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Articles 211 - 240 of 697
Full-Text Articles in Poetry
The Morning Pachamama Was Born, Megan Murphy
Genesis And Chance, Austin Wines
Her Black Braids Broke Down, Casey Grooten
Lie, Kaylie Hanson
Rest, Maura Sands
Small Thing, Jared Sebastian
Money Is A Crime, Rape Is A Personal Experience, Casey Grooten
Money Is A Crime, Rape Is A Personal Experience, Casey Grooten
The Laureate
No abstract provided.
A New York Poem, Mark Majcher
Prescribed Meaning, Ali Orlandi
Sink In The Morning, Andrew Heurmann
Father, Austin Wines
Toes And Paint, Nick Alti
Girl, Age 6, Maura Sands
Metamorphosis, Danielle Favorite
Mercado Nro 1 De Surquillo, Megan Murphy
Burn, Darcy Boyea
Barefoot Behind A Jail, Andrew Heurmann
Garden Bones, Nick Alti
Moles, Austin Wines
We Wade Through Junipers, Megan Murphy
Im Anune Hayasten E (My Name Is Armenia), Courtney L. Bedrosian
Im Anune Hayasten E (My Name Is Armenia), Courtney L. Bedrosian
The Laureate
No abstract provided.
Uncle Bob & Wooden Duck, Mary Maroste
Early English Poetic Culture And Meter: The Influence Of G. R. Russom, M. J. Toswell
Early English Poetic Culture And Meter: The Influence Of G. R. Russom, M. J. Toswell
Festschriften, Occasional Papers, and Lectures
This volume develops G. R. Russom's contributions to early English meter and style, including his fundamental reworkings and rethinkings of accepted and oft-repeated mantras, including his word-foot theory, concern for the late medieval context for alliterative meter, and the linguistics of punctuation and translation as applied to Old English texts. Ten eminent scholars from across the field take up Russom's ideas to lead readers in new and exciting directions.
The Spaces Between, Robert Evory
Paris Burn, Iliana Rocha
Paris Burn, Iliana Rocha
Dissertations
First and foremost, Paris Burn- interrogates language as a rebel heteroglot in its relation to power and to identity, focusing on liminality and marginality. The speakers in these poems constantly (re)enact, generate, disassemble, and revise their lyric selves, either reaffirming or challenging dominant discourses and ideologies. Drag queens figure prominently throughout the manuscript because they are the physical embodiment of constructs that challenge an essential identity—race, ethnicity, sexuality, and gender. The title, an abbreviated form of Paris is Burning, an influential 1980s documentary profiling drag culture in New York City, invokes a physical body that figures in metaphorical relation to …
The Night We Set The Dead Kid On Fire, Ephraim Scott Sommers
The Night We Set The Dead Kid On Fire, Ephraim Scott Sommers
Dissertations
The Night We Set the Dead Kid on Fire, a collection of poetry, is a book chocked-full of characters (both women and men) that don’t receive much attention in Contemporary American Poetry,—the dishwashers, the addicts, the truckers, the card players, the convicts, the boxers, the grave-diggers, the mechanics, the farmers, the blue-collar “others”—and many of these characters are either the victims or the perpetrators of violence. This book's speakers (both women and men) lie and cheat and drink and fist-fight in parking lots, campgrounds, and dive bars. They get cheap in casinos, broken apartments, hospitals, and hotel rooms. In this …
Interaction Between Human Experience, Landscape , And Coffee Production In The Blue Mountain Region Of Jamaica, Shohei Yoshida
Interaction Between Human Experience, Landscape , And Coffee Production In The Blue Mountain Region Of Jamaica, Shohei Yoshida
Masters Theses
In today's coffee industry, individual farmers’ identities are hardly visible from the products we buy. Each coffee farmer has different lifestyles and methods of coffee farming. Such information about farmers can make each cups of coffee potentially unique in consumers’ experience. However, there are barriers which make consumers blind from the identities of the farmers making their coffee. I will explain about the barriers, and introduce the way to make consumers associate individual farmers' identities with each cup of coffee they drink. This thesis mainly consists of two parts: a theoretical part and a poetry part. There is a small …
Acknowledgements/Image Credits, Molly Lynde-Recchia
Acknowledgements/Image Credits, Molly Lynde-Recchia
Transference
No abstract provided.
Orchards 52, Orchards 54, Orchards 57: The Doe, And Orchards 59 By Rainer Maria Rilke, Susanne Petermann
Orchards 52, Orchards 54, Orchards 57: The Doe, And Orchards 59 By Rainer Maria Rilke, Susanne Petermann
Transference
Translated from the French by Susanne Petermann.