Poetry Commons^™

The Rose, Patty Lewis

Manuscripts

Making sure the baby was asleep and that dinner was doing as well as could be expected, she crossed the dreary room another time to see if she could see Jim coming up the street. On her way to the window, she snapped on a light, hoping it would reach into the dark corners of the room until the ugly blackness there disappeared. But though the uncovered bulb glared brightly, it served only to make the garish furnishings more distasteful than ever.

Poems, Allyn Wood

Manuscripts

Includes:

EQUINOX: WIND AND TREES

and

AFTER EQUINOX

Pictures At An Exhibition, George Fullen

Manuscripts

No abstract provided.

The Damnation Of Grandfather, George Fullen

Manuscripts

Johnny had squeezed himself tightly into a corner of the back seat of the car. He wanted to feel all alone with his grief. And he was a little angry because he felt SO bad and still could not cry. The old farmhouse looked cold and lonely as they approached it. The trees were barren, and the entire landscape was dirty and grey. No breeze lifted a fallen leaf or stirred a dead weed. There were many cars gathered under the massive old oak tree - more cars than johnny could ever remember seeing there, even for a family dinner. …

Fourteen Lines Rimed In Quiet Desperation, George Coffin

Manuscripts

No abstract provided.

The Old Fool, Carl Henn

Manuscripts

FOUR rose bushes bloomed in the casual garden that spread in the back yard of the Lascelle home. Old Mrs. Lascelle did not care much about the other things that grew there; all other flowers seemed to lack something when she saw them next to the rich, red roses that had the most beautiful smell on earth; all other flowers looked a little faded compared to her roses.

Front Matter

Manuscripts

No abstract provided.

Court Green: Dossier: On The Occasion Of, Columbia College Chicago

Court Green

An annual poetry magazine with a different theme for each issue; printed from 2004 to 2015.

Ivy Leaves, Volume 90, Ivy Leaves Editorial Staff

Ivy Leaves

The 2015 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jonathan Kurtz, Charlotte Stapp, Callie Renfrow, Courtney Couch, Angel Hisnanick, Taylor Kaiser, Yvonne Didway, Noelle Hisnanick, Taylor Henry, Mitchell Dallas Herring, Rebekah Rhoden, Logan Hickey, Josie Maszk, Julia Madden, Kenneth Keller, Alex Dib, Micah Peek, Benjamin Mahaffey, Justin Parker, Teresa Jones, and Tim Speaker.

Westview: Vol. 31, Iss. 1 (Fall/Winter 2015)

Westview

No abstract provided.

Reconnecting With Nature, Christopher H. Reyes

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This set of poems addresses the first-gen author's view of modernization from the past to the present, focusing on the need for individuals to reconnect with Nature.

On The Wrong Side, Alvaro Gonzalez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This piece represents two different aspects of life--one that is more superficial and one that is much more meaningful. Though the author had these two associations in mind at the time of composition, the poem can be interpreted in many ways depending on the reader's experiences and perspective. To some, the poem simply describes a man at the park; to others, the man may represent a father figure or a significant other.

Bailamos Juntos: Salsa En Los E.E.U.U. Y El Mundo, Betty Tran

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This composition traces the history of Cuban-American cultural identity formation through the lens of music and dance. As the author explains, Cuban immigrants cultivated a rich music and dance culture in New York City by creating a series of Latin and Afro-Cuban music genres and dances that brought diverse groups of people together. As a Vietnamese-American woman, Tran sees several connections between her family’s Vietnamese heritage and the cultural histories of Cubans who came to the United States as refugees seeking asylum from political oppression. As a first-generation college student, Tran believes it is important to share this composition as …

Mixing It Up: Poetry For The Goose, Camilla Nelson

The Goose

Poetry Editorial by Camilla Nelson

Four Poems, Roger L. Nash

The Goose

Poetry by Roger Nash

From 'Forced Fingers', Dan Eltringham

The Goose

Poetry by Dan Eltringham

Reading Wordsworth In The Tar Sands, Stephen S. Collis

The Goose

A report, in the form of a long poem, on the author's participation in the 5th annual Tar Sands Healing Walk, organized by the Athabasca Chipewyan First Nation, in Fort McMurray Alberta.

