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Poetry Commons

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2001

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Articles 271 - 282 of 282

Full-Text Articles in Poetry

Blitzkrieg, Peter Hughes Jan 2001

Blitzkrieg, Peter Hughes

The Messenger

No abstract provided.


9 Ways Of Seeing A Rainy Day, Nick Salter Jan 2001

9 Ways Of Seeing A Rainy Day, Nick Salter

The Messenger

No abstract provided.


Part And Counterpart In Nc, Db Ross Jan 2001

Part And Counterpart In Nc, Db Ross

The Messenger

No abstract provided.


Fire, . Anonymous Jan 2001

Fire, . Anonymous

The Messenger

No abstract provided.


"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower Jan 2001

"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

In this brief monograph based on her dissertation, Leslie Morris sets out to achieve a series of aims: to contest the alleged divide between Bachmann's poetry and prose, to counter "the myth of her apolitical poetic voice" (10), to address the presence and absence of history in her poetry, and, finally, to consider how to read Bachmann's poetic ceuvre in light of historical developments in Germany and Austria in the 1980s and 1990s. In a sense, Morris is also trying to rehabilitate post-war aesthetic modemism from a reductive, binary mode of criticism that separates aesthetics and politics. Following in the …


Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima Jan 2001

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …


From The Cantos, 1, David Staniunas Jan 2001

From The Cantos, 1, David Staniunas

The Messenger

No abstract provided.


For Philip Larkin (Orchids), David Staniunas Jan 2001

For Philip Larkin (Orchids), David Staniunas

The Messenger

No abstract provided.


Angles And Reflections, Db Ross Jan 2001

Angles And Reflections, Db Ross

The Messenger

No abstract provided.


Lights And Shadows - 2001, University Of North Alabama Jan 2001

Lights And Shadows - 2001, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


“To A Friend Dying Of Cancer In A War Zone,” “Spring Offensive,” “’Paramilitary,’” “The Secret Of Stealth,” And “Summit Summary” (Poems), John Gery Jan 2001

“To A Friend Dying Of Cancer In A War Zone,” “Spring Offensive,” “’Paramilitary,’” “The Secret Of Stealth,” And “Summit Summary” (Poems), John Gery

English Faculty Publications

No abstract provided.


Review Of William Blake, Antoni Pizà Jan 2001

Review Of William Blake, Antoni Pizà

Publications and Research

Although William Blake is the quintessential multidisciplinary artist – his achievements in literature and the visual arts are for the most part uncontested – as far as we know, he was never particularly interested in music. Indeed, neither his poetry nor his pictures describe or depict music directly. Yet, in the last 200 years or so, his work has made an astounding mark on composers and music. One sees Blake's influence primarily in the numberless musical settings of his poems, but also in more general, indefinite, and ineffable way – a very Blake-ian one, I am tempted to say. I …