives, David James
Bryant Literary Review
Fall in four days and another year
winds down to a grinding stop.
The apples ripen in the sun
while the serrano peppers implode.
Monkey Time, Eric Greinke
Monkey Time, Eric Greinke
Bryant Literary Review
Communication devices destroy communication.
Text messages erode the language,
A Songbird In Flames, Taylor D. Waring
A Songbird In Flames, Taylor D. Waring
EWU Masters Thesis Collection
No abstract provided.
Litmag 2018-19, University Of Missouri-St. Louis, Kathryne Johanna Watt
Litmag 2018-19, University Of Missouri-St. Louis, Kathryne Johanna Watt
Litmag
The mission of the journal is to nurture the creativity of the students, staff, and alumni by increasing awareness of the vigorous literary talent on UMSL’s campus. We aim to produce a professional, high-quality publication that gives budding writers and artists a venue to display their work and experience the exciting world of publishing. The journal is offered to the campus and local community free of charge, a service we are committed to maintaining.
"Quiddity | Leaving Home", Jonathan U. Barton
"Quiddity | Leaving Home", Jonathan U. Barton
Theses and Dissertations
The poetry collection in four sections features pieces concerned with memory, particularly of the author’s childhood in Ireland. Difficult family relationships as well as early romantic failures are prominent obsessions. Landscapes and careful portraits of characters recur. Travel to Eastern Europe and within the author’s adopted United States give the opportunity to meditate on larger issues and spans of time. Domestic pleasures and the struggle to be a good parent and husband provide the ultimate trajectory of the work.
The nonfiction memoir consists of eight essays which tackle among other topics a failed first marriage, a return visit to the …
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …
Untitled Unknown, Taylor Simone Stewart
Untitled Unknown, Taylor Simone Stewart
Theses and Dissertations
This article is the first of a series exploring domination culture through the ways narrative has been indoctrinated as reality and weaponized as a holding cell for captives. Within this exploration, the narrative of domination is placed in relation to higher dimensional realms of the unknown; this being the before and after of domination culture. This positioning will allow for the reality of a simultaneous existence within the labyrinth of domination and a higher dimensional unknown to be framed. Within this series of articles, I question the roll of the rogue characters shamanistic agents of resisting domination, the fear of …
Baby Fat -- A Legacy, Brandi M. Gard
Poetically Composed, Educationally Imposed: Exploring Imagination And Poetics In Curriculum—A Memoir, Whitney J. Presnal
Poetically Composed, Educationally Imposed: Exploring Imagination And Poetics In Curriculum—A Memoir, Whitney J. Presnal
College of Graduate Studies: Theses & Dissertations
Through the use of memoir, my work centers on how poetry is situated within public education curriculum. I explore the curricular context of poetry through the lenses of my lived experiences in early childhood, as a K-12 student, and as an early career classroom teacher. My dissertation draws upon a wide array of literature, honing in on the poetic perspectives of philosophers (Aristotle, 1996; Heidegger, 1947 & 1971/2013; Plato, 1955/2007), poets (Hall, 2003; Eliot, 1920 & 2009), and curriculum theorists (Leggo, 1997 & 2018; Pinar, 1994; Sameshima, 2007). The foundation of my work is drawn from my own circular experiences, …
Letting Poetry Inside, To Stay, Erin Siegferth
Letting Poetry Inside, To Stay, Erin Siegferth
Williams Honors College, Honors Research Projects
As a child, writing poetry came naturally, like learning to speak. Over time and throughout school, rigid styles of academic interpretation and an air of demographic exclusivity corrupted the genre. I came to associate poetry with historical, formal poets of history. It wasn't until my undergraduate studies introduced me to contemporary poetry that I realized poems were still being created and consumed today, by a diverse and thriving community. This realization renewed my perception of poetry and gave me permission to write in a way that felt authentic, despite the conventions and rules I had learned. In this introduction to …
Soft Tornado, Zoe Orcutt
Soft Tornado, Zoe Orcutt
Williams Honors College, Honors Research Projects
Soft Tornado is the creative senior honors project of Zoe Orcutt. It is the culmination of her creative undergraduate work, including 30 pages of poetry, a critical essay, and a self-reflection.