Two Poems, Nicholas Bradley

The Goose

Poetry by Nicholas Bradley

Five Poems, Erin Robinsong

The Goose

Poetry by Erin Robinsong

Three Poems, Angela Waldie

The Goose

Poetry by Angela Waldie

Shopping Cart Pastorals And A Nature Poem, Gary Barwin

The Goose

Poetry by Gary Barwin

The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey

The Goose

'The Rooster and the Lemon' is a collaborative work of critical-creative writing and photography between artists-writers Luis Mario Guerra and Connie Michele Morey. The text and image is a part of a larger body of work that emerged from a trip to Havana in December 2013 and is still in the process of unfolding through additional visual forms. The prose and photographs question the im/possibility of stasis and taxonomical containment in an ecological continuum where the processes of death and life and interdependent and imperceptibly entangled.

Indigenous Poetics In Canada Edited By Neal Mcleod, Kelly Shepherd

The Goose

Review of Neal McLeod's Indigenous Poetics in Canada.

A Tres Pasos De La Muerte, Samuel Temblador

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

"A Tres Pasos de la Muerte" tells the story of a son of Mexican immigrants and his search for his roots. Here, Temblador attempts to communicate a bicultural experience through the frame of border literature (Literatura Fronteriza) born out of the intersection between Mexican and American culture.

Applications For Dummies, Carla M. Sanchez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem discusses the overwhelming pressure that is put on students to justify their right to be admitted into universities or to receive scholarships based on their extracurricular activities. Many working-class, first-generation college students are unable to participate in organizations and programs that offer students a more well-rounded college experience. This can lead first-gen students, like the author, to feel isolated, inadequate, or illegitimate. "Applications for Dummies" expresses Sanchez's incessant fear that she will never be able to compete with other students who were given the opportunity to build more worldly resumes, despite her strong academic commitment and intellectual potential.

It's Not Just A Leave, Genesis L. Montalvo

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

In this piece, the author sets out to explore the first-generation college identity through a gothic lens. In the early stages of this project, Montalvo had considered doing research on narratives from other first-gen college students as a way to trace the uncanny and the abject in their experiences. However, as she began reflecting on her own personal history, she realized that in a matter of only two years she had already experienced moments of distance, uncanniness, and confusion, which are recorded here. In presenting these installments in non-chronological order, Montalvo intends to insert a gothic element of disorder, which …

Flashlight, Min-Jung Kim

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem illustrates the struggle of an undergraduate first-generation college student who knew little about the first-gen identity or the experiences she would encounter until she became a First To Go Scholar at Loyola Marymount University. The poet represents the First To Go Program as a flashlight that has helped her to navigate a once dark and unfamiliar environment.

Keagan, Morika Fields

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

"Keagan" recounts a first-gen poet's experience babysitting a 12 month old who cried incessantly for his mother. Reflecting upon the evening in the weeks that followed, the author comes to realize that this 12 month old experienced emotions a 30 year old man could relate to: loneliness, abandonment, and heartache. The poem is meant to explore these elements of life that begin in infancy and remain with us into mature adulthood.

Revelation, Tanya Diaz

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

There can sometimes be a gap between first-gen students and parents who have not experienced the stress of higher education. Children may believe this stress to be a necessary sacrifice for their future wellness; however, they often cannot feel their parents' sacrifices, just as their parents cannot feel their child's mental strain. Diaz creates this poem in an effort to examine her relationship with her mother from an outsider's point of view, in the end realizing that although her parents cannot always understand her experiences, they care and will support her decisions.

Volume 15, Issue 1: Full Text

Manuscripts

No abstract provided.