Poetry Commons^™

“Something Large And Old Awoke”: Ecopoetics And Compassion In Tracy K. Smith’S Wade In The Water, Kaitlin Hoelzer

AWE (A Woman’s Experience)

Susa Young Gates Award Essay

First Place

Both historical and contemporary Black poets have used their work to identify, condemn, and suggest solutions to problems stemming from racism in American society. Indeed, as Arnold Rampersad notes in his introduction to The Oxford Anthology of African American Poetry, many Black poets use “poetry as a vehicle of protest against social injustice in America.” Art is inherently political, even when its arguments do not overtly engage in political debates. As Lorraine Hansberry argues, all art is rooted in a particular social and political consciousness. The choice is “not whether one will …

"Dear Stanford: You Must Reckon With Your History Of Sexual Violence" By Seo-Young Chu, Seo-Young J. Chu

Publications and Research

In 2000 a Stanford professor raped me. My rape is now older than I was. (I’m still not as old as he was.) The more time passes the more I’m struck by Stanford’s apathy and fecklessness about sexual violence. I wrote a letter asking Stanford to stop compounding the abuse and to reckon with its rape culture. This letter—including the “Incomplete Compilation of Links to Sources Documenting Stanford’s History of Sexual Violence, in Chronological Order”—should be mandatory reading for administrators, faculty, students, alumni, and stakeholders at both Stanford and CUNY. #MeToo #MeTooAcademia

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The Weak, The Wicked, The Divine: A Collection Of Poems, Grace Hedin

University Honors Theses

The Weak, the Wicked, the Divine is a collection of thirteen original poems based on the female figures of the Iliad and the Odyssey with scholarly analysis. The Introduction gives background on Homer and his works as well as their impact on both modern day and myself. The second section contains both the original work of Grace Hedin and the author's scholarly analysis of both their own work and the figure the poem is based upon. The Conclusion will hold the final thoughts and dedications from the author. An audio reading of all poems is attached to this thesis, with …

“But For Those Of Us Who Live Here”: Performance Of Work And Community By Women Employed In Rural, Predominantly White, Small-Town Schools, Telena M. Turner

Masters Theses, 2020-current

Rural, small towns are incredibly complex cultural centers. Although rural places are consistently portrayed as unchanging, the operation of cultural and identity within these locations is consistently on the move. Using reflexive interviewing, poetic transcription, autoethnographic writing, this project (re)presents poems on community and identity from five women employed in schools in rural, mostly White, small towns in the Central Appalachian region. Analyzing the poems through concepts in performance studies and work on space and place, this project positions movement and change at the center of small towns and examines how notions of rural place and community are performed through …

Disorienting Object Oriented Ontology: Queer Landscapes And Ecological Bodies In Richard Siken And Harryette Mullen., Andrew N. Hutto

Electronic Theses and Dissertations

This thesis focuses on a recent development within the study of metaphysics, known as object oriented ontology (OOO), and works out questions of being alongside contemporary poetry. Recognizing the post anthropocentric purchase afforded by OOO’s claim that everything is an object and that these objects are impossible to correlate with, this thesis will look at the use of objects in Richard Siken’s War of the Foxes and Harryette Mullen’s Recyclopedia. Drawing heavily from Sara Ahmed’s queer theory of disoriented objects and Timothy Morton’s ecological insights, this thesis will argue that despite OOO’s advancement, there are critical gaps to fill in …

Anatomy: The Makings Of Me, Janey Locander

Women's and Gender Studies: Student Scholarship & Creative Works

Anatomy & the Makings of me:

(A Chapbook)

Back in 2020 quarantine took a mental toll on many, including myself. I was already overwhelmed with academics, personal issues, and an overall pessimistic outlook. For years I've struggled with my body image, and for the past year or so I've been trying to improve on my self-love and acceptance. Taking back my body and my feelings towards it by keeping centered on my thoughts, not the thoughts of others. Hence the concept for this chapbook project.

Anatomy is a look at all the squishy bits of matter and emotion I’ve been …

Ivy Leaves, Volume 97, Ivy Leaves Editorial Staff

Ivy Leaves

The 2022 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Samantha Brooks, Gabrielle Morgan, Lily McNamara, Perry Diamaduros, Rebekah McCallum, Slone Pearce, Jo Randlett, Sharice Somero, Maggie Fitch, Hannah Brown, Sara Pepper, Brianna Elwell, Abbie Vanasse, Alexis Bussey, Rebecca Thompson, Dakota Riemer, Caroline Reynolds, Shelby Parker, Lindsey Gatlin, James Glymph, Wayne Cox, and Tim Speaker.

