Poetry Commons^™

Insomnia, Tim Louise Macaluso

Bryant Literary Review

No abstract provided.

Fifty, Tim Louis Macaluso

Bryant Literary Review

No abstract provided.

Satori 2026, Lupema Celis Castillo, Amity Collins, Lydia Domaille, Grace Emiliusen, Alysen Endres, Holly Foss, Jenifer Frick, Benjamin Hagen, Linda Hang, Ely Herrick, Axel Hillis, Eva Hodnick, Sarah Huderle, Dylan Jackson, Kira Kainz, Sayeeda Khan, Greta Kirsch, Reianna Larson, Jacinda Lundeen, Kendra Mcclure, Marissa Mcclure, Linda Moua, Kaylee Nickisch, Ella Page, Kari Plumley, Caleb Reed, Reagan Roesler, Sarah Schmick, Mandie Schmidt, Elizabeth Schneider, Lucy Severson, Gracia Sonderup, Emily Sowers, Celia Stern, Shelby Svien, Liz Tischler, Jackie Velishek, Allen Wedekind

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2026 editors and creators are:

Design and Technical Editors: Elena Armstrong, Jenifer Frick, Eva Hodnick, Sarah Huderle, Linda Moua

Prose Editors: Shaela Eriksen, Linda Hang, Camden McDonald, Callie Sahlstrom

Poetry Editors: Lydia Domaille, Dylan Jackson, Reagan Roesler, Allen Wedekind

Art Editors: Kendra McClure, Jade McElmury, Charlie Lund

Faculty Advisor: Dr. Liberty Kohn

WINONA PRIZE WINNERS 2026

• Allen Wedekind (Nonfiction) -  Pleasant Transgender Man
• Mandie …

Irotas 2026 Version 1, English Department-Winona State University

Irotas

Irotas is an annual student journal of the arts created and published by Winona State University students. Irotas is a sibling journal to the Satori Student Literary Magazine. This is the Irotas created in 2026. there are three versions of the 2026 Irotas.

Editors:  Elena Armstrong, Lydia Domaille, Shaela Eriksen, Jenifer Frick, Linda Hang, Eva Hodnick, Sarah Huderle, Dylan Jackson, Charlie Lund, Kendra McClure, Camden McDonald, Jade McElmury, Linda Moua, Reagan Roesler, Callie Sahlstrom, Allen Wedekind

McClure, Grace Emiliusen, Benjamin Hagen, Brandon Tellers, Jacinda Lundeen, Lupema Celis Castillo, Kylee Binning, Caleb Reed, Anastasia Piltingsrud,  Koda Mueller, Caleb Reed, Gracia Sonderup, …

Irotas 2026 Version 2, English Department- Winona State University

Irotas

Irotas is an annual student journal of the arts created and published by Winona State University students. Irotas is a sibling journal to the Satori Student Literary Magazine. This is the Irotas created in 2026. there are three versions of the 2026 Irotas. This is a 2026 issue version 2.

Authors: Marissa McClure, Alysen Endres, Mandie Schmidt, Holly Foss, Allen Wedekind, Sarah Schmidt, Calista Escobar, Linda Moua, Jacinda Lundeen, Caleb Reed, Ella Page, Kendra McClure, Cora Waterman, Benjamin Hagen, Amity Collins, Mazin Abdel-Magid, Libby Crum, Elizabeth Tischler, Elly Herrick, Kat Beekman, Lupema Celis Castillo, Linda Hang, William Mahowald, Lydia Domale, …

Irotas 2026 Version 3, English Department-Winona State University

Irotas

Irotas is an annual student journal of the arts created and published by Winona State University students. Irotas is a sibling journal to the Satori Student Literary Magazine. This is the Irotas created in 2026. there are three versions of the 2026 Irotas. This is version 3.

Editors: Allen Wedekind, Callie Sahlstrom, Camden McDonald, Charlie Lund, Dylan Jackson, Elena Armstrong, Eva Hodnick, Jade McElmury, Jenifer Frick, Kendra McClure, Linda Hang, Linda Moua, Lydia Domaille, Reagan Roesler, Sarah Huderle, and Shaela Eriksen

Authors: Sarah Huderle, Kylee Binning, Lupema Celis Castillo, Kira Kainz, Elizabeth Tischler, Calista Escobar, Caleb Reed, William Mahowald, Linda …

Queer Okayness & The Modernist Influence: A New Form Of Queer Poetics In Ocean Vuong’S Night Sky With Exit Wounds, Sophia Behnke

Audre Lorde Prize

This paper analyzes poems from Ocean Vuong's 2016 debut collection, Night Sky with Exit Wounds, as a contemporary evolution of queer modernist poetics from the early twentieth century. Using conceptual frameworks from Sara Ahmed and Audre Lorde, the author argues for the cultural power of poetics as an inherently queer art form which artists are constantly redefining. By studying how prominent lesbian and queer modernists disrupted heteronormative ideals through non-conformist poetic strategies, the author develops a comparison to Vuong's work as a contemporary queer poet who both draws from past forms and develops a more nuanced understanding of queerness …

To Be Buoyant, Jess T. Forte

FUSION

This is a poem of resistance and transformation, contradicting forces that work together to shape development. Inspired by “Eleven” by Sandra Cisneros, "To Be Buoyant" is an exploration of human identity from a place of stuckness.

