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Articles 991 - 1020 of 1158
Full-Text Articles in Poetry
These Three: Beauty, Power, Knowledge, Ralph W. Morgan
These Three: Beauty, Power, Knowledge, Ralph W. Morgan
Manuscripts
It is fitting and natural that I, who was born and have lived most of my life in Indianapolis, should think that this city is one of the most beautiful communities in the United States. However, if all of the other beauty spots of Indianapolis were excluded, the World War memorial plaza in the heart of the city would still give me a reason for a belief in the abundant beauty of my birthplace. Concentrated in this comparatively small space are the representatives of three of man's highest attainments: the DePew memorial fountain is esthetic beauty, the World War memorial …
Apples And Glass (A Comment On Picasso's "Pomme Et Verre"), Charles Hostetter
Apples And Glass (A Comment On Picasso's "Pomme Et Verre"), Charles Hostetter
Manuscripts
"No, Junior, the picture is not hung upside down."
"How does Mother know? They don't hang pictures upside down."
"The picture is called "Apple and Glass."
Shapes In The Night, Dave Craycraft
Shapes In The Night, Dave Craycraft
Manuscripts
People are shapes, and things are shadows; places a blur, and faces a blank. All people sleep sometime, but cities never -- and never all people at once. The city's roar is a decrescendo from midnight on, but it never dies down to silence. Most windows are dark; most lights are out, but never all.
Prologue To Autobiography, Anne Horne
Prologue To Autobiography, Anne Horne
Manuscripts
The guests had arrived for the christening. A steady stream of admiring relatives and close friends filed past the ruffled bassinet wherein lay the object of all eyes -- the baby. Last in that long line came the eighty year old great-grandmother, whose still clear eyes told of that indomitable spirit contained in her tiny form. With bated breath the rest of the family watched her stoop over the baby, catch her breath, and straighten up with an inscrutable smile on her rather thin lips.
Moving Into College, Richard Joyce
Moving Into College, Richard Joyce
Manuscripts
I'm here, so what? All the years, and all the letters of "wish you were back," all the homesick hopes, and all the train fare can never bring me home again. College is my story and I'm stuck with it.
Autobiographical Recipe, Jack Howard
Autobiographical Recipe, Jack Howard
Manuscripts
A Recipe for a Short Autobiography:
2 parts paternal ancestry
2 parts maternal ancestry
3 parts your own personal characteristics
3 parts predictions regarding the future
4 parts candor
Seasoning of clever phrases, punctuation, capitalization, and fresh ideas to taste.
The Curse Of Being Clever, Glenn M. White
The Curse Of Being Clever, Glenn M. White
Manuscripts
Stephen Leacock mentions in one of his essays the horseman who "leaped into the saddle and galloped off madly in all directions." It would take a clever horse and a clever rider to do that, but Leacock was not necessarily being clever when he wrote it.
I Hit My Mark, William Steinmetz
I Hit My Mark, William Steinmetz
Manuscripts
The hunt was ready to start, but only after a hunting ground was secured. Since I was one of a polite party of hunters, as hunters go, I left the car to ask a farmer's permission to hunt on his property.
Indianapolis Times, Margaret Parrish
Indianapolis Times, Margaret Parrish
Manuscripts
It is growing dark swiftly now. The slight mist that hovered around the Monument is getting heavier. Lights blink on to make the War Memorial Plaza a distant fairy land. (Only half the lights went on. That is good. Otherwise it would look like a Power and Light Company advertisement.) The pigeons on the Circle are quieting down, and Christ Church is gray with shadows.
Tangible Evidence, Wilbur Elliott
Tangible Evidence, Wilbur Elliott
Manuscripts
Young Kipling Wiley silently inserted the key, and turned the knob with the greatest of caution. As he closed the door behind him, it gave only the merest hint of a squeak. Kipling mentally congratulated himself on the mouse-like quiet of his entrance, and then started across the floor on tip-toe.
Soft Answer, Marguerite Ellis
Soft Answer, Marguerite Ellis
Manuscripts
Mr. Hughes was downcast. In fact, Mr. Hughes was pessimistic. It was not the fact that it was Sunday -- Mr. Hughes was not a church-going man -- but simply that the view from the big front window of his newspaper office was neither scenically inspiring nor financially hopeful.
Woodcut, Robert Ayers
Fate, Phillipa Schreiber
Fate, Phillipa Schreiber
Manuscripts
Clacking little wooden beads.
Moved by stronger will than ours.
Uncle George, Ruth Marie Hamill
Uncle George, Ruth Marie Hamill
Manuscripts
Every evening when Uncle George walks into the house, before he greets any member of the family, he yells, "O-oh, Pepper! O-oh, Ginger!" and if Pepper and her puppy aren't already scampering down the stairs, or from the living room, they come now. Pepper stands on her hind legs and leans her forepaws on him while she nuzzles in his pockets for peanuts. Ginger dances around him, making funny noises which sometimes terminate in a short bark. He picks the little dog up and feeds both him and Pepper a few peanuts or bites of candy that he has brought …
Autumn Swept Garden, Charles Aufderheide
Autumn Swept Garden, Charles Aufderheide
Manuscripts
Nothing can grow here now.