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

1% Left Of 100: Taino History And Puerto Rican Identity, Alanis Gonzalez Torres

Undergraduate Research Symposium

1% left of 100 is a documentary poetics research project exploring the confluence of identity, family, and language. Crafted in a hybrid format that mixes Spanish and English according to my personal idiolect, which is itself a product of my heritage as a Puerto Rican, Africa, native Taino American, this poem engages with exciting new approaches to thinking about race which liberate us from talking about physical features and takes us instead toward race as a social fact, a product of culture, history, and family. I seek to intervene in a narrative of American history that, though it teaches about …

We: Women In A Traditional (Zapotec) World, Ida Day

Modern Languages Faculty Research

This chapter focuses on the female roles and relationships in Natalia Toledo Paz’s bilingual collection of poems, Ca gunaa gubidxa, ca gunaa guiiba’ risaca/Mujeres de sol, mujeres de oro (2002). The author sets her poems in a world, where all the themes and plots are performed by women. Natalia is the daughter of Francisco Toledo, a prominent Mexican painter, sculptor, and graphic artist, and Olga de Paz, a Zapotec weaver and hammock maker. In 2004, she was awarded a prestigious Nezahualcóyotl Prize for Indigenous-Language Literature. Her bilingual works (Zapotec/Spanish) have been recognized in numerous anthologies all over the world and …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Spectrum Of Shit, Hannah Hiaasen

Theses and Dissertations

Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …

Great River Legs, Laura Madeline Wiseman

Zea E-Books Collection

Great River Legs is a lyric collection of prose poetry, creative nonfiction, and found poetry. This creative response documents my 1,398 mile, 25-day bicycle ride from Muscatine, Iowa, to Baton Rouge, Louisiana, between October 2017–March 2018. The journey took place in legs over breaks during the school year, with two additional back-to-back weekend rides that started the adventure.

In her latest book, Great River Legs, Laura Madeline Wiseman takes you on an intimate journey as she weaves in and out of a cross-country, long distance bike ride. In this beautifully curated book that includes prose poetry, creative non-fiction and …

The Legacy Book In America, 1664–1792, Roxanne Harde, Lindsay Yakimyshyn

Zea E-Books Collection

Legacy books in colonial America were instruments for the transmission of cultural values between generations: the dying mother (usually) instructing and advising children on the path to salvation and heavenly reunions. They were a popular and influential form of women’s discourse that distilled the ideologies of the religious establishment into practical and emotional lessons for lay persons, especially the young.

This collection draws together legacy texts written by colonial American women and girls: five mother’s legacy books and two legacies by children, organized here chronologically. These legacies were writ­ten in anticipation of dying, making awareness of death central to the …

Looking Back, Or Re-Visioning: Contemporary American Jewish Poets On “Lot’S Wife”, Anat Koplowitz-Breier

CLCWeb: Comparative Literature and Culture

Although mentioned only twice in Genesis (19:17, 26), Lot’s wife has been a topic of much discussion amongst both traditional and modern commentators and exegetes. The traditional midrashim seek to explain why she chose to disregard the instructions she was given and the nature of her punishment. In doing so, they follow two principal directions, representing her a) negatively as a wicked sinner, a Sodomite who acted as such even before disobeying the divine decree not to look backwards—thus linking her disobedience with her intrinsic character (e.g., curious, greedy, inhospitable, faithless); or b) positively as a loving mother and daughter. …

Poems Of Debate And Praise: Women As Published Authors In Sixteenth-Century France, Anna Soo-Hoo

Dissertations, Theses, and Capstone Projects

Non-fictional, published poetic exchanges between men and women in sixteenth-century France provide new perspectives into how women writers operated in a literary culture whose main producers and dominant voice were male. Contrary to the notion repeated by many critics that women of that period were supposed to stay out of the public sphere, my study finds that publishing a woman’s poems did not destroy her reputation, and there appears to have been no major backlash when a man decided to include poems by a female contemporary in his book. My study takes as its point of departure the notion that …

White On The Outside | Brown On The Inside, Damon R. Carbajal

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

This poem is one of a trio of poems published in this volume titled, “at the interSEXtion of being GAY and CHICANX: Un Trío de Poemas,” that dive into what it means growing up as a gay, Chicanx light-skinned in the current times post the moviemento and through the strides of the queer liberation movement. The poems explore many facets of living at this intersection including, but not limited to, toxic masculinities, queerphobia, mental health, sexual assault, pride, etc. The poems also explore the notion of what it means to be mestiza as Mexicano and White and how this further …

'Disembodied Bones': Recovering The Poetry And Prose Of Elinor Wylie 2021, Sarah R. Bullock

Master's Theses

Picking a book to read is like diving for a pearl, writes Elinor Wylie, a 20th Century American poet, novelist, essayist and prominent magazine literary editor. In her essay "The Pearl Diver", she writes that it is the diver that risks the unknown- unaided by diving equipment in the form of library indexes-who gains the greatest joy, Wylie states (Fugitive Prose, 869). Wylie explains:

I venture to perceive an analogy between the rebellious pearl diver and myself, in my slight experience with public libraries...how much more delightful, how much more stimulating, to abandon the paraphernalia of card indexes and mahogany …

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.