Reed Magazine, Issue 152, Megan R.F. Alfaro, Shawn Anto, Garrett Ashely, Darius Atefat-Peckham, Lino Azevedo, Rachel Blakley Ball, Rebecca Bangs, Lane Berger, Eric Berlin, Meredith Birdsong, Michael Butcher, Claudia Caranfa, Leslie Carlin, Anne Cheilek, J. David, Claudia Di Marco, M.H. Dodson, David Dumo, Tess Falotico, Robert Morgan Fisher, Kenny Fries, Carmen Garcia Gordillo, Beatrix Gates, Tidnek Haileselassie, Andrew Jackson, Jad Josey, Michele Kilmer, Andrea Kowch, Andrew Lam, Catharine Lucas, Larry Malchow, Peter Nathaniel Malae, Ajuan Mance, Ryan Mcfadden, Mighty Mike Mcgee, Kathleen Mcguire, Bhavna Misra, Nayomi Munaweera, Martha Nance, Michella Nguyen, Beverly J. Orth, Sophia Pomponio, Buku Sakar, Shanthi Sekaran, Jesse Sensibar, Taylor Sezen, Joseph Sigurdson, Janet Spicer, Arthur Sze, Victoria Toney-Robinson, Annie Vitalsey, Mark Lee Webb, Arisa White, Michelle Wright, Sheri Wright
Reed Magazine, Issue 152, Megan R.F. Alfaro, Shawn Anto, Garrett Ashely, Darius Atefat-Peckham, Lino Azevedo, Rachel Blakley Ball, Rebecca Bangs, Lane Berger, Eric Berlin, Meredith Birdsong, Michael Butcher, Claudia Caranfa, Leslie Carlin, Anne Cheilek, J. David, Claudia Di Marco, M.H. Dodson, David Dumo, Tess Falotico, Robert Morgan Fisher, Kenny Fries, Carmen Garcia Gordillo, Beatrix Gates, Tidnek Haileselassie, Andrew Jackson, Jad Josey, Michele Kilmer, Andrea Kowch, Andrew Lam, Catharine Lucas, Larry Malchow, Peter Nathaniel Malae, Ajuan Mance, Ryan Mcfadden, Mighty Mike Mcgee, Kathleen Mcguire, Bhavna Misra, Nayomi Munaweera, Martha Nance, Michella Nguyen, Beverly J. Orth, Sophia Pomponio, Buku Sakar, Shanthi Sekaran, Jesse Sensibar, Taylor Sezen, Joseph Sigurdson, Janet Spicer, Arthur Sze, Victoria Toney-Robinson, Annie Vitalsey, Mark Lee Webb, Arisa White, Michelle Wright, Sheri Wright
Reed Magazine
No abstract provided.
Surrender Dorothy: A Battle With Alzheimer's, Rebecca Lynn Lawson
Surrender Dorothy: A Battle With Alzheimer's, Rebecca Lynn Lawson
Masters Theses
No abstract provided.
Time And Tomato Salads, Joanne L. Detore
The Work Of The Living, D'Addario, Thomas J. D'Addario
The Work Of The Living, D'Addario, Thomas J. D'Addario
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
The Forever Baby, Carlos Javier Medina
The Forever Baby, Carlos Javier Medina
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Anatomy Of Breath, Melissa C. Phelan
Anatomy Of Breath, Melissa C. Phelan
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
There Must Be A Reason People Come Here, Brian James Foley
There Must Be A Reason People Come Here, Brian James Foley
Electronic Theses and Dissertations
The poems in this collection are meant to be read as a preparation of ground and ask to be connected to a larger thought beyond the discrete experience of the poem itself. That thought is that no artistic expression exists outside of the historical conditions in which it was made, and those conditions must be broadcast in concert with the poem.
I cite that these poems are the result of existential degradation developed during the production of subjectivity under modern, hegemonic structures of Neoliberal Capitalism. They were cultivated from "bits of sensitivity" drawn from an unexceptional past regulated by systems …