Waiting Rivers, Samuel B. Darden

FUSION

This piece was inspired by the poem “The Negro Speaks of Rivers,” by Langston Hughes. Assigned in my African American Literature (ENGL 2300) class, Hughes’s poem stuck with me, prompting me to create my own unique version, one encompassing all marginalized groups. This poem personifies the struggle for rights for African Americans (and others within the diaspora), and the long, arduous, and selective process of becoming recognized as equal, a fight ongoing to this day. The separation of each group (not only by race, but also by gender) is explored throughout the piece, touching on important historical movements, such …

Hot Ears, Anna Thomas

Landshark Literary Review

A short creative non-fiction piece about the daily battle of living with depression. This work explores the diagnosis of depression through a singular moment in time, taking a scene and expanding it into it's higher meaning. This piece also develops part of the support system an individual with depression relies on, as well as an intimate relationship between college students.

Landshark Literary Review, Hanny Zermeno

Landshark Literary Review

The poems of this selection delve into the complexities of familial relationships as well as the internal battles of insecurities brought on by the complications of a lack of harmony and love primarily displayed in families. Other poems in this selection describe the love between two people and the physical and emotional effects of yearning and their human connections.

Teaching Phillis Wheatley Peters’S “On Being Brought From Africa To America” For The First Time In An Online Undergraduate Women’S Literature Course, Shazia Khan

ABO: Interactive Journal for Women in the Arts, 1640–1830

As one of Phillis Wheatley Peters’ most famous poems, “On Being Brought from Africa to America” is often introduced to undergraduates; however, it is also an often-misunderstood text by undergraduate and graduate students alike when they first read it. Students often believe that Wheatley Peters is happy about her condition as an enslaved person in America and out of Africa. But upon deeper analysis of her word choice, use of punctuation, and biblical references, a reader can see her unique voice as an enslaved person criticizing slavery through sarcasm. Such responses can discourage instructors from teaching the poem, especially in …

A Kaleidoscope Of Sentiments, Emily Hartman

English Senior Capstone

This is a Creative Writing portfolio with many different genres and themes.

Unmasked And Unprotected: An Autistic Poet's Journey Of Imperfect Confession, Cynthia Short

Theses and Dissertations

Cynthia Short’s thesis analyzes the consumption and contortion of neurodivergent experience across the clinical, personal, and artistic stages. Combining intersectional memoir with clinical research, traditional poetics, and spoken word experience, she weaves a first-person narrative of consumption and redefinition by systems that did not understand her. Yet, she argues that imperfect confession -done without self-knowledge, resources, or proper self-worth to resist consumption – still has its place. Her collection of twenty-nine self-authored poems serves as a testament to the growth her imperfect confession allowed, outlining her struggles with identity, clinical experimentation and economic survival in a world not meant for …

Modernism’S Wild Child: The Interplay Of Modernist And Children’S Literature, Rachel Riffel

All Master's Theses

Within literary criticism, American and British modernism are often characterized by the disillusioned writers and creators who established an elitist literary community during the early 20^th century. This period is also distinguished by the Harlem Renaissance highlighting Black art, culture, and writing. Gertrude Stein, T. S. Eliot, Langston Hughes and Arna Bontemps are well-known for contributing core texts to modernism and the Harlem Renaissance that expressed existential themes and developed experimental techniques. What many readers don’t know, however, is that these authors and many other contemporaries wrote stories and poetry for children. In this thesis, I explore the children’s …

Neurodivergent Kintsugi, Jenée Stanfield

Ought: The Journal of Autistic Culture

Jenée Stanfield is a late-realized, neuroqueer woman living in the Pacific Northwest with her spouse and her dog. She received her MFA in Creative Writing from Pacific Lutheran University and is currently working towards a MS in Restorative Practices at the International Institute for Restorative Practices.

She has presented professional development workshops and conference sessions on topics related to neurodivergent community and neurodivergent-affirming restorative practices in higher education. She co-founded a neurodivergent staff and faculty community at the college where she works as an advisor.

