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Articles 241 - 270 of 297
Full-Text Articles in Poetry
Easter Eggs, Vanessa Blakeslee
Easter Eggs, Vanessa Blakeslee
Bryant Literary Review
Julie wished the problem of the Easter eggs wouldn't turn into a blowout fight,
Memo To Mean Girls Everywhere, Nancy Craven
Memo To Mean Girls Everywhere, Nancy Craven
Bryant Literary Review
After you sign-on to U-Stream, and watch the backs of classmates whose fronts you no longer recognize
Why I Cannot Love Picasso, Devon Miller-Duggan
Why I Cannot Love Picasso, Devon Miller-Duggan
Bryant Literary Review
Sure, he gets that everything is broken
And still charged with lusts.
The Telephone Pole, Jay Baruch
The Telephone Pole, Jay Baruch
Bryant Literary Review
Everyone leaves--the medics, the police, the coroner, the late night news crew
Gospel, Brady Rhoades
Gospel, Brady Rhoades
Bryant Literary Review
On French Hill, night falls and you sit on the slope
in your shanty clothes,
Childhood Nightmare, Buff Whitman-Bradley
Childhood Nightmare, Buff Whitman-Bradley
Bryant Literary Review
In the recurring dream I had as a child
I stood on a small platform
The Lemon Tree, Emily Swaine
The Lemon Tree, Emily Swaine
Bryant Literary Review
I was walking back to camp with some new supplies when I noticed all the boys standing around,
Posted: Don't Poach, Nathan Whiting
Posted: Don't Poach, Nathan Whiting
Bryant Literary Review
You now read an uncollected poem.
If a poem collector, you should
In His Introduction To Five Poems, J. R. Solonche
In His Introduction To Five Poems, J. R. Solonche
Bryant Literary Review
In his introduction to five poems, Su Tung-p'o wrote:
I got drunk and wrote five poems.
The Name, John Grey
The Name, John Grey
Bryant Literary Review
There should be a name for people
who sit on a rock for hours
Passio #008, George Gott
Passio #008, George Gott
Bryant Literary Review
If we know
what we ought to know
we join hands with the mighty world
John 3:10010000110, John Supinski
John 3:10010000110, John Supinski
Bryant Literary Review
Welcome to the kingdom of the Immortal
Where races are run barefoot
My Kind Of Nothing, Elizabeth C. Williams
Dry Wood, Gregory E. Scheiber
Ghazal For Emptiness, Eric J. Kozlik
Paper Heart, Kelly J. Weitner
Against The Wind, William M. Buerger
Naked, Jenna Devine
Naked, Jenna Devine
The Lindenwood Review: a journal of literary prose
No abstract provided.
Buddha Speaks With His Oncologist (For David Getches), Frank Pommersheim
Buddha Speaks With His Oncologist (For David Getches), Frank Pommersheim
Faculty Publications
No abstract provided.
Corresponding Voices Volume 4 (Complete)
Corresponding Voices Volume 4 (Complete)
Corresponding Voices
The full issue of Corresponding Voices volume 4, featuring Jules Gibbs, Michael Burkard, Madeleine Stratford, María Negroni, and edited by Pedro Cuperman.
Jules Gibbs Folio, Jules Gibbs
Jules Gibbs Folio, Jules Gibbs
Corresponding Voices
A folio of English-language poetry by Jules Gibbs.
María Negroni Folio, María Negroni
María Negroni Folio, María Negroni
Corresponding Voices
A folio of poetry by María Negroni, appearing in the Spanish original and in the English translation by Michelle Gil-Montero.
Woodwords, Carol Harrington
Commonthought (2011), Commonthought Staff
Commonthought (2011), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan
Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan
English Faculty Publications
Richard Wright’s haiku — both the 4,000 he wrote at the end of his life and the 817 he selected for inclusion in Haiku: This Other World (1998) — remain something of an enigma in his larger oeuvre; critics variously position them as a continuation of his earlier thematic concerns in a different literary form, an aesthetic departure from the racialized limitations imposed upon his earlier work, or one of several positions in between. Such arguments debate the formal construction as well as the strategic reinvention of Wright’s haiku. The present essay engages both sides of this conversation, arguing that …
Grunt Of Beauty Poems, Erienne Rojas
My Endless Compliance, Kate Lutzner
A Door Opens, Tim Boykin