This garden is Autumn-swept;
Here, by the apple bough,
You turned and wept.
High Pressure, Cathryn Smith
High Pressure, Cathryn Smith
Manuscripts
Pauline regarded John fretfully. She thought: "He's so sensible. I don't believe he ever did or said anything crazy in his li fe. He's absolutely stodgy!"
They rode along in silence for a while. John never drove fast, but there was enough wind to whip color into their faces, and Pauline's hair blew wildly.
The Hunt, Mars B. Ferrell
The Hunt, Mars B. Ferrell
Manuscripts
The youth descended briskly the steep side of the gully. His two dogs, already at the bottom, trotted through the light snow. Their high noses and quickening steps were read by the young trapper as definite signs that a catch was to be expected. The trap he had set a day ago at a den on the side of the small tributary gully ahead probably held a victim. In any event, the "set" had looked good -- several fresh skunk tracks.
Return, Dorothy Steinmeier
Return, Dorothy Steinmeier
Manuscripts
Martha smiled the way she always smiled when someone said something nice to her. Someone was always saying something nice to her, it seemed.
Armor Against Death, Betty Richart
Armor Against Death, Betty Richart
Manuscripts
At last the hour of peace, the voices stilled
The contest ended at last. The citadel
Is saved, and the sudden ambushes are over.
The night is lovely and quiet where we dwell.
Denouement, Betty Richart
Denouement, Betty Richart
Manuscripts
Mrs. Bridgford was fidgeting. The prospect of the long evening before her filled her with nervous panic. Her husband sat solidly established behind his newspaper; she knew that no prospect of adventure could lure him from it. They sat in their intimate sphere of lamp-light without exchanging a word; the daily commonplace, had been duly gone through at dinner. Now there was nothing.
Betty Ballads, Grace Ferguson
Betty Ballads, Grace Ferguson
Manuscripts
Three poems: "Betty Ballads," "Castles in the Air," and "Betty Loves People."
Grandma Brown, Mary Burrin
Grandma Brown, Mary Burrin
Manuscripts
"Sit down, Grandma. There's no need for you to help. I can finish the Turkey myself," said Effie Brown to her mother-in-law.
Hmm! Sitting down was all she'd done since she'd been here. As for finishing the turkey, Effie always cooked the meat too brown and dry, so hard you couldn't eat it, thought Grandma Brown.
The Bad Boy, Margaret Kendall
The Bad Boy, Margaret Kendall
Manuscripts
Mr. Herbert Watts with his dog Antonio, called commonly Tony, walked into the park, Tony trotting leisurely at the end of his leash. He was a small dog of heterogeneous breed. One grandfather was known to be a full-blooded Irish terrier, but the rest of his grandparents were common dogs. Despite his questionable family tree, Antonio was a remarkable dog, according to the Watts's. Mrs. Watts had just finished a new red sweater for Tony, and the air being chilly on this particular day, he was wearing it for the first time.
Front Matter
Manuscripts
Front matter includes: cover, table of contents, and masthead.
Organizational Meeting For Tdf's New Creative Writers' Festival Poster, Department Of Theatre, Dance & Film
Organizational Meeting For Tdf's New Creative Writers' Festival Poster, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Bowab Studio Theatre
Organizational meeting for TDF's new Creative Writers' Festival
Tuesday, March 25, 2014, 4:30pm
Help Is Inevitable
Landscapes: the Journal of the International Centre for Landscape and Language
Environmental Writing
Blue-Tongue Lizard & The Energies Of Shadow
Blue-Tongue Lizard & The Energies Of Shadow
Landscapes: the Journal of the International Centre for Landscape and Language
Environmental Writing
Court Green: Dossier: James Schuyler, Columbia College Chicago
Court Green: Dossier: James Schuyler, Columbia College Chicago
Court Green
An annual poetry magazine with a different theme for each issue; printed from 2004 to 2015.
Ivy Leaves, Volume 89, Ivy Leaves Editorial Staff
Ivy Leaves, Volume 89, Ivy Leaves Editorial Staff
Ivy Leaves
The 2014 edition of the Anderson University journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Christopher Mauldin, Anna Falardeau, Jonathan Kurtz, Jordan Sears, J.E. Tankersley. Cody Rabideau, Laurie Epps, Christian Bare, Nichole Dorontich, Hunter Burton, Charity Reed, Joy Hiller, Sarah Leugemors, Rebekah Rhoden, Julia Madden, Dixie Hemingway, Gage LaGreca, Kenneth Keller, Justin Parker, Teresa Jones, and Tim Speaker. Cover art photography by Julia Madden and Heidi Pettit.
From The Inside Out, And Through., Dominique Ovalle
From The Inside Out, And Through., Dominique Ovalle
The Transdisciplinary STEAM+ Journal
These photographs describe “Science” born of consumerism, hijacked by me, economically disenfranchised, or rather—temporarily embarrassed, artist. I was putzing around Malibu—my old college stomping ground, looking for free food; maybe a sample of some gourmet $5 chocolate, and all I got were these photographs.