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

The Furious Flower Poetry Center: Teaching The Worlds Of Black Poetry To High School Students, Mary Beth Cancienne Phd, Hermione Dewitt, Zoe Mcdowell, Kaleigh D. Phelps, Liz Shanks James Madison University

Virginia English Journal

This article titled The Furious Flower Poetry Center: Teaching the Worlds of Black Poetry to High School Students features lesson plans that high school English graduate candidates wrote in a high school English methods course after participating in the decennial Furious Flower Poetry Conference in September of 2024 at James Madison University. High School poetry lessons featured are based on the poetry of Gwendolyn Brooks, Jericho Brown, Nikki Giovanni, Sophia Elhillo, DaMaris B. Hill, Darrel Alejandro Holnes, and Yalie Kamara. Poetic themes and craft taught and discussed in the lesson plans include identity, language, culture, hope, symbolism, tone, diction, and …

Contributors

The Mythic Circle

No abstract provided.

The Mythic Circle #47

The Mythic Circle

No abstract provided.

Editors' Introductions

The Mythic Circle

No abstract provided.

My Achilles Years., Ash William Bittner

Electronic Theses and Dissertations

This dissertation is a historically and rhetorically grounded creative project exploring the traumas of war. This project is divided into three broad chapters, each using a different (and relevant) approach to cover the content contained within that chapter. The first chapter relies on that historical grounding, exploring the history of PTSD as it is currently understood, before exploring ancient Greek poetry and theater and both the historical and military contexts for each, before finally discussing modern warfare and the “Forever War” of the American War on Terror that lasted for nineteen years. With the historical grounding set, it moves into …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

Bellyache, Valerie Braylovskiy

Canterbury Scholars

My manuscript of poems, called "Bellyache," speaks to my experience with endometriosis and how it intersects with both womanhood, and the pain we inherit from our ancestors that becomes stored in our bodies over time. This project gave me the permission to write poems that grapple with both escaping and recreating what it’s like to be a woman inside the medical system which continues to equate pain with hysteria, and inside a world that either says you’re sick, or you aren’t.

Poetries Of Abandonment: A Study Of Plath And Glück, Yara Abdelmoneim

Theses and Dissertations

This thesis explores the intersection between literature and trauma, which can be discerned in the key works of two poets, Sylvia Plath and Louise Glück. While offering readings of crucial poems, the thesis also examines the interrelations among trauma, memory and narrative as theorized by two contemporary psychiatrists, Bessel van der Kolk and Judith Herman. Both Plath and Glück wrote about personal and generational trauma after going through different experiences of abandonment. Absence, indirection and repetition provide the basis for literary techniques that allow their traumas to be better understood by authors and readers alike. The degree to which each …

A Crisis Of Craft: Creative Writing In The American University, Brenna E. Derbish

Undergraduate Honors Theses

In this essay, I aim to analyze the changing nature of the Creative Writing MFA through the lens of the American culture that shaped it. In the 1930s, creative writing in American universities began to take shape, citing itself as a way to reform the philological study of literature into a more active field, a way for the common person to learn through creativity and self-expression. However, as the number of MFA programs in the nation continued to rise, admittance became increasingly selective, with many universities accepting only between 5 and 10% of their applicants. This increase in exclusivity, coupled …

Wulver In Appalachia, Wylan Blair

Persimmon Creek

A poem about a mysterious figure who comes to the aid of a mountain community.

The Stereo Skips, Maryssa H. Mckinney

Persimmon Creek

"The Stereo Skips" is a reflective poem that captures the chaotic and emotional experiences of a child navigating family struggles and religious expectations on a typical Sunday morning growing up in their household. Through the recurring image of a skipping stereo, the poem emphasizes the dissonance between external appearances and internal turmoil, as the child reflects on their relationship with God, the absence of their father, and the contradictions in their family life. The stereo's skips serve as a metaphor for the interruptions and unresolved emotions in the speaker's world.

Tsenacommacah, Wylan Blair

Persimmon Creek

This poem is about the area that was once called Tsenacommacah, the Powhatan people, and the horrors of the centuries that followed 1607.

Whiplash, Jillian M. Canady

Persimmon Creek

Whiplash is an abstract poem that emphasizes emotion and imagery over narrative clarity. Through the juxtaposition of a moth and a neon sign, it delves into themes of struggle and transience, blending surreal elements—sickly slouching figures, flickering candles, and woven snakes—to create a landscape of sorrow and light. With fragmented language and rhythmic shifts, the poem invites deep engagement and personal interpretation, culminating in a sensation of rapid motion and transformation, challenging readers to find meaning within its evocative chaos.