Taunggyi Dreamer: Exiles, Diasporas, And Pleasures, Singh Kaur Singh

All NMU Master's Theses

Taunggyi Dreamer: Exiles, Diasporas, and Pleasures, a collection of poetry and prose (creative non-fiction and fiction), reflecting themes of trauma, memory, psychic fragmentation and survival is told through hybrid narratives. The writing arises from my own multiple migrations from Taunggyi, Burma, to India and eventually to the United States of America. Taunggyi Dreamer is inspired by: my exile from my birth country, Burma, after the military coup of 1962; my resettlement as a stateless citizen in my ancestral home in India during my teen years; and my arrival to the United States of America in my thirties as a …

Properly Unhinged: A Collection Of Poems, Madison Everett

Honors Projects

This is a collection of poems that explores the identities I possess and am a part of. These identities include being half black and half white, clinically diagnosed with Bipolar Disorder, Obsessive-Compulsive Disorder and Generalize Anxiety Disorder, pansexual or bisexual or something altogether different (depending on the day), and cis gendered womanhood. I also explore what a poem is and what a poem is not, and how there is very little difference between the two. In a lot of ways, this is an exploration into myself and what it means to be within the world. What does it mean to …

Poetry Beyond The Page: A Case For Spoken Word Poetry In Florida's Secondary Classrooms, Sarah Matherly

Senior Honors Theses

Florida’s B.E.S.T. Standards, Florida’s most recent K-12 educational standards to promote literacy, lack the rising art of Spoken Word Poetry. However, Florida’s Department of Education should integrate Spoken Word into Florida’s Secondary curriculum. Spoken Word Poetry, by its definition, holds researched benefits that align with the B.E.S.T. Standard’s poetry recommendations and literacy-centered goals. In light of such benefits, Florida’s Department of Education should consider various Spoken Word poets and poems to include in Florida’s Secondary Curriculum, as well as explore the resources and integration methods included in this thesis for both teachers and students.

Ivy Leaves, Volume 96, Ivy Leaves Editorial Staff

Ivy Leaves

The 2021 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Larisa Crowder, Samantha Windham, Lily McNamara, Samantha Brooks, Kristopher Sutherland, Salvatore Fontana, Gabrielle Morgan, Emma McKay, Carson Long, David Stancil, Hannah Brown, Sara Pepper, Brookelyn Taylor Harrison, Alexis Bussey, Abigail Timms, Dakota Riemer, Taylor Smith, Shelby Parker, Samantha Windham, Morgan Broom, Teresa Jones, and Tim Speaker.

For [Redacted], Lalini Shanela Ranaraja

Vázquez-Valarezo Poetry Award

This poem was written following the attempts of a close friend and myself to create awareness for the ongoing genocide in Tigray, Ethiopia in particular, and in reaction to activism in the age of social media in general. The digital age and related phenomena, such as hashtag activism and cancel culture, has enabled certain social justice movements to gain rapid traction while other equally worthy movements struggle to find a foothold. Simultaneously, standards of accountability and ethics continue to decline among global news media, with non-Western countries such as Ethiopia and my own home country of Sri Lanka bearing the …

The Car Ride Home, Jonathan Rivera

English Honors Theses

The Car Ride Home explores the coming of age of a young boy into a queer man, searching and sifting through the trauma of home life, and realizing his mother’s addiction affects more than just herself, but an entire family. This realization coincides with views of masculinity, as he carefully watches the men around him. He internalizes these depictions of masculinity when exploring his own confusion and investigation of his own sexual identity and queerness. The poetry collection is broken up into two connected parts. Part one explores the illusion of childhood and nostalgia while introducing subtle glimpses and secrets …

(Trans)Form: Spoken Word As Queer And Transgender Testimony, Kaileigh/Wesley Strobel

Undergraduate Distinction Papers

(Trans)form will explore the importance of spoken word poetry in and for the queer and transgender community. Especially underscoring the significance of public voice in a culture that often wants to conceal or minimize the lived lives of LGTBQIAP+ people. (Trans)form will be a collection of self-authored spoken word poems that are influenced by—and in dialogue with—powerful transgender spoken word authors. The project will open with an essay on the importance of spoken word poetry and voice.

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.

Et Cetera, 2019-2021, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.