Poetry Commons^™

Orpheus, Spring 1981, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Winter 1981, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Fall 1980, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Spring 1979, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Winter 1979, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Fall 1978: 75th Anniversary Issue, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Spring 1977, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Winter 1977, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Spring 1976, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Fall 1973, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Spring 1973, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Winter 1972, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Orpheus, Spring 1972, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Phantastes Chapter 5: Romance Of Sir Launfal, Thomas Chestre

German Romantic and Other Influences

A medieval poem of 1045 lines telling of a knight who loses status and wealth and who meets a beautiful woman who gives him love and wealth as long as he keeps her existence a secret. The motif of the lover’s prohibition appears in several medieval texts, and MacDonald makes use of this motif in this chapter.

In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard

English - All Scholarship

In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson's poem through original photography.

Acknowledgements:

Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.

This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use.

Phantastes Chapter 6: The Demon Lady, William Motherwell

German Romantic and Other Influences

From the poem “The Demon Lady” (1830), first published in The Edinburgh Literary Journal. William Motherwell (1797-1835) was a Scottish journalist and poet, as well as a collector of local Scottish ballads.

Phantastes Chapter 5: Pygmalion, Thomas Lovell Beddoes

German Romantic and Other Influences

Thomas Lovell Beddoes (1803-1849) was a Romantic poet intensely focused on death. His poem “Pygmalion” (1825) recounts the myth of the Cypriot sculptor who fell in love with the statue he carved. In this chapter, MacDonald echoes this myth.

Phantastes Chapter 4: Ballad Of Sir Aldingar, James Kinsley

German Romantic and Other Influences

A child ballad of various origins. Aldingar attempts to seduce the Queen, who spurns him and sets off Aldingar to falsely accuse the Queen of sleeping with a leper. The king believes Aldingar, and the Queen asks that a knight fight for her honor. Unable to find a knight, she relies on a four-year-old boy, who defeats Aldingar. On his deathbed he admits his accusation was false. The history of this ballad can be found in Paul Christopherson’s The Ballad of Sir Aldingar, its Origins and Analogues, Oxford UP, 1952

Phantastes Chapter 12: A Threefold Cord, Unknown

German Romantic and Other Influences

This poem appears in MacDonald’s A Threefold Cord (1883), where MacDonald is credited as contributor and editor. In this volume, individual authors are not credited. While some have thought that this passage is by MacDonald himself, Nick Page persuasively argues that the poem should be attributed to MacDonald’s friend Greville Ewing Matheson. See Page, Phantastes: Special Annotated Edition (Paternoster, 2008)

Phantastes Chapter 17/18: Exotics, Heinrich Heine

German Romantic and Other Influences

Heinrich Heine (1797-1856) was a German poet whose poetry has a strong political focus. MacDonald includes several translations from Heine in Exotics (pp. 154-165), his book of translations from German and Italian poets (1876). The poems he includes resonate nicely with Phantastes.

Phantastes Chapter 3: Man, Henry Septimus Sutton

German Romantic and Other Influences

Henry Septimus Sutton (1825-1901) was a poet and journalist who met MacDonald in the early 1850s in Manchester. They became lifelong friends, Sutton sharing something of MacDonald’s mystical bent. In 1857, Sutton joined the Peter Street Society of Swedenborgians and he was active as a lay preacher. MacDonald quotes Sutton’s poem “Man” (1848).

Phantastes Chapter 1: Alastor; Or, The Spirit Of Solitude, Percy Bysshe Shelley

German Romantic and Other Influences

A quest poem by Percy Bysshe Shelley (1792-1822) published in 1816. The full title is “Alastor: or, the Spirit of Solitude.” MacDonald quotes lines 484-488 in which the Poet encounters his soulmate. Shelley’s poem is a major influence on Phantastes, and Shelley’s Preface to “Alastor” offers a nice gloss on MacDonald’s fantasy. “The poem entitled ‘Alastor’ may be considered as allegorical of one of the most interesting situations of the human mind. It represents a youth of uncorrupted feelings and adventurous genius led forth by an imagination inflamed and purified through familiarity with all that is excellent and majestic, …

Phantastes Chapter 11: The Excursion, William Wordsworth

German Romantic and Other Influences

Lines 836-842 from Book II of William Wordsworth's The Excursion (1814).

Phantastes Chapter 9: Dejection: An Ode, Samuel Taylor Coleridge

German Romantic and Other Influences

From Samuel Taylor Coleridge's "Dejection: An Ode" (lines 47-49 and 53-58). Coleridge published the poem in 1802.

Phantastes Chapter 2: Heinrich Von Ofterdingen, Georg Philipp Friedrich

German Romantic and Other Influences

Novalis is Georg Philipp Friedrich Freiherr von Hardenberg (1772-1801). A German writer who helped define German Romanticism, he was a key influence on MacDonald. Heinrich von Ofterdingen (1802) is a fantastical romance that concerns a young poet in search of love, who has dream visions. A central symbol in the work is a blue flower, which has become an icon for German Romanticism.

Phantastes Chapter 16: Life And The Ideal, Friedrich Von Schiller

German Romantic and Other Influences

Johann Christoph Friedrich von Schiller (1759-1805) was a German writer, primarily known as a dramatist, poet, and literary critic. Das Ideal und das Leben (Life and the Ideal, 1795) is a philosophical poem. The Oxford Reference reports that the poem was “first published in 1795 in No. 9 of Die Horen, with the title ‘Das Reich der Schatten’. Schiller changed this in 1800 to ‘Das Reich der Formen’, and adopted the present title in 1804.” Edward Bulwer-Lytton (1803-1873), writer and politician, translated the poem in 1844 as Ideal and Actual Life. Bulwer-Lytton began his novel Paul Clifford …

Phantastes Chapter 7: Ballad Of Sir Andrew Barton, Unknown

German Romantic and Other Influences

“Ballad of Sir Andrew Barton” dates from the reign of Queen Elizabeth 1. It appears in the eighteenth-century collection of ballads and popular songs edited by Thomas Percy, Reliques of Ancient English Poetry (1765). Sir Andrew Barton was a Scottish sea captain who engaged in a sea battle with two English ships. He was killed in the altercation, but became famous for his bravery.

Phantastes Chapter 13: I Prithee Send Me Back My Heart, John Suckling

German Romantic and Other Influences

Lines 13-18 from “I prithee send me back my heart” by the poet Sir John Suckling. Suckling (1609-1641) is associated with the Cavalier Poets, poets who supported King Charles I. Suckling is the inventor of the card game cribbage.

Phantastes Chapter 19: The Innocent Iii, Abraham Cowley

German Romantic and Other Influences

Abraham Cowley (1618-1667) was an English poet whose work echoes the metaphysical wit of John Donne. The lines quoted are lines 5-8 of “The Innocent III” (1647).

Phantastes Chapter 13: The Water Is Wide, Unknown

German Romantic and Other Influences

Lines are from an old Scottish ballad, “The Water is Wide,” dating from the seventeenth century. We note, for interest’s sake, that Bob Dylan and Joan Baez sing a version of this song in the 1975 film Renaldo and Clara.